Cultural Valorization and African American Literary History: Reconstructing the Canon

The determinants of and variations in processes of cultural valorization are of increasing interest to sociologists. In the case of high-culture literary texts, the central evaluation process takes place through canon formation. We explore the mechanisms of canon formation and of cultural valorization processes more generally by analyzing the critical history of Zora Neale Hurston's novel Their Eyes Were Watching God. Published in 1937 to lukewarm reviews, the novel is currently considered a core canonical text. We specify three processes involved in the reconstruction of Hurston's novel and in the establishment of the African American literary canon: (1) the application of new evaluative criteria, (2) the reconstruction of textual meaning through newly available interpretative strategies, and (3) changes in the institutional and organizational environment that allowed new claims on high-status critical positions to be made by those previously outside the literary hierarchy. The implications of this study for theoretical models of cultural valorization in sociology are considered.     

Sui Sin Far's American Words

Abstract

This essay offers readings of three stories from Sui Sin Far's 1912 collection Mrs. Spring Fragrance: the title story, 'The Americanizing of Pau Tsu', and '"Its Wavering Image."' Each of these stories treats an episode of romance in a multiracial society as, simultaneously, a problem of reading and of writing in a contested culture. Each turns on a quoted passage from a poem, by Tennyson, Ban Jieyu, and Longfellow, respectively. (For the latter two stories, the sources have not previously been identified in published criticism.) Analysis of Sui Sin Far's subtle and transformative engagements with literary works from several national traditions both reveals new complexities in her fiction and has the potential to revise current views of literary history.     

More than just a product: Strengthening literature in sociological analysis

Contemporary sociology of literature is predominantly shaped by the research of literary production, which approaches literary works as black boxes and subordinates them to social interactions and institutions. Even sociologists who recognize usefulness of literature for its inner quality often look at literary texts as mere passive objects to be translated into sociological discourse. In proposing a new sociology of literature, I first briefly outline the history of sociological studies of literature; second, I introduce “the state of the art” in the sociology of literature; third, I explore the relationship between sociology and literature in more general terms; and lastly, I discuss approaches and ideas with the potential to become components of a new research program, which would be a powerful alternative to the mainstream paradigms in sociological studies of literature. Such a program would make it clear that sociology can greatly benefit from cooperation with literature when sociologists are sensitive to the subtleties and (especially aesthetic) specificities of literary works.     

Revivifying Russia: Literature,Theory, and Empire in Viktor Shklovskii's Civil War Writings

Abstract

When in 1924 Iurii Tynianov identified Viktor Shklovskii's memoir A Sentimental Journey as a work 'on the margin of literature', he was commenting on the text's generic experimentation. But he also provided an apt label for its geopolitical setting, as war drives Shklovskii back and forth from Russia's dying imperial centre Petrograd to the country's peripheries. The sometimes uneasy relationship between Shklovskii's literary theory and his movement through the disintegrating Empire is this essay's main focus. Drawing on recent scholarship that identifies a fundamental paradox of modern literary theory as both the cosmopolitan study of literature per se and a discipline validated by national literary canons, the essay proposes that Shklovskii negotiates cosmopolitan and national impulses by exploring Russian literature as the expression of a multi-ethnic and multilingual empire. In analogy with Shklovskii's famous dictum that art exists to 'make the stone stony', the argument is made that in his Civil War writings Shklovskii strove to revivify the Russian Empire, that is, to 'make Russia Russian', by presenting his readers with a new and strange view of Russia from its imperial borders.     

US Americans and 'Us' Americans: South American perspectives on Comparative American Studies

Abstract

This article discusses topics in Comparative American Studies from a South American perspective. If, on the one hand, we no longer restrict a people's history or literary and cultural production to spaces which were arbitrarily constructed for political and economically hegemonic purposes, but rather see these 'national' spaces as plural and movable loci, on the other hand, the very concept of 'America' will require an approach that seeks to deal with the geographic, linguistic, ethnographic, cultural, political and economic hemispheric differences – and the relations between space and power that necessarily come to mind when one thinks about America comparatively. The us/them paradigm, in an inter-American context, becomes highly problematized: in historical terms, America, the New World, is primarily a European construct; later the word America was appropriated to signify the US national space. Thus, America must be approached from a perspective that takes into consideration these very processes; which is to say that, whichever the adopted approach, it will necessarily be one that problematizes 'American' and that develops a form of US Studies that theorizes an interpretive framework for studying how the US exports its image to the rest of the world, the many ways in which the rest of the world has constructed the US and how US Americans have imagined 'us' Americans.     

The Bengal Connection: Transnationalising America in The Namesake and The Tree Bride

Abstract

A reading is presented of The Namesake and The Tree Bride as diasporic novels that transnationalise the host culture by inscribing the ethnicity and history of Bengal on to the cultural topography of America. This interpolation is contextualised both in terms of the 'Bengal connection' — the now occluded saga of Bengal's rich commercial and intellectual contacts with New England from the seventeenth to the nineteenth centuries — and the changing paradigms of immigrant socialisation from the melting pot to multiculturalism and beyond. The inference drawn is that the non-Eurocentric and non-Atlantic 'Bengal connection', which may be taken as emblematic of other such strands in American society, not only troubles monologic myths of 'Americanness', but simultaneously interrogates the sufficiency of the 'Atlantic' template as the marker of a multi-ethnic nation. A suggested alternative is Tagore's 'vernacular nationalism' that admits intrinsic otherness as integral to its conception of national identity.     

Prophetic Reading: Sisterhood and Psychoanalysis in H.D.’s HERmione

Abstract

This article offers a comparative reading of H.D.’s 1927 kunstlerroman à clef, HERmione and Freud’s Dora alongside an intertextual close reading of its dense web of literary allusions in order to argue that it offers a sustained critique of Freudian psychoanalysis and an alternative origin story for the condition of hysteria. Drawing on the notion of prophecy as it is thematised in the novel, the article demonstrates H.D.’s prefiguring of Juliet Mitchell’s recent reconfiguration of hysteria as a response to, replacement by, or failure of identification with a sibling.     

Manacled to Identity: Cosmopolitanism,Class, and ‘The Culture Concept’ in Stephen Crane

Abstract

This article begins with a close reading of Stephen Crane’s short story ‘Manacled’ from 1900, which situates this rarely considered short work within the context of contemporary debates about realism. I then proceed to argue that many of the debates raised by the tale have an afterlife in our own era of American literary studies, which has frequently focused on questions of ‘identity’ and ‘culture’ in its reading of realism and naturalism to the exclusion of the importance of cosmopolitan discourses of diffusion and exchange across national borders. I then offer a brief reading of Crane’s novel George’s Mother, which follows Walter Benn Michaels in suggesting that the recent critical attention paid to particularities of cultural difference in American studies have come to conflate ideas of class and social position with ideas of culture in ways that have ultimately obscured the presence of genuine historical inequalities in US society. In order to challenge this critical commonplace, I situate Crane’s work within a history of transatlantic cosmopolitanism associated with the ideas of Franz Boas and Matthew Arnold to demonstrate the ways in which Crane’s narratives sought out an experience of the universal within their treatments of the particular.     

The institutional origins of American literary history

Abstract

This article deals with the importance of institutions in the construction of literary classifications. Following Mary Douglas, the article offers a double-stranded perspective on institutions that stresses both their social and cognitive anchorage. This is applied to one particular case, namely the genealogy connecting Emerson (and the Transcendentalists) to Jonathan Edwards. The article shows how Perry Miller's 'discovery' of that lineage in 1940 has an institutional history that goes as far back as the early beginnings of American literature as an academic discipline. Part of the function of the discipline, the article argues, is to hide this history in order to bring out the continuing relevance of such taxonomies. The concluding paragraph identifies some implications of this view on institutionalization for current discussions about the (post-) nationality of American literature.     

From the Glory of Hera to the Wrath of Achilles: Narratives of Second-Wave Masculinity and Beyond

Second-wave psychoanalytic feminism understood masculinity through theories that converge in seeing masculinity in mother-son terms. The dread of women, primary femininity, disidentification, father absence, and society without the father all portray an overpowering mother. Men’s reaction is to define masculinity as the not-feminine and as superior, to deny and deprecate femininity in themselves and in women. After Slater, I call these dynamics the “Glory of Hera.” I suggest that they more accurately describe the generic conflicts of men than Freud’s Oedipus. Here, I suggest a third classical narrative. Masculinity is equally, perhaps more basically, understood in terms of the “Wrath of Achilles.” The fundamental developmental and psychic challenge for men is how to be the senior male who humiliates rather than the junior male who feels humiliated and inferior. These dynamics are widespread clinically, and we find them not only in The Iliad but also throughout the literary and operatic canon.     

The Literary Front of the Cold War: John Steinbeck as an Ideological Object in the Eastern Bloc

Abstract

The paper examines the ideological dimension of the reception of John Steinbeck in three post-communist countries, namely Poland, Czechoslovakia, and Slovenia. It discusses the prevalent mode of the writer's interpretation in the Eastern bloc which was governed by the political doctrines of the time. It is therefore often Steinbeck's politics, in the narrow sense of the word, that is scrutinized in the prefaces, afterwords, and reviews of his writings. The literary values are either marginalized or wholly ignored. Consequently, Steinbeck's criticism is determined by political correctness. It fails to consider the complexities of his work and treats the writer as an expedient object employed in the ideological campaign on the literary front.     

Cross Cultural Perspectives in Treating the Gay Male Trauma Survivor

Summary

In recent years, there has been an increased emphasis on cultural considerations in psychotherapeutic treatment. Sound psychotherapy is ideally culturally sensitive and concerned with the context within which the client developed and exists. At the same time it is often difficult for many clinicians to navigate the cultural within the psychological framework. When both patient and clinician share more than one language in common, there are a variety of subtle issues that surface. In psychotherapy, “coordinate bilinguals,” those who learn their languages separately, during different developmental stages and contexts, tend to have greater access to their emotional experiences within their first language. When the client presents with a sexual trauma history, the language spoken during the abuse will also have an effect on the language used in the psychotherapy. The case history of Lucio, a Latino gay male, is discussed in terms of the cultural and psychological elements of his treatment by a bilingual North American therapist. This therapist's psychotherapeutic conceptualizations and treatment approaches are examined and reviewed in a written dialogue/ discussion with a Latino psychologist.     

The writer as the people's therapist: Der Nister's last decade, 1939–49

ABSTRACT

World War II and the Holocaust caused profound changes in the style and themes of Der Nister's writing. He reevaluated his symbolist legacy and emerged as one of the most powerful and tragic voices in Soviet Yiddish literature. His transformation from a respected but marginal literary figure into a self-styled national leader became complete with his adventurous journey to the Jewish Autonomous Region of Birobidzhan in the Soviet Far East, which he envisioned as a site of new Jewish revival. His illusions were crushed by his arrest in 1949.     

Missing Ralph Keeler: Bohemians,Brahmins and Literary Friendships in the Gilded Age

Abstract

Though almost entirely forgotten, Ralph Keeler (1840–1873) occupies a unique position in American literary history. In the decade after the Civil War, he achieved fame as an essayist and travel writer. Navigating between the literary poles of San Francisco and Boston at crucial moments, he developed significant friendships with luminaries like Mark Twain, William Dean Howells and Thomas Bailey Aldrich. But while those men were experiencing the transitions of marriage, fatherhood and domestic responsibility, Keeler remained a self-styled vagabond. He consciously crafted a distinctive reputation as a Bohemian bachelor, opposed to bourgeois respectability. This article argues that the rediscovery of Keeler’s lost trajectory through these personal and professional relationships changes our sense of the development of American literature in the postbellum period. In particular, Keeler serves as a point of comparison that complicates our understanding of the life, work and self-conception of canonical figures like Twain and Howells.     

THE HYBRID CRITICISM OF PATRIARCHY: Rereading Kate Millett's Sexual Politics

While much might be said about the exclusion of feminist texts from the canon of sociological classics, I instead want to offer a rereading of Kate Millett's Sexual Politics to show how the development of feminist theory has depended on rereading disciplinary canons, thereby re-opening the borders between the disciplines, especially the border between literary criticism and social science. At a time when sociologists are participating in or at least attending to the debates over the relationship of fantasy and reality, fiction and history, polemic and academic discourse, rereading Sexual Politics offers an understanding of how these debates have arisen in relationship to feminist theory's ongoing challenge to the canonical distinction of social science from literary criticism. Thus, rather than press for the canonization of Sexual Politics as a sociological classic, I want to suggest that feminist theorizing needs to sustain itself as a social criticism that includes a transdisciplinary criticism of canonicity.     

Framing the neoliberal canon: resisting the market myth via literary enquiry

ABSTRACT

There is widespread recognition that neoliberal rhetoric about ‘free markets’ stands in considerable tension with ‘really existing’ neoliberalizing processes. However, the oft-utilized analytical distinction between ‘pure’ economic and political theory and ‘messy’ empirical developments takes for granted that neoliberalism, at its core, valorizes free markets. In contrast, the paper explores whether neoliberal intellectuals ever made such an argument. Using Friedrich Hayek and Milton Friedman as exemplars, our reading of canonical neoliberal texts focuses on author framing gestures, particular understandings of the term ‘science’, techniques of characterization, and constructions of epistemological legitimacy. This enables us to avoid the trap of assuming that these texts are about free markets and instead enquires into their constitution as literary artefacts. As such, we argue that the remaking of states and households rather than the promotion of free markets is at the core of neoliberalism. Our analysis has significant implications. For example, it means that authoritarian neoliberalism is not a departure from but actually more in line with the ‘pure’ neoliberal canon than in the past. Therefore, neoliberalism ought to be critiqued not for its rhetorical promotion of free markets but instead for seeking to reorganize societies in coercive, non-democratic and unequal ways. This also enables us to acknowledge that households are central to resistance to neoliberalism as well as to the neoliberal worldview itself.     

Lena Finkle’s magic arc: hybrid influences in the Russian American graphic novel

ABSTRACT

The article examines Anya Ulinich’s graphic narrative Lena Finkle’s Magic Barrel and the novel’s use of visual culture from both the author’s Russian and US American backgrounds. The article interrogates the use of history and timelines, Russian art history and Russian art education in Ulinich’s text. It also analyzes other literary constructs that influenced Ulinich’s novel: US American comics/graphic novels and their use of stereotype, and novels by Russian-speaking Jewish American writers, with their thematized Jewishness.     

Frank Capra and Leni Riefenstahl: Politics,Propaganda and the Personal

Abstract

The circumstances that led Frank Capra to view Leni Riefenstahl's notorious documentary of the 1934 Nuremberg rallies, Triumph of the Will, is well-known. What is less known is the extent to which the themes inherent in Capra's filmmaking through the 1930s, and Riefenstahl's own interest in ideas of national identity, social commentary and romanticism in her fictional and documentary films, mapped out a set of cinematic coincidences between the two little discussed in the body of literature devoted to these directors. This article lays out a number of those coincidences and, in the process, compares the theoretical strain of political romanticism that winds its way through Capra and Riefenstahl's work. The iconic and symbolic imagery in their films suggests interesting and important comparative aspects to their canon, but also that a fascination in political romanticism led them to differing conclusions about the impact and threat of media and propaganda forces lined up in alliance with totalitarian powers during the 1930s and '40s.     

'More Than Just a Hill of Beans': Contested Landscapes in John Nichols' The Milagro Beanfield War

Abstract

The American Southwest is often considered to be a harsh and unforgiving environment, yet it remains an area where indigenous communities have lived for centuries and since being opened up as a tourist destination in the late nineteenth century has witnessed an incredible growth of major urban conurbations. It is a fragile environment coming under increasing pressure and nowhere is this more apparent than in the competition for scarce water resources. Water issues remain high on the political agenda and the threat to small scale acequia farming is under intense pressure from larger agribusiness. This essay, which adopts an ecocritical perspective, revisits John Nichols' 1974 novel The Milagro Beanfield War , analysing his literary strategies as he explores the ramifications of differing interpretations of land use on the contested landscapes of New Mexico.