Genocide as Contentious Politics

Despite a recent turn towards the study of political violence within the field of contentious politics, scholars have yet to focus their lens on genocide. This is puzzling, as the field of collective action and social movements was originally developed in reaction to fascism (Nazism in particular), while research on collective action and research on genocide has long shown parallel findings and shared insights. This paper reviews the history of this scholarly convergence and divergence, and suggests that recent findings of research on genocide can be improved by the consideration of concepts from social movements and collective action. It then details three theories of the micro‐mechanisms that mobilize individuals for contention – framing, diffusion, and networks – and specifies how they refine existing explanations of civilian participation in genocide. In the conclusion, I suggest that a contentious politics approach to genocide would consider it one form of collective action among others, analyzable within the existing framework of collective action and social movement theory.     

Music as a healing art for older adults

There is increasing evidence of the importance of regular mental and physical exercise to maximize overall health and functioning in older adults. However, many individuals find that reduced strength or disabilities prevent them from participating in the kinds of exercise they enjoyed when they were younger. Music can provide the important benefits of both mental and physical stimulation to even frail older adults. Whether using Conductorcise for aerobic exercise, enjoying the communal experience of singing in a choir, or quietly reflecting on a music recording, music can serve as a healing art for older adults.     

Women's Accounts of Organizational Politics as a Gendering Process

Organizational politics is implicated in all levels of organizational functioning, from power structures and informal interaction to individual identity. This study argues that organizational politics provides an approach to examining professional women's experiences of organizations as gendered. Women graduates in male‐dominated organizations claimed not to be limited by explicit discrimination, but they construct organizational politics as being masculine in character and as a barrier to their careers. These women represent organizational politics as irrational, aggressive, competitive and instrumental, leading to individual, not organizational, success. Their accounts undermine the stereotypical dichotomy of masculine rationality and feminine emotion by claiming that women behave reasonably and by focusing on emotion in men's political game playing. However, claiming to be rational and rejecting politics, while acknowledging its role in career success, is uncomfortable for ambitious women. They risk sabotaging their own position by appearing too sensitive to engage in the less savoury aspects of organizational life. Organizational political processes are seen as fundamental to gender in organizations, first, because political activity is seen as gendered and masculine and contrary to female identity; secondly, because politics is part of the informal system which constructs organization from which outsiders are excluded; and finally, because political activity is linked to the performance, achievement and maintenance of power.     

Gender Mainstreaming versus Diversity Mainstreaming: Methodology as Emancipatory Politics

This article examines the question of whether and how the intersectional oppression of sexism and racism can be challenged by government policy. It draws on a case study of an Indigenous policy strategy in Australia to argue that, in contrast to concerns expressed by feminist policymakers, gender equality is not inevitably neglected when the target for remedial action is institutional racism. Our study suggests that successful action on Indigenous emancipation necessarily mobilizes a methodology for moving past one‐dimensional category distinctions. Therefore, focusing on the task of translating declared policy goals into action can provide a way out of the impasse over whether ‘diversity’ or ‘gender’ is the better vehicle for mainstreaming equity policy. To develop its case, the article draws conclusions about the politics of methodology from gender mainstreaming debates, intersectionality theory and institutional ethnography, then uses our conclusions to analyze the political and methodological effectiveness of the Indigenous policy strategy.     

Beyond goffman: Some notes on life and theatre as art

This paper discusses two events: a scene from a performance of ‘Waiting for Godot’ and an incident from a team development meeting for a group of senior managers. The focus is upon the nature of the experiences of the respective audiences not upon the instrumental value of the performances. Drawing upon the work of Heidegger and Shklovsky in particular, the author comments, compares and contrasts the two events. Particular emphasis is given to the notion of art as an “unconcealment” and upon the notions of imaginative and present truth.     

In (partial) defence of offensive art: Whitehouse as Freirean codification

Arguments over the value of ‘extreme music’ (metal, power electronics, noise, etc.) and the use of highly controversial imagery within these genres have existed since its inception. Detractors claim that using extreme imagery such as fascist symbols, pornography and racially charged photographs inherently promotes the corrosive ideologies behind these images. Some purveyors of extreme music disagree, arguing that musicians use these images to explore humanity’s darker elements which, in turn, allow audiences to better understand these problematic aspects of modern society. When played out within underground music communities, these arguments often devolve into name calling and accusations of censorship. However, by addressing extreme music on its own terms and critiquing the effectiveness of these genres, a more nuanced understanding of the issues intrinsically embedded within extreme music emerges. In this article, I employ this approach by exploring the music and imagery of power electronics band Whitehouse and argue that the ambiguous nature of their work partially mirrors the intention behind Paulo Freire’s concept of codifications. While this notion provides some defence for extreme music more broadly, the lack of venues that promote communal explorations of these images hinders the genre’s ability to achieve its own goals.     

Politics as a Vocation: Notes Toward a Sensualist Understanding of Political Engagement

Drawing data from works of political non-fiction that help to reveal the moral and sensual underpinnings of political practice, this paper seeks to adumbrate a sensualist understanding of political engagement. After beginning with a brief discussion of Weber’s seminal essay “Politics as a Vocation,” I then construct an ideal type of political passion with which to highlight the inherent shortcomings that plague traditional explanations of political action. My argument is that these approaches are all vitiated by their reliance on Chinese-box epistemology. I go on to suggest that in order to obtain a genuinely sociological account of political engagement, one must develop methods that are true to the experiential specifics of politics while recognizing the conditions that shape the possibility of those very experiences.

Latency-group art therapy: teaching socialization skills through art.

An art therapy experiment involving 10 weekly sessions for six latency-age emotionally disturbed boys produced marked improvements in peer relationships and socialization skills.     

Politics: Butler's Corporeal Politics: Matters of Politicized Abjection

This essay examines the work of Judith Butler in relation to corporeality through an analysis of Bodies that Matter: On the Discursive Limits of Sex and Butler's notion of politicized abjection. Abjection is considered in relation to bodily materiality and proposed as the most promising path for a revamped corporeal politics. Through a reading of two novels, Katherine Dunn's Geek Love and Barbara Gowdy's Mister Sandman, the essay examines how the abject body can function as politically subversive. Throughout, the essay analyses Butler's placing of the material body in a political domain, and argues that she ultimately endorses materiality as potentially disruptive to the symbolic domain of viable bodies. This recasting of matter within her theory is shown as redefining the body as an active agent rather than a passive receptacle for regulatory norms. The essay examines this under-theorized aspect of her work, and illustrates that politicized abjection is as crucial to her philosophy as the notion of gender as performative.