Precarious beauty: migrant Chinese women,beauty work,and precarity

This study focuses on precarious labor, in particular, the experiences of a group of internal migrant women working in a beauty shop in South China. The study aim is to elucidate the ways in which migrant Chinese women negotiate the demands of work and life that help to shape the imaginations and aspirations of modern city dwellers. Women factory workers, it is argued, leave other employment for work in the aspiring Chinese beauty industry, which promises significant facets of modern identity such as urban status, cosmopolitanism, and upward mobility. Their work, nevertheless, remains fundamentally precarious because of not only low wages and limited job security but also the construction and circulation of femininity and assumptions about gender normality in both work and family. The precarious work also indexes the ambivalent relationship between the national affect of hope and the fragility of individual potentiality under neoliberal ethos.     

A Chinese beauty story: how college women in China negotiate beauty,body image,and mass media

This study examines how young Chinese women negotiate beauty and body image in context with mass media, paying particular attention to the relationship between ongoing sociocultural change in contemporary Chinese society and the attitudes and behaviors among young women towards beauty. Qualitative in nature, this study explores the “beauty stories” of 13 college women in mainland China through in-depth interviews. Several distinctive themes were found: (1) These women believed the ideal beautiful Chinese woman should have a tall and thin body, big eyes, a watermelon seed-shaped face, fair skin, and qi zhi (inner beauty); (2) Body image issues were centralized in these women's everyday experiences, and they were under significant cultural, societal, familial, and peer pressure to pursue physical beauty; (3) Cultural and media influences on their perceptions of beauty were complex and multi-layered; and (4) The women were hopeful of both potential positive social change and the liberation of Chinese women, and they were concerned about the superficiality and extreme beauty standards advocated in the media. The findings suggest that the contemporary Chinese beauty story is essentially different from the Western one, extending the existing literature on beauty and body image to include an Eastern and Chinese perspective.     

Race and the beauty premium: Mechanical Turk workers’ evaluations of Twitter accounts

ABSTRACT

Race, gender, and physical attractiveness strongly affect perceptions of trustworthiness and subsequent face-to-face interactions. This study examines how social media users’ perceived gender, race, and physical attractiveness can impact their standing online. We test these broad hypotheses by having Amazon Mechanical Turk (MTurk) workers evaluate a sample of 816 Twitter accounts. Our results show a ‘beauty premium,’ where MTurk workers say they are more likely to follow Twitter accounts with attractive pro?le photos, and attractive photos are positively associated with evaluations of trust. However, very attractive Black male and female Twitter accounts are associated with lower evaluations of trust compared to their White counterparts. These findings suggest that social media users’ social characteristics, perceived from their username or profile image, can replicate offline inequality online.     

Color capital: Examining the racialized nature of beauty via colorism and skin bleaching

Colorism, like whiteness is capital, is rooted in the institution of slavery and has resulted in the preference of light skin. Because colorism is part of the historical construction of whiteness, the consumption of whiteness is commodified through various markets. Current manifestations of racialized beauty, that is, skin bleaching and photo editing apps such as FaceTune and Snap Chat reinforce colorism and impact conceptualizations of beauty. This literature review surveys how colorism and racialized beauty are reproduced to reinforce whiteness as a form of capital.     

Introduction:

No abstract available for this article.     

Introduction:

No abstract available for this article.     

On being affected: feeling in the folding of multiple catastrophes

ABSTRACT

How possible is it for a life of ongoing feeling to hold, given the world’s current becomings? Much of this article will consider three of the most pervasive of the current disruptions as disruptions of living and feeling: climate change, social change, and, in more detail, what I will call a ‘third media revolution’. All three of these disruptions (and many others) are themselves multiple. They all fold through each other. Living and feeling thus find themselves in the midst of catastrophic multiplicity. This catastrophic multiplicity haunts much of what’s going on. Questions concerning what can be felt within this folding of catastrophes into each other are important contemporary questions. Feeling itself – what it is, what it does, and what the future of feeling might be – has become both a field of struggle, and a complex and open-ended question. A secondary set of questions here will concern the future of studies in relation to these questions of living and feeling – of Cultural Studies, Media Studies, disciplinarity in general, and finally ‘study’, as discussed by Moten and Harney (2013. The undercommons. New York: Minor Compositions).     

More than just being there: balancing the participation equation

The research and evaluation evidence is mounting: out-of-school-time (OST) programs can keep young people safe, support working families, and improve academic achievement and social development. Over 6 million children are enrolled in after-school programs nationwide, but an estimated 14.3 million children still care for themselves in the nonschool hours. Because of this discrepancy, OST stakeholders need information about how to maximize participation in OST programs. The Harvard Family Research Project (HRFP) has developed a conceptual model, based on scholarly theory, empirical research, and knowledge gained from providers, that describes the characteristics that predict participation in OST programs as well as the potential benefits of that participation. In the center of the model, participation is conceived as a three-part construct of enrollment, attendance, and engagement. This equation serves as the basis for framing this issue of New Directions for Youth Development. The chapter provides an overview of why participation in OST programs matters for young people, describes some of the barriers and challenges to youth participation, teases out more precise definitions of participation, and presents HFRP's conceptual model of participation. It focuses on the participation equation and concludes by highlighting some overarching themes that recur throughout the issue and that have an impact on future directions for research and evaluation.     

Men are real, Women are 'made up': beauty therapy and the construction of femininity

Beauty therapy as an industry is multi-faceted; as a set of practices it is complex. The beauty industry has been the subject of much critique but comparatively little empirical study. Based upon research with beauty therapists themselves, this article investigates the complex relationship between femininity and beauty. The beauty industry is located within debates about the body and leisure. The growth in the beauty industry is also linked to the commodification of body practices. Despite remaining critical of the role of beauty in the lives of women, we also emphasise the fact that women are not 'cultural dopes' (Davis, 1991). The actual experiences of beauty treatments and the testimonies of women involved in the industry paint a picture of competing discourses and contradictory outcomes. This is not least because both clients and therapists deny being concerned with beauty, but rather aim to provide 'pampering', 'treatment' or 'grooming'. The beauty salon may be seen as the site of both compliance with, and escape from, a feminine ideal. The role of class, ethnicity and age in breaking down the monolithical concept of beauty and in fragmenting the experiences of beauty practices are also discussed.     

Nennu and Shunu: gender, body politics, and the beauty economy in China

This essay analyzes recent discourse on two emerging representations of women in China, "tender" women (nennu) and "ripe" women (shunu), in order to examine the relationships among gender, body politics, and consumerism. The discourse of nennu and shunu suggests that older, ripe women become younger and more tender by consuming fashions, cosmetic surgery technologies, and beauty and health care products and services because tender women represent the ideal active consumership that celebrates beauty, sexuality, and individuality. This discourse serves to enhance consumers' desire for beauty and health and to ensure the continued growth of China's beauty economy and consumer capitalism. Highlighting the role of the female body, feminine beauty, and feminine youth in developing consumerism, this discourse downplays the contributions of millions of beauty and health care providers (predominantly laid-off female workers and rural migrant women) and new forms of gender exploitation. Such an overemphasis on gender masks intensified class division. This essay suggests that women and their bodies become new terrains from which post-Mao China can draw its power and enact consumerism. Gender constitutes both an economic multiplier to boost China's consumer capitalism and a biopolitical strategy to regulate and remold women and their bodies into subjects that are identified with the state's political and economic objectives. Since consumerism has been incorporated into China's nation-building project, gender thus becomes a vital resource for both consumer capitalist development and nation building. This essay shows that both gender and the body are useful analytic categories for the study of postsocialism.     

On the possibility of accurate public prediction

Henshel's (1995) challenge to practical applicability of the theorem demonstrating the possibility of public predictions of social behavior fails, for his examples do not show discontinuity of the public behavior to the magnitude of the prediction of behavior.     

Buying and selling breasts: cosmetic surgery,beauty treatments and risk

This paper is concerned with the ways in which women are sold cosmetic surgery, and how they ‘make sense of’ their own participation in this market. It draws on ongoing ethnographic research to explore how a group of young women who have paid for breast augmentation surgery narrate their decision to undergo surgery, the choices they make as consumers of cosmetic surgery, and their experience of having surgery. These narratives are compared with the ways in which breast augmentation surgery is sold to them by the companies and medical professionals involved in the rapidly expanding market for breast augmentation surgery. The paper shows how this particular group of young white working‐class women shift between imagining the breast augmentation operation as a simple beauty treatment and recognizing it as medical surgery, and explores how this shapes their perceptions of the risks and benefits of buying new breasts. It also shows how those who market such procedures manage and manipulate perceptions of the process of breast augmentation surgery and the risks that attend on it in an effort to encourage this form of consumption.     

Ways of being seen: surveillance art and the interpellation of viewing subjects

Critical artworks about surveillance introduce compelling possibilities for rethinking the relationship of people to larger systems of control. This paper analyses a number of art projects that strive to render surveillance visible and cultivate a sense of responsibility on the part of viewers or participants. Some of the projects show the human costs of surveillance-facilitated drone violence and urge viewers to take action, others use tactics of defamiliarization to draw critical attention to everyday surveillance that has become mundane, and still others invite participation as a way of producing discomfort and reflexivity on the part of viewers. The potential of such works to engender ideological critique rests in their ability to foster ambiguity and decentre the viewing subject by capitalizing upon multiple, competing forms of interpellation.