The iemoto system and the avant-gardes in the Japanese artistic field: Bourdieu's field theory in comparative perspective

The conceptual framework of ‘field’ proposed by Pierre Bourdieu and his model of the literary and artistic fields in nineteenth‐century France are widely applied to studies of the development of the literary and artistic fields in other regions and the fields of other cultural practices. These researches, while showing similarities to Bourdieu’s model, reveal the distinct forms of nomos which those different fields developed through localised contingencies. In other words, their findings highlight the cultural specificity of the cases on which Bourdieu’s field theory is based. The main purpose of this paper is to argue that the field theory can be beneficially applied to cross‐cultural cases provided that its culturally specific elements are clearly identified. For this purpose, I focus on one particular aspect associated with the nomos of Bourdieu’s model – the orientation toward autonomy – to argue for its cultural specificity, which becomes clearer when it is compared to a distinct case of the artistic field in early‐twentieth‐century Japan. My case study shows that the Japanese artistic field did not develop the same form of autonomy as Bourdieu’s model, but it also discloses the processes in which a certain form of nomos was shaped through the struggles between the artistic field and other fields.     

Between Literary and Subliterary Paradigms: Skaz and Contemporary Russian Estrada Comedy

The present article contends that literary skaz has significantly influenced the narrative framework of contemporary Russian estrada comedy. Skaz’s “theatricality,” “orality,” ambiguous authorship, spontaneity, and “folksiness” have the potential to add a rich, conversation-like complexity to the generally non-improvisational Russian comedy performance. Skaz’s allocutional projection of the audience into a comedian’s performance also creates an illusion of mutual communication between performer and public. While relying on Bakhtin’s treatment of skazas a double-voiced narrative, I argue that skaz allows the comedian to deliver sharp social commentary through a provincial or uneducated persona. Of particular interest for this study is the practical motivation for Russian comedians to resort to the mask of skaz narrators in the 1990s, an era of seemingly open public discourse. I argue that the continuing appropriation of a written, literary text (skaz) by an oral, popular performance (estrada comedy) suggests the versatility of the literary form, while simultaneously testifying to the on-going health of the written and spoken word in contemporary Russia.     

The moral evolution of the Russian–Yiddish–English writer Abraham Cahan

One of the ways in which Cahan remained culturally Russian was his devotion to the kind of literary realism that embodies a clear system of values. This article examines the kind of values Cahan promoted, looking specifically at how this writer of educative but realist fiction dealt with the disconnect between socialist ideals and immigrant life. It follows the evolution of Cahan’s literary formula from the transparency of the early stories to the cynicism of The Rise of David Levinsky, seeing the seeds for transformation in the “Bintel Brief” advice column of the Forverts, which was executed and possibly written under Cahan’s direction. The moral vision of Levinsky is compared to that of two predecessors with which Cahan was familiar: William Dean Howells’s The Rise of Silas Lapham and Pyotr Boborykin’s 1881 Russian novel Kitaigorod.     

“I too might once have been a prisoner”: oppressor’s paranoia in J.M. Coetzee,Nadine Gordimer and Breyten Breytenbach

The oppressors and men complicit with oppression in J.M. Coetzee’s Dusklands, Nadine Gordimer’s The Conservationist and Breyten Breytenbach’s The True Confessions of an Albino Terrorist have markedly different personalities, occupy diverse social settings and become alive to the reader through different literary techniques, but they strikingly resemble each other, because they are paranoid, delusional and plagued by repressed feelings of guilt. The article identifies this approach to the oppressor’s mind as one that is typical of white writers writing against apartheid, and analyses the representations and functions of paranoia in Coetzee’s, Gordimer’s and Breytenbach’s texts as well as possible reasons for the strikingly similar portrayal of the oppressor’s mind.     

Lena Finkle’s magic arc: hybrid influences in the Russian American graphic novel

ABSTRACT

The article examines Anya Ulinich’s graphic narrative Lena Finkle’s Magic Barrel and the novel’s use of visual culture from both the author’s Russian and US American backgrounds. The article interrogates the use of history and timelines, Russian art history and Russian art education in Ulinich’s text. It also analyzes other literary constructs that influenced Ulinich’s novel: US American comics/graphic novels and their use of stereotype, and novels by Russian-speaking Jewish American writers, with their thematized Jewishness.     

What is the right way to protest? On the process of justification of protest,and its relationship to the propensity to participate in different types of protest

This study explores how citizens in Spain perceive different tactics employed in anti-austerity protests in 2011–2013, and tests the model of the process of justification of protest. This model combines the elements of Gamson’s collective action frames theory (effectiveness, anger and grievances, operationalized as appraisal of harm) with the concept of legitimacy. It also links justification to the intention to participate. We empirically differentiate between three protest tactics: normative demonstrations, non-normative peaceful strategies, and non-normative violent actions. We find that demonstrations are perceived to be more legitimate, but less effective than non-normative peaceful protests. Violent strategies, on the other hand, are seen to be more effective than legitimate. We postulate and find that legitimacy and effectiveness partially or fully mediate the impact of political ideology, anger, and appraisal of harm on the probability of participation in non-normative protest. Finally, we establish meaningful differences in the predictors of the likelihood of joining normative, non-normative peaceful, or non-normative violent protests. Overall, our results suggest that the study of justification of collective action and especially, the inclusion of the notion of legitimacy, enriches our understanding of the popular approval of and propensity to participate in different forms of collective protest.     

Prophetic Reading: Sisterhood and Psychoanalysis in H.D.’s HERmione

Abstract

This article offers a comparative reading of H.D.’s 1927 kunstlerroman à clef, HERmione and Freud’s Dora alongside an intertextual close reading of its dense web of literary allusions in order to argue that it offers a sustained critique of Freudian psychoanalysis and an alternative origin story for the condition of hysteria. Drawing on the notion of prophecy as it is thematised in the novel, the article demonstrates H.D.’s prefiguring of Juliet Mitchell’s recent reconfiguration of hysteria as a response to, replacement by, or failure of identification with a sibling.     

Subalterns ‘speak’: migrant bodies,and the performativity of the arts

ABSTRACT

The contemporary globalizing world has unleashed new flows of migrant labour, among which are young women working in homes. As is well known, many find themselves in a situation of virtual slavery, having no juridical protections against both physical and emotional abuse, and against being held in servitude against their wills. While the situation of migrant domestic workers is increasingly well known, there has been little analysis of how their precarious lives look from their points of view and the complex set of affects and relations that make their lives meaningful. The following investigation treats the way their precarity can become political critique. It focuses on a critical locus of enunciation supplied by the conditions of migrant female domestic workers as it is articulated not in ethnographic work that solicits their actual voices, but through a focus on literary and cinematic texts in which the female protagonists compare domestic servitude to colonialism (in the case of Ousmane Sembene’s film Black Girl) and to war crimes (in the case of Zadie Smith’s story, The embassy of Cambodia). Mediated with some thoughts from Gayatri Spivak’s Can the subaltern speak and Mahasweta Devi’s short story The breast-giver, we also reflect on the ethical significance of aesthetic interruptions through other genres as illustrated by our reading of images from Ramiro Gomez’s Happy Hills painting and cardboard cutting series. In effect, the artistic texts we analyse raise an important ethico-political question regarding the effect of capitalist modernization on ethical life while provoking us to recognize the ethical weight of proximate and distant others.     

Literary clinical practice: desire,depression and toxic masculinity in Hamlet

ABSTRACT

This essay introduces the notion of a literary clinical practice for which it remains essential to continue to consider those texts that open up a place for a readership, or audience, or even a civilization to consider the endlessly generative failure of its literature to write mental health. Concerned with mental illness that is an effect of language on the subject, the body, and of the enigma of the truth as cause, psychoanalysis is the crucial interlocutor for any literary clinical concern with the maladies of literature and society. In order to re-assess the utility of Shakespeare’s Hamlet to contemporary problems such as depression – perhaps the dominant symptom of our time – this essay attempts a reconsideration of Jacques Lacan’s famous seminar on Hamlet from the perspective of the contemporary clinic of the Lacanian orientation in psychoanalysis led by Jacques-Alain Miller.     

Three novels of terrorism: explorations in the politics of literature

ABSTRACT

This article explores the political role of literature through the medium of three novels of terrorism: Francesca Marciano’s Casa Rossa, Nicholas Shakespeare’s The Dancer Upstairs and Ann Patchett’s Bel Canto. The literary features of these novels, set in the Italy of the Red Brigades and the Peru of Shining Path and Tupac Amaru, foster a political perspective that is a de facto endorsement of the status quo in each society. They hinder a comprehensive understanding of the underpinnings of terrorism that is essential to the formation of counterterrorism strategies.     

Pulping the Black Atlantic: Chester Himes’ A Case of Rape and the Limits of Expatriation

Abstract

This article examines the early expatriate career of Chester Himes, and his overlooked Paris-set novella A Case of Rape (1956). Scholars have identified postwar Paris as the locus of a ‘Black Atlantic’ cosmopolitanism that allowed African American writers to transcend American racial and literary regimes, and in particular the stigma of black ‘protest’ fiction. By contrast, this article argues that Himes’ exile was paradoxical; defined by an exchange, rather than an ‘exceeding’ of American racial and literary stigmas. First, I explore the fetishistic racial politics that energized the Left Bank’s construction of black expatriates as symbols of individualist, masculine, and specifically western transgression. Second, I examine the way in which A Case of Rape, and its narrative of the false conviction of four African American expatriates for rape, dramatizes this paradox. With supreme irony, the novella sees the expatriate celebrity merge with a central symbol of the African American ‘protest’ novel: the black male rapist of white women. Finally, I argue that A Case of Rape is of particular importance for the ways in which it anticipates Himes’ move into pulp fiction. Like his later detective series, A Case of Rape captures Himes’ own disillusionment with conventional notions of authorial autonomy, and literary instrumentality. I conclude that expatriation worked to galvanize, rather than displace, Himes’ interest in the overdetermination of African American literature within dominant western racial discourses.     

Sino-liberalism: the socialist market and the neoliberal concept of freedom

The very notion of China’s ‘socialist market economy’ presents us with numerous paradoxes, such as the way it challenges former distinctions made between democratic and Communist systems. This paper examines the rhetorical dimensions of Milton Friedman’s seminal text, Capitalism and freedom (1962), and demonstrates how literary analysis can make an important contribution towards our understanding of the formation of neoliberal ideology. Drawing on critiques of Chinese capitalism mounted by Zhu Wen in his 1994 short story ‘I Love Dollars’, and the essays in Yu Hua’s China in ten words collection (2011), I show the extent to which the perceived discordance between neoliberalism and socialism is grounded in bi-polar Cold War formations. This examination of neoliberal ideals across three literary genres highlights the layers of fiction, and truth, that are present equally within those designated categories of prose, non-fiction, and economic tract.     

Talking about Russian Sex in the Era of Pussy Riot

Abstract

An attempt is made to sketch a strategy for reading Kronos (2013), Witold Gombrowicz’s (1904–1969) recently published intimate journal, which he kept in the years 1952–1969. It treats Kronos as belonging to Gombrowicz’s corpus, not merely as a literary sensation or an indiscretion, but as an important artistic and philosophical exhibit, which throws further light on Gombrowicz’s preoccupation with the expression of the body and the existentialist concept of person as presence, one of his Nietzschean strategies for countering metaphysics and its ideal transcendence. The key concepts that bring together the artistic, the autobiographical/somatic, and the philosophical are pain and aging. This reading, in demonstration of the artistic unity of Gombrowicz’s corpus, situates Kronos in the context of the novel Pornografia (1960) and the Diary (1953–1969), which share the major themes of aging and pain.     

Black Lives/White Backgrounds: Claudia Rankine’s Citizen: An American Lyric and Critical Race Theory

How do you criticise a hierarchical racial formation that is rendered nearly invisible by its colour (white) and positioning (background) in the contemporary, so-called colour-blind or post-racial US? The reading of Claudia Rankine’s Citizen: An American Lyric that this essay will undertake seeks to offer a response to this question utilising some key insights from Critical Race Theory (CRT). As they are understood here, both CRT and Citizen offer counter-stories by ‘call[ing] out’ to what you ‘don’t see’, specifically to America’s racial formations so as to promote colour-consciousness and an anti-racist critique. Beginning with a discussion of the relationship between literary and legal narratives, followed by two sections on Rankine’s rhetorical strategies, this essay ends by closely reading her texts about Trayvon Martin, who was murdered on 26 February 2012.     

Katabasis,adult betrayals and liminal identities in China Keitetsi’s Child Soldier: Fighting for My Life

In Child Soldier, China Keitetsi recounts her experiences as a child and a soldier during Yoweri Museveni’s guerrilla war against then Ugandan president, Milton Obote. Drawing on key debates on literary representations of katabasis, this paper examines Keitetsi’s portrait of adult betrayal and parental abuse of children at home, and as child soldiers. I argue that Child Soldier is a text that lends itself to a katabatic analysis, and that Keitetsi is a katabasist who frames her experiences as a child and a soldier “within the narrative structure of a descent into Hell and return” . I argue that “hellish” elements in the memoir are more than just incidental: they point to a world where tenderness and love have long given way to cruelty and cynicism, and where madness and violence and despair are the order of the day. I also draw on Sigmund Freud and Homi Bhabha’s notions of the unhomely, to suggest that the memoir introduces interesting parallels between the unhomeliness in the home and that brought on by the civil war. Subconsciously, then, examining the memoir under the tropes of katabasis and the unhomely allows us to view her life as floating in-between the child she wishes she should have been and the abused and rejected young woman she becomes.     

The Aggregation of Political Rhetoric in Zeitoun

While the initial literary and cultural response to 9/11 consisted mostly of domestic narratives of trauma and mourning that avoided explicit political discourse, narrative representations of Hurricane Katrina, from the beginning, have been highly political. This is a profound, if simplistic, inversion: an act of political violence is de-politicized by its cultural response, while a natural disaster is overtly politicized. While the politicization of Hurricane Katrina is clearly, in part, down to the many accusations of negligence and racism that were immediately leveled at the American government after the post-Katrina flooding of New Orleans, this article argues that a major politicizing factor is and was the de-politicization of 9/11. Many narratives of Hurricane Katrina, therefore, are loaded with an aggregation of dissent and political discourse that relates not just to Katrina but also to 9/11 and the War on Terror. This article focuses specifically on Dave Eggers’s narrative non-fiction account of Katrina, Zeitoun (2009) and the way it responds to the domestication of 9/11 in these early instances of 9/11 fiction, and, in particular Cormac McCarthy’s The Road (2006). It argues that Zeitoun responds to The Road’s conservative, messianic allegory, its retrograde formulation of frontier masculinity and unlikely recourse to the domestic. Eggers’s narrative non-fiction account of Katrina is also a migrant story and it is able to both dramatize the social realities of the War on Terror and build a surprising and affecting narrative of community and pluralism in the wake of disaster. Ultimately, this comparative analysis illuminates a wider and revealing departure from the cultural representation of 9/11 in the cultural response to Hurricane Katrina where texts like Zeitoun, are overtly political and loaded with the weight of two catastrophes.     

‘Keeping it straight’ what do South African queer youth say they need from sexuality education?

Drawing on Rich’s [Rich, A. 2004. “Reflections on ‘Compulsory Heterosexuality.’.” Journal of Women's History 16: 9–11; Rich, A. 1980. “Compulsory Heterosexuality and Lesbian Existence.” Signs: Journal of Women in Culture and Society 5: 631–660] conceptualization of heterosexuality as an institutionalized and compulsory system that supports gender and sexuality inequality, this paper answers the following questions – how do queer youth take up, question and say what they need from sexuality education. The study is based on in-depth interviews with 19 queer learners, aged between 16 and 19 years and living and schooling in the Free State Province, South Africa. This paper contends that what queer youth say need from sexuality education is a curriculum that – recognizes sexuality diversity; is without assumptions about their sexual experience or lack of it and does not focus solely on associating non-normative sexualities with issues of disease, deviance and danger. The findings highlight the inescapable power of compulsory heterosexuality and its perilousness and argue for a more defined and inclusive sexuality education curricula framework.