The Child Outside the Door: Primal Scene,Caesura, and the Primary Trauma of Race

ABSTRACT

We are supposedly a “postracial” America, yet we cannot contain our own excess, cannot keep the unmetabolized beta elements of our racial history out of the bedroom or let race stay in the bedroom so the mature genital couple can do what it pleases. Not only do we surveil, police, and monitor race’s own primal scene but also we continuously break and enter into its most intimate chambers, guns drawn, tanks crashing in, in order to prevent the primal scene from ever taking place. This article explores the idea of race in America as denied its own primal scene and the ways in which, contrary to the importance to Bion (1991) of preventing “someone who KNOWS from filling the empty space” (p. 578), we cannot allow race to hold open its own empty space, find its own manifestations of O. I draw from the work of Wilfred Bion, Fred Moten, Jean Laplanche, and others to attempt to theorize the complexities of “postracial” America’s relationship with race vis-à-vis the primal scene.     

A Beginner’s Mind: On Beginning Psychoanalytic Schooling … Bion,Keith Jarrett,and the Primal Scene

ABSTRACT

Free associations structure … and loosen … what follows. In midair, having sprung from a high dive of 20-plus years of psychoanalytically informed professional work, the author free-falls into formal psychoanalytic training—meditating on the memory that his father was a jazz musician. The meditation strays to the author’s own jazz education … then wanders to a consideration of a primal scene interpretation emerging from Bion after he listened endlessly to a psychotic patient’s vamp—”I don’t know what I mean.” Bion’s (2013) stance of waiting for O links associatively to jazz pianist Keith Jarrett’s solo improvisations, what Jarrett calls his “epic journeys into the unknown.” The author hears a fugue in Bion’s primal scene interpretation—back to Freud and Klein and forward to Bion’s psychoanalytic students invited to compose using Bion’s unsaturated concepts. The author worries how he will communicate with his new psychoanalytic colleagues and considers the usefulness of origin myths (such as the primal scene) in such lateral communications. And, finally, the author loops back again to consider repetition when listening to Jarrett … repetition when listening to Bion … and repetition when listening to patients.     

The Wish to Know/The Wish Not to Know: Curiosity and the Primal Scene

ABSTRACT

This article explores the developmental experience of curiosity and how it relates to the primal scene. Bion’s concepts of K and –K, alpha function, and containment are used to think about the wish to know and the wish not to know (or to “titrate” knowing). Clinical vignettes trace the experience of curiosity as it plays out in the analytic relationship, and they illustrate instances when thinking becomes confused and boundaries collapse in response to “too much” information. Curiosity, when worked through, may become an analytic object, a vehicle for intimacy, and a possible third position between K and –K, one that leads the way toward creativity and play.     

The Primal Scene in and about Psychoanalytic Institutions

ABSTRACT

Drawing on notions of primal scene and Bion’s theorizing of groups, this essay looks at the elements in institutional groups where transgressions and corruption may appear and develop and examines the difficulties group members have in working through the violations and potential disruptions to the institution’s functioning.     

Introduction

ABSTRACT

This essay develops several perspectives on Bion’s concept of primal scene and introduces a series of sex papers on aspects of the primal scene: its developmental implications, implications for thinking, a way of examining the forces of silence and transgression in psychoanalytic institutions, the mythic dimensions of the primal scene and its lens into considerations of race and racism.     

Maisie’s Spasms: Transferential Poetics in Henry James and Wilfred Bion

ABSTRACT

This essay offers a reading of Henry James’s midcareer novel What Maisie Knew (1897) as a study in group psychology. Maisie, James’s child heroine, is at the center of an expanding and transforming family group that includes various governesses as well as her divorced parents’ multiple new partners. I set James’s novel beside Bion’s Experiences in Groups and Other Papers (1961) and its Kleinian approach to the continuities and discontinuities between individual and group experience. Rather than insisting (as Freud tends to) only on a narrative of individuation and adaptation, Bion emphasizes the necessity and difficulty an individual inevitably experiences in making contact with the emotional life of the group in which she lives. James casts the frustrating necessity of group experience in entirely theatrical terms, figuring Maisie from the start as a spectator to, and eventually an active participant in, the affective circuits of those around her. In my reading the transferential poetics of James and Bion make available the affective, transindividual nature of knowing as a contingent activity that takes place between persons and other objects. The essay concludes by unfolding some of the surprising televisual aspects of James’s late style.     

Wilfred Bion,Ernie Kovacs,and the Oracle of Dewey Decimal System

ABSTRACT

In considering a Bionian primal scene, the author first reflects on adult sexuality as it was shown and known to him in childhood through The Ernie Kovacs Show, an innovative television show from the 1950s. The pleasurable emotions evoked during that writing were complicated by the emergence of highly disturbing memories of his discovery and consumption of early psychoanalytic texts on male homosexuality. This desire to discover his fate occurred in a context of familial preoccupation with the Holocaust and a child’s experience of the threat of nuclear annihilation. This imbrication led to an expansion of his limits regarding the work of the primal scene as a psychoanalytic concept.     

Rhythm Nation

ABSTRACT

Bion’s remarks about music were few but fascinating. This paper provides a close reading of Kendrick Lamar’s To Pimp a Butterfly (2015), an album that has been embraced as the musical centerpiece of the Black Lives Matter movement in terms of Bion’s profound comments on the power of rhythmic speech to engage other minds and bodies in otherwise noncommunicable aspects of experience. Bion’s observations about rhythm are elaborated with respect to the French psychoanalyst Nicolas Abraham’s notion of “rhythmizing perception” and Freud’s fundamental rule of psychoanalysis.     

A Bionian Approach to the Body and the Feminine in Cammell and Roeg’s Performance

ABSTRACT

This psychoanalytic study of Performance (directed by Donald Cammell and Nicolas Roeg, 1970) explores the importance of the bodily, sensorial, and material aspects of a pivotal moment in the development of the protagonist’s sexual identity and considers how this moment has been conceived as being dependent on a certain containing function that is performed by a female character. Drawing on Bionian and post-Bionian theory, the article proposes that this containing function is fundamentally feminine. The feminine function of Bion’s concept of container is one that has been discussed especially in the theorization of the roles performed by the mother and the analyst. This article aims to investigate the importance of the bodily and the feminine aspects of the container as part of a psychoanalytic conceptualization of psychical growth as they present themselves in this film.     

In My Mother’s Tongue

ABSTRACT

By way of a vignette about my childhood mix of British and American accents, I explore how the Mother of the primal scene becomes a nodal point in the recursive iteration of psyche and society that is given voice in the child’s mother tongue.     

On the limits of a realist conception of knowledge: a pragmatist critique of Archerian realism

In her book Being Human (2000), Margaret Archer presents intriguing pragmatist emphases on practice, embodiment and non‐linguistic knowing‐how, as regards to understanding humanity. However, as Archer attempts to conjoin these ideas with the morphogenetic realism she has been working on for the last few decades, she ends up holding on to a subject–object dualism, which makes things complicated. The authors’ alternative pragmatist account defended in the article flows from Deweyan pragmatist and Rortian antirepresentationalist insights. The main issues in the article concern Archer’s complicated tripartite concept of knowledge, which is contrasted with a (Deweyan–Rylean) distinction between linguistic knowledge‐that and embodied knowing‐how. It is argued that knowledge is a natural, sophisticated tool that human organisms use when coping with their environment; it is always acquired on the strength of embodied knowing‐how, from some actor’s point of view, but the term ‘knowledge’ itself should be reserved for the propositional, linguistic knowledge‐that.     

The politics of the face: the scopic regime and the (un-)masking of the political subject

Face is commonly seen as a feature exclusive to each person. It expresses subject’s feelings, thoughts and in turn represents knowledge that is otherwise deemed personal. However, face is mistakenly seen as pure expression of subject’s thoughts. This article aims to show that face is a product of governing practices of seeing and knowing. It is thus not a unique individual expression, but a mask that the socio-political order attaches to individuals as they are turned into political subjects. The article begins with a discussion of the two governing practices: the seeing (or the spectre of the visible) and the knowing (or the practice of locating faces in the socio-political field) with an aim to unveil the role face plays in the socio-political reality. The first interrogation looks at how face creates a field of recognition and opens a distinct form of political visibility: who, what and how one sees and what remains unseen. Whereas the second interrogation discusses how appearances produce meaning and how knowledge is taken off the face. Finally, the face as a knowledge producer and a mean of subject’s social recognition (identity) is put in the encounter with the idea of the anxious gaze and the work of Marlene Dumas. Instead of recognition, here a subject is met with dissociation and displacement of subject’s socio-political image. The three presented studies paint the politics of the face as an obscene governing strategy caught between endless attempts to create the face as a known, seen and governed space and illusive attempts to grasp the actual meaning of a pre-symbolised face.     

The rhythms of social movement memories: the mobilization of Silvio Meier’s activist remembrance across platforms

ABSTRACT

This article presents a temporal analysis of the activist remembrance of Silvio Meier, a prominent member of Berlin’s radical left scene, who was stabbed to death in 1992. It asks: when has Meier’s activist remembrance occurred and been remediated, with what rhythms, and how has it been influenced by different platforms? To answer these questions, the article draws on the literature dedicated to the interface between social movements and collective and connective memory, and applies Lefebvre’s rhythmanalysis approach. Within this approach a diverse set of material is used to visualise the timing of the digital and non-digital remediation and mobilisation of Meier’s remembrance across different platforms of memory including commemorative events, newspapers, websites and social media. Thereafter the various temporalities of use associated with these platforms and how they can influence the mobilisation of remembrance by social movements is discussed using Lefebvre’s concepts of polyrhythmia, arrhythmia, isorhythmia, eurhythmia and with respect to, firstly, a fifteen-year period between 2002 and 2017 and secondly, a fifteen-day period between 15 November and 30 November 2012 around the twentieth anniversary of Meier’s death. The article concludes by introducing another Lefebvrian concept – dressage – in order to consider which rhythms of activist remembrance might most benefit social movements and their goals. Overall, by demonstrating the importance of attending to the when and not only the what, who, where and how of social movement memories and by highlighting the need to consider the temporal influence of the different digital and non-digital platforms that activists use, as well as, by indicating the broader potential of applying rhythmanalysis approaches to instances of activism, the article has broader relevance for the further study of social movements, their use of different media and their mobilization of memory.     

A Theory of Thinking: A Theory of Desiring

ABSTRACT

This article focuses on aspects of what is broadly known as countertransference in centering on the psychoanalyst Wilfred Bion’s explicit theory of thinking as constituting an implicit theory of desiring. I make a distinction between the discursive terms “thoughts,” “thinking,” “desires,” “desiring,” “wants,” and “craving” and tease out their relationship to one another for clinical practice. I explore how thinking and desiring operate in and around frustration and suggest that the thinking apparatus is not just a mechanism for dealing with thoughts but also is a way of transforming wants into desires. I separate out desires and the desiring apparatus, as Bion does with thoughts and thinking, and argue that thinking is inextricably linked to desiring and thoughts to desires. The interpretative act, moreover, constitutes the analyst’s acting on desire, whereas acts of projective identification are bound up with craving. I demonstrate the potential uses of this theory by discussing it with reference to two published clinical examples.     

An exploratory investigation of social workers’ knowledge and attitudes about autism

ABSTRACT

Although researchers continue to generate knowledge concerning autism, few have investigated social workers’ understanding about this condition. In this exploratory study, we surveyed licensed social workers (n = 793) to examine social workers’ understanding and attitudes about autism. Overall, we found social workers have accurate knowledge and hold strengths-based attitudes about autism and persons on the autism spectrum. Factors significantly associated with accurate autism knowledge were having special training in autism, having present clinical involvement with autism, and knowing someone on the autism spectrum. Implications for social work practice, education and training, and future research, are discussed.     

A Bionian Reading of the Mother in Anne Enright’s The Green Road

ABSTRACT

Anne Enright’s The Green Road (2015a) centers on the mother, Rosaleen. When she leaves her children and her home in the West of Ireland to walk the Green Road, Rosaleen asks herself, “Where did it begin?,” which is “more a cadence than a question” (p. 259). Her journey echoes that described by Wilfred Bion, with reference to Samuel Taylor Coleridge: “like one that on a lonesome road, doth walk in fear and dread” (Bion, 1970, p. 46). Rosaleen is attempting to escape the feeling that she does not exist. As she travels, reality gives way to fantasy as time and space appear to merge. Eventually, she is frightened to turn back because “she had fallen into the gap” (Enright, 2015a, p. 266). This may be read as the emotional state of transformation in O. Bion (1970, p. 43) exhorts us to forget what we think we know: memory, desire, and understanding. Applying this to a consideration of Rosaleen, whose children know her by so many names (“Mammy,” “Mama,” “Ma,” “Rosaleen,” and “Dark Rosaleen”), provides for an exploration, alongside Rosaleen, not of who she was in the past or who we might wish her to be but beyond preconceived ideas of Irish motherhood to a place where new meaning may emerge.     

A trembling voice in the desert: Jean‐Luc Nancy's rethinking of the space of the political

Abstract

This essay explores Jean‐Luc Nancy's rethinking of political space in terms of an ontological ‘being‐with’. It elucidates how Nancy's thinking of community emerges out of the French philosopher's reworking of Heidegger's crucial notion of Mitsein. For Nancy, although Heidegger argues that Dasein is always already also Mitsein, Mitsein is nonetheless also occluded by the priority accorded to Dasein. The consequences for the way in which community or the space of the political is configured are profound since traditional conceptions of the subject of community thus remain unreconstructed. Nancy however does reconstruct community by emphasising that the primal ontological conditions of community are not conceived as the One, the Other or the We, but as the ‘with’, ‘relationality’, and the ‘between’. The question of being (Seinsfrage) thereby becomes the question of being‐with (Mitseinsfrage).     

Minute Particulars of the Counter- Culture: Time,Life, and the Photo-poetics of Allen Ginsberg

Abstract

Recent exhibitions of Allen Ginsberg’s photographs, which feature 1950s snapshots of his fellow-Beats Jack Kerouac and William Burroughs, have been dismissed by some as marketing exercises for the Beat myth that promote their biocentric image. Ginsberg himself invited comparisons between his work and Robert Frank’s The Americans. However, a detailed material analysis of his work as a poet-photographer, paying close attention to his handwritten captions, recognises it as a complex hybrid that extends his prophetic poetics. In particular, contextualising his work in relation to the 1950s photojournalism of Life and Time establishes the ways in which Ginsberg, and Burroughs, responded to the attacks made on the Beats in those magazines on behalf of Henry Luce’s ‘American Century’.     

“I Will Have Lacked”: Rethinking Sexual Difference and Sexed Subjectivity Through Psychoanalytic Temporal Relationality

ABSTRACT

Sexual difference, as understood by contemporary Lacanian scholars, is the Real that marks a constitutive gap or discord beneath the construction of sexual identity, but in what way does the Real relate to the Symbolic in a process of becoming a sexed subject? This article explores the possibility of sexual differentiation through a psychoanalytic conceptualization of temporal organization and rearrangement. Taking the moment of the “primal view” in Freud’s text as its point of departure, this article demonstrates that the origin of sexual difference in psychoanalysis is actually a temporal difference between two processes of becoming, explained by Freud’s Nachträglichkeit and Lacan’s future anterior, respectively. In comparison with women’s time, it is argued that the Lacanian temporal relationality promotes a new epistemology of sexed subjectivity that permits an expanded understanding of the lived experience of being sexed.