辽夏和亲中的地缘安全因素考察

The geographical situation of the Liao Dynasty was marked by vast dimensions and complicated territorial conditions. This complexity was reflected by the fact that the Liao Dynasty not only needed to oppose the powerful Northern Song Dynasty, but also had to deal with rebels of inter-nal vassal states or tribes. This geographical pre-dicament strongly seemed to favor the arrangement of a marriage relationship for peace between the Li-ao Dynasty and other powerful states. Geographically, the Xixia Regime bordered ( i ) on the Liao Dynasty in the northeast and north, ( ii) on the Northern Song Dynasty in the southeast and south, ( iii) on various tribes of the Tubo Regime and the Huangtou Huihu in the southwest, ( iv) and on Xizhou Huihu in the west and northwest. Therefore the Xixia Regime could be easily attacked by other powers, especially the Northern Song and the Liao Dynasties. Therefore, the arrangement of a marriage for peace with the Liao Dynasty also seemed to be an inevitable stra-tegic choice for the Xixia Regime. Although there were many reasons for arran-ging a marriage for peace between the Liao Dynasty and the Xixia Regime, safety and national interests always were the main considerations for these two regimes. Relying on research on basic historical materials and on earlier scholarly work, this article focuses on geographical safety as the main area of research, and on the arrangement of marriage for peace between the Liao Dynasty and the Xixia Re-gime as a specific reference. The article also con-ducts a study on the interactive relationships be-tween the Liao, Song and Xixia dynasties as part of the history of ethnic relations in ancient China. The article also aims to find relationship patterns by researching natural human correlations due to shared geographical space. This article finally no-tices that although geographical safety did not seem to be the decisive factor for arranging a marriage for peace between the Liao dynasty and the Xixia regime, it did play an important yet subtle role in forging the period ‘complicated geographical net-work of relationships ’ between the Liao, Song, and Xixia dynasties.     

三星堆青铜纵目面具与铜兽首冠人像的藏文化解读

This article is the fourth article re-lated to the research of “Zhangzhung·rGyalron· Sanxingdui and Jinsha”—Tibetan cultural interpre-tations of relics unearthed in Sanxingdui and Jin-sha. The main focus of the article is Tibetan cul-tural interpretations of the vertical-eyed bronze mask and the copper statue of a man with an ani-mal head crown in Sanxingdui Museum. 1 . Vertical-eyed bronze mask and Miwo Lon-glong The bronze cultural relics unearthed in Sanx-ingdui or even Jinsha have broad and deep links to ancient Tibetan culture. The vertical-eyed bronze mask is the most typical of the numerous bronze objects depicting human heads. In the following discussion, we would like to give an interpretation of the symbolic meaning of the bronze objects de-picting human heads. In order to draw inferences about other cases from one instance, we would like to choose two typical cases: choosing the vertical-eyed bronze mask as our model of cultural relic, and choosing langshi jiazu ( the Lang family clan) as our model of Tibetan ancient literature. It is generally stated that the eyes of the verti-cal-eyed bronze mask kept in Sanxingdui museum roughly meets the appearance of the Shu people ’ s ancestors, the Cancong, who are recorded as hav-ing “vertical eyes” in the historical books. Some people also believe that “vertical eyes” means“upright eyes”, just like the eye in the forehead of the God Erlang in Chinese ancient myth, so the image might be a statue of an ancestor god. Addi-tionally, some connect it with the frontlet of kuilong ( a sacred dragon in Chinese myth ) , and believe that it is related to zhulong( another sacred dragon in Chinese myth) who has a human head, a dragon ( snake) body, and “upright eyes”. Langshi Jiazu is an important document for studying the political and religious unification sys-tem in Tibetan areas during the Yuan, Ming and Qing dynasties, meanwhile, it is also an essential material for the study of the Gesar Epic. Langshi Jiazu was published by Xizang renmin chubanshe ( Tibet People ’ s Publishing House ) for the first time in May, 1986, and the whole book is com-posed of three parts. From the perspective of the ancient Indian centralism and Tibetan centralism, Langshi Jiazu has many unique parts, and its con-tent has an unusual connection with rGyarong in the southeastern part of Tibetan areas. For in-stance , the content of the fist part is very similar to shengniao xiongqiongwang zhuang ( Biography of the Sacred Bird Garuda) recently discovered in the rGyarong area. There is a myth in Langshi Jiazu, and the sto-ry is very common in Bon literature. The academic circle calls it the Bon religion’ s view on the crea-tion of world—the universe is oviparous. Most scholars believe that the view of oviparous creation of the world in Bon religion might be Tibetan peo-ple’ s own cognition. We provide translations to some content included in the Langshi Jiazu, and compare them with the vertical-eyed bronze mask, and notice some information which has been ig-
nored by the current academic circle. For in-stance, the vertical-eyed bronze mask symbolizes“”, Chinese phonetic translation Miwo Longlong, which means “may all your wishes be-come truth”. 2 . Copper statue of a man with an animal head crown in the Bon Religion The copper statue of a man with an animal head crown kept in Sanxingdui Museum is not com-plete, with only the upper part of the body remai-ning. The statue wears an animal head crown. On the two sides of the top crown, there stands two an-imal ears, in between of which there is a curly decoration which looks like an elephant ’ s nose. Apart from the previously-mentioned characteris-tics of the sacred bird Gaguda, the copper statue of a man with an animal head crown also has several other outstanding features, for instance, its crown and posture. The crown is not only high, but also has a rectangular hole, on the top of which there are three long strips. The statue is posed in a grasping gesture. This paper gives firstly an overall interpreta-tion of the copper statue of a man with an animal head crown according to the shengniao xiongqiong-wang zhuang, then gives a Tibetan cultural inter-pretation of the details of the statue. Concerning the knowledge of the three long strips on the crown of the copper statue, this article finds some clues from the angle of philology and archaeology, and proves that the origin of this crown is the sacred hat in Bon religion of Tibet. Moreover, this article also discusses the reason why the crown has these three strips on top of it. The author mentions that it is related to the sacred bird Garuda, and the three strips respectively represent the two wings and horn of the bird. In other words, the strips on the right and left side symbolizes the bird opening its wings and viewing the world, while the strip in the mid-
dle symbolizes that the sacred bird is male, not fe-male. From one aspect, the head dress of adult women in the rGyarong area symbolizes the sacred bird Garuda, and from another aspect, in Tibetan culture, including rGyarong culture, only the sa-cred male bird Garuda has the horn. That means the sacred bird Garuda with a horn must be a male one. Concerning the vertical-eyed bronze mask and the copper statue of a man with an animal head crown unearthed in Sanxingdui, there are still many details that need to be explored, and also we feel that it could be differently interpreted. Howev-er, due to the limitations of space, we will not do a long discussion here, but we do hope that from the examples provided in this article, one can draw inferences about other cases from this one in-stance.     

拱心石与神王——施鲁克人的nyikang神与神圣王权的研究

In his famous book The Golden Bough,James Frazer mentioned one special custom found along the shores of Lake Nemi in Italy. The forest king who lived beside Lake Nemi, was not only once a prisoner, but also the murderer of his predecessor. Why did the King have to be killed? How could he be killed? This was the very starting point of James Frazer’s divine kingship study. This was in contrast to the common idea held in many cultures, that kings, or even gods, would die. However, in the most primitive societies, kings and gods also had a symbolic duty. People be-lieved that their king took the responsibility to maintain the order of society and the natural world. In that case, it was obvious that if the king became old and weak, the society and order would be in danger. The way used by primitive people to solve this problem was to kill the king when he became weak, and to rebuild this symbol of order through the accession of a new king. This worry about the loss of order and fertility, Frazer explained, was the reason why they choose to kill their king, who was also a god to them. To prove his theory, Fra-zer used many examples. Among them, the exam-ple of the Shilluk of Nilotic Sudan was the only real case of a people killing their king. All the kings were possessed by the spirit of Nyikang, who was not only a hero and king in their history, but also the god who created the universe of the Shilluk people. In Shilluk, it was not the king who ruled the country, but the spirit who possessed him. For that reason, once the king showed his weakness and age, he had to be killed or commit a suicide so as to keep Nyikang in a healthy body. This case was mentioned by James Frazer, re-examined by Evans-Pritchard, and discussed by Henri Frank-fort and David Graeber. The Shilluk people lived in Sudan, in the Ni-lotic area alongside the Nile River. Their kingdom consisted of y many hamlets and occupied by linea-ges. But all these hamlets and lineages shared the same king, who was believed to be the descendant of their semi-divine hero and first king, Nyikang. Nyikang was believed to bring the fertility of men, of cattle, and of the crops. He lived among his people and blessed them. He was a mythological figure who represented a changeless moral order and the stable structure of the state. The Shilluk people believed that the king was the embodiment of Nyikang, and, thus, shared his divinity. All the Kings were believed to be descended from Nyi-kang. The king could be killed for two reasons:when he could no longer satisfy his wives, it was time for him to die and make room for a more vig-orous successor; or he would be killed by one of the prince who coveted the shrine at night. There were many graves of kings and of Nyikang all a-round the kingdom, but all the Shilluk people knew that Nyikang was not buried in any of them, he would never die. The king, however, was the container of the Nyikang’s spirit. Thus, after his death, he was no longer divine, so his funeral would be a clan affair rather than a national affair. In Frazer’s opinion, Shilluk kings confirmed their rule and power by maintaining their connec-tion with the god, Nyikang. And, he gained divin-ity from this connection. However, this divinity was not permanent. In the same way, the stability of the Shilluk social order was also not permanent, so the complete failure of that power would cause the danger to the entire society. When the new king ascended the throne, the social order would be re-established. So, to kill the old king when he could no longer take responsibility for the whole of society was the way for the Shilluk to release the tension and handle the danger which resulted from their king’s death and to keep the social order. Several decades after the publication of The Golden Bough, Evans - Pritchard gave a talk at The Frazer Lecture ( 1948 ) . He looked at the Shilluk custom of killing their king together with the social structure of the Shilluk kingdom, and pointed out some of the unreasonable explanations made by James Frazer. He believed that this cus-tom, which Frazer explained as the way the Shilluk maintained the divinity of kingship, had political reasons and social functions. Based on his field-work, Evans - Pritchard described the political structure of Shilluk as follows: Shilluk hamlets consisted of one to fifty different families. Each hamlet was occupied by members of an extended family or a small lineage. The headman of a hamlet was also the head of a lineage in the settlement. All the Shilluk settlements composed a common polity, i. e. the land belonging to the Kingdom of Shillukland. There were two chiefs in the hierarchy between the king and the settlements. These were the Ger, who represented northern Shillukland, and the Luak, who represented the southern shil-lukland. Those two chiefs each ritually represented half of the kingdom, and they played a very impor-tant role in the election of the new king. Evans-Prichard discovered that there were very close con-nections between the kings, the princes and their villages where they were born. The pregnant wives of the kings would be sent back to their natal villa-ges to bear their children, and the princes were brought up by the headmen of their natal villages. Except them, all of the princes had their royal cli-ents ( Ororo) in the villages. These were the com-panions of the prince, so they would live in the capital with the prince if he was chosen to be the king, and would return to their village to guard the king’s tomb. This information will help us to see and understand the social structure of Shilluk soci-ety. The dual balanced structure of Shilluk society was represented by the southern-northern opposi-tion. We find that the Shilluk kingdom had a double configuration—one that was politically re-flected in its territorial division, which was divided into northern and southern parts, and the other one was ritually reflected in the rituals related to the cult of Nyikang. The king and the capital specific-ally stayed in the center. As Evans - Pritchard said, Northern Shillukland and Southern Shil-lukland were the arches of the kingdom of Shilluk, and kingship was the keystone. This duality was clearly represented in the election system and in-vestiture. The investiture of the new king would take place about a year after his election. Since this ceremony was meant to rebuild the social or-der, all the hamlets would participate in it. After the old king’s death, the spirit of Nyikang would no longer stay in his body. Instead, it would move to an effigy of a hamlet which was in a far north dis-trict of Shillukland. The effigy would be sent by the army of north to the outskirts of the capital, where there would be a ceremonial war with the king’s army. Since Nyikang was in the northern army, it was obvious that the king would fail. Then, the ef-figy of Nyikang would be put on the king’s chair. Then, the king would sit on the chair, and, as a result, the spirit of Nyikang entered into the body of the new king. Now, there would be another war— because Nyikang had entered into the body of the new king, the northern army failed, and, they would then take the effigy back to the shrine. This ceremony not only illustrated the tension be-tween the north and the south of Shillukland, but also the tension between the god Nyikang and the human king. And all these tensions were resolved through a unified kingship. We find that Shilluk society, no matter whether within the vertical and horizontal structure of the southern -northern op-position, or among the different hamlets, they all had different objects to show their loyalty. Howev-er, all these differences would be reduced when they faced a unified national symbol— Nyikang or divine kingship. The king did not belong to any single tribe or hamlet after the ceremony. He be-came the symbol of the happiness and continuity of all the Shilluk people. From this ceremony, Evans -Pritchard re -explained the reason for the special custom of the Shilluk. He asserted that in Shilluk society, the king’s death would cause chaos and many dangers. The king had died in the way they described be-cause they were afraid of exposing the tensions hid-den within the social structure. So, this tradition was only a political myth hidden under the facts. The second kind of death of the king was that he was killed by a prince. Evans-Pritchard believed that all Shilluk princes received support from their natal villages. If all the tribes had their own king, the Shilluk kingdom would definitely be torn apart. So, they still needed a center from which to build the whole kingdom, i. e. the kingship. In a king-dom of this kind, if the king attached himself to one hamlet, other hamlets would fight for their own rights. So, because the kingship was permanent and ensured the unity of the whole kingdom, it should be emphasized. In contrast to Evans-Pritchard’ s structural-functionist explanation, the American archaeolo-gist, Henri Frankfort, made his analysis of the customs of the Shilluk based upon the methodology of mythology. He compared the divine kingship of Egypt and Shilluk in his book Kingship and the Gods. And, based upon the process of the combi-nation and separation of the king and the gods, he discussed the function of divine kingship. In E-gypt, the pharaoh was called “the Lord of Two Lands”. This title involved two gods who were en-emies:Horus and Seth. They were respectively the Kings of Upper and Lower Egypt. Even when Seth had been defeated by Horus, it did not mean that he totally disappeared. This is because he had his own function within the existing order. Horus was not only a mythological figure, but also was one which reflected on the pharaoh. The pharaoh was always regarded as Horus or his embodiment. This idea is quite similar to the connection of Nyikang with the Shilluk king. However, in Egypt, there was another god who had a close connection with the kingship, that is, Osiris. In Egypt, the dead king was believed to change into Osiris, and the king on the throne, just as Horus, was regarded as the son of Osiris. Beside this connection, in the myths, Osiris was said to be the “Ka ” of Horus, which was something like energy, and for the king, it was somewhat like a kind of ruling power. This kind of father-son relationship also ex-isted among the Shilluk people. When Evans -Pritchard described the ceremony, he mentioned that Dak, the son of Nyikang, was also honored. However, in Shilluk, Nyikang meant all the kings, no matter whether dead or alive. What was more important is that Shilluk kings themselves were not gods, they were just processed by Nyikang, and it was Nyikang who was the real ruler. That was the reason why the accession ceremony of the king was so important. However, in the Egyptian view, the concept of kingship itself was more complicated than that of the Shilluk. All the Egyptian kings themselves were gods, and their orders, as god’s order, must be obeyed. So, although there was a stable kingship in the two societies, the roles played by the king were totally different. However, we can still find some basic elements of the divine kingship from these two cases. Because the king himself was a human being, he would definitely turn old and die. In order to resolve the social stress caused by the succession of the kingship, the kingship had to be stable. So, the king must have a relationship with the gods. It was the god and the kingship that maintained the unity of this structure. In 2011 , David Graeber published his paper titled The Divine Kingship of the Shilluk in which he used theories from political science to discuss the relationship between Nyikang and the Shilluk king . He tried to use this case to understand the e-mergence of the state and power. He compared the political status of Shilluk with their myth and cos-mology. He proposed three very important con-cepts:i) divine kingship which was absolutely dic-tatorial and had god-like authority—and was one in which this divine god went beyond the morality;ii) the sacred kingship which was ritualized and exemplary—this was a kind of prophetic and legis-lative king ; iii) violence and antagonism with no reason - the subject of the violence was the sover-eign and the people. All of these three concepts, David Graeber said, could be found in the Shilluk Kingdom. That was not because they were so -called primitive ethnic groups, but because this kingdom was a “Utopian State”. In other words, this kingdom, or the construction of its main cit-ies, was an imitation to the cosmic order, and, therefore, did not need a management institution to rule it. However, because this could never exist in the real world, violence appeared. David Graeber divided the kingship into two types: the divine and the sacred. In the former, the king was believed to be the god itself. And, in the latter, the kings were those who brought and created order. However, if order was set up by a king, it was asked whether or not the king himself still stayed within the order? So, the extreme type of sacred kingship would be the denial of the limi-tation of the king’s life. David Graeber suggested that the King of Shilluk did not have real power. The responsibility the Shilluk king undetook was the order of the whole cosmos. When he became weak, he could no longer judge and rule based on the cosmology. This is the reason why he had to be killed. We can see that the king who ruled the state according to the cosmology was more like a divine king, so his fate was that he must be killed by people. However, after he was killed, the for-mer “scapegoat” became the god and was wor-shiped by the people. The social order was rebuilt because of the king’s death, and in doing so he be-came the embodiment of the strength needed to re-build the social order. So, we can note that in Shilluk society, although people expect stability and order, they cannot allow the rule to become a central control and monopoly. The king should be in the center of order, but because the king would definitely become old, people tried to reduce the disorder through killing him. Due to the limitations of the king, he was trapped in the absolute authori-ty of the divine kingship, and the infinite order of the order. Hence, he was killed again and again. The appearance of the king was to resolve the dilemma within this society. He tried to build a U-topia, but was trapped in it because of his own limitations. Just like the kings were killed con-stantly, the conflict between sovereignty and the people would never stop. David Greaber pointed out that this constant opposition was the origin of state. This opinion totally refuted existing political theories, o matter whether they were that of Max Weber or of those who believe that it was through making law and rules to solve the conflict or the so-cial tensions in Africa, for their opinions were based on the perspective of nation state. However, in Africa, at least in Nilotic Sudan, they were u-sing this conflict to build their state. Graeber’s ar-ticle indicated that in the war between the sover-eign and the people, the sovereign is limited, and can never win truly. It reveals a new possibility for the construction of a nation state and political sys-tem. To sum up the discussions above, we have found that in those societies with divine kingship, the reason for the king’s divinity was because he undertook the people’s expectation of a stable soci-ety, and the fertility of crops, and livestock. Be-cause these expectations were not stable in them-selves, people either believed that their king him-self was a god, or tried to ensure that their king was in a healthy state. The similarity between them was that people had to keep the kingship stable and reduce the tension and chaos caused by the king’s death. From their fear of disorder and the fear of powerful order, we can even find a variety of ways of thinking about a perfect and eternal order, as well as on an imperfect and limited life. Thus the King always connected with a stone, for people al-ways expect a stable and changeless eternity.     

民国时期天山北麓东路城市多民族居民生活的变化

Although the Republican era of China did not last very long, it was a significant period in which China transformed from an agricul-tural to an industrial era, and from a traditional so-ciety to a modern one. During this period, not only did the politics and economics change dramatical-ly, but also the lives of urban residents. Although Xinjiang is located in the western frontier area of inland China, since the Qing dynasty, its politi-cal, economic and cultural connections with inland China gradually increased. Xinjiang is not an iso-lated region, it actually is located in the central ar-ea of Asia. So, its openness is very pronounced. Even though during the Republican era, inland China was gripped in the chaos of war, Xinjiang’s political, economic and cultural connections with the inland were never broken. Although sometimes the central government’s control in Xinjiang was not so strong, the central government’s policies had always impacted strongly on Xinjiang. In addition, due to the continuous migration of the inland popu-lation ( especially intellectuals, and political and military people) into urban areas, such as Dihua in Xinjiang during the Republic era of China, the politics, economics and culture of inland China had a big impact on the lives of Xinjiang urban res-idents. Moreover, Xijiang is neighbors with Rus-sia. Since the middle of the 19th century, Russia, whose industrialization and modernization occurred earlier and faster than China’s, often made political and military invasions, as well as cultural infiltra-tion, into Xinjiang. After the founding of the Sovi-et Union, its influence on the cities of Xijiang gradually increased. Especially during the period when Sheng Shicai managed Xinjiang, the influ-ence of the Soviet Union on Xinjiang was the stron-gest. In addition to political influence, economic and cultural influences became more pronounced, and numerous industrial and cultural products made in the Soviet Union were imported into Xin-jiang. This had a dramatic impact on the urban residents of Xinjiang. As a political, economic and cultural center of Xinjiang, Dihua was alive with many Russians who engaged in political, economic and cultural activities. Hence, their direct or indi-rect influence on the lives of Dihua residents was stronger than in other cities. At present, the research on Xinjiang during the Republican era of China mainly focuses on the political and economic domains , and less attention is paid to its urban life. However, the changes of modernization are not only reflected in the aspects of politics and economics, but also in the field of social life. Hence, to strengthen the research on the changes in social life in urban areas of Xinjiang during the Republican era of China is significant. The Republican era of China was an important pe-riod for Xinjiang society. Although if we compare it with the urban areas along the eastern coastal ar-ea of China, the impact of western culture on the lives of urban residents in Xinjiang during this pe-riod was not so strong, and the changes in social life also reflected multi - ethnic characteristics. The changes in urban life in Xinjiang were also an important part of the changes following China’s modernization. It reflected a both generalization and a diversity of the urban changes created by China’s modernization. In addition, one should note the impact of the changes in Xinjiang’s urban life during the Republican era on that of Xinjiang during the latter half of the 20th century. Thus, it is very necessary to conduct a research on the lives of Xinjiang’s urban residents during the Republican era of China. Xinjiang has been a multi-ethnic area since ancient times, a fact which contributes the ethnic diversity that characterizes the social life of Xin-jiang cities. During the Republican era, the mate-rial life of the various ethnic groups living in Xinjiang’s cities changed successively due to the impact of external cultures, and the wave of mod-ernization. However the changes to the material lives of the various ethnic groups were different. The content of material life is very broad. General-ly speaking, it comprises people’s daily life, inclu-ding clothing, food, shelter and transportation, all of which are regarded as basic essentials for peo-ple. In a period of scarcity of goods and materials, material life became the most important thing for most of the public. Hence, changes with regard to material life, to a large extent, is reflected in the changes in the social lives of urban residents. Generally speaking, compared with the situa-tion in the Qing dynasty, the clothing in Xinjiang cities such as Dihua exhibited a big change. How-ever , this change displayed multi-ethnic and diver-sified characteristics. Concerning the food culture of Dihua urban residents during the Republican era of China, it reflected more open, inclusive and mutually influential features. In other words, the existence of a diversified food culture and diverse development was an important characteristic of the time. Concerning shelter during this period, a big change in Dihua’s urban style was that some mod-ern buildings co-appeared alongside traditional style buildings, no matter whether it was in the pri-vate space or public space. Moreover, the trans-portation mechanisms also changed during this pe-riod. Roads for cars appeared in Dihua, which opened the gate for Xinjiang’s automobile age. During the Republican era of China, most ur-ban residents in Xijiang’s cities, such as Dihua, kept their traditional customs. However, there were also some changes due to the influence of ex-ternal cultures—these changes were presented as the characteristics of pluralism, diversity and a mixture of the old and new. Multiple ethnic groups concentrated in an area in the eastern zone line of the northern foot of Mount Tianshan. During the process of history, the different ethnic groups formed their own cultures and religious beliefs. In the Republican era of China, the various ethnic groups lived in harmony most of time, and the plu-ralism and inclusiveness of cultures gradually in-creased. Generally speaking, the lives and cus-toms of the Han in Xinjiang cities, such as Dihua during the Republican era of China, were almost same as those of the Han in inland China. On one hand, they kept many of their traditional customs;yet, on the other hand, they also gradually accept-ed some new ones from external cultures. The eth-nic minorities, such as the Uygur and Hui, were deeply influenced by Islamic religious culture. Their religious cultural life exhibited almost no change during the Republican era of China, and they, for the most part, maintained their tradi-tions. During this period, in keeping with the gradual consciousness of ethnic equality, although various ethnic groups kept their own traditions, and they did not reject each others’ traditions, and instead, there was some mutual exchanges among them. This made the urban culture more diversi-fied . Not only were the festivals of the Uyghur pop-ular among themselves, the Han were also invited to participate in them. Moreover, the Han’s festi-vals, especially the Spring Festival, Lantern Festi-val and others, were also gradually accepted by other ethnic groups, and, for example, the Uy-ghur, Hui, Mongolian and Kazakhs, and others all participated in these festivals. In the middle and latter period of the Republican era, the urban cul-ture of Xinjiang exhibited a sense of openness. Within the basis of maintaining their own ethnic cultural traditions, each ethnic group showed an opened attitude to new cultures, and, hence, ur-ban culture became more diversified and rich. During the time when agriculture was more dominant , traditional cities lacked of public cultur-al spaces. Hence, Buddhist monasteries, Taoist temples and mosques became the sites for organi-zing public cultural activities in the urban areas. Since modern times, the public cultural spaces in urban areas have experienced a great change. Parks, as a new mode of public space, began to appear successively in some important cities. At the end of the Republican era of China, the public cultural space of Dihua had been further expand-ed. In 1948, there were four such kind of public cultural sites in Dihua, such as Zhongshan Park, Hongyan Lake, Shuimo River, and Wulabai. In addition to these, the cinema also played a very important role in the new entertainment life of the urban residents of Dihua. In 1944, Dihua had three movie theaters which were run respectively by the government, a businessman and a Russian. Movies had a very direct impact on the residents’ vision and mind, especially on the youth. A new movie sometimes would change some people’s view of life or the rules of their behavior. In short, the Republican era was a dramatic period of change during which China transformed from a traditional agricultural society to a modern industrial one. Following the changes in politics, economics and culture, people’s material life and cultural life were also changed. Due to the vast territory, and uneven political and economic devel-opment of China, the changes differed in various regions. Xinjiang is a frontier area in western Chi-na. Its communication with the outside world was not so convenient. Hence, compared with the east-ern coastal region, the degree of change in Xin-jiang was lower, and the speed of change was also relatively slower. However, this kind of change ac-cumulated over several decades, so, with time, the changes also became very noticeable. Howev-er , due to the uneven regional development in Xin-jiang, the changes in some cities were slow while in some they were fast. Compared with other places of Xinjiang, the changes along the eastern line of the northern foot of Mount Tianshan, and taking Dihua as the center, were faster and more obvious in the Republican era. On one hand, Di-hua was more strongly influenced by the politics, economics and culture of inland China; and, on the other hand, Dihua was also influenced more di-rectly by the politics, economics and culture of the Soviet Union With the combined role played by the both sources, the material life of the urban resi-dents of Dihua, including clothing, food, shelter and transportation, as well as the customs, and cultural entertainments, changed dramatically. This change was not only similar to that of inland cities, but it also reflected regional characteristics of Xinjiang—the characteristics of ethnicity and di-versity wee more pronounced. In addition, com-pared with Tibet which is also in the western fron-tier of China, the changes brought by the urban modernization in Xinjiang was more dramatic. This was directly connected with Xinjiang’s geographical location, natural climatic conditions, as well as its political, economic and cultural development. Al-though Xinjiang lies in the western frontier of Chi-na, its transportation connections with inland Chi-na and the outside world were more convenient than those in Tibet. During the Republican era, the railways, highways and aviation routes devel-oped relatively well, the Xinjiang’s economic, and cultural connections with both inland China and the Soviet Union were also relatively close. In addi-tion, an important natural condition which also created good conditions for the opening up of Xin-jiang is that the elevation of most areas of Xinjiang is not high—the average elevation is around 1000 meters. Hence, the natural geographical conditions promoted a population flow between Xinjiang and inland China, as well as between Xinjiang and the Soviet Union. Moreover, after the settling of Xin-jiang province at the end of the Qing dynasty, the feeldings and unity with inland China were ensured from an institutional aspect. It was just under such kind of background that the lives of the urban resi-dents living in the eastern zone of the northern foot of Mount Tianshan experienced a dramatic change, and presented a characteristic of ethnic diversity, pluralism and mixture of old and new.     

韦皋与唐代南方丝绸之路的重开

Weigao was one of the famous Jie-dushi ( regional military commissioners ) of the Jiannan Xichuan ( located in today’s southern Si-chuan) in the Tang Dynasty. During the rule of Wei Gao, he successfully defeated the Tubo, and changed the Tang court’s submissiveness in the southwestern region and the fight between the Tang and Tubo along the southern line. He also restored the links between Yunnan and Xichuan including all the way to the Central Plains, and, as a result, the once closed Southern Silk Road was reopened. A further exploration and evaluation of Wei Gao’s actions and his influence on reopening the Southern Silk Road ought to be given. I. Wei Gao’s Alliance with the Nanzhao King-dom and Reopening the Southern Silk Road In 785 A. D. , Wei Gao arrived in Chengdu and was appointed Jiedushi of Jiannan Xichuan. The situation of Jiannan Xichuan at that time was very critical. After the Tianbao war, the Kingdom of Nanzhao, which had unified the area around Er-hai Lake with the support of the Tang in the past, turned against the Tang and publicly announced its alliance with the Tubo. The Nanzhao Kingdom, to-gether with the Tubo, struck the Tang in the south-western region. This shift not only put the Tang in a submissive position in the southwestern region, but also significantly influenced the relations be-tween the Tang and the Tubo. As the Jiedushi of Jiannan Xichuan, Wei Gao became a unique practitioner and actively promoted a joint strategy in Yunnan. After the Tang decided to make an alliance with the Nanzhao Kingdom, relevant actions were taken immediately. However because relations between the Nanzhao Kingdom and the Tang had been broken for many years, at the beginning, Wei Gao could only communicate through some of the tribal chiefs of the Dongman ( Eastern Barbarians) . Through several years of ef-fort and mutual contact, Wei Gao’s endeavors to make an alliance with the Nanzhao, at last, were effective. Wei Gao’s efforts to make an alliance with the Nanzhao certainly involved issues related to trans-portation between Xichuan and the area of Erhai Lake. During that period, the route between Xi-chuan and Nanzhao was not only under military threat from the Tubo, but it was also overseen by the tribes of the Dongman who supported the Tu-bo—this indicated that the line of communication was not in a normal situation. The Southern Silk Road was one of ancient China’s important land trade routes to overseas. In looking at relevant re-cords in the Shiji ( Records of the Historian ) , we can see that this route had been known by people in the Central Plains from at least the Qin and Han dynasties. It was called the“Shushen Dudao” dur-ing the Han dynasty, and the “Xi’er Tianzhu zhid-ao” in the Taizhong period of the Tang dynasty.“Xi’er” refers to Erhai Lake, which was called“Xi’er He” during that time; “Tianzhu”, i. e.“Shendu”, refers to present day India. Since the Qin and Han dynasties, there were two primary routes between Xichuan and the area of Lake Er-hai. One was the Shimendao, also called the Wuchidao or Rongzhoudao, which started from present Chengdu and went through present day Le-shan and Yibin. The other was the Qing Xidao, also called the Lingguandao, Songzhoudao or Qiongnan Yilu,which, started from present Cheng-du, and went through present day Ya’an, and Xichang. These two routes were also called the“North Route” and the“South Route” in the Yun-nan Zhi ( The History of Yunnan) compiled by Fan Cuo in the Tang Dynasty. These two were the main routes between Sichuan and Yunnan on the South-ern Silk Road in the Tang dynasty. In 794 A. D. , the Tang and the Nanzhao Kingdom swore an oath of alliance, and Wei Gao started his plans to reo-pen the routes. By making a comprehensive analy-sis of relevant historical records, we are certain that starting with a plan in the 8th century, and fol-lowing the realization of the alliance between the Tang and Nanzhao as part of the strategy for the Southwestern area, and, together with the success in the fight against the Tubo, the two main chan-nels between Sichuan and Yunnan on the Southern Silk Road were reopened as a result of the concern of Wei Gao at the beginning of the 9th century. II. The Basic Situation of the Route between Sichuan and Yunnan on the Southern Silk Road in the Tang Dynasty and Its Historical Significance It was a long way from Xichuan to the area of Lake Erhai, and, moreover, the situation was also very complicated. Whenever the North Route or the South Route opened, it was not something that was completed immediately; it was a process. Al-though some sections of the road might be comple-ted initially, the opening of the entire route could not be completed within a short time. Through the records of Fan Cuo in his Yunnan Zhi, we can glean a general understanding of the basic situation regarding the reopening of the two main routes be-tween Sichuan and Yunnan along the Southern Silk Road in the Tang Dynasty. Seen from the records of Fan Cuo, there were courier stations along the South Route, so that travelers and their horses could have services and accommodation. It is very significant to note that in addition to the records of courier stations along the route managed by the Xichuan administration, the Yunnan Zhi also recorded that special translators were arranged for facilitating the contact and ex-change between the two sides, i. e. Xichuan and Nanzhao, after the route reached Ezhunling. This detail reflected Xichuan’s attention to the manage-ment of this route, but it also reflected the frequent contact between the people from the two sides of this route and the need for better communication. The road which started from Ezhunling was man-aged by the Nanzhao Kingdom. The situation of the North Route was quite different from the South Route. Based upon an analysis of the records found in the Yunnan Zhi, along the north route, there were not only high mountain, steep slopes, and winding roads, but the traveler also had to pass through many areas inhabited by the Wuman (Black Babarians). So, people were able to pass through the stations only after their words had been translated three or four times. Generally speaking, the conditions along the North Route were worse than those along the South Route. Therefore, al-though the reopening of the South Route was later than the North Route, people usually chose to pass through the South Route after it was reopened. It should be mentioned here that although Fan Cuo’s Yunnan Zhi was compiled during the early years of Xiantong Period in the Tang dynasty, the situation along the route and courier stations recorded in the book were probably not much different from those along the route during the time of Wei Gao. Al-though more than half a century of time had passed the road and courier stations along the South and North Routes might have only had some minor changes, and it was probably generally the same as in the past. Moreover it was unblocked for a long term due to the concern of the both sides. Another point that should be noted here is that although both the South and North Routes connecting Si-chuan and Yunnan on the Southern Silk Road in the Tang dynasty were managed by the administra-tions of Xichuan and Nanzhao separately, seen from the close relations and common demands of the two sides, the construction and management of these two important routes were combined through the negotiation of the two sides’ considerations and demands. As the major supporter for making the alliance with Nanzhao, Wei Gao should be the one who played an active role in this process. Because of the alliance between the Tang and the Nanzhao Kingdom the Tubo suffered a setback in the southwestern region, and they gradually re-treated to the north. Under this scenario, the channels of communication between Sichuan and Yunnan were unblocked, and communication be-tween the envoys from the Tang and Nanzhao be-came more frequent, the local trade developed, and the number of businessmen traversing Sichuan and Yunnan increased. Seen from the perspective of the development of Nanzhao, the frequent ex-changes between the artisans and traders from the two sides via the South and North Routes that ran between Sichuan and Yunnan promoted the eco-nomic and commercial development of Yunnan. In addition, there were many ethnic groups in the Nanzhao Kingdom. These included the Wuman, and Baiman ( white barbarians) . For several dec-ades,“more than a thousand” people from differ-ent ethnic groups went to Chengdu to study. This reflected that the reopening of the Southern Silk Road during the Tang dynasty played an important role in cultural transmission. On the other hand, training youth from the different ethnic groups liv-ing in the Nanzhao Kingdom also had a deep influ-ence on the cultural development of Yunnan. More important is that this action enhanced the commu-nication between the ethnic groups of Yunnan and the Central Plains. In addition, after reopening the road between Sichuan and Yunnan on the Southern Silk Route, the road continued through Nanzhao territory, crossed into the Myanmar-India route, and arrived in South and Southeast Asia. It could be said that Wei Gao’s reopening of the Southern Silk Road was not only helpful for communication between the people of Xichuan, the Central Plains and Yunnan, but it was also helpful for communi-cation between the Tang and the countries of South and Southeast Asia. It should be mentioned that Wei Gao’s reope-ning of the Southern Silk Road was conducted with-in the framework of an alliance with the Nanzhao Kingdom to attack the Tubo. Hence, speaking truthfully, reopening the road was not the main re-sponsibility of the Jiedushi of Xichuan, and was al-so not his main strategic goal. Under the serious situation faced by Jiannan Xichuan, Wei Gao’s main focus during that time was how to contact and make an alliance with the Nanzhao Kingdom so as to take military action against the Tubo. Even if he planned to reopen this road and took some action, it was conducted by targeting his military strategic action. However, reopening the Southern Silk Road could not be separated from the action of making an alliance with the Nanzhao Kingdom. Moreover, after reopening this road, it really pro-moted economic -cultural exchange and develop-ment along the road. Hence, we should give a full understanding and evaluation on Wei Gao’s histori-cal role in it.     

地方感何以可能——兼评段义孚“Space and Place: The Perspectives of Experience”一书

In the first century of Anthropology (1870-1970), almost all social sciences studies focused on“objective”,“rational”,“collective”, and “universal” socio-cultural facts. This orien-tation excluded and marginalized those “subjec-tive”,“individual” and “non-rational” fields in the discourse system of the discipline. “Sense”was such a field, refused by the gatekeepers of tra-ditional anthropology. Since 1980s, more and more anthropologists have paid attention to the study of sense. laying the foundations for an “anthropology of the sen-ses”. With the gradual influence of Western An-thropology of the senses, “sense of place” is be-coming a current academic phrase in Chinese An-thropology. Meanwhile, a fundamental question has to be asked:how is sense of place possible? In order to explore this question, we must go back to Yi-Fu Tuan, a renowned humanistic geographer and his master work, Space and Place. Space and Place contains a total of fourteen chapters and can be divided into three parts. The first part, chapters 1 to 3, discusses three key words:experience, space, and place. Meanwhile, this part identifies the fundamental question of the book:how do human beings understand and expe-rience the world? The second part, ranging from chapters 4 to 9 , and introduces the relationship be-tween sense and space. The third part,chapters 10 to 14 , interprets the relationship between place and sense. Although the latter two parts introduce
the relationship between the “Sense and Space”and “Place and Sense”, the interrelation of space-sense-place runs through the whole book. The three key words ( experience, space and place ) are fully reflected in the title of the book ( Space and Place—the Perspective of Experience. What, then, is the nature of experience? Tuan holds that the essentiality of experience is how a person knows and constructs reality, ran-ging from inchoate feelings to explicit conceptions. Essentially,experience equals feeling plus thought. It is generally argued that feeling and thought are opposites. Feeling is subjective and non-rational. Thought is objective and rational. Tuan however argues that both of them belong to different poles of an experiential continuum and are ways of knowing the world. Through a new understanding of experi-ence, Tuan puts feelings to the study of “space-place”. Tuan considers space as a geometrical unit ( area or volume ) , it is a measurable and unam-biguous quantity. More loosely speaking, space means “room”; Space “is given by the ability to move”. However, sense is the sense of a lived body or man, and the relationship between sense and space is the relationship between a body and space, or essentially, the world. When a man ( or lived body ) moves in the world or space, the movement in turn gives him a sense of space. Place, in Tuan’s view, is a type of object,an object in which one can dwell (p. 12),a stable ob-
ject that catches our attention ( p. 161 );a focus of value, of nurture and support (p. 29). If we have a sense of space because we can move, then we have a sense of place because of a pause in move-ment. The pause makes it possible for a locality to become a center of felt value ( p. 138 ) . Sense of place is mind at work ( p. 198 ) , while sense of space is body at work. The most typical sense of place is topophilia, which is the feeling-link be-tween person and place ( Tuan, 1974 ) , and be-comes mixed with the sense of cultural identity a-mong certain peoples and a love of certain aspects of such a place. Actually, place has a lot of similarities with the character of space. For example, one place in-cludes several spaces while it contains another lar-ger space. Nevertheless, the difference between the two is also obvious. Tuan argues that“Place is security, space is freedom” ( p. 3 ) , and Space lies open as a common symbol of freedom in the Western world. On the negative side, space and freedom are a threat. A root meaning of the word“bad” is“open”. To be open and free is to be ex-posed and vulnerable. Compared to space, place is a calm center of established values ( p. 54 ) . While space and place is not a duality, according to Tuan, space can transform into place. In a word, the key factor of the transformation is culture,or more concretely, human experience. Based on this, we further propose that space and place is a continuum, just like Tuan’s understand-ing of experience as a continuum, and sense is a significant link to it. To summarize, Yi-Fu Tuan argues that ex-perience is a compound of feeling and thought in Space and Place:The Perspective of Experience. Tu-
an focuses on feeling and sense, which is the con-junction of space and place. We believe that Tuan’s research is based on a set of views: People have a sense of space from the body, as well as a sense of place from the function of the mind. From sense of space to sense of place, space and place become a continuum for the sake of sense. Nowa-days, historical anthropology still has problems in dealing with the relationship between space and place, so Tuan’s research, which has already bro-ken boundaries between the disciplines of geogra-phy and anthropology, is worthy of closer atten-tion.     

从民间文学看哈尼族的传统生态观

The Hani’s rich folk literature has preserved their traditional culture. Interpreting it from the perspective of ecological culture may lead us to the conclusion that the Hani’s traditional eco-logical understanding is that of a harmonious rela-tionship between man and nature. This ecological understanding is similar to that of other ethnic groups in Yunnan, such as the Bai, Dai, Wa, Yao, Naxi, Jingpo, Bulang, and other ethnic groups, which shows that this ecological under-standing is common across the Chinese nation. Meanwhile, this ecological understanding has an enlightening role for human beings to keep the eco-logical balance in the present day. This article tries to investigate the deep connection between the Hani’s folk literature and the natural ecology, and reveals the Hani’s traditional ecological under-standing. 1 . The Hani’s traditional ecological under-standing is revealed in their folk literature The Hani have no fairy tales in the strict sense, their literature is a kind of“universal litera-ture” enjoyed by both adults and children. Howev-er, the Hani’s folk literature also created a roman-tic world similar to that of fairy tales. This “fairy tale world” is just the world of nature reflected in the Hani’s literature. The typical characteristics of this world are harmony and happiness. In this har-monious and happy world, mountains are a para-dise for man and all other things on earth. In this paradise, man is only a part of nature, they are not the spirit or the core of the world. Man, animals and plants have their own places, and their own happiness. Meanwhile, they support each other, and have a common development. In a word, man and nature have a highly harmonious relationship. When environmental protection and ecological bal-ance become a common topic in today’s discourse, one can gain some insight by reading Hani fairy tales and legends. Therefore, digging out the eco-logical beauty from Hani folk literature still has a practical purpose. How then does Hani folk literature describe the relationship between man and nature? We find that the Hani folk literature is full of stories con-cerning how the animals and plants save mankind. Many works reflect this idea: if mankind had not been assisted by the animals and plants, it must have died out long ago, therefore, man should show his thanks to the animals by protecting them. Be-cause the animals and plants saved man’s life, and man knew to show his gratitude to them, the rela-tionship between man and nature is always good in the fairy tales, although they live in their own ways, they never disturb each other — they have a totally harmonious relationship. Moreover, man can even marry animals and have descendants with them. The harmonious relationship between man, animals and plants is a basic theme of the Hani folk literature, as well as a basic part of the Hani eco-logical understanding. The relationship between man, animals and plants reflects not only a friend-
ship, but a kind of family relation, because they can even become couples, although the couples can sometimes suddenly turn hostile — they may have disagreements or even come to blows. When this happens, the deities could help to solve the problem— this is another aspect which reflects a harmoni-ous relationship between man, animals and plants. In the Hani folk literature, the harmony be-tween man and nature is also reflected in the mutu-al assistance between man, animals and plants. In this kind of literature, man, animals and plants are always equal; they not only have a common goal and the same standards for good and evil, but also have a common language, with which man, animals and plants are able to negotiate with each other, help each other and reap their own rewards. 2 . The cultural sources of the Hani’s tradition-al ecological understanding Although literature is a creation of the writer, it reflects social life. The writers’ imaginings can-not be separated from the practicalities of place, and folk literature has its own particularity. Folk literature is created by several folk artists from gen-eration to generation. It might be a result from sev-eral people’s discussions during the creative process or when the work is passed down, hence, it is typically collective work and has typically mass characteristics. Although the individual plays a significant role in the creation of a work, the content of folk literature does not always reflect a single artist’s idea, but the idea of a group. There-fore, we say that the harmonious ecological under-standing reflected in the Hani literature actually re-flects an overall awareness of the Hani people. Why did the Hani form this kind of common awareness, then? We believe that it is decided by the Hani’s living environment and common cultural resources. Most Hani people live in the mountain-ous or semi-mountainous areas between Mt. Ailao and Mt. Mengle. The living environment partly in-fluences ideology. Because of the level of inacces-sability, and self -sufficient life style, communi-cation among the different Hani villages is rare,
however, what they see every day in their living ar-eas are mountains; therefore, their similar living environment leads them to have a similar under-standing of the mountains. The Hani are a “migrated ethnic group”. Their ancestors originally lived in the remote north. Due to natural and social causes, they moved south. Following the cultural development and improvement of natural conditions, their popu-lation gradually increased. After they stepped into the mountainous areas of Mt. Ailao, they had im-proved material conditions and peaceful life, and the population dramatically increased. Later, they settled down in the broad area of the Honghe and Lishejiang drainage basins. The Hani’s history of migration and development indicates that no matter how large a population they have, and how they are scattered, their culture has the same origin. Therefore, tracing the origin of the Hani culture is very important to understand why the Hani share a common awareness of the harmonious relationship between man and nature. Another point worth noting is that the Hani are called as an “Ethnic Group of Stories”. The Hani like telling stories, and making up stories, therefore, there are many popular stories among the Hani. This is because Hani have no writing, which makes the essence of the Hani culture lie in their oral stories. The ancestors’ stories, and their wisdom are all spread and handed down through these stories. The Hani stories actually play act as cultural carriers, burdened with the task of preser-ving culture, and playing an educational role. It is due to the influence of the ancestors’ traditional culture that the Hani have kept an awareness of maintaining a harmonious relationship between man, animals and plants. Then, which factors in the Hani’s cultural origin have promoted this awareness and made it exist for a long time? This article separately discusses the impact of the origin of the heavens, earth, man, animals, and plants, as well as the understanding of animism to this awareness.
In the Hani’s traditional religion, animism is a basic tenet. The Hani believe that the universe is created by the gods, and all things on earth are brought about by the gods. These deities infuse the things in the universe with a spirit; man cannot hurt other things, including those things without life;and the proper relationship between man and nature is harmony. A harmonious relationship means to obey the deities’ will, and is a special representation of their worship. Some people be-lieve that the formation of this kind of understand-ing is directly related to the ecological environment in which the Hani live. They live in the mountain-ous areas and conduct farming work from genera-tion to generation. The forest and water sources are their basic production materials. While using and transforming nature, they must protect and respect nature. Only in this way can an ethnic group un-dergo constant development in a difficult environ-ment—this already has become common knowledge during the process of inheriting the Chinese culture in the past thousand years. And to the Hani peo-ple, this is their principle, as well as their life philosophy. The Hani’s understanding of animism is a kind of pantheistic ideology, which belongs to religious aspect and does not fit with materialism. However the understanding of animism plays a very big role in the Hani’s formation of a self-consciousness in protecting the animals and plants, and keeping the ecological balance. Its role is not limited to an in-dividual or a local area, instead, its meaning to the whole Hani area cannot be underestimated. Hence, we take it as one of the sources for the for-mation of the harmonious natural understanding of all Hani people.     

《宋西事案》考略

祁承编修的《宋西事案》是惟一一部明朝人编修的传世汉文西夏史籍,该书的编修有很强的现实针对性,由于书序中有“违碍”之语,在清朝被禁毁。该书目前至少有两种版本传世,由于各本中存在着诸多文字上的错误,在利用时要加以校勘。     

汉语“民族”一词见于西晋永嘉年间

曾经有学者认为汉语"民族"一词是古汉语的固有词语,而且在《南齐书》中就已出现。本文通过对西晋王浚妻华芳墓志的解读,指出"民族"一词的出现可以追溯到西晋永嘉年间,比《南齐书》中的实例早约200年。     

论西夏法典中的文书制度

文书是国家组织、社会团体、个人在社会活动中为处理各种事务而形成的、具有特定效用和格式的文字材料.中国历代统治阶级都非常重视文书工作,西夏也不例外.因此,我们利用西夏法典<天盛改旧新定律令>,对西夏文书发文制度、收文制度、传递制度、管理制度等四个方面的内容进行了比较系统的探讨.     

《啰哩回回——元代的吉普赛人》证补——纪念杨志玖先生归真10周年

《啰哩回回——元代的吉普赛人》是杨志玖先生晚年的一篇名作,发表后学界多有赞誉。本文在杨先生之作的基础上,沿着杨先生论文的思路,作进一步的探寻,试图对中国的吉普赛人问题能稍有深化,也通过此文来表达笔者对杨先生去世10周年的纪念之情。     

略述《康輶纪行》的史料价值

<康輶纪行>系姚莹二次从成都入藏,记其沿途见闻撰成.是书记载了姚莹两次由蜀入藏及从不同地区进入西藏的道里行程;记述了沿途蕃民的衣食住行及丧葬、节日习俗等风土人情;并对僧侣服饰、哈达之制、蕃人礼佛与诵经方式等予以了生动详细的叙述;记载了清朝对藏区实施的民族政策及管辖措施,有关藏医药、罂粟花的种植、贩烟通道、茶制作与包装、青稞酒的酿造等资料尤为珍贵.     

西夏文《经史杂抄》考源

西夏文《经史杂抄》一书出土已近百年,因首尾皆佚,内容芜杂,此前一直未获全文解读,出处亦不明。本文指出此书主要依据敦煌汉文文献《新集文词九经抄》编译而来,是目前所知西夏人编译的唯一一本通篇征引汉文俗文学的作品。对它的解读可以解决夏译汉籍悬而未决的最后一个谜团,从而为研究西夏教育和文化交流提供一份宝贵的材料。     

西夏契约研究

契约在我国有悠久的历史,它在不同时代而称谓不同。契约是当事人设立、变更和终止民事关系的一种具有凭证性质的法律文书,也是契约当事人权利义务关系的一种设定。西夏在学习借鉴和吸收中原王朝契约精华之后,制定了比较严密的契约制度,在规范西夏商品交换和市场秩序方面发挥了重要作用。为此,本文结合目前已经考释公布的西夏汉夏文契约实物和《天盛律令》的有关条款规定,从西夏契约成立的要素和西夏契约的法律规定两个方面进行了比较深入细致的探讨,为学界研究西夏契约提供了一些素材。     

试论辽对西夏的遏制政策

本文认为,辽、夏的交恶是控制与反控制造成的,辽控制西夏的目的在于利用西夏在宋西部造成的紧张局势,向宋攫取更大的经济利益。文章还指出,辽完全从自身利益出发制定对夏政策,不可避免地破坏了西夏政权的独立性。     

吐蕃盟誓中宗教因素辨析

盟誓是吐蕃对外关系中一项重要活动,<旧唐书>中关于盟誓的仪式和誓词等有许多记载.依据这些记载形成了许多不同的观点.通过对相关资料的辨析可以看出,在吐蕃与外族的盟誓中,尤其是与唐朝的盟誓中,以神为鉴照和歃血等仪式并不能简单地归为吐蕃苯教的仪式或影响.恰恰相反,这实际上都是汉族传统盟誓的有效组成成分,所以,唐蕃盟誓的仪式实际上是双方对对方盟誓仪式中传统宗教因素的折中和变通.另外,佛教在吐蕃兴起后,佛教因素也逐渐渗透到唐蕃的盟誓中,双方的盟誓仪式中,传统宗教因素和佛教因素并存,其主要的推动力量则来自于吐蕃.