Joseph Mainzer (1801–1851) and the Popularisation of Choral Singing in Britain

Singing master Joseph Mainzer came to England in 1841 as a political refugee from Germany. Through his music schools, his textbook Singing for the Million, and his journal Mainzer's Musical Times (today The Musical Times) he contributed significantly to the popularisation of choral singing in Britain. This essay takes Mainzer's political background as a starting point to investigate the complex relationship between refuge and artistic production. It is argued that the latter was deeply informed by the former. Mainzer not only transferred choral traditions but also a politicised concept of popular culture which started to take hold in pre-revolutionary Vormärz-Germany. The case study is integrated into the larger framework of Anglo-German cultural relations and political refuge in mid-nineteenth century Britain.     

Scotland at the Russian Front in the First World War: Robert Scotland Liddell,War Correspondent and Photographer,Red Cross Worker and Russian Officer

ABSTRACT

It is unlikely that one would encounter the name of Robert Scotland Liddell (1885–1972) in the list of eminent foreign correspondents covering the First World War in Russia for British newspapers and journals, but he deserves to be much better known both for the quality of the reports and photographs he sent from the Russian front for publication in the magazine The Sphere and for the trilogy of books that appeared in 1916–1917. Liddell began as an orderly attached to the Russian Red Cross in Poland in 1916 and after a period spent with Oliver Locker-Lampson’s British Armed Car Division on the Romanian front, he became an officer in a Russian divisional transport unit and narrowly escaped execution by mutinous troops after the October coup before escaping from Russia at the end of 1917. The article, while concentrating on Liddell’s reporting, experiences and exploits in Russia, attempts to survey his career from his early days as a Fleet Street journalist to the post-First World decades, when he wrote books of travel and novels, before sliding into obscurity.     

Ten Poems of Mato Kosyk (1853–1940) Translated and Introduced

Abstract

Mato Kosyk, the foremost Lower Sorbian (Lower Wendish) poet, was born in 1853 in Werben, fifty miles south-east of Berlin. Despite the limits of his literary inheritance (mainly devotional texts and folklore) he began in his mid twenties to produce secular lyric poetry in profusion. At the age of thirty he emigrated to the USA, where he became a Lutheran pastor, but his poetic activity was interrupted only by his death in 1940. The ten poems of which translations are appended to the article span a period of over fifty years and reflect various chapters in the poet's life story. An unusual feature is the juxtaposition of Sorbian and American themes.     

‘Khalas! Literature is the resistance against politics,and this is the politics of literature’: an interview with Atiq Rahimi

ABSTRACT

Atiq Rahimi is a director, photographer and translingual author who has published in Dari (Persian) and in French since 1999. As an outspoken author, Rahimi did not refrain from narrating loss, trauma and fundamentalism already in the 1990s. For his first publication in French, Syngué Sabour. Pierre de patience, he was awarded the highest literary price in France, the Prix Goncourt. With his recently published novel Les Porteurs d’eau, set in Afghanistan and Europe, Rahimi also explores challenges of the global Afghanistani diaspora. Inspired by his personal experiences of travelling from Kabul to Paris, Rahimi explores, with his Kafkaesque narratives, themes of loss, suffering and survival, all located in a war-torn country. In this interview, conducted in Paris, conversing in Persian and French, Rahimi talks about his personal journey and discusses cultural as well as literary theories. He mentions literature without borders, considers the power of literature as a means of taking a stand against political reality, learning French as a teenager and depicting strong female characters. Additionally, Rahimi explains to what extent Persian linguistics allowed him to depict the absurdity of living exile in his latest novel and ends the interview explaining the rationale behind the idea of authors without borders.     

Balls Enough: Manliness and Legitimated Violence in Hell's Kitchen

This article presents one example of how masculinity and hierarchy are exercised through violence in organizations. It draws on the empirical data of 15 episodes from the US reality television series Hell's Kitchen, in which 15 cooks compete for the job of Chef in one of celebrity chef Gordon Ramsay's restaurants. Ramsay's task is to lead the cooks towards a hegemonic masculinity valid in the restaurant context. An important feature is the contestant's ability to deal with Ramsay's fiery temper and fits of rage. The winner is the person who succeeds in approaching Ramsay's standards in terms of culinary art and leadership qualities, which in his terminology is referred to as manliness. Ramsay's aggressive style of management is possible to recognize, explain and to a certain extent justify as a way of running a restaurant. But what if his tongue‐lashings are to be understood, not as a possible way to train skilled chefs, but instead are called violence? Gender‐oriented organizational studies stress the importance of paying attention to acts of violence in organizations rather than disregarding it as organizational culture or tradition. Using concepts and perspectives from masculinity theory and feminist studies on men's violence against women, the purpose of this article is to analyse the micro practices of how masculinity and hierarchy are exercised through violence in the restaurant environment. As will be argued, reality television can be understood, not so much as a reflection but rather as an exaggeration of real life. It can be seen as a distorting mirror that enlarges and at the same time perverts the micro practices of reality. The aim is dual; to investigate the link between masculinity and legitimated violence in organizations and to give prominence to the potential of reality television visualizing the normalization of violence in organizations.     

Revivifying Russia: Literature,Theory, and Empire in Viktor Shklovskii's Civil War Writings

Abstract

When in 1924 Iurii Tynianov identified Viktor Shklovskii's memoir A Sentimental Journey as a work 'on the margin of literature', he was commenting on the text's generic experimentation. But he also provided an apt label for its geopolitical setting, as war drives Shklovskii back and forth from Russia's dying imperial centre Petrograd to the country's peripheries. The sometimes uneasy relationship between Shklovskii's literary theory and his movement through the disintegrating Empire is this essay's main focus. Drawing on recent scholarship that identifies a fundamental paradox of modern literary theory as both the cosmopolitan study of literature per se and a discipline validated by national literary canons, the essay proposes that Shklovskii negotiates cosmopolitan and national impulses by exploring Russian literature as the expression of a multi-ethnic and multilingual empire. In analogy with Shklovskii's famous dictum that art exists to 'make the stone stony', the argument is made that in his Civil War writings Shklovskii strove to revivify the Russian Empire, that is, to 'make Russia Russian', by presenting his readers with a new and strange view of Russia from its imperial borders.     

The terrorist,the artist and the citizen: Oscar Wilde and Vera

This article links Oscar Wilde’s prose writings with his earliest drama Vera, or The Nihilists (1880, rev., 1883) and suggests how the idea of terrorism and political violence was a spectacle and threat that Wilde acknowledged and encompassed in his writing and thought. I discuss Wilde’s adoption of a Hegelian view of the development of civilisation and suggest that during his 1895 trials he cast himself self-consciously as at once agitator and scapegoat, finding that his own life had come to imitate his art though not in the ways with which we are commonly familiar. Modern terrorism from its roots in 1870s Russian political unrest is recognised as both a new force and a familiar fantasy which shapes literature.     

‘The Greatest Thing in North America’: Delmore Schwartz and Europe

Abstract

An argument is presented that Delmore Schwartz’s celebrations of his European literary heritage accentuate the ways in which he might be regarded as a specifically American poet: he cannot help but Americanize his European sources. These engagements also, however, unsettle the notion of a purely American poetry since they suggest that American writing can only be understood in relation to English and European traditions. Taking his concept of ‘international consciousness’ as its premise, the study examines how Schwartz’s allusions simultaneously serve to align his poetry with European works and to distance it from them. It also assesses Schwartz’s admiration for the international perspectives of modernist mentors (particularly T. S. Eliot), observing how this aspect of their work influences his own. A reading of ‘The Ballad of the Children of the Czar’, a poem in which Schwartz characteristically sets individual experience against a worldwide stage, is also given.     

Remembering reuel denney: Sociology as cultural studies

Selected writings from Reuel Denney’s work as a social analyst are reviewed in order to establish and highlight his often-overlooked contributions to sociology. Denney’s cultural studies of Americans at play, with specific reference to his writings on the subcultures of football and hot-rodding, and on television and the electronic media, advertising and architecture, are reviewed in examining some major themes emphasized in his sociology. These writings are discussed against the backdrop of Denney’s early life experiences drawn from his autobiography to better enable readers to gain an appreciation of his sociological thinking. The beginnings of a Denney postmodern are sketched as a conclusion to this paper’s major contention that Denney anticipated much of today’s sociology as cultural studies. As one of Reuel’s students, nearly forty years ago, I hope that this article serves not only to highlight Denney’s contributions and place within the discipline of sociology, but also that my personal recollections will serve to reveal the strong attachments we students felt toward him as our teacher, mentor, and friend. nt|mis|His teaching and research combine his interests in higher education and the professions, bureaucracy, social thought, mass media, and popular culture. His most recent book, Schooling As Entertainment: Corporate Education Meets Popular Culture, is available from Cedarreek Press.     

Howard Caygill on resistance: ecce homo

Howard Caygill’s On Resistance (2013) is changing the landscape of how the concept of resistance is understood. In his book, he theorises a concept of resistance rooted in the Kantian aporia of judgement, in the Hegelian notion of Force, in Clausewitz’s idea of resistance as a capacity and in the Nietzschean notion of affirmation. He employs these against philosophies of dialectic and resolution. I trace these themes back through some of his earlier work, to reveal the tensions that persist in his own thinking, and which underpin the puzzles, the aporias, that are central to his notion of resistance. I argue that in his earlier work a notion of (Hegelian) philosophical education receives more generous treatment. By retrieving this notion of learning and locating it within On Resistance, we can get closer not only to the relationship between actuality, possibility and necessity, that are so important to Caygill’s notion of resistance, but also to the philosophical character of the man Caygill: ecce homo.     

Understanding Georg Simmel

Abstract

This paper makes two basic claims. First, Simmel was aware of the Als-Ob (“As-If”) before Vaihinger published his Die Philosophie des Als-Ob (The Philosophy of As-If) (Vaihinger, 1911 [1935]), and he used the As-If in his epistemology of the social sciences. It is difficult to understand Simmel's sociology without recognizing the role of the As-If. However, this essential part of Simmel's epistemology of the social sciences almost has gone unreported in the standard literature. Second, Simmel formulated a concept of relativity. This concept, too, is an important part of his epistemology, yet it is not understood well. Only through an appreciation of his view of relativity can Simmel's concept Wechselwirkung (usually translated as “reciprocal interaction” but more exactly translated as “reciprocal effect”) be interpreted properly. Without an understanding of his concept of relativity Simmel's form-content relation does not convey the sense intended. This paper demonstrates that the form-content relation as used by Simmel is, in current terminology, the theory-model relation. Finally, use is made of my explication of Simmel's epistemology to clarify some relations between Simmel's ideas and Durkheim's position.     

Discarded Histories and Queer Affects in Anne Carson’s Autobiography of Red

This article takes up Anne Carson’s Autobiography of Red (1998) as an allegory for the discarded history of queerness. The novel in verse rewrites the Greek myth of Herakles (Hercules) and the red-winged monster Geryon as a queer love story. In Carson’s rendition, Herakles is not a colonizer who murders Geryon to seize his red cattle but a lover who steals and breaks his fragile heart. Born hybrid in a modern-day context, Geryon struggles with narrating his life in words and instead takes pictures.

By asking us to pay attention to history’s queer affective traces, Carson invites us to think about how bodies become discarded social monsters and how monsters must learn to live in their bodies. She turns our attention to the traumas and their affects that render the activities of subjectivity unpredictable and undecipherable. In Autobiography of Red, “queer” is not simply sexual orientation but the abject perversions of difference, not easily nameable. Without the familiar registers of identity, we are invited to witness and to be touched by Geryon’s life through his photo-autobiography, which captures the affect of experience, otherwise lost to the foreclosures of time.     

The writer as the people's therapist: Der Nister's last decade, 1939–49

ABSTRACT

World War II and the Holocaust caused profound changes in the style and themes of Der Nister's writing. He reevaluated his symbolist legacy and emerged as one of the most powerful and tragic voices in Soviet Yiddish literature. His transformation from a respected but marginal literary figure into a self-styled national leader became complete with his adventurous journey to the Jewish Autonomous Region of Birobidzhan in the Soviet Far East, which he envisioned as a site of new Jewish revival. His illusions were crushed by his arrest in 1949.     

‘His Complete History’? Revisioning,Recreating and Reimagining Multiple Lives in Frederick Douglass's Life and Times (1881, 1892)

Frederick Douglass's final autobiography, Life and Times of Frederick Douglass, remains a critically neglected work. On first glance, the Frederick Douglass of editions of this work published in the 1880s and 1890s seems to be a million miles away from the fiery, charismatic radical of the 1840s and 1850s. Probe deeper, however, and continuities remain vis-à-vis Douglass's commitment to literary experimentation in radical recreations, representations and reimaginations of an ever shifting and even contradictory public selfhood. Thus, Douglass's final work performs the deflating but fascinating work of a magician seeming to reveal the secret of his trick as he provides his readers with a self-reflexive, hybrid work in which he refuses to shy away from the ambiguities and ambivalences of his multiple existences.     

Minute Particulars of the Counter- Culture: Time,Life, and the Photo-poetics of Allen Ginsberg

Abstract

Recent exhibitions of Allen Ginsberg’s photographs, which feature 1950s snapshots of his fellow-Beats Jack Kerouac and William Burroughs, have been dismissed by some as marketing exercises for the Beat myth that promote their biocentric image. Ginsberg himself invited comparisons between his work and Robert Frank’s The Americans. However, a detailed material analysis of his work as a poet-photographer, paying close attention to his handwritten captions, recognises it as a complex hybrid that extends his prophetic poetics. In particular, contextualising his work in relation to the 1950s photojournalism of Life and Time establishes the ways in which Ginsberg, and Burroughs, responded to the attacks made on the Beats in those magazines on behalf of Henry Luce’s ‘American Century’.     

How to Sharpen Words: Mayakovsky’s Machines of Poetic Humour

Analysis of Mayakovsky’s prose writings of the mid-1920s on the craft of satire reveals that he understood it to be a scientific discipline subject to strict cause-and-effect relationships: if the satirical treatment of a theme — any theme — is correct, then the piece will produce ‘involuntary laughter’ (neproizvol’nyi smekh). As an example, he puts forward his 1923 poem ‘Schematic of Laughter’ (Skhema smekha) — a text he claims contains no comic ideas, but only the correct satirical sharpening of discourse. As a barebones inventory of comic devices, the poem is a perfect place to begin an examination of Mayakovsky’s poetics of humour. But it is not alone; in a note to the 1925 poem ‘Shallow Philosophy in Deep Places’ (Melkaia filosofiia na glubokikh mestakh), Mayakovsky explains that it too is a ‘skeleton poem’ (stikh-skelet), just like the ‘Schematic’, and another compendium of humorous devices. Together, then, these poems represent the purest and most concentrated expression of Mayakovsky’s understanding of the mechanics of poetic humour. Sustained close reading of both poems reveals that his humorous devices, ranging from formal to narrative, all serve to establish and then deceive expectations in the reader.     

Wilfred Bion,Ernie Kovacs,and the Oracle of Dewey Decimal System

ABSTRACT

In considering a Bionian primal scene, the author first reflects on adult sexuality as it was shown and known to him in childhood through The Ernie Kovacs Show, an innovative television show from the 1950s. The pleasurable emotions evoked during that writing were complicated by the emergence of highly disturbing memories of his discovery and consumption of early psychoanalytic texts on male homosexuality. This desire to discover his fate occurred in a context of familial preoccupation with the Holocaust and a child’s experience of the threat of nuclear annihilation. This imbrication led to an expansion of his limits regarding the work of the primal scene as a psychoanalytic concept.     

The impossibility of loving: blanchot,community, sexual difference

This paper aims to clarify Blanchot's notion of community and his practice of communism through, first, an account of his involvement in the Events of May 1968 and, second, an exploration of The Unavowable Community, in which Blanchot reads a short novel by Marguerite Duras, which recounts the tropisms of a brief relationship between a young woman and a homosexual man. As I show, Blanchot's affirmation of what he calls “the impossibility of loving”, which emerges from his reading of Duras, is linked to what he calls “worklessness [désoeuvrement]”; that is, the active process of loosening or undoing that contests any attempt to establish a community around a shared essence. I will claim that it is by attending to the relationship to worklessness that one might attend to what Blanchot calls the “spaces of freedom” that open around us: to those happenings which are not enclosed by prevailing determinations of the social space. A further aim of this paper is to address the concerns of Jacques Derrida, for whom Blanchot's writings on community betray what he calls in Politics of Friendship a “schematic of filiation”, in which the relation to the brother is the privileged model for the relation to the Other. I also provide an account of Blanchot's negotiation of Levinas's account of the relationship between ethics and eros as it is presented in Totality and Infinity.