Degradation of the Word or the Adventures of an Intelligent in Viktor Pelevin’s Generation II

This paper addresses the concept of the intelligentsia and its transformation in the post-Soviet period. I present a brief overview of the multiple and problematic ways of defining the intelligentsia, and then turn to a novel that I see as a chronicle of the post-perestroika intelligentsia, Viktor Pelevin’s Generation П. I suggest that the intelligentsia, the milieu in which major Russian cultural myths originated and developed, is itself best understood in terms of cultural myth—a cultural construct reflecting the group’s self-image. A major component of this image is the intelligentsia’s reliance on culture, and especially literature, as both a source and justification for its view of the world and its role in it. In Pelevin’s novel, the career of a poet turned advertising writer—copywriter— parallels the post-perestroika cultural crisis in Russia and the degradation of the Word, which, in turn, symbolizes the demise of the intelligentsia.     

Totality from Interiority: The Nineteenth-Century Russian Novel as Epic in Georg Lukàcs’s The Theory of the Novel

In The Theory of the Novel, Georg Lukàcs’s (1885–1971) approach to the nineteenth-century Russian novel evidences underlying conflict: without presenting theoretical justification, Lukàcs continually refers to these works as ‘epic’. Yet according to the opposition he creates between novel and epic, the idea of a work’s belonging to both genres — even peripherally — appears paradoxical. This article explores the possibility that from Lukàcs’s approach within the Theory, the particular history and characteristics of the nineteenth-century Russian novel make it genuinely qualify for the seemingly-impossible classification of renewed epic; hence his continual implication that this is its true genre. Lukàcs’s treatments of nineteenth-century Russian novelists mentioned in the Theory are examined as support for this reading.     

Trends in the covariance structure of earnings in the U.S.: 1969�C1987

We examine the increasing variance of earnings of white men over the 1970s and 1980s by focusing on changes in the covariance structure of earnings. Using data from the Michigan PSID from 1969–1987, we find that about half of the increase has arisen from an increase in the variance of the permanent component of earnings and half from an increase in the variance of the transitory component, where the transitory component is composed of serially correlated shocks that die out within 3 years. We thus find that increases in the variability of earnings are of equal importance to increases in the dispersion of permanent earnings in explaining recent increases in earnings inequality.     

The power of women: Flanley & Woodward and the woman’s angle in U.S. public relations

After working in corporate public relations during the 1930s, Mabel Flanley and Sally Woodward opened an all-woman agency in New York City in 1944. Their specialty was targeting women publics, and they drew on their experiences with home economics and women’s clubs to promote a variety of clients from agribusiness, heavy industry, and government and nonprofit organizations. They carved a path for other women, contributed to the development of professional standards, and influenced other practitioners to target women audiences, and their inclusion initiatives paralleled those of other groups based on diversity of race, ethnicity, and gender.     

The Crisis of the Russian Avant-Garde in Iurii Olesha’s Envy

In this essay 1 will analyze lurii Olesha’s novel Envy (1927) as a reflex of the crisis within the Russian avant-garde. 1 will argue that Olesha’s work can be viewed as the author’s perception of the destruction of the avant-garde in the mid-twenties and its replacement by a radically different aesthetic system, i.e., Socialist Realism.

In Envy, the fatal clash between the pragmatic productivism and the earlier constructivism finds its representation in the struggle of the three machines (or constructions—postroeniia—to use the avant-garde term). These constructions are: the communal kitchen Chetvertak’; a mysterious machine, Ophelia; and Anechka Prokopovich’s bed. I argue that all the power struggles among the main characters of the novel are connected to these three machines. The main feature common to these three machines and their design is control over human life. However, if the first two—Chetvertak and Ophelia—are involved in the active struggle for power, the third—the bed—epitomizes passive aggression. The bed mocks their struggle and lies in waiting and finally devours the future discourse, because it is in the bed that the action of Envycomes to its end. Thus, 1 suggest that Chetvertak be seen as a later productionist creation, while Ophelia represents an earlier constructivist avant-garde conception. In relation to the first two machines, the bed represents socialist realism as a stagnating aesthetic vision and the dystopian pretense of paradise attained.     

Antipolitics and Counterpolitics in Nepal’s Civil Society: The Case of Nepal’s Citizens’ Movement

This article considers the relationship of civil society to the domain of the political from the actors’ perspectives. It explores the attempt by a citizens’ movement (CMDP) in Nepal to construct new political realities in the context of the autocratic regime of king Gyanendra and then during the democratic transition. This was, paradoxically, to be achieved through the construction of an apolitical space. Theoretically, this production of apoliticality by civil society actors shows that civil society is not only implicated in the expansion of what is understood as ‘political’ but also in setting its boundaries. The broader aims of the article are to contribute to the ethnography of civil society and to add to current understandings of the relationship of actually existing civil societies to the political domain. Practically, it argues that debates over whether civil society is or is not political in the Nepal case and normative positions within development circles that it should not be political are misconceived since civil society is a site for the production of both politicality and apoliticality.     

The Strange Case of the Goddess Peitho: Classical Antecedents of Public Relations’ Ambivalence Toward Persuasion

ABSTRACT

Public relations scholars continue to debate “whether persuasion is a legitimate public relations function” (Edgett, 2002 Edgett, R. (2002). Toward an ethical framework for advocacy in public relations. Journal of Public Relations Research, 14, 1–26.[Taylor & Francis Online] , [Google Scholar], p. 1). Their ambivalence toward persuasion has deep roots in the tangled lineage of Peitho, the Greek goddess of persuasion. The purpose of this article is to chart the goddess Peitho's contradictory history in classical Greek literature and art; and to study how the Greeks resolved that ambiguity. Ultimately, the Greeks determined that Peitho, at her best, was honest, respectful of others, and mindful of community wellbeing. The Greeks’ resolution of Peitho's nature ideally holds lessons for the troubled status of persuasion within modern public relations.     

The Lovers of Venice: Musset’s Works and Life in Kuzmin’s A New Rolla

The title of Mikhail Kuzmin’s Novyi Rolla [A New Rolla] has been considered cryptic despite its evident allusion to Alfred de Musset’s “Rolla,” a poem with which it shares little. In this article I argue that the link to Musset is clear if we read A New Rolla as responding not just to “Rolla,” but also to Musset’s novel La Confession d’un enfant du siècle [The Confession of a Child of the Age] and his biography. From this composite source Kuzmin takes up the themes of a debauchee finding love, love as serial yet serious, and a love triangle in Venice, as well as an apostrophe to the kiss. Kuzmin endorses most of Musset’s idea of love, but rejects the egalitarian ideal implicit in the sympathetic treatment of the prostitute Marion in “Rolla.” A secondary allusion to Nikolai Nekrasov’s “Kogda iz mraka zabluzhden’ia” [When, out of the darkness of error] reinforces Kuzmin’s rejection of the egalitarian ideal of sexual love. The allusions to Musset and Nekrasov amount to anachronisms that partially undermine the precise temporal setting of A New Rolla. Kuzmin’s work thereby occupies an intermediate position among his period pieces, as it is neither openly playful like Venetsianskie bezumtsy [Venetian Madcaps] nor constructed with its seams hidden like the Aleksandriiskie pesni [Alexandrian Songs].     

The Politicization of Knowledge Claims: The “Laffer Curve” in the U.S. Congress

Political debates over knowledge claims often become emotionally charged, with two sides not only disputing what is true but seeing those on the other side as deluded or worse. By looking at use of the term “Laffer curve” in the U.S. Congress from 1977 to 2010, we draw attention to two ways such debates over knowledge claims can evolve. The Laffer curve is a simple schematic representation of the relationship between tax rates and government revenue that was influential in U.S. tax policy in the late 1970s. Early on, Republicans and Democrats faced off over the Laffer curve as a cognitive symbol to be debated with argument, evidence, and reference to experts. Over time, Republicans continued to treat the Laffer curve as a cognitive symbol, but for Democrats it became a polluted expressive symbol that could be dismissed without debate. Democrats also articulated the Laffer curve as part of an ironic narrative about the failure of the Reagan administration, which ended the possibility of serious deliberation. We suggest that the dynamics seen here may also be present around other politicized knowledge claims, such as the claim that human activity is causing climate change.     

Chekhov’s Depiction of Human Stress: The Case of Nikolai Ivanov

This article constitutes an attempt, previously not undertaken in the critical literature, to collate all the known information concerning Nikolai Gogol′’s work in 1833–1834 on a history of Ukraine, and, based on this evidence, to formulate a reasoned conclusion as to how much of the history he might have completed beyond what purports to be the introductory chapter, initially published under the title “Fragment from a History of Little Russia” and later as “A Glance at the Composition of Little Russia.” Gogol′’s original plan was to write a history of Ukraine from the time southern Rus’ separated from the northern as a consequence of the conquest of Kyiv by the Mongols in 1240 and later the absorption of Kyivan Rus’ by Lithuania in the mid-14th century. The “Fragment” is almost certainly the only part of it, as per this plan, ever written, and is itself probably unfinished, because the writer broke off work on it when he redesigned the history, intending now to begin with the early history of the Eastern Slavs and the founding of the Kyivan state. A two-page prose fragment found among what is represented in the 1937–1952 Academy edition of Gogol′’s complete collected works as the writer’s notes on Russian history, represents the new beginning, but this breaks off as well, and what would have constituted its continuation is still in the form of an outline and notes, so that, logically, no continuation of either beginning can be expected to surface.     

Reflections on Strangeness in Context: The Case of Russian–Jewish Immigrants in the Kibbutz

This article elucidates and elaborates upon the contextualized meaning of strangeness and the experience of being a stranger. Our empirical study of strangeness embarks simultaneously from the three leading theories of the stranger—as cultural reader (Schuetz 1944), as demarcator of social boundaries (Simmel 1950), and as trespasser of social categories (Bauman 1990, 1991)—and at the same time criticizes these theories for artificially divesting strangeness of social context. Our thesis about strangeness-in-context is grounded in in-depth interviews we conducted with Jewish–Russian immigrants (twenty-one university students) who have lived in kibbutzim. Our assumption is that the kibbutz as a communal home is a suitable case study to illuminate the manyfold dimensions of strangeness, as it intensifies the tension between insiders and outsiders. In explicating the immigrant's sense of strangeness we claim the local context of the kibbutz interacts with the Israeli national definition of the immigrant as a homecomer.     

Some Trends in the Prestige of U.S. Ph.D. Programs in Sociology, 1976–2011

The prestige ranks of 110 U.S. Ph.D. programs in Sociology are examined at seven times between 1976 and 2011. Linear latent growth curve models are fitted to test differences between public and private institutions, institutions located in the four major census regions, and between three historically strong communities (the Ivy League, Big-10, and Pac-10) and others. The relative prestige ranks display considerable stability, totaling 90 % of the variance between, and 10 % of the variance within programs. Differences between the three historically high-prestige communities and others are more important than geographic or public/private distinctions. The Big-10 institutions have declined markedly in relative prestige, as has the mean prestige rank of institutions in the Midwest generally. Ivy and other Eastern schools have gained modestly; Western, but not Pac-10, schools have also gained, while schools in the South are little changed. Overall, public institutions have shown gains relative to private during the period.     

What’s happening inside U.S. unions: Democracy and union politics

Conclusions  On balance the news is good. The union movement is awakening from the fatalistic pessimism and apathy which marked the 1980s. There is new excitement. New blood is coming in. New ideas are being tried. Pockets of corruption are being cleaned out. Important issues are being debated and have become the subject of hard-fought union elections.     

A. S. Serafimovich’s Forgotten Novel,City in the Steppe (1912)

La plupart des écrits prérévolutionnaires de A. S. Serafimovich se trouve reléguée à l’ombre par la popularité en Union Soviétique de son roman "classique" Torrent de fer, 1924. Son premier et son plus long roman, Ville dans la Steppe, 1912, est l’une de ses oeuvres les plus achevées; une synthèse tragique et pittoresque de ces forces lointaines et sourdes concrétisées par le régime capitaliste en Russie à la fin du 19ème siècle. Cet article souligne surtout le dépouillement du monde intérieur des personnages principaux du roman – Zakharka et Polynov – que l’écrivain accomplit magistralement avec de l’acuité psychologique et une imagination puissante. Les destins de ces deux hommes opposés s’entrecroisent d’une façon qui ressemble les coups dans une partie d’échecs. Par une antithèse saisissante, Serafimovitch dévoile l’état de ces deux âmes destinées à être détruites parmi les bestialités d’un milieu capitaliste. L’auteur met en jeu ses ressorts psychologiques pour rendre les personnages secondaires et épisodiques également émouvants et mémorables. On trouve dans la caractérisation des faiblesses, des banalités, un certain pessimisme, parfois des exagérations, mais le tout est compensé par les analyses originales et inquiétantes dont l’auteur empreint toutes ses images. Riche en péripéties, sans être confus, le développement des faits dans le roman a une certaine valeur socio-historique.     

The ‘Old New Russian Town’: Modernization and Architectural Preservation in Russia’s Historic North West, 1961–1982

Abstract

The emergence of a Soviet preservationist movement, which gained institutional coherence in the mid-1960s, appears to stand at odds with the ideas of rationalization and standardization that informed the Khrushchev-era urban development programme. Yet, as I argue in this article, these two strands of post-Stalin era Soviet culture were not as antagonistic as they may first appear. In Khrushchev’s Russia, the preservation of architectural heritage was rationalized as a means of strengthening the foundations of Soviet society by rooting it in the national past. Rather than detracting from the goal of building communism, cultural heritage was made an integral part of that process, a focus of national pride and source of social solidarity.