“世界文学”与非西方世界

"世界文学"在西方的实践表明,它实际上排除了现代时期以前的写作文本以及英语之外的写作文本。思考世界文学时,秉持一种"道德的以及理论理想化的包容性世界文学"观念是必要的。这样的世界文学观念将以一种系统的方式把非西方世界的文学包括在内。如何以一种系统的方式把非西方文学包括在世界文学中,可以考虑如下三种富有成效的方法。其一,以印度、中国、日本为中心或其他非西方的观点去看待世界文学;其二,通过东西方诗学的比较研究来看待世界文学;其三,在东方学习西方、西方学习东方的过程中来看待审美循环的结合点。这种世界文学观念将不仅更加准确地反映世界的组成,并且还将以一种更加平等的方式看待世界。     

Innocence and Suffering in the Middle Ages: An Essay about Popular Taste and Popular Literature

Michael Stugrin's essay is both theoretical and practical: he suggests that texts, when viewed as “structures ofperception,” give us the “voices of the reality which they were part of and helped shape.” He then proceeds to apply this theory to a number of spiritual texts popular during the Middle Ages to give us an idea of popular taste at that time. Such texts were structured in a highly affective way to affirm testimonies o f faith and to commemorate God's promises to men. But perhaps most importantly, these spiritual texts, along with such texts as Sir Gawain and the Green Knight and countless prose treatises and sermons, provided medieval audiences with a way of “knowing” within the context of human experience in a time of great cultural stress.     

The Subjectivity of Habitus

Departing from Bourdieu's collective habitus, this essay develops a theory of the subjectivity of habitus, meaning the social‐psychological processes comprising the agent and fueling deliberation. By incorporating George Ainslie's theory of the will and deliberation as the intertemporal bargaining of a population of interests, I theorize the “saturated agent” composed of an economy of interests, analogous to Bourdieu's “economy of practices” invested and saturated with cultural capital. Here culturally saturated interests negotiate strategically within the agent, with the ending balance constituting the habitus. Additionally, reflexivity becomes amenable to habitus as “desaturation” or suspending the commitment to a set of culturally saturated interests as a result of a crisis, followed by “resaturation”, the restructuring of the economy of interests.     

What Are We? The Social Construction of the Human Biological Self

This essay explores how the human biological self is socially constructed, and rejects various truisms that define our character. Rather than being stand‐alone entities, the human biological self forms what biologists call “superorganisms” and what I call “poly‐super‐organisms.” Thus, along with prokaryotes (bacteria), viruses, and other entities, we are combined in an inseparable menagerie of species that is spread across multiple bodies. Biologists claim that only males and females are organisms. As described here, however, human sperm and eggs are equally entitled to that rank. Much about human reproduction is also socially constructed. For example, contrary to scientific wisdom, humans have always reproduced both sexually and asexually. Moreover, human life (the creation of a new organism) does not begin between conception and birth, and neither event creates new life. In addition, some cancer cells are organisms; they are contagious entities formed by asexual human reproduction. Finally, while science universally describes humans as being living entities, accumulating evidence makes clear that the life concept is failing. In fact, much that originates from human bodies does not fall under current biological or cultural classifications. How we construct the human biological self has consequences for understanding our health, how we reproduce, and what we are. These social constructions greatly influence our views on abortion, stem‐cell research, human cloning, and our post‐human future. A more accurate construction of the human biological self will help us better navigate these contentious issues.     

Sonic air-conditioning: muzak as affect management for office workers in Japan

Muzak is what musique concrète composer Pierre Schaeffer referred to as “acousmatic sound” – sound we hear without seeing its source. Muzak’s presence in public space is particularly relevant in Japan, a country often critiqued or celebrated as a “sound saturated society” where background music is engineered to a spectacular degree. BGM, as Muzak is referred to in Japanese, is simultaneously unnoticed, dismissed, ironically appreciated, and, more recently, used to heal, calm, and manage white-collar office workers at a time in which mental health issues, work-life balance, and the negative effects of overwork on office workers are increasingly on the rise. Drawing on ethnographic fieldwork with background music employees in Tokyo and analysis of the company’s print media literature concerning their music for office workers program, this essay explores the relationship between background music and the affective management of worker stress in contemporary Japan. I argue that BGM in Japan is emerging as a form of ambient labor control that exploits a particular mode of sonic engagement. The essay focuses in particular on the culture industry surrounding the use of BGM as a means to effectively manage office workers and their environments in post-economic bubble Japan.     

Traits predictive of the successful outcome of unmarried mothers’ plans to keep their children 1

Abstract

After reviewing some of the major themes and trends in research on lesbians, lesbian couples, and lesbian families, I argue for a cultural perspective and an ethnographic stance in clinical work with this population. “Story” and “ritual” are suggested as examples of the many possible cultural lenses that can be useful in such practice, and illustration of how these cultural lenses can be worn in the therapeutic conversation are offered. A cultural perspective makes easy alliance with post‐modern thinking and notions of the de‐privileging of “expert” knowledge.     

20世纪30年代北平现代主义诗人文化心态分析

“地之子”的自我形象与“乡下人”心态 ,是生活和创作于 1 930年代“文化古城”时期北平的一批诗人作家们的一种特殊文化心态。这种心态反映了他们在“现代”与“传统”之间的文化选择、向往“自然”、“原始”美的审美趣味 ,以及坚守纯文学立场的文学信仰等多方面思想内涵 ;同时 ,更从一个侧面体现了“文化古城”时期北平独特的文化背景与社会环境。     

Ideological Expectations for Value Consensus in Chinese Society

Surveys have shown that popular ideology has tended to move from pluralism to clustering around dualism at this sensitive and critical moment for the formation of value consensus in contemporary China. The formation of a “value consensus” or “common values” must answer three questions: “What is ‘common’ about this consensus?” How can ‘consensus’ be reached?” “How can ‘values’ be legitimated?” On the basis of survey information, this paper presents the basic argument that what is common lies in ethics; consensus in spirit; and value legitimacy in our national cultural home. Ordinary people have three major ideological expectations of value consensus in contemporary China: expectation of ethical enlightenment with the theme of turning “I” into “we”; expectation of a spiritual baptism with the value “unity of the individual and the universal” and expectation of the endeavor to “return home.” Specifically, their content is as follows: to protect ethical existence and undertake the re- enlightenment of ethical consciousness at the national, family and group levels; to sublate “atomistic exploration” of the theory and mode of rationalistic ethics and carry out the “spiritual’ construction of the three great ethical entities of society, state and family; and to “go back home” to national cultural traditions and ethics and build value legitimacy. These three major expectations can be condensed into three ideas: protecting ethics, reviving “spirit” and going back “home.”     

技术自主性与国家形塑:国家与技术治理关系研究的政治脉络及其想象

技术治理进入国家视野是一个循序渐进的过程。相关研究先后拓展和增加了专家治国、技术官僚、信息技术和微观政治等概念，并分化为两个研究维度：一是一以贯之的国家如何以“技术性方式”进行治理；二是由“信息技术在政府应用”这一研究分支发展而来，分析国家如何将新技术手段引入治理。其中，前者是技术治理概念的逻辑起点，本文从这一起点展开分析国家与技术治理的关系，试图还原技术治理的本来面貌。基于技术治理具有自身发展和运作的自主性，国家与技术治理关系呈现三种基本形态：“吸纳”状态下国家对“可控”技术治理的应用、“扩散”状态下国家对“自主”技术治理的干预和“分途”状态下国家对“失控”技术治理的监管。最后，本文还进一步提出“超越技术治理”的两种路径构想，由此系统呈现了国家与技术治理相互形塑的整体图景，为技术治理研究提供了新的反思与关注的视角。     

Body of knowledge: Sunderland Museum and Art Gallery and the blind imagination

ABSTRACT

This article examines the cultural and philosophical intersection between visual and tactile knowledge and the emergent aesthetics of modernism. In the September 1913 edition of The Museums Journal, J. A. Charlton Deas published a paper entitled “The Showing of Museums and Art Galleries to the Blind.” The text, exceptional in its historical context, complicated prevailing assumptions about acts of “visual” art and blindness. Deas details a series of experiments undertaken at Sunderland Museum and Art Gallery from 1906 to 1913 that consisted of making accessible exhibits, specimens and paintings for blind children to touch. Unprecedented at the time, these experiments recast the persistent Western belief that the eye has privileged access to knowledge, instead asserting that knowledge is embedded within material corporeality. The physical, creative and intellectual inclusion of blind people into the formerly inaccessible space of the museum was unique in its reach and offers a refreshing new perspective of what those (authoritatively visual) spaces could be. Sunderland, a region which tends to be discursively separated from the ambitions and experiments of modernism, was at the center of modernist discussions about knowledge, sight and touch; and, disrupts modernism’s silence with respect to acknowledging unprecedented regional developments such as those detailed in “Showing.”     

The Flesh and the World: Intercorporeal Body-selves,Ageing and Dancing

ABSTRACT

In this paper I address the role that embodiment, embodied consciousness and what can be termed “extradiscursive” experiences such as body memory and ekstasis as a form of ecstatic experience assume in understanding the body-self of mature dancers. I argue that the body-self of the dancer becomes increasingly intersubjective in maturity through her/his bodily practice, and that this can be understood in terms of the notions of intercorporeity, and of the “flesh” derived from the phenomenology of Merleau-Ponty. I argue that ways of manifestation of intercorporeity in bodily experience are discursively elusive, drawing on two forms of bodily experience—body memory and ekstasis—and examining experiences narrated by mature dancers who were interviewed in my Ph. D. study on ageing, gender and dancers' bodies. I contend that the experience of ekstasis is the “glue” of a corporeal subjectivity that transforms itself through momentary identification with the world, that calls on the invisible as well as the visible. Body memory also challenges Western dualist conceptions of consciousness and bodily experience, and is more easily aligned with Eastern understandings of consciousness as embodied. Finally, I suggest that the concept of body memory is useful for imbuing the body-subject with a cohesion and authenticity through the body's capacity for nonconscious remembrance of movement through a proprioceptively stored “body history,” which enables the constitution of a coherent body-self in older age.     

Ethnographic insights into competing forms of co‐production: A case study of the politics of street trees in a northern English city

The aim of this article is to explore the link between different notions of co‐production. It seeks to emphasise the underlying politics of co‐production in the sense of who defines co‐production, especially in relation to initial decisions concerning which specific policy areas are deemed suitable for codesigning, cocreating, or codelivering with services users or local communities. We argue that the rejection of co‐production by government may inflame political resentment and reconfirm negative pre‐existing attitudes about “the establishment.” This is particularly problematic when politicians have promoted the rhetoric of “inclusive governance,” “sharing power,” or “delegating power” but then reject the co‐productive claims emerging from such statements. The study contributes to existing work by analysing what happens when co‐productive structures are terminated or when public protests demand the reinstitutionalisation of those relationships. We make this contribution by presenting findings from an ethnographic case study involving street trees in a large English city. We suggest these specific findings have a broader relevance.     

Music,rowing, and the aesthetics of rhythm

Having “good rhythm” is essential in both music and competitive rowing, but what exactly constitutes “good rhythm,” and how do we achieve it? Although rhythm is often discussed in purely auditory terms, I argue that rhythm is fundamentally a multisensory, kinesthetic phenomenon. By drawing parallels between music and rowing, I illustrate how biological motion principles underlie the parameters of rhythm in both disciplines, and how the cognition and appreciation of rhythm is deeply embodied. I suggest that the two main ways in which rhythms generate pleasure in both music and rowing are by enabling behavioral synchrony between individuals, and by engaging the body in the cognitive process of rhythm perception and prediction. In essence, “good rhythm”—a rhythm that is enjoyed and appreciated—is rhythm that moves.     

Antecedents of Contemporary Witchcraft in the Middle Ages

Present interest in the occult can be seen i n the proliferation of horoscopes included in newspapers, in the incredible business of the palm reader, and i n the tremendous popularity of books like the Exorcist or Rosemary's Baby. I n such interest, the witch has always held a special place, and it should come as no surprise that witches frequently are female. As Elizabeth Tuckerpoints out i n her essay, the practice of herbal “magic” was often the task of so-called “wise women” in the Middle Ages, who specialized in “white witchcraft,” the cure o f disease with herbal mixtures. Such “white witchcraft,” however, was not favorably looked upon by the Church fathers; one wonders i f the distrust of female practitioners of “magic” had more to do with the fact that they were women who did not, for one reason or another, fit into society. The belief in the dual nature of the witch should not be overlooked; if the witch healed, she could also destroy. That duality remains today i n the instructions for witchcraft in such works as Paul Huson's Mastering Witchcraft.     

From “Either‐Or” to “When and How”: A Context‐Dependent Model of Culture in Action

In this article, I outline a framework for the sociological study of culture that connects three intertwined elements of human culture (cultural motivations, resources, and meanings) and demonstrates the concrete contexts under which each most critically influences actions and their subsequent outcomes. In contrast to models that cast motivations, resources, and meanings as competing explanations of how culture affects action, I argue that these are fundamental constituent elements of culture that are inseparable, interdependent, and simultaneously operative. Which element provides the strongest link to action, and how this link operates, must be understood as a function of the actor's position within wider social contexts. I argue that on average motivations have the most discernable link to action within a social strata, cultural resources provide the strongest link across strata, and meanings have the greatest direct influence when codified and sanctioned. I then offer a reframing and synthesis that reintegrates previously “competing” theories of culture into a more holistic context‐dependent model of culture in action. Finally, I use evidence from prior empirical research, as well as new data from an ongoing ethnographic study of health behaviors among the aged, to show how various elements of culture are concretely linked to action in eight different social contexts. In doing so, I provide a roadmap for the transition out of the “either‐or” logic underlying much of cultural theory and reemphasize the importance of the classical sociological concern for “when” and “how” various aspects of culture influence action and outcomes in concrete social contexts.     

National Identity,Citizenship and Immigration: Putting Identity in Context

In this paper we suggest that there is a need to examine what is meant by “context” in Social Psychology and present an example of how to place identity in its social and institutional context. Taking the case of British naturalisation, the process whereby migrants become citizens, we show that the identity of naturalised citizens is defined by common‐sense ideas about Britishness and by immigration policies. An analysis of policy documents on “earned citizenship” and interviews with naturalised citizens shows that the distinction between “elite” and “non‐elite” migrants is evident in both the “reified” sphere of policy and the “common sense” sphere of everyday identity construction. While social representations embedded in lay experience construct ethno‐cultural similarity and difference, immigration policies engage in an institutionalised positioning process by determining migrants' rights of mobility. These spheres of knowledge and practice are not disconnected as these two levels of “managing otherness” overlap—it is the poorer, less skilled migrants, originating outside the West who epitomise difference (within a consensual sphere) and have less freedom of mobility (within a reified sphere). We show that the context of identity should be understood as simultaneously psychological and political.     

20世纪八九十年代的京味小说

本文从北京想象与现代性关系的角度 ,剖析 2 0世纪 80～ 90年代小说对北京记忆的书写方式。论文第一部分讨论 80年代“京味小说”的“文化”内涵 ,即北京文化的差异性表现为作品的何种构成因素 ,以及这种建立在传统与现代框架中的书写方式的内在矛盾。第二部分选择三部重要小说 ,分析 90年代小说在“个人怀旧”的视野中呈现的北京形象 ,并剖析这种书写方式的意识形态内涵     

Assessing the Seriousness of Research Misconduct: Considerations for Sanction Assignment

Federal and institutional policies recommend the criterion of “seriousness” as a guide for sanction assignment in cases where researchers have been found to have committed research misconduct. Discrepancies in assessments of seriousness for similar acts of misconduct suggest the need to clarify what might be meant by the seriousness of research misconduct and how the criterion can be used to assign sanctions. This essay demonstrates how determinations of seriousness can differ depending on the set of ethical appeals employed and argues that an expanded lexicon for talking about the seriousness of research misconduct would help to promote fairness and consistency in sanction assignment. It concludes with some policy recommendations for those charged with research misconduct sanction assignment and for those who oversee research integrity at institutional levels.     

The “White Card” is grey: Survelliance,endurance and the Cashless Debit Card

Introduced in 2016, the Cashless Debit Card (CDC) is part of a welfare policy trial designed to restrict and direct the expenditure of Aboriginal people receiving a range of government benefits. In this article, I explain that the CDC, also referred to as the “White Card,” appeases the concerns of non-Aboriginal residents and broader Australia and that government is attempting to ameliorate Aboriginal dysfunction. I offer an account of income management in daily life from the perspective of those living with the Card in the East Kimberley town of Wyndham. I describe it as interconnected to a broader range of suite of government policies and enmeshed in broader social and political relations. Focused on participant observation and interviews undertaken with Wyndham residents in the period immediately after the introduction of the Card, this perspective is informed by longer-term research in the region since 2013. I show that the Card acts as a quotidian form of disciplining surveillance against Aboriginal people. It is also a site of reinterpretation and rearticulation through the development of subversive practices by Aboriginal people, what I describe as the labour of endurance: Card holders are trying to endure its effects and manage its invasiveness into their lives.     

Legocentrism

Among discernable trends in contemporary architecture, a salient one continues to be what might be called a “building-block” aesthetic. Despite radical increases in the efficiency of buildings – from the digital modeling that makes new modes of structural engineering possible to the LEED certificates that ratify credentials of environmental soundness – we seem, in the midst of these advances, to be witnessing an almost regressive aesthetic in the design of the buildings themselves. But what are the sources, meanings, and prospects for a contemporary look that appears to court nostalgia? Of course, as with so many things, we may be unable to see what lies before us: that these structures do, in fact, resemble a child’s playthings. Yet, to what end? In this essay, I take a closer look at some of these building-block buildings with an eye toward assessing and suggesting a reading of their significance.