Developing selves: photography,Cold War science and ‘backwards’ people in the Peruvian Andes, 1951–1966

This article explores how social science applications of photography employed in the early 1950s to both understand and change so-called ‘backwards’ people became entangled with, and drew momentum from, the geopolitical concerns of the early Cold War. Specifically, I address the employment of photography in the Cornell-Peru Project in the Andean community of Vicos, a decade-long research experiment combining development anthropology and fashionable modernisation theory emanating out of the behavioural sciences. In addition to development activities that were to serve as the catalysts of change (agricultural improvement, health and education), researchers at Vicos were at pains to uncover and validate the inner ‘predispositions’ towards change and modernity they hoped were lurking inside villagers. Reflecting Cold War priorities and concerns, researchers sought to locate a particular developing indigenous subject – one closer to liberal capitalism (and its values of self-reliance and individualism) and away from communal nature of indigenous society that too strongly resembled Soviet models of development and collectivisation. Along with an arsenal of other psychological projective tests, researchers hoped the camera’s lens would reveal this change through such subtle cues as the rearrangement of home interiors and modifications in dress, style and comportment, as well as the development of visual literacy. Following the photographic work of famed photographer and formative visual anthropologist, John Collier, Jr., during a year at Vicos, this article ultimately explores the limitations of the behavioural sciences’ hopeful uses of photography.     

‘Familial looking’: Chinese Canadian vernacular photography of the exclusion period (1923–1967)

This essay examines the roles of photographic and oral testimony in the construction of Chinese Canadian family identity during a period of discriminatory immigration laws and family separation. Extending Marianne Hirsch’s idea of the ‘familial look’, I argue that Chinese Canadians deployed photography to serve as visual proxies that could transcend physical border restrictions. By examining the interplay between visual and verbal cues and the entanglement of selective framing and storytelling, I posit that the strategic use of photography was a means of building a material trace of family presence in the face of absence and loss. However, as a medium where distance and absence are inherent properties, photography – when paired with oral history – also reveals gaps and discontinuities in the construction of memory. Containing and activating trans-temporal and transnational narratives, family photographs and oral histories act upon each other, changing the way we interpret each mode of articulating the past. Deployed as forms of énoncés, photographs in this period declared Chinese Canadians as members of a visible citizenry, in spite of barriers preventing their achievement of full rights as Canadians. This research draws from the development of the project Chinese Canadian Women, 1923–1967, an online multimedia resource and digital repository that brings together oral histories and photographic collections of families across Canada.     

Watson Kirkconnell on “The place of Slavic studies in Canada”: a 1957 speech to the Canadian Association of Slavists

This article introduces and reprints a speech by Watson Kirkconnell to the Canadian Association of Slavists in 1957. Watson Kirkconnell (1895—1977) was an influential Canadian scholar, university administrator, Baptist activist, and prodigious translator of verse. The introduction discusses his significant role in the development of Slavic and East European studies in Canada, as founder of the Humanities Research Council of Canada, and as an early promoter of multiculturalism in Canada. In his speech, Kirkconnell discussed his personal encounter with Slavic studies and the early development of the field in Canada, his role in the pre-history of the Canadian Association of Slavists, and the importance he accorded to fostering critical knowledge of the Slavic and East European societies and cultures in Canada. Slavic studies, he argued, were necessary both intellectually and politically: the Slavic and East European literatures constituted “major stones in the arch of modern civilization”; moreover, in the atmosphere of the Cold War, knowledge of the languages and societies of Soviet-dominated Central and Eastern Europe would play a fundamental role in the fight against communism.     

Reconstructing the Self: photography, education and disability

Despite the centrality of photography to an understanding of the self and others in contemporary culture, its educational significance has been largely ignored. This paper examines the potential of photographic work as a means of exploring and reconstructing understandings of disability in an educational context. The particular empirical focus is a short project in the context of a Foundation arts course. It is argued that the practical work produced by students on the project enabled them to understand how their identities are constructed within photographic discourses such as charity advertising and family photography, and to begin to reconstruct new understandings of the self. It is also argued that this goes beyond progressivist pedagogies or photography as a kind of art therapy.     

Accounting for the contribution of vitamin B to Canada's WWII effort

Canada began to fortify its flour and bread with vitamin B when it entered the Second World War. The decision was informed by the biology of vitamin B and therefore I suggest that the complexity of this political maneuver can best be understood by considering the specificity of the biochemistry of vitamin B. In this paper I will show that the specific biology of vitamin B allowed the Canadian government the possibility of a healthier population under wartime conditions but also allowed the government a variety of means by which to develop and organize food processing practices to this end.     

The resettlement in Canada of 4,527 Polish ex‐servicemen, 1946–47

After the Second World War, a Canadian immigration policy was negotiated with the United Kingdom whereby Polish ex‐servicemen were resettled in Canada. The policy was developed and presented with great care and resulted in 4,527 Polish ex‐servicemen coming to Canada in 1946 and 1947. Domestic and international functions and dysfunctions of the scheme for Canada and the Polish ex‐servicemen are analysed to determine its success or failure. With regard to the short‐ and long‐term contributions the Poles made to agriculture, the scheme was a failure.     

Hand over fist: a chronicle of Cold War photography

Group Material’s Timeline: The Chronicle of US Invention in Latin and Central America (1984) at P.S.1’s Center for Contemporary Art explored the framing devices of installation art and photography in tandem, as a means of reconfiguring the distribution of the sensible at the height of the Cold War. In response to escalating crisis (including continuous Central Intelligence Agency operations being carried out in Nicaragua and El Salvador), this activist project employed postmodern strategies such as appropriation, pastiche and a resistance to conclusiveness in order to suggest provocative and unexpected dialogues between disparate artworks and artefacts across time and geopolitical difference. Artists ranging from Richard Prince and Barbara Kruger to John Heartfield, Tina Modotti and Arellano Bolivar, among others, come together as signs of political and aesthetic conflict, as networks of visual culture that complicate dominant narratives of spatial and temporal reality during the Cold War era. Closer analysis of such works reveals historical ruptures alongside continuities, relayed by official government policy, mass media and the art world more broadly. By excavating a long-standing history of conflict, Timeline addresses the stakes of the ownership of meaning itself in the mid-1980s, with implications regarding art production and politics for generations to come.     

Democracy,Minority Rights and Plural Societies: Plus ça Change?

For more than a century, it was assumed that plural societies were unconducive to democratic government and assimilation a necessity. The end of the Cold War reopened the question of self-determination and the concomitant issue of minority rights not only in Europe but also worldwide. As a result, minority rights and multiculturalism are emerging as the consensus position on democracy in plural societies. But it would be inaccurate and potentially unwise to regard this pluralist perspective as a universal remedy for the problems of diversity. Instead, the history of academic debate and public policy in this area as surveyed here is testimony to the fact that there can be no categorical imperatives when addressing problems of democratic governance in plural societies; both academics and policy-makers would do well to remember that crucial fact.     

Political,institutional, and bureaucratic fuel for the arms race

Revolutionary changes in Eastern Europe are fundamentally intertwined with the thawing of the Cold War between the United States and the Soviet Union. Paradoxically, the arms race between the superpowers continues. This paper examines the paradox by first considering the conventional explanations for improved relations and demonstrating their inadequacies, then turning to the structural factors that appear to help explain the changed relations, and finally examining some of the social forces that cause the arms race to continue despite the thawing of the Cold War. Structural factors cited here as having contributed to the improved relations include: changes in the global economy, the development of a civil society in the Eastern bloc, domestic and international peace initiatives, and cultural changes. Despite these changes, the arms race continues due to the stability of strategic policy and the way it is made, military-industrial institutional operations, political and economic interests, and government operations. In each of these areas, much sociological research is needed to help guide the policy-making process away from continuing the arms race.     

The Family of Man in Guatemala

Placing Edward Steichen’s 1955 photographic exhibition, The Family of Man, in Guatemala reorients the show’s Cold War geography and challenges the limits of Steichen’s humanism. Steichen’s orientation was East–West, his purpose to break down what he considered to be a nihilistic binary between the United States and the Soviet Union. A North–South axis brings with it issues of hereditary, festering colonialism and comprehensive exploitation of indigenous populations, who, in the visual realm of Life magazine, were one source of the sorts of exotic images, stamped with the seal of authenticity, which made their way into The Family of Man. It is important to see how the exhibition was displaced from the stable terms of exchange with its assumed audience through its deployment as a mobile element of the United States Information Agency’s contribution to the cultural diplomacy of the United States. After reviewing the message that Steichen constructed for the exhibition, the essay will examine the uncertain, Cold War terrain that greeted it in post-revolutionary Guatemala. The essay discusses the two impresarios who made possible the appearance of The Family of Man in the Casa de Protocolo: Edward Steichen, the originator of the exhibition, and Nelson Rockefeller, the master of the bewildering context surrounding this photographic work. I conclude with some reflections on present-day humanistic projects in Guatemala.     

Going Back to Civvy Street: a historical account of the impact of the Everest and Jennings wheelchair for Canadian World War II veterans with spinal cord injury

In February 1945, the Canadian government agreed to provide the Everest and Jennings folding, self-propelled wheelchair to all World War II veterans with spinal cord injury. These wheelchairs replaced wooden and wicker invalid wheelchairs that were usually assigned to hospital wards rather than to individuals. Veterans with spinal cord injury were among the first group of Canadians to use these wheelchairs to participate in community life. By 1947, Canadian veterans had demonstrated that it was possible to return to education, employment and leisure activities using a wheelchair. Drawing on oral history interviews and archival research, this paper provides an account of the introduction of folding, self-propelled wheelchairs into Canada following World War II. It discusses the impact of these wheelchairs on the life experiences of veterans, and outlines the strategies used by these early pioneers to live and work in communities that had neither expected nor planned for individuals using wheelchairs.     

Shot at Dawn: Late photography and the anti-war memorial

The military executions of World War One are the subject of Chloe Dewe Mathews’s 2014 photographic series Shot at Dawn. These events—in which hundreds of soldiers were court-martialled and executed for cowardice and desertion—remain controversial, without consensus or established collective narrative. This article charts historic negotiations with the subject but also considers more recent efforts to integrate these proceedings within memorial practice. World War One remembrance activities, whilst diverse, have often emphasised sacrifice, heroism and community. Correspondingly, participation and engagement were core values in the major British World War One centenary arts project, titled 14-18 NOW, from which Shot at Dawn was commissioned. Chloe Dewe Mathews’s contribution to the programme, however, presents a photographic aesthetic of resistance to the principles of inclusivity and remembrance elsewhere embraced by the project. As such, the work challenges the consensual politics of commemoration and—through the practices of late photography, land art and performance pilgrimage—substitutes trauma and forgetfulness for reconciliation and memory.     

Twelve Years After: The Berlin Wall as Will and Idea

The Berlin Wall at different times in its ignominious history has been demonized by Western opinion less because of its real paltry role in the Cold War tension in Europe than because of the fears and frustrations it generated within Europe. This is the central theme and claim of this paper. We attempt to show through an excursion of personal and institutional events how the perceptions of Soviet communist realities were refracted through the icon of the Wall as a Cold War symbol.     

Twelve Years After: The Berlin Wall as Will and Idea

The Berlin Wall at different times in its ignominious history has been demonized by Western opinion less because of its real paltry role in the Cold War tension in Europe than because of the fears and frustrations it generated within Europe. This is the central theme and claim of this paper. We attempt to show through an excursion of personal and institutional events how the perceptions of Soviet communist realities were refracted through the icon of the Wall as a Cold War symbol.     

Visualities of strategic vision: Lookout Mountain Laboratory and the deterrent state from nuclear tests to Vietnam

This article considers two visual cultures of America’s deterrent state in the Cold War, the cinematic and cybernetic, by following the history of the 600th Photographic Squadron of the United States (US) Air Force in Vietnam and its 1950s progenitor, the 1352nd Motion Picture Squadron, or Lookout Mountain Laboratory. We argue that cinematic and cybernetic visual cultures were at the heart of a Cold War visual alliance that was also a Cold War visual contest, and cameras were situated at the centre of the contest. Specifically, the cinematic and the cybernetic represent two distinct visualities of vision, as the Cold War cameras of the Air Force assumed either transcendental or transcendent positions. The former, in keeping with a cinematic visuality, was oriented towards casting America as a sight to see in the context of its war on communism, with cameras operating as a condition of possibility for the construction of the ‘image’, whereas the latter, in keeping with a cybernetic visuality, was oriented towards the American appetite to see, to monitor and survey the world over, with cameras operating as processors of ‘information’. The history of the 600th Photographic Squadron and its progenitor, Lookout Mountain Laboratory, suggests that the transition from cinematic to cybernetic visualities of vision was part of a broader transformation in the US Cold War state from a nuclear deterrent state to a supra-nuclear deterrent state.     

Nationalism, activism, and the canadian sociology and anthropology community, 1967–1985

Debates have again resurfaced in Canada over the hiring of foreign academics to work in Canadian universities. Many are predicting a shortage of qualified Canadian graduates able to cope with the expected influx of echo generation students. In the face of such a crisis, some are calling for the elimination of the Canadians First policy now in place to limit the number of foreign academics taking jobs in Canada. This situation is not new. This article looks past traditional discussions of the Canadianization movement of the 1960s and 1970s, which tend to focus on epistemological issues, and examines it as a social movement. From this perspective, Canadian sociologists and anthropologists contributed significantly to the movement to Canadianization sociology and anthropology in Canada, as well as other disciplines. The hope here is that a proper historical understanding of the Canadianization movement, and its successes, will help us in evaluating possible solutions to the coming crisis.     

Identity,security and the nation: understanding the South Korean response to North Korean defectors

From the Cold War era of the ‘veteran heroes’ to the present view of escaped North Koreans in terms more akin to ‘refugees’ and sometimes even just ‘migrants’, perceptions of North Korean defectors in South Korea have changed as swiftly as the number and origins of Northerners entering the South have expanded. At the same time, government policy for these ethnic ‘brethren’ has evolved considerably, particularly as South Korea has seen fundamental shifts in its independent identity, with important repercussions for the way its citizens view themselves as a collective. This article explores some of the key influences behind changes to policy and perceptions regarding North Korean people in South Korea over the period from 1997 to 2012, by applying international relations theory on national identity and its role in policy formation and change through the need to secure different parameters within that identity.