The Primal Scene: The Enigma of Knowing

ABSTRACT

This article explores the ways in which the privileging of the Oedipus complex in psychoanalysis has signaled a forgetting of the primal scene. Through a close reading of Bion’s Cogitations (1992) and Pasolini’s film Oedipus Rex (1967), this article examines the Oedipus myth in relation to the primal scene as represented by Oedipus’s encounter with the Sphinx, hence establishing the Oedipus myth as the ultimate story about the acquisition of knowledge. Drawing on Bion, Laplanche, Faimberg, and others, this article grapples with the paradoxes involved in the process of “getting to know something,” querying the limits of knowing and not knowing, and the nature of such knowledge.     

Maisie’s Spasms: Transferential Poetics in Henry James and Wilfred Bion

ABSTRACT

This essay offers a reading of Henry James’s midcareer novel What Maisie Knew (1897) as a study in group psychology. Maisie, James’s child heroine, is at the center of an expanding and transforming family group that includes various governesses as well as her divorced parents’ multiple new partners. I set James’s novel beside Bion’s Experiences in Groups and Other Papers (1961) and its Kleinian approach to the continuities and discontinuities between individual and group experience. Rather than insisting (as Freud tends to) only on a narrative of individuation and adaptation, Bion emphasizes the necessity and difficulty an individual inevitably experiences in making contact with the emotional life of the group in which she lives. James casts the frustrating necessity of group experience in entirely theatrical terms, figuring Maisie from the start as a spectator to, and eventually an active participant in, the affective circuits of those around her. In my reading the transferential poetics of James and Bion make available the affective, transindividual nature of knowing as a contingent activity that takes place between persons and other objects. The essay concludes by unfolding some of the surprising televisual aspects of James’s late style.     

A Beginner’s Mind: On Beginning Psychoanalytic Schooling … Bion,Keith Jarrett,and the Primal Scene

ABSTRACT

Free associations structure … and loosen … what follows. In midair, having sprung from a high dive of 20-plus years of psychoanalytically informed professional work, the author free-falls into formal psychoanalytic training—meditating on the memory that his father was a jazz musician. The meditation strays to the author’s own jazz education … then wanders to a consideration of a primal scene interpretation emerging from Bion after he listened endlessly to a psychotic patient’s vamp—”I don’t know what I mean.” Bion’s (2013) stance of waiting for O links associatively to jazz pianist Keith Jarrett’s solo improvisations, what Jarrett calls his “epic journeys into the unknown.” The author hears a fugue in Bion’s primal scene interpretation—back to Freud and Klein and forward to Bion’s psychoanalytic students invited to compose using Bion’s unsaturated concepts. The author worries how he will communicate with his new psychoanalytic colleagues and considers the usefulness of origin myths (such as the primal scene) in such lateral communications. And, finally, the author loops back again to consider repetition when listening to Jarrett … repetition when listening to Bion … and repetition when listening to patients.     

The Child Outside the Door: Primal Scene,Caesura, and the Primary Trauma of Race

ABSTRACT

We are supposedly a “postracial” America, yet we cannot contain our own excess, cannot keep the unmetabolized beta elements of our racial history out of the bedroom or let race stay in the bedroom so the mature genital couple can do what it pleases. Not only do we surveil, police, and monitor race’s own primal scene but also we continuously break and enter into its most intimate chambers, guns drawn, tanks crashing in, in order to prevent the primal scene from ever taking place. This article explores the idea of race in America as denied its own primal scene and the ways in which, contrary to the importance to Bion (1991) of preventing “someone who KNOWS from filling the empty space” (p. 578), we cannot allow race to hold open its own empty space, find its own manifestations of O. I draw from the work of Wilfred Bion, Fred Moten, Jean Laplanche, and others to attempt to theorize the complexities of “postracial” America’s relationship with race vis-à-vis the primal scene.     

The Primal Scene in and about Psychoanalytic Institutions

ABSTRACT

Drawing on notions of primal scene and Bion’s theorizing of groups, this essay looks at the elements in institutional groups where transgressions and corruption may appear and develop and examines the difficulties group members have in working through the violations and potential disruptions to the institution’s functioning.     

A Bionian Approach to the Body and the Feminine in Cammell and Roeg’s Performance

ABSTRACT

This psychoanalytic study of Performance (directed by Donald Cammell and Nicolas Roeg, 1970) explores the importance of the bodily, sensorial, and material aspects of a pivotal moment in the development of the protagonist’s sexual identity and considers how this moment has been conceived as being dependent on a certain containing function that is performed by a female character. Drawing on Bionian and post-Bionian theory, the article proposes that this containing function is fundamentally feminine. The feminine function of Bion’s concept of container is one that has been discussed especially in the theorization of the roles performed by the mother and the analyst. This article aims to investigate the importance of the bodily and the feminine aspects of the container as part of a psychoanalytic conceptualization of psychical growth as they present themselves in this film.     

A Bionian Reading of the Mother in Anne Enright’s The Green Road

ABSTRACT

Anne Enright’s The Green Road (2015a) centers on the mother, Rosaleen. When she leaves her children and her home in the West of Ireland to walk the Green Road, Rosaleen asks herself, “Where did it begin?,” which is “more a cadence than a question” (p. 259). Her journey echoes that described by Wilfred Bion, with reference to Samuel Taylor Coleridge: “like one that on a lonesome road, doth walk in fear and dread” (Bion, 1970, p. 46). Rosaleen is attempting to escape the feeling that she does not exist. As she travels, reality gives way to fantasy as time and space appear to merge. Eventually, she is frightened to turn back because “she had fallen into the gap” (Enright, 2015a, p. 266). This may be read as the emotional state of transformation in O. Bion (1970, p. 43) exhorts us to forget what we think we know: memory, desire, and understanding. Applying this to a consideration of Rosaleen, whose children know her by so many names (“Mammy,” “Mama,” “Ma,” “Rosaleen,” and “Dark Rosaleen”), provides for an exploration, alongside Rosaleen, not of who she was in the past or who we might wish her to be but beyond preconceived ideas of Irish motherhood to a place where new meaning may emerge.     

Introduction

ABSTRACT

This essay develops several perspectives on Bion’s concept of primal scene and introduces a series of sex papers on aspects of the primal scene: its developmental implications, implications for thinking, a way of examining the forces of silence and transgression in psychoanalytic institutions, the mythic dimensions of the primal scene and its lens into considerations of race and racism.     

The Wish to Know/The Wish Not to Know: Curiosity and the Primal Scene

ABSTRACT

This article explores the developmental experience of curiosity and how it relates to the primal scene. Bion’s concepts of K and –K, alpha function, and containment are used to think about the wish to know and the wish not to know (or to “titrate” knowing). Clinical vignettes trace the experience of curiosity as it plays out in the analytic relationship, and they illustrate instances when thinking becomes confused and boundaries collapse in response to “too much” information. Curiosity, when worked through, may become an analytic object, a vehicle for intimacy, and a possible third position between K and –K, one that leads the way toward creativity and play.     

Editors’ Introduction to the Special Issue — Bion: Here,There, and In Between

ABSTRACT

We introduce this special issue of Studies in Gender and Sexuality, “Bion: Here, There, and In Between.”     

A Theory of Thinking: A Theory of Desiring

ABSTRACT

This article focuses on aspects of what is broadly known as countertransference in centering on the psychoanalyst Wilfred Bion’s explicit theory of thinking as constituting an implicit theory of desiring. I make a distinction between the discursive terms “thoughts,” “thinking,” “desires,” “desiring,” “wants,” and “craving” and tease out their relationship to one another for clinical practice. I explore how thinking and desiring operate in and around frustration and suggest that the thinking apparatus is not just a mechanism for dealing with thoughts but also is a way of transforming wants into desires. I separate out desires and the desiring apparatus, as Bion does with thoughts and thinking, and argue that thinking is inextricably linked to desiring and thoughts to desires. The interpretative act, moreover, constitutes the analyst’s acting on desire, whereas acts of projective identification are bound up with craving. I demonstrate the potential uses of this theory by discussing it with reference to two published clinical examples.     

French Friends,American Allies: Ethnic Dynamics in the Writing of Jack Kerouac

Abstract

The way the scroll text of Kerouac’s On the Road creatively manifests the writer’s unconscious concerns about his dichotomous hybrid French– Canadian–American heritage is analysed. The characters of Gabrielle Kerouac, Henri Cru and Neal Cassady are shown to operate metaphorically to symbolize Kerouac’s tumultuous relationship with the various elements of his genealogy. How the writer’s depiction of, and the protagonist’s allegiances with, these characters, who, respectively, represent French– Canadian maternity, European respectability and American unreliability, betray Kerouac’s covert attempts to reconcile his autobiographical feelings about the dualities implicit in his identity and mirror his efforts to navigate disparate cultural ideologies is examined.     

The Defeat of the Guitar Army: Don DeLillo,John Sinclair,and the Rock Revolution

Abstract

Don DeLillo’s 1973 novel Great Jones Street is seldom analysed as a serious engagement with the rock music and countercultural politics of the 1960s, yet these constitute its historical context, its subject matter, and its central concerns. An historicized reading positions the novel as an intervention into contemporary debates about the causes and consequences of the defeat of the 1960s ‘rock revolution’. These debates were most thoroughly synthesized by the rock culture’s chief agitator and organic intellectual John Sinclair in his 1972 book Guitar Army. Like Guitar Army, Great Jones Street dwells on the connections between the political failure of the rock revolution and the provenance and validity of rock’s anti-rational aesthetic. Sinclair finds political hope in re-emphasizing rock’s anti-rationalism, rooted equally in black music and the psychedelic experience. More sceptical, DeLillo offers a very different reading of the rock culture’s view of African American aesthetics and its use of psychedelics.     

Margaret Atwood’s Straddling Environmentalism

Abstract

“Margaret Atwood’s Straddling Environmentalism” asks why Atwood crosses the Canada-US border in her dystopian fiction. It takes Atwood’s 2004 comments that The Handmaid’s Tale (1985) partly grew out of her ‘irritation when people say “it can’t happen here”’ and her claim that she decided to set the novel in Cambridge, Massachusetts as being related to that irritation—’”It can’t happen here,” she explained, “should be placed in the most extreme ‘here”’—as a prompt. Focusing on Oryx and Crake (2003), this article argues that one of Atwood’s motivations for crossing the Canada-US border in this novel is to provoke us to develop what Giovanna Di Chiro has termed ‘a scale-crossing environmental consciousness.’ Oryx and Crake challenges us to think about environmentalism in relation to local, embodied experiences as well as on a global, transnational scale.     

Omniscience at the Edge of Chaos: complexity,defences and change in a Children and Families Social Work department

ABSTRACT

This paper will explore a period of organisational change in a Children and Families Social Work team, applying ideas from complexity theory and psychoanalysis to explore the changes that occurred. In doing so it will critique the Newtonian concept of cause-and-effect linear causality, instead positing a nonlinear model of an organisation as a complex adaptive system in flux as it interacts with its environment. The paper will go on to posit that Bion’s psychoanalytic concepts of Omniscience and K Activity are self-organising forces in social care organisations, and when anxiety is not managed effectively, reductionist technical-rationale approaches to Children and Families Social Work dominate practice. It will conclude by outlining how the organisation’s effective management of anxiety through the creation of containment, created a series of organisational changes. These changes better supported the management of the complexity and uncertainty inherent in the social work task, raising possibilities of improvements in social work practice beyond the organisation.     

The bothersome details of the world: Richard Byrd,Little America,and the problem of retreat

Abstract

In 1934, Admiral Richard E. Byrd retreated from his crew at the remote Little America encampment in Antarctica to an even more isolated setting: a small underground shack on ‘the dark immensity of the Ross Ice Barrier, on a line between Little America and the South Pole’. Byrd remained there in solitude for a little over four months and later wrote about his ordeal in Alone. This essay considers Byrd’s account alongside his earlier Antarctic writings in order to ask what they reveal about the difficulties of retreating and maintaining critical distance from ‘civilisation’.     

The Judgments of David Bergelson

ABSTRACT

In this paper, I read the Yiddish author David Bergelson’s statements at his secret trial through the lens of his own earlier fiction about Soviet justice, especially his novel Judgment. I examine Bergelson’s self-fashioning as a Jewish writer and how he uses his own Jewish background as a justification for his failures as a Soviet person. I offer some contextualization of Bergelson’s statements in light of other trials of other writers both before and after 1952, and compare his declaration of love for Yiddish with other, similar expressions. Bergelson does not merely defend himself, he creates a memory about his legacy for the future.     

Reading the rubbish dump as a heterotopia in Neill Blomkamp’s district 9

ABSTRACT

I read the rubbish dumps of Neill Blomkamp’s 2009 film District 9 in order to think about how peripheral places and communities can reframe the South African city. In the film, dumps are sites of abandonment and transformation. This doubleness exemplifies Michel Foucault’s privileged site, the heterotopia. I focus on two scenes that take up little of the film’s running time but speak to the possibilities of the dump as more than simply a space of immiseration. The scenes unsettle orthodoxies of space that define the postapartheid city and reposition the heterotopic dump at the urban centre rather than the margins.     

‘Footnotes to Miller and Moore’: Monomyth and Transnationality in the 1986 Superhero Comics

Abstract

New developments in comics studies have begun to consider the superhero comic as a transnational, rather than American, phenomenon. This approach offers a new way of thinking about the typical story that Frank Miller’s The Dark Knight Returns and Alan Moore’s Watchmen jointly upended the comics world in 1986. While there is robust criticism to challenge the idea that 1986 was a miraculous year for comics, the continuing attention drawn by the two works requires us to think further about their apparent similarity. This article proposes the importance of a narrative of American exceptionalism within comics culture as a defining feature of the contemporary context for the production of the works. It then examines their responses to this context, arguing that they undermine the American monomyth of the superhero in different ways that originate in the different national positions of the two writers.     

Circadian rhythm of hot flashes and activity levels among prostate cancer patients on androgen deprivation therapy

Abstract

Background: Modifiable risk factors contribute to the pathogenesis of cardiovascular disease (CVD) and erectile dysfunction (ED). We aimed to compare the knowledge about the contribution of modifiable risk factors to the pathogenesis of CVD and ED. The impact of patients’ having modifiable risk factors on the awareness of their negative influence on the development of CVD and ED was examined.

Methods: To this multicenter cohort study, we included 417 patients with CHD who had been hospitalized in the cardiology or cardiac surgery department during the previous six weeks and underwent cardiac rehabilitation in one of the five centers. Knowledge about modifiable risk factors was collected. ED was assessed by an abridged IIEF-5 questionnaire. Comparisons between groups were conducted using the Student’s t-test, Mann–Whitney U test, and Kruskal–Wallis test. Relationships were analyzed with Spearman's rank correlation coefficient.

Results: The mean number of correctly identified risk factors for CVD was significantly higher than those for ED (3.71?±?1.87 vs. 2.00?±?1.94; p?<?.0001). Smoking was the most recognized risk factor both for CVD and ED. Dyslipidemia was least frequently identified as a risk factor for CVD. Sedentary lifestyle was the only risk factor whose incidence did not affect the level of patient knowledge.

Conclusions: Cardiac patients with ED know more about risk factors for CVD than ED. It is necessary to include information about the negative impact of modifiable risk factors on sexual health into education programs promoting healthy lifestyles in men with cardiovascular diseases.