Decontextualizing disability in the crime mystery genre: the case of the invisible handicap

The depiction of physical impairments in popular culture reflects as well as shapes public attitudes towards persons with disabilities. Scholars have begun to document images of disabilities (the 'what') in venues such as literary fiction, motion pictures, advertisements, and television programming but there has been less attention directed toward exploring the techniques through which images are delivered (the 'how'). In this paper we explore how the story telling devices of disability—in-dialogue versus disability-in-action and the endowment of characters with compensating characteristics are employed in one segment of popular culture—literary fiction, one genre within this class—the detective novel, and one type of physical impairment—the deaf detective. Our findings suggest that the use of these devices is historically rooted and how they transform handicaps and disabilities into physical impairments thus decontextualizing what is essentially a social issue into one that is ascribed to individuals.     

Women in the police: Integration or separation?

This study reports on the incorporation of female officers into the Atlanta Bureau of Police Services which until recently had an all-male occupational subculture. Fieldwork techniques included one-year of participant observation and the structured interviewing of 50 police officers.Findings indicated that women have been acculturated into the behavior and attitudes characteristic of the male police group. Specifically, they express increased cynicism and distrust of the public, and their behavior is abrupt with an unsympathetic demeanor. Conversely, women police officers have not been accepted as equally capable as male police officers by the latter. This discriminatory reaction results in a male overprotective attitude which is expressed in male domination of both detective and uniformed officers' work. These findings are congruent with the data from other studies which examined occupations in which women were numerically rare (tokens).The author concludes that because females emulate the male officers' ethos and behavior, and because they have not been accepted as equals in the police group, they have not greatly changed the male subculture of policing.     

The Investigation Component in Forensic Mental Health Evaluations

Abstract

Part of the data gathering and analysis in any parenting time evaluation involves investigation into sources of information that provide a factual basis for measuring key factors. However, this investigative function of the child custody evaluator has not been systematically described. In this article, investigative data collection is discussed in terms of holding a discriminating and skeptical eye in reviewing sources of information. The need to conduct forensic “detective work” and factfinding is discussed. The importance of the investigative mindset for the evaluator is to increase the completeness and accuracy of measurement of key variables, which increases the validity and accuracy of predictions on child developmental outcomes for the court.     

Detecting Two-Spirit erotics: The fiction of Carole laFavor

ABSTRACT

This article examines the life and novels of Carole laFavor, arguing for her importance to and influence in Two-Spirit studies. Along with being a writer, laFavor was a powerful voice for social justice and Indigenous health sovereignty in Minnesota and the nation. Her two novels, Along the Journey River and Evil Dead Center, which both focus on Anishinaabe lesbian detective protagonist Renee LaRoche, are the first lesbian detective fiction published by a Native author. Renee's embrace of a specifically Two-Spirit erotics anchors her to family and brings her tribal community a powerful healing when she employs her skills to protect her people from instances of racism, abuse, and injustice. This article, then, reads these novels as the first of an emerging genre of texts that claim an overtly Two-Spirit erotic as well as vital precursors to the present embrace of sovereign erotics in Indigenous studies.     

Evidence,Experience and Conjecture: Reading the Interior through Benjamin and Bloch

This article looks at the resonances between Walter Benjamin's writing on the bourgeois domestic interior, and Ernst Bloch's investigation of the detective novel. These resonances hinge on the evidence that the interior registers through traces, and how these traces relate to the conjectural knowledge of detection. Explored via Carlo Ginzburg, conjectural knowledge raises the question of experience in modernity, a question crucial to understanding the role of literary narrative in the nineteenth century, as well as the historical emergence of the bourgeois domestic interior at this time.     

Management she wrote: organization studies and detective stories

It has been postulated that social sciences in general and organization theory in particular can profit from parallels and analogies with fiction literature. As the main form of expression in social sciences, like in literature, is a written product, inspired imitation can visibly improve the literary forms of organization theory, without diminishing its specificity. This essay argues that one genre in fiction literature is especially suitable for such comparisons. This is the genre of the detective story, where the detective, much like the researcher, must untangle the social tissue to arrive at an explanation.     

Going to pieces: narrative disintegration in Nuruddin Farah’s Crossbones

This paper examines Nuruddin Farah’s 2011 novel Crossbones. It argues that Farah subverts the techniques of crime fiction in order to emphasise the difficulty of describing Somalia in terms of a single narrative, and that the novel’s chaotic “unfinished” form represents a resistance to binary and Orientalist media discourses about the country. It demonstrates that the dissolution of structure, characterisation and the generic expectations of crime fiction in the novel represents a resistance to the idea of the outlaw state. The paper discusses the text’s use of rumours, the role and efficacy of the text’s “detective” figures in post-collapse Somalia, and the novel’s treatment of piracy. It argues that the novel’s detective figures represent national allegories within the text, and that their frustration and breakdown suggests the elusiveness and complexity of Somali identity in the postcolonial and post-collapse era.     

Murderous ink: A case of rhetorical killing

A late night call from a terrified and indignant “Loud-Man” leads private investigator Noman into the murky depths of the academic underworld to solve the mysterious death of the organization. No corpse, no solid clues and an elusive motive make life hard for Noman. Gradually it becomes clear that detective Noman is battling with the wily Murderous Ink; a gang of anonymous authors with the power to turn organizational life into dead structures. Inspired by the great francophone detectives, Poirot and Maigret, Noman follows the established “cherchez-la-femme” path and comes face-to-face with the unwittingly well-organized Miss M. In a typically theatrical denouement, Noman reveals how the rhetorical killer was both guilty and innocent at the same time, but leaves the academic world with the task of reconciling itself with a dilemma that will more than likely find Noman with new subtle cases to solve.     

Watching the Detectives

Abstract

Do popular authors of African detective fiction use their sleuths to clean up what they perceive to be post-colonial crimes? And is it possible for readers of whodunnits to make any sort of serious assessment of the socio-economic conditions of a country through following the trail of these ‘ethical eyes’? This article investigates Dan Fulani's Special Agent Pius Shale 005, Unity Dow's Amantle Bokaa, Alexander McCall Smith's Precious Ramotswe and Deon Meyer's Zatopek van Heerden.     

Professionals' Accounts for Work‐related Deceptions

Using interview and observational data, this article analyzes how private detectives account for using work‐related deceptions, I place special emphasis on how practitioners' accounts draw on professional affiliations and organizational resources that are less available to individuals in their private lives. These affiliations and resources include economic and demographic characteristics of employers, practitioners, clients and investigative targets, state licensing, the profession's social repute, and asymmetries in specialized knowledge between practitioners and laypersons. The conclusion addresses how accounts for work‐related deceptions benefit professionals through advantaging them over targets, obscuring harmful consequences of work, and helping them and their clients to avoid negative labeling. If you call someone up and say, “Hi, would you mind telling me where your brother is, so that I can put his ass in jail for the next five years,” you won't last too long in the private detective business. —Anonymous private detective     

“Lizzie Do You Mind”: Gertrude Stein's Laws of Genre in Blood on the Dining-Room Floor

Against previous critics’ readings of Stein's Blood on the Dining-Room Floor as a failed attempt at the hard-boiled genre, this article argues for the many ways in which the novel re-writes the gothic/domestic detective story in a brilliant tour de force that frames all that is un-natural about heteronormative Victorian family life while offering a lesbian alternative. In Stein's subversive and serious play with the forms and conventions of popular fiction, her positive invocations of Lizzie Borden as textual witness, her wide-reaching references to lesbian relationships in other of her works, and, finally, her virtuosic use of silence, Stein writes a profound critique of the patriarchal family through a radical unmaking of a thoroughly domestic literary form.     

DISLOCATING MORAL ORDER AND SOCIAL IDENTITY IN CINEMATIC SPACE:

A certain type of film, the "genre stretcher," is of special interest to the sociology of deviance because it captures deviantizing discourse as if in a moment of crisis. A crisis in moral representation is at issue and with it the capacity for rendering symbolically coherent social action and cultural differentiation through narrative. This article investigates two instances of a genre stretcher— Tightrope (1983) and Cruising (1980)—and places analytic emphasis on interpreting their distinctive persona, the "inverted detective." This figure encases features of an emergent moral imagination in its condensation of certain conundrums, especially the problem of reinscribing deviance in a poststigma surround. The films thereby animate and trace out the implications of a discourse that was initiated by the 1960s and 1970s "revolt against stigma" they function as allegories of the relations between normality and deviance amid symbolic instability.     

Popular Literature,the City and the Memory of Vanished Others in Poland and Ukraine: The Cases of Marek Krajewski and Iurii Vynnychuk

Abstract

A comparative analysis is made of the evocation of urban memory in the work of the Polish author of detective fiction Marek Krajewski and the leading Ukrainian writer of postmodernist fiction and popular historical publications Iurii Vynnchyuk. The cities that form the focus of the work of these writers, Wroc^/law for Krajewski and L′viv for Vynnychuk, both experienced massive population shifts after World War II, meaning that the postwar populations had little or no memory of the pre-war cities. The legacy of this disjunction can be felt to this day. This study demonstrates how both writers re-create a sense of memory through a number of similar memory strategies and concludes that the recreation of memory in these writers’ work can be understood as what Marianne Hirsch calls postmemory, yet that this is postmemory removed from the traumatic context of Hirsch’s original concept. It is also argued that these writers demonstrate that an effective ‘cultural memory’ can be produced in a situation when ‘communicative memory’ is lacking, through an imaginative and accessible representation of the ostensibly inaccessible past. This is achieved through the utilization of mass cultural forms, which some theorists of urban memory see as conducive only to forgetting.     

The Romantic Detective in Two Kenyan Popular Novels

Abstract

Fiction meant for light reading or writing that is ostensibly intended for entertainment can also be a vehicle for critical political, cultural and social commentary. Popular genres such as the thriller or romance indeed have the capacity to combine the elements of excitement and assessment of social life. For instance, a romance story that tells of a relationship between a man and a woman can also be read as an allegory of the relationship between citizens and their nations. This essay examines the ways in which David Gian Maillu's thriller novels, Benni Kamba 009 in the Equatorial Assignment and Benni Kamba in Operation DXT have used the canvas of the romantic detective to highlight social, political and cultural tensions in contemporary Kenya/Africa whilst at the same time suggesting possible means of (re)solving these instabilities and restoring order in society.     

A remedial strategy for data analysis

Professional evaluators are often called upon to analyze data produced by a catastrophically inadequate evaluation design. This problem is occurring more frequently as accountability pressures force program experts into evaluation activities for which they are not trained. A remedial strategy involving diagnosis of error, application of a corrective procedure and sensitization of program personnel of the need for a more sophisticated stance, is proposed as a solution. A case study is described and the contribution of a remedial strategy to improved evaluation is outlined.     

Pulping the Black Atlantic: Chester Himes’ A Case of Rape and the Limits of Expatriation

Abstract

This article examines the early expatriate career of Chester Himes, and his overlooked Paris-set novella A Case of Rape (1956). Scholars have identified postwar Paris as the locus of a ‘Black Atlantic’ cosmopolitanism that allowed African American writers to transcend American racial and literary regimes, and in particular the stigma of black ‘protest’ fiction. By contrast, this article argues that Himes’ exile was paradoxical; defined by an exchange, rather than an ‘exceeding’ of American racial and literary stigmas. First, I explore the fetishistic racial politics that energized the Left Bank’s construction of black expatriates as symbols of individualist, masculine, and specifically western transgression. Second, I examine the way in which A Case of Rape, and its narrative of the false conviction of four African American expatriates for rape, dramatizes this paradox. With supreme irony, the novella sees the expatriate celebrity merge with a central symbol of the African American ‘protest’ novel: the black male rapist of white women. Finally, I argue that A Case of Rape is of particular importance for the ways in which it anticipates Himes’ move into pulp fiction. Like his later detective series, A Case of Rape captures Himes’ own disillusionment with conventional notions of authorial autonomy, and literary instrumentality. I conclude that expatriation worked to galvanize, rather than displace, Himes’ interest in the overdetermination of African American literature within dominant western racial discourses.     

Cultural Education: Redefining the Role of Museums in the 21st Century

In this paper, I argue that in the face of a crisis about the value of culture, cultural education has been represented by some of its advocates as a new way of legitimising the cultural sector. It enables museums, for example, to appear more inclusive and democratic, more relevant to young people and others who do not normally visit museums, and more responsive to the needs of the society. However, defining the value of culture through an emphasis on cultural education, paradoxically, has the potential to undermine the basis of the museum's existence as a public institution. With reference to my research into New Labour's cultural policy, particularly in relation to museums, this paper highlights discourses that have given cultural education a more significant role in the cultural sector. I show how cultural education, with ‘cultural inclusion’ as its main objective, has evolved in the context of an existential crisis in the museum sector over the past 30 years, appearing to offer a means through which they can redefine their role and value in the society as anti‐elitist organisations supporting social change. I then go onto show how this apparent solution to the problem might further undermine the unique value of museums.     

A fair division solution to the problem of redistricting

Redistricting is the political practice of dividing states into electoral districts of equal population in response to decennial census results to ensure equal representation in the legislative body. Where the boundaries are drawn can dramatically alter the number of districts a given political party can win. As a result, a political party which has control over the legislature, can (and does) manipulate the boundaries to win a larger number of districts, thus affecting the balance of power in the US House of Representatives. This work introduces a novel solution to the problem of fairly redistricting a state that is motivated by the ideas of fair division. Instead of trying to ensure fairness by restricting the shape of the possible maps or by assigning the power to draw the map to nonbiased entities, this solution ensures fairness by balancing competing interests against each other. Essentially, it is a simple interactive protocol that presents two parties with the opportunity to achieve their fair representation in a state (where the notion of fairness is rigorously defined) and as a result a balanced electoral map is created.     

Axiomatizations of the normalized Banzhaf value and the Shapley value

A cooperative game with transferable utilities– or simply a TU-game – describes a situation in which players can obtain certain payoffs by cooperation. A solution concept for these games is a function which assigns to every such a game a distribution of payoffs over the players in the game. Famous solution concepts for TU-games are the Shapley value and the Banzhaf value. Both solution concepts have been axiomatized in various ways. An important difference between these two solution concepts is the fact that the Shapley value always distributes the payoff that can be obtained by the `grand coalition' consisting of all players cooperating together while the Banzhaf value does not satisfy this property, i.e., the Banzhaf value is not efficient. In this paper we consider the normalized Banzhaf value which distributes the payoff that can be obtained by the `grand coalition' proportional to the Banzhaf values of the players. This value does not satisfy certain axioms underlying the Banzhaf value. In this paper we introduce some new axioms that characterize the normalized Banzhaf value. We also provide an axiomatization of the Shapley value using similar axioms. Received: 10 April 1996 / Accepted: 2 June 1997     

Dependence or Independence: Which Is the Dirty Word?

We are suspicious of the mob, the gang, the enmeshed relationship. We also know no one can be an island. Our heroes tend to be loners – the solo detective, those who live free under the stars – but we esteem individuals who devote themselves to others. We want to belong, but we don't want to be owned. Like a game of Snakes and Ladders, there are trap‐doors and escalators in the theme Dependence or independence: Which is the dirty word? This paper explores the frisson and the conflicts in the complex relationships between dependence and independence. Following an introductory vignette, a schematic account is presented of the diverse ways ‘dependence’ and ‘independence’ can be theoretically interpreted including by systems theory. A deeper attention is then paid to honouring the importance of ‘dependence’ and ‘independence’ as key referents in everyday subjectivity. A first‐person account of mental illness is drawn on to illustrate this theme. A final section examines the implications for family therapy practice that arise from the above analysis.