Friedrich Nietzsche,Dmitrii Merezhkovskii,and the Russian Renaissance

The artistic, poetic, and literary movement in the years between 1890 and 1917 has long been known as the “Silver Age,” a name that does not convey the movement’s essence and one that was mostly used retrospectively. The artists, philosophers, and writers of the day gave their own name to this cultural flourishing, the “Russian Renaissance,” because they believed they were embarking on a rebirth of literature, culture, art, and religion similar to that of the European Renaissance. In their search for a new aesthetic vision, the Russian Renaissance turned to the classical world, especially ancient Greece. But their view of that culture was distinctly shaped by works of the German philosopher Friedrich Nietzsche. This article will highlight the particular, crucial role of Dmitrii Merezhkovskii in bringing a Nietzschean view of Greece into the Russian Renaissance. Merezhkovskii’s Nietzschean celebration of the classical world, and his belief that this world could reinvigorate Christianity and Russian culture, proved greatly influential for the artists, poets, and philosophers that followed him.     

Philosophy of Communication and Umberto Eco’s Infinity of Lists: The Interplay of the Poetic and Pragmatic

This article conceptualizes the importance of Umberto Eco’s understanding of lists for philosophy of communication. Philosophy of communication is understood as the necessary and insightful interplay of the poetic and pragmatic through which meaning emerges. In The Infinity of Lists, Eco offers an essay-length interpretation of lists presented alongside a collection of art and literature that represent his theoretical work in action. Eco articulates lists as a means for cultural order and form in the attempt to convey what is otherwise beyond articulation. Although philosophers of communication have recognized the importance of Eco’s philosophical and semiotic project for human communication, his work on lists has received little attention within and outside of the field of communication. This article assumes that lists are significant to Eco’s project and to philosophy of communication, situated in the interplay of the poetic and the pragmatic.     

Rozanov and the Coin

Abstract

The importance is examined specifically of the coin and, more generally, of money, in the religious thought of Vasilii Rozanov. First, there is Rozanov's rejection of the Orthodox ideal of poverty, which is based on his interpretation of the religious role of the family and the obligation placed on men to support their household. Then, the focus is on Rozanov's numismatics; the importance of the coin for Rozanov as a historical artefact, and also the metaphysical function of the coin in connecting him to ancient civilizations, and resurrecting pre-Christian values in the modern world. These two dimensions of finance are reconciled by demonstrating that, for Rozanov, the physical and metaphysical properties of money are linked in a complex system of exchange that helps humanity maintain its links with the Creation. Rozanov also establishes a clear link between the coin, the word, and the reproductive body, a dynamic that is threatened specifically by Jesus Christ. In addition, Rozanov's thought is examined in the context of Russian Orthodoxy and religious philosophy over the religious value of money and the economy.     

The idea of philosophical sociology

This article introduces the idea of philosophical sociology as an enquiry into the relationships between implicit notions of human nature and explicit conceptualizations of social life within sociology. Philosophical sociology is also an invitation to reflect on the role of the normative in social life by looking at it sociologically and philosophically at the same: normative self‐reflection is a fundamental aspect of sociology's scientific tasks because key sociological questions are, in the last instance, also philosophical ones. For the normative to emerge, we need to move away from the reductionism of hedonistic, essentialist or cynical conceptions of human nature and be able to grasp the conceptions of the good life, justice, democracy or freedom whose normative contents depend on more or less articulated conceptions of our shared humanity. The idea of philosophical sociology is then sustained on three main pillars and I use them to structure this article: (1) a revalorization of the relationships between sociology and philosophy; (2) a universalistic principle of humanity that works as a major regulative idea of sociological research, and; (3) an argument on the social (immanent) and pre‐social (transcendental) sources of the normative in social life. As invitations to embrace posthuman cyborgs, non‐human actants and material cultures proliferate, philosophical sociology offers the reminder that we still have to understand more fully who are the human beings that populate the social world.     

论《古兰经》的哲学注释

《古兰经》是伊斯兰教的根本经典,也是伊斯兰文化体系诸多学科的理论渊源。从发生学来讲,《古兰经》中关于世界、人类、宇宙、因果等哲学命题的经文,催生了伊斯兰哲学。穆斯林哲学家根据经训教义,注释《古兰经》中具有哲学命题的经文的同时,亦借鉴它文化的哲学元素对其进行注释,构成了《古兰经》哲学注释的整体图景。     

Ilyenkov on Aesthetics: Realism,Imagination, and the End of Art

It is sometimes claimed that Evald Ilyenkov's writings, particularly those on the problem of the ideal, best express the philosophical framework of Russian cultural-historical psychology and activity theory. In this article I consider a neglected part of Ilyenkov's legacy: his work on aesthetics. Ilyenkov's writings on art cast significant light on his views of culture and mind and on the humanistic vision at the center of his philosophy. In 1964, on a rare trip to the West, Ilyenkov visited an exhibition of pop art in Vienna. He was disgusted by what he saw and wrote a scathing critique entitled "Chto tam, v Zazerkal'e?" ("What's there, through the looking glass?"). Does Ilyenkov's antipathy to pop-and, indeed, to so-called modern art in general-show him to be enamored of a narrow, reactionary form of socialist realism? If so, how can this be squared with his reputation as a creative, critical voice within Soviet Marxism? I examine Ilyenkov's other writings on aesthetics in search of a nuanced interpretation of his reaction to pop. I consider his idea that art should serve to cultivate higher forms of perception and his attendant concepts of aesthetic sensibility and imagination, and I explore how these notions contribute to his view of the unity of the cognitive virtues, his hostility to the division of labor, and his ideal of genuine human activity, guided by reason. Such themes are vital constituents of Ilyenkov's humanism, which celebrates free, creative activity as a life principle that must assert itself against the mortifying forces of mechanization and standardization. Although these ideas may not entirely redeem Ilyenkov's hostility to modern art, they reveal his stance to be far more sophisticated than appears at first sight.     

论《古兰经》的哲学注释

《古兰经》是伊斯兰教的根本经典,也是伊斯兰文化体系诸多学科的理论渊源。从发生学来讲,《古兰经》中关于世界、人类、宇宙、因果等哲学命题的经文,催生了伊斯兰哲学。穆斯林哲学家根据经训教义,注释《古兰经》中具有哲学命题的经文的同时,亦借鉴它文化的哲学元素对其进行注释,构成了《古兰经》哲学注释的整体图景。     

UTOPIAS AND CITIES OF KALMAN ZINGMAN,AN UPROOTED YIDDISHIST DREAMER

The article analyses historical, political and ideological aspects of Sholem Aleichem's collection of political feuilletons, Menachem Mendel. Der tsveiter tom (Menachem Mendel. The second volume). The feuilletons were published in the newspaper Haynt (Today) in Warsaw in 1913. They were written as correspondence between the famous personages of Sholem Aleichem's prose, Menachem Mendel and his wife Sheyne Sheyndl. Menachem Mendel. Der tsveiter tom presents a wide panoramic view of the political and everyday life of Russian Jewry on the eve of the First World War. Sholem Aleichem described many aspects and events of world, and of Russian and Russian-Jewish politics, among them the Balkan Wars, the 11th Zionist Congress in Vienna, Jewish emigration, the Jewish question in the imperial Russian State Duma, expulsion of Jews from villages in the Russian Empire, the territorialist movement and the struggle between Yiddish and Hebrew. In 1913, Russian Jews were, on the one hand, an oppressed minority locked in the Pale of Settlement, but on the other a real subject of Russian and world politics, involved with political parties and civil movements, newspapers, leaders, congresses and the like. Within Sholem Aleichem's final half-fictional half-journalistic work a complicated collective portrait of Russian Jews emerges.     

Locating an American romanticism: Emerson,Cavell, 'Experience'

Abstract

This article reads Ralph Waldo Emerson's 1844 essay 'Experience' as a work of mourning that gives rise to critical reaction in the romantic tradition to specific philosophical ideas New England had imported from Europe early in the 19th century. The author reads this transatlantic interaction in the wider context of journal entries, arguing that the death of Emerson's son is a test to Emerson's philosophy and his literary form, indeed, the highest challenge, against which the claims of philosophy and literature could only fail. Moreover, it is the failure of his philosophy to contain his son's death, to express it, that makes Emerson's essay romantic. Defining romanticism as incompletion: the impossibility of a total system which would include, for example, the death of the other (Cavell, Lacoue-Labarthe, Nancy, Blanchot). This, the author argues, proposes a 'location' for American romanticism that constitutes an adequate response to Critchley's contention, in his reading of Cavell, that Emerson is not, in fact, romantic.     

The Authenticity in Ambiguity: Appreciating Maurice Merleau-Ponty's Abductive Logic as Communicative Practice

This article is a reading of Maurice Merleau-Ponty's "An Unpublished Text" (1964a), as an exemplar of communicative praxis. As a poetic, "stylistic" account of the body of his life's work, this text self-signifies his potential as an "authentic" scholar. Employing a motivated logic that is abductive (Peirce, 1955), he argued for an appreciation of our phenomenological and semiotic circumstances of existential ambiguity. Furthermore, from this phenomenal ground, he articulated the pragmatic conditions of authenticity that inhere within every communication engagement with an Other. My interpretation of the Etre Au Monde of his philosophy depicts authenticity as human potentiality in the context of an existential dialectic between personal consciousness and sociocultural experience. We find that ambiguity and authenticity implicate one another as philosophical issues and thus remain highly relevant for a postmodern philosophy that problematizes our constitution as communicative beings.     

Thinking technicity

Abstract

The evermore explicit technicization of the world, together with the immeasurable nature of the political and ethical questions that it poses, explicitly defy the syntheses of human imagination and invention. In response to this challenge, how can philosophy, in its relation of nonrelation with politics, help in orienting present and future negotiation with the processes of complexification that this technicization implies? The article argues that one important way to do this is to think and develop our understanding of technicity from out of metaphysics, its destructions and deconstructions. The argument proceeds from the aporia of knowledge in Plato's Meno, situates continental philosophical thought's various articulations of the ‘other’ of metaphysics in relation to the problematic of this aporia and claims that certain understandings of this alterity can be further articulated in terms of technical supplementarity. Working between the concept of ‘arche‐writing’ in the thought of Jacques Derrida and that of ‘epiphylogenesis’ in that of Bernard Stiegler, the article then develops this supplementarity in terms of a play between originary technicity and its historical differentiations, one that both holds to the articulation of alterity in recent continental philosophy and develops it further in terms of its relation to historical determination. This relation, posited through a thinking of technicity, permits, finally, the ‘development’ of an ethics of giving time with which negotiation with processes of complexification can be undertaken in the name of justice. An ethical relation to these processes thereby emerges through the very excess of the human.     

Happy Marriage,Happy Life? Marital Quality and Subjective Well‐being in Later Life

The authors examined associations between marital quality and both general life satisfaction and experienced (momentary) well‐being among older husbands and wives, the relative importance of own versus spouse's marital appraisals for well‐being, and the extent to which the association between own marital appraisals and well‐being is moderated by spouse's appraisals. Data are from the 2009 Disability and Use of Time daily diary supplement to the Panel Study of Income Dynamics (N = 722). One's own marital satisfaction is a sizable and significant correlate of life satisfaction and momentary happiness; associations do not differ significantly by gender. The authors did not find a significant association between spouse's marital appraisals and own well‐being. However, the association between husband's marital quality and life satisfaction is buoyed when his wife also reports a happy marriage, yet flattened when his wife reports low marital quality. Implications for understanding marital dynamics and well‐being in later life are discussed.     

Huxley's Brave New World — and Ours

The article discusses the continuing relevance of Huxley's dystopic novel in a contemporary, post‐political context in which a passive nihilist version of “happiness” is elevated to the level of a political and ethical ideal and “freedom” is taken for granted. Significantly, although Huxley's target was Stalinism when he wrote the novel, revisiting Brave New World forces one to reflect on contemporary, “democratic” versions of totalitarianism as well. And yet Huxley himself did not follow the political and ethical consequences of his critique. The article seeks to map these consequences by rethinking the maxims of the brave new world in relation to three main themes: biopolitics, nihilism and network society. Indeed, seen through this conceptual prism, there is a remarkable homology between Huxley's Brave New World and our world.     

What counts as happiness for young people: A qualitative study

Limited research exists on young people's own views on their happiness, with research dominated by adult-led, quantitative well-being studies. This article discusses a qualitative study on young people's happiness which draws on both Psychology and Childhood and Youth Studies. In all, 42 young people completed writings and a new method of ‘happiness maps’, together with discussion groups and interviews, which were analysed within a constructivist grounded theory approach. Happiness is revealed as wide-ranging, complex, and individually variable. Family and friends were important, but these relationships were qualified and contingent in how they contributed to happiness. Importantly, discussions of happiness also incorporated unhappiness.     

Freedom and Sociability for Bergson

This paper discusses the way that Bergson relates the notions of freedom and sociability. It retraces a path leading from his first major work to his last, from a proto-phenomenology of freedom to a kind of biology of social life. The continuity of this passage is explained, at least in part, by Bergson's continual rethinking of his chief philosophical invention: the concept of qualitative multiplicity. This paper also seeks to indicate the importance of Bergson's understanding of both freedom and sociability for the poststructuralist political philosophy of Gilles Deleuze.     

Revivifying Russia: Literature,Theory, and Empire in Viktor Shklovskii's Civil War Writings

Abstract

When in 1924 Iurii Tynianov identified Viktor Shklovskii's memoir A Sentimental Journey as a work 'on the margin of literature', he was commenting on the text's generic experimentation. But he also provided an apt label for its geopolitical setting, as war drives Shklovskii back and forth from Russia's dying imperial centre Petrograd to the country's peripheries. The sometimes uneasy relationship between Shklovskii's literary theory and his movement through the disintegrating Empire is this essay's main focus. Drawing on recent scholarship that identifies a fundamental paradox of modern literary theory as both the cosmopolitan study of literature per se and a discipline validated by national literary canons, the essay proposes that Shklovskii negotiates cosmopolitan and national impulses by exploring Russian literature as the expression of a multi-ethnic and multilingual empire. In analogy with Shklovskii's famous dictum that art exists to 'make the stone stony', the argument is made that in his Civil War writings Shklovskii strove to revivify the Russian Empire, that is, to 'make Russia Russian', by presenting his readers with a new and strange view of Russia from its imperial borders.     

Robert W. Cox and the Idea of History: Political Economy as Philosophy

Abstract

Within the discipline of international political economy (IPE), the work of Robert Cox is usually associated with the tradition of historical materialism, especially its Gramscian-inspired version. In this paper, however, I explore some of the less visible elements of Cox's thought. In particular, I highlight a variant of historicism which, although not without a connection to Gramsci's conception of the philosophy of praxis and absolute historicism, is more fully aligned with the work of Collingwood, Vico, Braudel, and Carr. I identify this as a variant of historical idealism, and I suggest that it is this element of his thought which provides a deep intellectual coherence to his work across the different stages of his career. Furthermore, I argue that this use of the idea of history distinguishes Cox's approach from more radical and constructivist accounts of world order, and allows him to connect his framework of historical structures to his method of diachronic change, which centres ultimately on his conception of intersubjectivity. I close by suggesting that Cox's interest in civilizations is deeply connected to these formative historicist influences, which in turn helps to account for why his later work resonates less well with much contemporary historical materialist IPE analysis.     

Peter Kireevskii and the Development of Moscow Slavophilism

Abstract

Although the name of the folklorist Peter Kireevskii is well known to historians of nineteenth-century Russia, comparatively little has been written about his place within the Slavophile circle. Some scholars have treated him as the 'first' Slavophile. Others have questioned whether his views were in any sense really Slavophile at all. This article argues that Peter Kireevskii's life-long interest in Russian folklore was rooted both in his understanding of the Russian countryside and his exposure to the influence of a Russian Romantic tradition that viewed the narod as the authentic representative of national identity. It suggests that Kireevskii was from his youth convinced that Russia possessed a culture and history that was equal in value to any country in the West, but that it was only in the late 1830s that he stressed the role played by Orthodoxy in shaping Russia's development. Although his mature views brought him closer to the Slavophile 'mainstream', there were always some elements that set him apart, perhaps reflecting the fact that Slavophilism was a more eclectic and diverse phenomenon than sometimes realized.     

Advertising ‘Happy’ Children: The Settler Family,Happiness and the Indigenous Child Removal System

We analyse 4300 advertisements of children featured in the Today's Child column, a daily written by Helen Allen in The Toronto Telegram and The Toronto Star from 1964 to 1982, to understand how the Canadian public became accepting of the adoption of Indigenous children. While children of all ethnic backgrounds were featured, the Indigenous children who were displayed were part of a larger system of child removal, known as the ‘Sixties Scoop’. We demonstrate the ways Indigenous children are described with a specific form of happiness that is conjoined with colonial conceptions of the family and nation.     

The message is the medium: immaterialism and McLuhan’s Poetic Excess

Against interpretations of Marshall McLuhan as philosophical materialist, I argue that Understanding Media and its tagline, the medium is the message, show McLuhan to be an immaterialist: a poetic, intuitive thinker, at least as interested in immaterial as in material aspects of the world. From a pragmatic perspective, or one requiring attention to both poetic and technical modes of understanding, McLuhan’s approach—offering a torrent of flashing insights and neglecting the process of empirically assessing these insights—is described as poetic excess. This is a double-edged sword, alienating many readers even as it inspires others. McLuhan’s poetic excess is a rhetorical reminder of the value and power of poetic thinking, and simultaneously of its insufficiency for the fullest understanding. Pleading that his poetic texts should be read rhetorically rather than literally, I argue we should forgive McLuhan’s worst affronts to technical, materialist rationality. McLuhan’s immaterialist epistemology, inseparable from the content of his insights, is a valuable part of his distinctive and foundational contribution to media studies.