Life-stories and storied lives: genre and reports of lived experience in gay personal literature

Personal literature may be written either as a life story such as an autobiography or memoir or as an autobiographical novel. Using the three volumes comprising the memoir of author Paul Monette and the three volumes comprising the autobiographical fiction trilogy of journalist and novelist Edmund White, this article explores the goal of each author for selecting a particular genre in which to write about lived experience. Each author enjoyed an elite education and came to adulthood in postwar America in the decade prior to the gay rights era beginning in the 1970s, and each writer participated in the sociosexual culture emerging over the succeeding decade. Each writer became HIV+ in the 1980s (Monette died of complications attending AIDS in 1995), and each writer experienced the loss of his lover to AIDS. While Monette and White each experienced the anti-gay prejudice of postwar American society, Monette's youth was less troubled than that of White who grew up in a complex family with a distant yet harsh father toward whom he was also sexually attracted. While Monette's goal in writing a memoir was that the suffering of his generation of gay men should be remembered, White's goal was more personal, choosing autobiographical fiction in his effort to overcome his feelings of shame about being gay founded on his desire for his father.     

Memoir and performance: social change and self life-writing among men who are gay pornography producers and actors

Identity may be understood both as a life-story, either told or written as memoir or autobiography, and also as a practice such as producing or acting in gay pornographic film, but always within the context of social and historical change. Study of the memoirs of gay men who have been actors and/or producers of gay pornographic films across three generation cohorts provides an opportunity for understanding the interplay of social change and life circumstances in making gay identity. This perspective on identity is illustrated through the study of the memoirs of three men from different cohorts who have produced and acted in gay pornographic films: Wakefield Poole, born in 1936; Scott O'Hara, born in 1961; and Aaron Lawrence, born in 1971. Differences in style and content of both memoir and practice in gay pornographic films reflect changing social expectations regarding men who have sex with men following the emergence of the gay rights movement and the AIDS epidemic.     

Cartoons and AIDS: Safer Sex,HIV, and AIDS in Ralf König's Comics

Ralf König is the best-selling author of comic book novels, and his stories of gay men coming to terms with contemporary society have resonated with hundreds of thousands of German readers and film-goers. König's characters, like the author himself, have great difficulty adhering to the demand that condoms be used. The article describes how König develops this theme through a variety of works from 1985 through 1999, and analyzes the intertwined relationships among the author, his characters, and the society that is both portrayed in his works and that reads his works.     

Was Killing the Queer Author Necessary to Liberate the Queer Text?: The Case of Andy Warhol's A: A Novel

In the decades since Roland Barthes' “The Death of the Author” (1968), Michel Foucault's “What Is an Author?” (1969), and Andy Warhol's novel A (1968), we have become comfortable with the idea that the author is separate from the text. In many ways, however, killing the author was an unnecessary act since critics inherently read their own ideas into texts. Within the span of less than two years, all three texts proposed the removal of the author from the text, all three by prominent gay men in academia and art. The act of removing the author represented a kind of closet protection, separating artist from art, author from text. This aricle examines the convergence of ideas of Barthes and Foucault and how they relate to Warhol's A. In these writers and texts, we see a sexuality eager to burst forth from the page, but one that is hesitant, worried that the sexual politics of the late 1960s are not so liberated as to freely accept homosexuality among the artistic and academic elite. This is the real tragedy in the death of the author, when the identity and spirit of the artist/writer is so denied by the audience that not only is the sexuality lost, but the artist as well.     

A Social and Historical Perspective of the San Francisco Gay Men's Chorus

ABSTRACT

This study sought to understand the various roles music played for gay men who were members of the San Francisco Gay Men's Chorus, the world's first gay men's chorus. Specifically, it answers the following questions: What is the demographic profile of the chorus members? How has the chorus shaped or reflected social issues; how has the chorus shaped or reflected political issues; how has the music evolved over time?; How was the chorus impacted by the HIV/AIDS epidemic? Historical information for this study was gathered through eight interviews of original and long-time choral members as well as the current artistic director. Interviews were conducted in San Francisco at the San Francisco Gay Men's Chorus office, and additional data were derived from programs of previous choral concerts, two questionnaires (Internalized Homophobia Scale and Gay Chorus Questionnaire), and observations of choral rehearsals and concerts. As a follow-up to a previous study documenting the formation of the chorus in 1978–1982, this study historically documents the chorus's evolution from 1983 through 2003, emphasizing the chorus's impact on social and political issues, the musicality of the chorus, and the impact of HIV/AIDS on the chorus.     

Kertbeny and the nameless love

The word homosexuality, in its German form Homosexualit?t, was first used in an anonymous pamphlet published in Germany in 1869. Documentary evidence is given here confirming that the writer Karl Maria Kertbeny was its author. A sketch of Kertbeny's life is given, along with a discussion of the historical background and reasons for his introduction of the new terminology. The role that this and rival terminologies played in the changing attitudes toward homosexuality is traced through the following century in Germany, concluding with the reclaiming of the derogatory word schwul by the modern gay movement.     

The Boy Who Would Be Queen: Hints and Closets on Children's Television

Although American television programs targeted at children and adolescents posit universal heterosexuality and never openly allude to LGBT persons, a content analysis of 102 episodes of 25 contemporary children's programs revealed many examples of resistance to the heteronormative ideology: intimate same-sex friendships; inclusive statements or stage business; scenes that hint at the existence of same-sex desire; gender-transgressive or otherwise gay-stereotyped characters; and jokes and references that require a knowledge of gay culture. The impact of this resistance on viewers is analyzed through fan fiction and artwork, and potential explanations are examined.     

Sexual Identity in the American Deep South: The Concordance and Discordance of Sexual Activity,Relationships, and Identities

This research explores the association between sexual identity and sexual behavior and how that association varies across gender and race in the American Deep South. Multinomial logistic regression analysis is used to determine the likelihood of each sexual identity given past sexual behavior, sexual relationships, and other social characteristics. The more traditional cultural climate of the South appears to suppress identification as a sexual minority. Sexual identification in the Deep South is primarily a product of sexual activity and sexual relationships, although attitudes toward and contact with the lesbian, gay, bisexual, and transgender (LGBT) community play a minor role. Although most participants' sexual behaviors and identities were in concordance, sexual discordance was highest for White women and lowest for White men. Discordance was also associated with traditional men's roles attitudes, negative homosexuality attitudes, and contact with the LGBT community. It is hoped that these results encourage scholarship that deconstructs the sexual behavior and identity of all groups, not just oppressed groups.     

A Single Man and a Tragic Woman

Depicting the fraught relationship between a gay man and his straight female best friend, Tom Ford's A Single Man (2009) offers a complex, and often contradictory, depiction of its leading female character, Charley. At once glamorous and troubled, stunning and damaged, Charley reproduces a number of problematic stereotypes regarding women, in general, and fag hags, in particular. At the center of these problems is the film's insinuation that Charley has a melancholic attachment to George, her gay male companion. At first glance, A Single Man reproduces Freudian constructs of melancholy as a pathological response to traumatic loss; this essay argues, however, that the film's many ambivalences also offer opportunities for critical consideration of melancholy as a tactical response to heteronormativity.     

“We’re Not in Oz Anymore”: Shifting Generational Perspectives and Tensions of Gay Community,Identity, and Future

This essay analyzes the writings from a gay male intergenerational project, wherein the process of generating creative prose, poetry, and fiction are used to explore differing understandings of age, aging, and future across gay male cohorts in Chicago. The project suggests one’s age strongly informs one’s perception of power dynamics and one’s perceived access to power. Specifically, youthist logics and lingering cultural myths surrounding the aging gay male shape and constrain intergenerational relations. Furthermore, the study marks and theorizes an emergent generational divide in the conceptualization and articulation of “gay identity” as well as how this identity is understood in relation to “the gay community.” The essay concludes by examining the implications and potential of this research to expand models and logics for meaningful gay male intergenerational exchange, or a queered form of generativity.     

Social Stigma and the Situation of Young People in Lesbian and Gay Stepfamilies

This article presents the results of a qualitative study examining how social stigmatization made the lives of young people in gay and lesbian stepfamilies more complex. The study focused primarily on the young people's viewpoint, which has until now rarely been taken into consideration in studies of gay and lesbian families. Eleven semi-structured interviews were conducted with adolescents and young adults from 15 to 29 years old. The results showed that these young people experienced social stigmatization because of the family they lived in, which in turn had repercussions on their personal, family, and interpersonal lives.     

Recycling Judy and Corliss

This article analyzes the racial and sexual politics of the domestic sitcom Gimme a Break (NBC, 1981–1987). Gimme a Break starred black actress and singer Nell Carter as “Nell,” a former nightclub singer who was now the lascivious caretaker of a white family. As a single woman living with a single (widowed) white man and his children, the show's use of sexual humor clashed with its refusal to breach the interracial sex taboo. This article argues that Gimme a Break relied upon the delightful difference signified by Nell's black sass and sexuality, but labored to contain it. Part of this strategy was imbedded in Carter's grotesque body; its fat blackness was accorded hypersexuality through its link to the black blues tradition and aberrant black sexuality, but was also deemed unappealing, and therefore “safe,” within a white context. Another important strategy was to repeatedly deny that Nell and the white father were attracted to each other. However, the gags and storylines meant to disavow this attraction also had to first invoke it. The result of these contradictions and negotiations was that as long as the white father was present on the show, Nell's sexuality was potentially disruptive.     

When the Emotions Really Started Kicking In,Which Ended Up Being a Problem: Sex,HIV, and Emotions Among Young Gay and Bisexual Men

Interviews from 10 young gay and bisexual men aged 18 to 29 were examined to explore how young gay and bisexual men make decisions regarding sexual behaviors in the age of AIDS. Three main themes emerged: (a) disconnections between what an individual knows about HIV, their motivations to remain HIV-negative, and their sexual behaviors; (b) a struggle to connect emotionally and intimately with another man; and (c) a power dynamic whereby the individual acts as an autonomous decider in the decision-making process. Participants indicated high levels of HIV knowledge, and were engaged in a struggle to balance emotional experiences with sexual partners in a complex gendered dynamic. Findings from this analysis indicate a need to reexamine the social-cognitive theoretical frameworks that have guided gay men's HIV-prevention efforts, as these frameworks have failed to account for the psychologically complex emotional experiences and gender dynamics that are part of sexual decision making.     

Part 2: Fear of contagion, fear of intimacy

In this second part of the trilogy, I review the concepts of panic, the Theory of Cognitive Dissonance, and how internally inconsistent opinions and attitudes can be made consistent (or consonant). The theory explains, in some measure, how AIDS has been socialized into our thinking about identity, and goes beyond a medical condition. The pervasive identification of gay men with HIV and AIDS has resulted for many in an over-identification with fears of contagion and on a societal level in a fear of all gays as pools of contagion. The conversion of dissonance to consonance has taken many forms; within the gay community it has resulted in the rejection of the "100% safe-100% of the time" safe-sex message, and the adoption (for many) of a new form of deviant label-someone who is not in conformity with the social norm of gay community sexual behavior. However, we shall see that this so-called norm is a sham-that many gay men do not, as a rule, practice safe(r) sex on a consistent basis. This information indicates that the educational efforts of the last decade have at best lost their potency, and at worst were less than efficacious to begin with. The dissonant messages have also informed both the construction of the gay community and its interpretation of what it means to be gay. The result has been a tri-lateral perception of HIV and AIDS as either a medical, political or a social phenomenon. This fragmented understanding has exacerbated the already polarized ASOs and GSOs in that each has determined its ideology based on a particular interpretation of HIV and AIDS. This polarization has been operationalized by the GSOs and ASOs primarily in the manner by which they define their target markets, and more importantly, in the manner by which they exclude certain gays from participation. At the extreme, some gay men feel entirely left out of the community, and are consequently unable to convert their dissonance regarding being gay into consonance, if only by developing some associational ties with the community. The central question of the sustainability of the gay movement is thus partly answered by restating the nature of the fractures in the community. Kiesler's determinants regarding change relate directly to the sustainability question-can GSOs and ASOs, given their pluralistic ideologies and constituencies, break free of the constraints that are posed by these determinants? Would the adherents and conscious constituents defect from their organizations, and form new ones (thus reifying the fractures that already exist)? On the other hand, is there a sense of community and identity that will function as a bonding agent to encourage coalition building and social reorganization? The matter may turn on the issue of selective rewards: can a coalition of ASOs and GSOs provide staff, volunteers and clients sufficient motivation for making the inevitable compromises? Given the selective nature of the rewards, as they now stand, the probability of being able to so do is remote. The influence of the non-gay community, as well as the attitudes and beliefs of the majority of gays who do not belong to any gay organizations, hampers success.     

Gay Porn’s Bareback Momentum

ABSTRACT

A profound shift has occurred in the last decade in mainstream commercial gay pornography from condoms to “bareback” (condomless) depictions of anal sex between men. This article explores gay porn’s “bareback momentum” as demonstrated by the displacement of condoms in the 10 most visited gay porn Web sites (that have operated for 10 years or more). While all 10 began by releasing condom pornography, the study finds all except one (Falcon) have since gone bareback—represented visually as a timeline. The sites analyzed are, in order of popularity: Sean Cody, Helix Studios, Lucas Entertainment, Corbin Fisher, Bel Ami, Next Door Studios, Randy Blue, Falcon Studios, Cocky Boys, and Chaos Men. Textual analysis reads each site’s transition individually, yet connections between the sites are the article’s central concern, from which an emphasis on couples and break-up narratives is revealed. Falcon’s commitment to retain the condom is attributed to its brand identity.     

That Teenage Feeling

This article deconstructs news media representations of two custody abductions that took place in Aotearoa New Zealand in the mid-2000s. In the first case, the father abducted his five-month-old daughter; in the second case, the mother was held responsible for the abduction of her six-year-old son even though he was in the presence of his maternal grandfather. The analysis demonstrates that the media's pejorative construction of the mothers at the center of both cases was facilitated by a number of significant gaps and silences in the narration of the abductions. These silences, in lending support to a fathers' rights construction of custody disputes in which mothers are to blame for dispossessing fathers of their children, reveal the media's reliance on pro-father discourses, particularly fathers' rights discourse.     

Community Cleavages: Gay and Bisexual Men’s Perceptions of Gay and Mainstream Community Acceptance in the Post-AIDS,Post-Rights Era

Changes in gay and bisexual men’s connectedness to the gay community are related to the declining public visibility of HIV/AIDS and greater acceptance for homosexuality and bisexuality in mainstream society. Little work, however, has focused on perceived acceptance for subgroups within the gay community or broader society. Using interviews (n = 20) and a survey (n = 202) of gay and bisexual men in a mid-sized Canadian city, we find perceived hierarchies of acceptance for the various subgroups as well as an age effect wherein middle-aged men perceive the least acceptance for all groups. These differences are linked with the uneven impact of social, political, and institutional changes relevant to gay and bisexual men in Canada.     

Gaydar: visual detection of sexual orientation among gay and straight men

Currently, American gay people believe they have a unique ability to pick each other out in a crowd (often termed "gaydar" ["gay" + "radar"]). This was established through a nationwide Internet-mediated survey (n = 460). To test for the presence of this ability in gay men, the researcher asked self-identified gay and straight male participants to view a series of unfamiliar men on videotape and determine the sexual orientation of each. The higher overall accuracy of gay men demonstrated a trend level difference from their straight cohorts although falling short (primarily due to small sample size) of the p < 0.05 level. A theory for the emergence of this skill (termed "Adaptive Gaydar" by the author) as a unique perceptual ability/coping mechanism uinique among gay people is also presented.     

Domesticating Hermione

WIKTT, or “When I Kissed the Teacher,” is a listserv for the circulation and discussion of fan fiction featuring a romantic/erotic relationship between Harry Potter characters Hermione Granger and Severus Snape. WIKTT discussions reflect the discursive functioning of online fan fiction communities, as well as members' negotiations of the Harry Potter canon, conventions of the romance genre, and current gender norms. Tracing WIKTT's debates around the representation of rape in Hermione's fan fiction romances achieves two complementary goals by both showing the variety of modern women's interpretations of heterosexual exchange, and charting the complex process by which fan fiction communities and genres emerge from ideologically heterogeneous cycles of on-going discussion. Thus, while fan fiction communities can represent an alternative to editorial controls and the supply and demand model of professional publishing, the exact content of those visions will vary widely across and within various writing communities.