Narrative Hesitation in The Gambler

My article contends that Dostoevsky’s short novel, The Gambler, is marked by a fundamental conflict of temporalities. While the novel seems to embrace bourgeois optimism and the hopeful narrative temporality that serves as its most resourceful literary embodiment, it also seems to adhere to a strikingly anti-teleological and circular narrative structure. This affirmation and denial of temporality as linear, purposive movement is the appropriate narrative emblem of the peculiar world of Roulettenburg and its inhabitants, a world where beginning and end continually risk equivalence and where the parameters of structure have therefore begun to dissolve. What emerges is an acceptance of inevitable boredom, of permanent failure to resolve conflict, that is both constricting and liberating. As an artistic principle of form, this failure declares a “poetics” of hesitation whose temporal dimensions brilliantly reflect the fundamentally ambivalent eros of the gambler, the latter’s inability to accept or escape from a debilitating presentness. In creating this kind of narrative conflict, Dostoevsky reverses the characteristic romantic obsession with the allure of pregnant immediacy that is an illusion of god-like vision to which only a most ungod-like being could succumb.     

Freud s Sisters A Fantasia on a Photograph

This psychoanalytically based imaginative inquiry into the role of Freud's sisters in shaping the meanings of Femaleness and gender difference for Freud starts from the author's study of a photograph in the Library of Congress Freud exhibit, “Portrait of the Jakob Freud Family ca. 1876,” which shows Sigmund Freud, age 20, with his live then adolescent sisters. Freud's Dream of the Botanical monograph, especially as reconsidered by Didier Anzieu, is used as a window into Freud's early childhood relations with his sisters and the registration of gender difference in his psychic reality. A peculiarity in the photograph in the presentation of Freud's half-brother, Emmanuel, leads the author's reverie to another dream of Freud's, the “nonvixit dream.” especially as reconsidered by Didier Anzieu and by Max Schur. The non-vixit dream is thought to bear traces of Freud's experience of the death of his infant brother Julius. New suggestions are made with regard to Freud's difficulties with depressive-position anxieties in relation to his mother; it is suggested that these difficulties led to his concept of girls' genitals as “castrated” becoming dominant over another stratum of psychic experience in which girls' genitals, and femininity, were viewed with erotic wonder as intact in their own right. This idea is linked with Freud's difficulties in construing woman as subject.     

“Anarchy all over Baščaršija”: Yugoslavia's new socialist culture and the New Primitives poetics of the local

The paper analyses Sarajevo's music movement of New Primitives and its “poetics of the local” as a struggle against the cultural hypocrisy of Yugoslavia's “new socialist culture” and its privileging of “external‐cosmopolitan” as apotheosis of cultured refinement and sophistication while denigrating “local‐parochial” as epitome of uncultured primitiveness. I argue that the movement's praxis is best understood as a call to reject externally‐imposed frames of reference as the basis for self‐understanding, and to embrace a socio‐cultural awareness that the only way to be in the world is to be authentically “primitive”– i.e. to exist as a distinct and autochthon socio‐cultural self.     

“The Last Refuge of the Scoundrel”: Debating between History and Theory

When “History” is called to represent silence, its metaphysical position is symptomatically felt. Tracing what Fasolt calls “the historian's revolt”, this paper identifies the political impetus behind it as the symptom dictating Foucault's own silences/silencings (regarding Derrida's intervention in his History of Madness). In naming such a symptom/silence – in taking “Derrida's position” – this paper performs its own violence/decision by, both “justifying,” and betraying, this position; by installing itself in, instead of “above,” this curious “debate”. “The last refuge of the scoundrel” appears then as the reflective exteriority of a political antagonism that's based on a metaphysical difference with regards to the legitimate “seat” of authority (in Fasolt, an antagonism between the historian and the Catholic Church). Finally, this trajectory is installed within a wider – metaphysical and historical – context, where Hegel's famous saying, that the University is the Protestant's Church, might yet echo that distant metaphysical decision – still looming, like a “genealogical specter,” over Academia and its Social Sciences.     

INVESTMENT CHOICE ARCHITECTURE IN TRUST GAMES: WHEN “ALL‐IN” IS NOT ENOUGH

While many economic interactions feature “All‐or‐Nothing” options nudging investors towards going “all‐in,” such designs may unintentionally affect reciprocity. We manipulate the investor's action space in two versions of the “trust game.” In one version investors can invest either “all” their endowment or “nothing.” In the other version, they can invest any amount of the endowment. Consistent with our intentions‐based model, we show that “all‐or‐nothing” designs coax more investment but limit investors' demonstrability of intended trust. As a result, “all‐in” investors are less generously reciprocated than when they can invest any amount, where full investments are a clearer signal of trustworthiness. (JEL C72, C90, C91, D63, D64, L51)     

Toward a Sociology of Nature

Although we often believe that nature stands apart from social life, our experience of nature is profoundly social. This paper unpacks this paradox in order to (1) explain sociology's neglect of the environment and (2) introduce the articles in this special issue on “the sociology of nature.” I argue that sociology's disinterest in the biophysical world is a legacy of its classical concern with tracing society's “Great Transformation” from gemeinschaft to gesellschaft: while early anthropologists studied “primitive” societies that allegedly had not yet completed “the passage from nature to culture” (Lévi‐Strauss 1963 : 99), pioneering sociologists presumed that industrialization and urbanization liberated “modern” society from nature and therefore focused their attention on “urbanism as a way of life” (Wirth 1938 ). As exemplified by the articles in this symposium, environmental sociology critiques the nature‐culture and town‐country dualisms. One of environmental sociology's core contributions has been demonstrating that nature is just as much a social construction as race or gender; however, its more profound challenge to the discipline lies in its refutation of the sociological axiom that social facts can be explained purely through reference to other social facts. “Environmental facts” are a constitutive feature of social life, not merely an effect of it.     

Accommodating strangers: British hospitality and the asylum hotel debate

This article examines the accommodation of asylum seekers through Jacques Derrida's ethical writings on hospitality, generosity and parasitism. The differing hospitable spaces of the asylum and the hotel, and of the strange figures of the asylum seeker and the tourist, are discussed with reference to these discourses of “giving” and “taking”, paralleling Derrida's opposition between unconditional hospitality and hospitality‐as‐economy. This “new racism” towards asylum seekers is thus located within the economic sphere, as asylum control is linked to the welfare state and to fears of strangers' parasiting the host nation. However, I argue that it is the nation‐state that parasites asylum seekers both through their defining difference and their contribution to service economies. Ultimately then the asylum hotel does exist, as Stephen Frears' film, Dirty Pretty Things (2002), illustrates.     

Interpersonal Forgiveness in Emotion‐Focused Couples' Therapy: Relating Process to Outcome

The objective of this study was to relate the in‐session processes involved in interpersonal forgiveness to outcome. The sample consisted of 33 couples who received 10–12 sessions of Emotion‐focused couple therapy with the aim of resolving various forms of emotional injuries (i.e., transgression that violates the expectations of a close relationship, which leaves one partner feeling hurt and angry). The results of the present study were based on the analyses of 205 video‐taped segments from 33 couples' therapies. Hypotheses relating the role of three in‐session components of resolution, the injurer's “expression of shame”; the injured partner's “accepting response” to the shame, and the injured partner's “in‐session expression of forgiveness”, to outcome were tested using hierarchical linear regression analyses. Outcome measures included the Enright Forgiveness Inventory (The Enright Forgiveness Inventory user's manual. Madison: The International Forgiveness Institute, 2000), the Dyadic Adjustment Scale (Journal of Marriage and Family, 1976; 13: 723) and the The Interpersonal Trust Scale (Trust; Journal of Personality and Social Psychology, 1985; 49: 95).     

Olympic Films and Public Memory

How is our memory of mega‐events structured? This article investigates the relationship between cinema and the Olympic Games. To this end, it first unravels the historical origins of the strong link between the two, as both are symbolic products of the 20th century. The Olympics reaffirm the image of the modern nation‐state; the cinematic medium visually represents the Games as spectacle. Leni Riefenstahl's film, Olympia (1938), recorded at the 1936 Berlin Olympic Games, supplies the most enduring imagery of this type. In addition to Riefenstahl's thoughts and methods, this study delves into Kon Ichikawa's Tokyo Olympiad (1965), which was influenced by Olympia. Ichikawa's film, which reflects his artistry and showcases his various skills, won critical acclaim and, intriguingly, precipitated the “document or art” controversy that involved the Japanese state and the mass media. Whether document or work of art, this film has supplied the public with imagery for the 1964 Tokyo Olympic Games—various images that most of us recognize—and thereby played a key role in constituting our memory of them. Therefore, our experience of the Games is a mediated experience through the construction of our public memory. Our memory culture is composed of “prosthetic memories” that are technologically assembled through cinema and act as Freudian “screen memories.”     

Huxley's Brave New World — and Ours

The article discusses the continuing relevance of Huxley's dystopic novel in a contemporary, post‐political context in which a passive nihilist version of “happiness” is elevated to the level of a political and ethical ideal and “freedom” is taken for granted. Significantly, although Huxley's target was Stalinism when he wrote the novel, revisiting Brave New World forces one to reflect on contemporary, “democratic” versions of totalitarianism as well. And yet Huxley himself did not follow the political and ethical consequences of his critique. The article seeks to map these consequences by rethinking the maxims of the brave new world in relation to three main themes: biopolitics, nihilism and network society. Indeed, seen through this conceptual prism, there is a remarkable homology between Huxley's Brave New World and our world.     

Marie-Claire Blais and Dostoevsky: Observations from the Notebooks

This article demonstrates the pervasive presence of Dostoevsky in the oeuvre of Canadian writer Marie-Claire Blais—three-time winner of the Governor-General’s Award for literature—through analysis of her working notebooks and individual novels. Blais’ thirteen working notebooks (1962–1974) contain one hundred eighty references to works and characters in Russian literature, some sixty of which relate to Dostoevsky. Analysis of these references shows that Blais throughout her formative years studied Dostoevsky rigorously and thoroughly. Using the seven mentions of Alyosha from The Brothers Karamazov as a starting point, we examine Blais’ creation of a series of Alyosha-figures in Un Joualonais sa Joualonie (1973), Visions d’Anna, ou le vertige (1982), and Dans la foudre et la lumière (2001), each representing a possible alternative development of the character-type. The theme of innocent suffering (Ivan Karamazov’s “the single tear of a child”) is traced in David Sterne (1967), Un Joualonais sa Joualonie (1973), and Soifs (1995).     

Consequences of Teen Parents' Child‐Care Arrangements for Mothers and Children

Using the nationally representative Early Childhood Longitudinal Study, Birth Cohort (2001–2006; N ?7,900), the authors examined child‐care arrangements among teen parents from birth through prekindergarten. Four latent classes of child care arrangements at 9, 24, and 52 months emerged: (a) “parental care,” (b) “center care,” (c) “paid home‐based care,” and (d) “free kin‐based care.” Disadvantaged teen‐parent families were overrepresented in the “parental care” class, which was negatively associated with children's preschool reading, math, and behavior scores and mothers' socioeconomic and fertility outcomes compared with some nonparental care classes. Nonparental care did not predict any negative maternal or child outcomes, and different care arrangements had different benefits for mothers and children. Time spent in nonparental care and improved maternal outcomes contributed to children's increased scores across domains. Child‐care classes predicted maternal outcomes similarly in teen‐parent and nonteen‐parent families, but the “parental care” class predicted some disproportionately negative child outcomes for teen‐parent families.     

Freud and Developmental Theory A 21st-Century Look at the Origin Myth or Psychoanalysis

This article traces both Freud's contribution to developmental theory and the major trends in developmental theory since Freud. Although Freud's developmental theorizing has been criticized as outdated scientism, a close examination of his writings reveals a more radical “21st-century” Freud, whose, theoretical approach, to some extent, anticipated the deconstructive and postmodern perspectives of the current psychoanalytic scene. Freud's self-subversive analytic process has been lost in the developmental writings of his classical followers and in the writings of the alternative schools of psychoanalysis that have arisen since. In place of a psychoanalysis of inquiry, these theorists have reinstated a psychoanalysis of “truths,” universalist models of normal and pathological development, ostensibly allied to confirmatory infant observation. Such models can best be understood as psychoanalytic “origin myths,” selected and codified to support the belief system, meanings, and customs immanent in the school of thought they purport to validate.     

RISK PREFERENCES AND EXPECTED UTILITY: EVIDENCE FROM LABOR SUPPLY DATA

This paper adds to the growing body of evidence that observed risk preferences are not consistent with expected‐utility theory. Using the link between labor supply decisions and utility as outlined by Chetty (“A Bound on Risk Aversion Using Labor Supply Elasticities.” The American Economic Review, 96(5), 2006, 1821–34), I compute the curvature of utility over wealth for 3,900 individuals in the 1996 Panel Study of Income Dynamics. I then compare this estimate to a measure of relative risk aversion based on the respondents' answers to hypothetical gambling questions and find virtually zero correlation. Finally, I investigate how the two measures and their correlations change by demographic groups and risky behavior. (JEL C81, D80, J22)     

Coordinated Action in the Massively Multiplayer Online Game World of Warcraft

In tandem with the technological advancement of immersive virtual environments, digital games have evolved into complex social worlds where people play collaboratively to achieve individual‐ and group‐oriented goals. The massively multiplayer online games genre has received international attention for the large numbers of users that commit a significant amount of time and effort to online play. Play styles within such game worlds are diverse, but “raiding” is generally considered among gamers and scholars alike to be the most challenging form of collaborative play. Like other forms of social activity, raiding is predicated on players' abilities to successfully coordinate individual lines of action. Yet the vast majority of raiders are not physically copresent during their collaborative efforts. Using Couch's theory of coordinated action as an interpretive frame, we explore the computer‐mediated process of raiding in the massively multiplayer online game World of Warcraft by analyzing ethnographic data and audio/visual recordings of gameplay. Our study expands Couch's theory of coordinated action in two ways. First, we demonstrate how individuals and groups simultaneously engage in multiple forms of coordinated activity (e.g., conflict and cooperation). Second, we reveal two semiotic layers of coordinated action—the “subject‐subject” (i.e., intersubjective) layer that is facilitated through the game's user interface, and the “subject‐object” layer that comprises players' interactions with the user interface itself. Our study thus considers the potential of Couch's theory for the study of computer‐mediated communication and nonhumans in interaction.     

Understanding Sheng Nu (“Leftover Women”): the Phenomenon of Late Marriage among Chinese Professional Women

In the past few decades, there has been a rise in the number of single, unmarried Chinese professional women, which is known as the sheng nu or “leftover women” phenomenon. Through an interactionist grounded theory method, this study has located the interactional constraints faced by 50 single Chinese professional women that were issued by their male romantic partners and parents, respectively. “Discriminatory” and “controlling” gendered constraints issued by the women's male suitors and partners reflected the persistence of the Chinese patriarchal structure, and this was found to be the leading cause of the women being “leftover” in the marriage market. Parents' traditional views continued to exert strong influences on the women's marital choices, but this was seen to conflict with their more “modern” views toward advocating and supporting the women's strong economic achievements. The four different types of Chinese professional women that were constructed based on their different partner choice strategies not only gave rise to an in‐depth and nuanced understanding of the sheng nu phenomenon in China, but could also be generalized toward understanding the marital choices of single professional women in other patriarchal societies who faced similar dilemmas in reconciling interactional constraints imposed by men and parents alike.     

Similarities with a (Crucial) Difference: Reply to Commentaries by Shapiro and Marshall

Reviewing Sigmund Freud's essays and correspondence during World War I, we find that for the most part he minimized or denied the impact the war was having on him and his patients. Just as Sandor Ferenczi's emphasis on the impact of “real” childhood events and the “real” relationship between patient and analyst was seen as aberrant, so too was Ferenczi's warning Freud to leave Germany in 1933 Ferenczi , S. ( 1933 ). Confusion of tongues between adults and the child—the language of tenderness and of passion . Contemporary Psychoanalysis , 24 , 196 – 206 . [Google Scholar] treated as paranoia. Freud's later works apply his psychoanalytic theories to society as a whole but do not consider ways to “cure” social ills, so it is not surprising that Freud didn't hear Albert Einstein's famous question, Why War? as a plea for insight into how to end war. The author suggests a reconsideration of Einstein's question from the perspective of Buddhist psychology and finds a more optimistic albeit difficult answer.     

Coming Out as Queen: Jewish Identity,Queer Theory,and the Book of Esther

Alfred Hitchcock’s film Psycho (1960) is a significant work on many levels—to Hitchcock’s career, to film history, to the horror genre. I propose that a crucial aspect of Psycho’s design, one that relates to Hitchcock films as a whole, is its thematization of a concept that I call the “death-mother.” A distinction between Mrs. Bates/“Mother,” on the one hand, and the death-mother, on the other hand, impels this discussion. The death-mother—which relates to the varieties of femininity on display but exceeds their specific aspects and implications—is an effect produced by the film text and can only be understood through an analysis of the work as a whole. Exceeding the specifications of the Mrs. Bates character, the death-mother maps onto tropes and preoccupations in Hitchcock’s oeuvre but, more importantly, indicates the aesthetic implications, for the male artist most commonly, of the dread of femininity. I develop the concept of the death-mother from the writings of Freud, Nietzsche, and André Green and from feminist psychoanalytic theory: Barbara Creed, in her reworking of Julia Kristeva’s theory of abjection, and Diane Jonte-Pace, in her analysis of Freud’s work. My analysis focuses on the relevance of the death-mother to issues of femininity and queer sexuality crucial to and enduringly controversial within Psycho.     

The Politics of Memory in Annexed Lorraine: The Conflicts between Germanification and French Stalwarts at the beginning of the 20th Century

The article examines how the uses of memory in turn‐of‐the‐century Lorraine structured political discourse and presented enduring difficulties for the actions of German administrators and local community leaders. In this border region, memory was always contested and challenged, and thereby unstable. This paper approaches “the politics of French memory” through the examination of various pro‐French “memory societies” and networks such as the Souvenir Français. The central question is how did conflicts over memory impact Lorraine's political life and its place in the German Empire in the years leading up to the Great War? Regarding this point, the growth of nationalism is analysed as a phenomenon that reached far beyond French nationalist circles.