Contemporary Youth and Youth Culture in Japan

Abstract  This paper begins with a profile of Japanese youth which compares them statistically and sociologically with those of other nations. Next, I attempt to differentiate between "adolescent" and "youth," and explain the adolescent as a consequence of industrial society. I also try to divide youth culture into three types: partial culture, sub-culture. and counter- culture. Finally, I discuss the history of Japanese youth culture, primarily since the coming of the industrial age after World War 11. As examples of adolescent cultures, I refer to "Taiyo-zoku." "Zenkyoto," "Hippie," "New Young," and "Shin-jinrui." Among these, "Zenkyoto" and "Hippie" are important as counter-cultures; they reject the prevailing society and actively seek a new post-industrial society. Adolescent sub-culture. on the other hand, has dwindled since the decline of the "Zen- kyoto" around 1970. Since 1980, Japanese youth can be grouped into three main categories. The majority enjoy affluence and consumer goods, like the "Crystal-zoku," who are obsessed with famous brands. They are in the partial culture, and are oriented to super-industrial society. The second group is made up of those who have unique adolescent cultures. like the "Shin-jinrui," who are sensuous and highly responsive to information. They are in the sub-culture, and are oriented to the modified industrial society. Minority groups who take action to protect their interests and human rights, like ecological groups derived from the counter-culture movement, comprise the third category. They are in the counter-culture, and are oriented to post-industrial society.     

网络青年文化的“自我空间”论

后现代的网络社会既给青年人寻找自我、建构身份搭建了广阔的新舞台,也为青年人提供了一个空间自由、文化自主的新天地——青年文化的"自我空间"。在这样一个以"自我"为中心和遵循"快乐至上"原则的空间里,青年人主动将自我符号化,充分运用网络媒介的自主权,通过创建微电影、微小说等微美学文本,把自己的内心世界投射到网络社会并最大限度地释放与表现、宣泄与满足。他们在"自我空间"里呈现自我、形塑自我的同时,也进行着青年亚文化的传播与实践。     

Social Change in Postwar Japan: A Theoretical Consideration

Abstract  The objective of this paper is to examine social change in postwar Japan using the concept of social structure. There are two ways to conceptualize social structure. I would like to call the first, established by Radcliffe-Brown and Parsons, "Structure as a Pattern," and the other, established by Levi-Strauss, "Structure as a Rule." It is clear that postwar social change in Japan has brought about a new economic order, but it is also true that Japanese society is beginning to accept a new system of values. My conclusion is that the structure of the Japanese social system has. under the pressure of internationalization, reached a crucial turning point.     

Recovering Heritage and Homeland: Ethnic Revival Among Fourth‐Generation Japanese Americans

In recent years, fourth‐generation Japanese American youth have been attempting to recover their ethnic heritage and reconnect with their ancestral homeland. This ethnic revival is a response to their continued racialization as “Japanese,” which has caused them to become concerned about their overassimilation to American society in an era of multiculturalism where cultural heritage and homeland have come to be positively valued. As a result, they are studying Japanese, majoring in Asian studies, living in Japan as college exchange students, and participating in Japanese taiko drum ensembles in local ethnic communities. Although this return to ethnic roots is a more serious commitment than the symbolic ethnicity observed among white ethnics in the past, it indicates that ethnicity remains involuntary for racial minorities, even after four generations. The case of later‐generation Japanese Americans demonstrates that cultural assimilation does not preclude the continuation and active production of ethnic difference.     

主题与变奏——基于对20年来中国青年价值观演变的结构分析

社会结构的变迁,必然导致人的文化价值观念结构的变迁。初创于20世纪90年代中国社会主义市场经济,带来中国社会结构的巨大变动,同时也是青年价值观变化最快、最深刻的时段。该文聚焦于“后一代”青年特性融入社会结构变迁这一背景,分析其时代特性以及社会结构的嵌入性。近20年来,青年在接受社会文化和价值观影响的同时,也在不断地挑战主流文化及其价值观,创造其新的文化和价值观。因此,主导价值观被青年所认同与接受的同时,也将更多吸纳青年价值观中具有活性的成分．从而使社会主流意识因为得到青年文化的反哺而走向年轻。     

Talcott Parsons and Japan in the 1970s

In striking contrast to the conflict surrounding his earlier studies of Japanese society and culture, an amicable climate of mutual respect developed between Parsons and Japanese scholars in the 1970s. During this time, Parsons made two visits to Japan, where he was hailed as a great theorist whose views were taken most seriously by Japanese sociologists. The data indicate that, shortly before his sudden death in the spring of 1979, Parsons had begun to reformulate his ideas about modernization as a result of his increasing knowledge of Japanese society.     

中国新媒介二十年与青年网络社会的建构

从1994年至2014年的20年间,中国社会发生了巨大的变化。这种巨大变化特别体现在媒介的不断创新。2014是中国互联网发展的第20年。20年间,伴随新媒介同步出现了一个新的"青年族群",即"80后"和"90后",尤其是"90后",直接被称之为"互联网一代"。本文旨在分析中国互联网20年间与青年相关的具有代表性的网络事件,通过新媒介事件的"原点"来观测中国新青年的网络社会是如何建构的。     

Vying Constructions of Reality: Religion,Science, and "Positive Thinking" in Self-Help Literature

This article tracks how self-help literature, from the 19th century through the 20th, has rallied the support of religious, scientific, and spiritual constructions of reality to strengthen the validity of the genre's central concept of positive thinking. Positive thinking claims that people can become healthy and happy by thinking positive thoughts, thereby implying that individuals in isolation can accomplish the restorative healing regularly attributed to social interaction. The genre's history provides an index of the struggle between religious and scientific sense making in mediated popular culture. I argue that from 1880 to 1910, self-help books relied on alternative religious notions to argue that individuals should practice positive thinking. From the 1940s through the 1960s, as psychology entered popular culture, some self-help encouraged readers to explore "negative" root causes of ill health and unhappiness. By the 1980s and '90s, positive thinking had incorporated popular psychology into a hybrid "spirituality," a concept that encouraged readers to place negative thoughts in the past and envision only a positive future. The trajectory chronicled here allowed the genre to accomplish two ends: to remain culturally viable by reflecting popular depictions of self and society and to retain the core idea of positive thinking relatively unchanged.     

Changes in core network size in Japan: Comparisons between the 1990s and 2010s

Few studies have examined changes in network size during the past 20 years in Japan despite changes in many other aspects of Japanese society that could affect Japanese social relationships. I conducted a time-series cross-sectional survey to investigate changes in network size for married Japanese people from 1993 to 2014. Results follow: 1) core network sizes decreased slightly; 2) the number of married males with no core network outside their households increased slightly; 3) kin and neighbour network sizes decreased and friend network size increased among married females; 4) kin network size decreased among married males; and 5) the probability of younger married males having no network friends increased. Overall, changes in network sizes were small, and we cannot conclude that serious social decay occurs among married Japanese people.     

青年文化建设与大学生政治认同

青年文化对大学生的政治认同有很大的影响。青年文化中的消费文化、网络文化、浅阅读文化潜伏着削弱大学生政治认同的因素。因此,要以社会主义核心价值引导青年文化建设,形成建设青年文化的合力,遵循青年文化建设中的客观规律,有效提升大学生的政治认同。     

1992-2012：青年发展轨迹研究

改革开放之后的中国社会进入平稳发展阶段，集中力量办大事更多的是存在于国家层面特定目标的行政动员和资源配置。在这样的情况下。青年的群体发展状态是否还可以用“运动”来概括需要作进一步探讨。青年群体发展状态是社会发展状态的组成部分，分析青年发展状态其实质是要得出对于社会状态的判断。以国家导向规定青年运动的方向和结构有利于青年群体与社会的强力整合，社会因此而提高其现实发展目标的效率。存在的问题则在于。青年群体的权利诉求易于被湮灭在“高度角色化”和“被神圣化”之中。     

Popular Music Cultures, Media and Youth Consumption: Towards an Integration of Structure, Culture and Agency

Youth, media and popular music studies have developed in separate fields of research, resulting in a lack of integration of key areas of enquiry, such as the relationship between the cultural and structural in youth music consumption and the role of media industries in 'framing' such a process. A more recent focus on popular music as a media culture suggest a way forward in exploring links between production, mediation and consumption of music and youth consumer practices. This article reviews three such frameworks: (i) the production of consumption, (ii) production of culture/cultures of production and (iii) cultures of consumption, evaluating their contribution to a more integrated understanding of how youth consume music as a structurally and culturally mediated process. Controversies over youth 'download culture' and evidence of regulatory changes in the global music industry and its impact on how youth consumers can access music media, underlines the need to pursue a research integration agenda, drawing popular music and youth consumption research closer together. Yet it remains the case that both approaches exhibit a structural vs. cultural divide over youth consumption and its relationship to the global music industry, offering optimism and pessimism in equal measure.     

中国青年文化景观的形成轨迹与引导理路

中华人民共和国成立以来,特别是改革开放以来,青年文化发展出现服从与反思、解放与迷茫、理性与矛盾勾勒的变迁图景,也反映出新时代青年文化的发展趋向。新时代的青年文化景观既具有青年文化的预见性与超越性、进取性和建构性、理想性和生活性等共性特征,又突出表现为雅俗共赏、进退有度、家国兼顾的时代特性。新时代,应注重从个人追求与社会理想的统一、独立思想与过硬本领的统一、青春热情与社会担当的统一几方面入手,突出政治引领、思想引领、责任引领在青年文化引导上的关键作用,推动青年文化持续向前发展。     

Researching youth culture and popular music: a methodological critique

In this article I argue the need for critical evaluation of qualitative research methodology in sociological studies of the relationship between youth culture and popular music. As the article illustrates, there is currently an absence of critical debate concerning methodological issues in this field of sociological research. In the first part of the article I begin to account for this absence by illustrating how early research on youth and music rejected the need for empirical research, relying instead on theories and concepts drawn from cultural Marxism. The second part of the article illustrates how the legacy of this early body of work in youth and music research manifests itself in current research which, although empirically grounded, is characterized by an almost total lack of engagement with methodological issues such as negotiating access to the field, management of field relations and ethical codes. Similarly problematic is the uncritical acceptance on the part of some researchers of their insider knowledge of particular youth musics and scenes as a means of gathering empirical data. In the final part of the article I focus on the issue of insider knowledge and the need for critical evaluation of its use as a methodological tool in field-based youth and music research.     

Theorizing New Media: Reflexivity,Knowledge, and the Web 2.0*

A recent wave of popular and scholarly discourse has hailed the arrival of the Web 2.0, marking a new generation of Internet users who share and collaborate on popular social networking sites such as MySpace and user‐generated communities such as YouTube and Wikipedia. Social and cultural critics have attempted to take stock of the implications of these various technological changes with specific emphasis on the state of knowledge in contemporary society. This article aims to theoretically examine knowledge in the context of new media technologies with particular attention paid to the notion of “reflexivity.” Focusing on the work of Scott Lash, whose theory of reflexivity radically differs from various other interpretations, I suggest that knowledge, in its modern formulation—as reasoned, stable, and linear—must be rethought for the information age, critiquing some of the predominant scholarly and popular media criticisms that suggests media to be mere enhancements of human forms of communication, knowledge, and sense‐making. I conclude by considering some of the ontological dimensions of the transformations in the dynamics of knowledge in new media technologies.     

Urban Myths: Popular Culture, the City and Identity

This article uses Manchester (England) as a case study to examine some relationships between the city and the popular culture that emerges from, or seeks to represent, this city. We focus on post-war popular culture that has been widely disseminated such as film, television and popular music. The article considers whether these examples of popular culture reflect wider urban, social and cultural change and discuss what impact this popular culture has had on changing the landscape and fortunes of the city. In particular, we discuss the case study of Manchester's popular culture in terms of ideas about place-based identities and social class. We consider popular culture in terms of de-industrialising Manchester through to regenerated Manchester. The paper concludes by discussing the possibility that the city centre of Manchester has become gentrified and considers the impact that this is having on popular culture.     

The Lens of Victim Contests and Youth Crime Stat Wars

In this article I examine Canadian youth crime debates as a way to explore the connection between “victim contests” and “stat wars.” I address how constructing young offenders as either victims or victimizers generates “victim contests,” which in turn serve as interpretive anchoring points shaping how youth crime statistics are interpreted. The numbers themselves do not matter, as underlying assumptions about young offender identity and culpability become a lens through which numbers are understood. In this sense, victim contests generate “stat wars,” involving numbers that act to “make up people.” I also explore some broader implications of these connections, especially given the increasingly actuarial responses to youth crime in late‐modern Western society.     

“Let's Talk About Race”: Exploring Racial Stereotypes Using Popular Culture in Social Studies Classrooms

Imagery and sounds from television, film, music, the Internet, and other media bombard American youth; dictating to them how they should act, think, or what they should believe. They often do not realize that they find much of their identity and belief systems in messages put forth to them by popular culture (Du Gay 1997; Hall 1997). Young people should think critically about their media choices and reflect on the degree that they shape their identity (Considine 2009; Youngbauer 2013). Even when it comes to the topic of race, the media has messages and values readily available for youth to adopt (Bresnahan and Carmen 2011). Based on the work of many popular musicians, African American identity is associated with violence, misogyny, materialism, and deviancy (Balkaran 1999; Ruffner-Ceaser 2012; West 1993). Other forms of popular culture, such as television and film, communicate the same negative messages. In what ways are black stereotypes perpetuated through popular culture? Can social studies classrooms facilitate conversations about race? This article explores how social studies educators can integrate popular culture into their curriculum to unpack racial stereotypes in American society, thereby helping students become more critically aware of the media they consume and how it impacts their lives and self-image.     

当代社会思潮对青年的影响——基于对近十年相关研究的述评

研究社会思潮对青年的影响对于新形势下使青年树立和践行社会主义核心价值观具有重要意义。分析近10年的相关文献后发现,当代中国社会对青年有较大影响的思潮主要有新儒家思潮或文化保守主义思潮、实用主义思潮、自由主义思潮、历史主义思潮、新左派思潮、民族主义思潮、民主社会主义思潮和民粹主义思潮。此外还存在诸如后现代主义思潮、女权主义思潮、反全球化思潮、消费主义思潮等对青年影响力稍小但绝不容忽视的思潮。当代社会思潮深刻地影响了青年的信仰和价值观,导致青年政治意识表达方式变迁,影响青年文化体系的形成和变迁,而在这些过程中青年接受社会思潮影响的方式也在发生着变化。社会思潮影响下的青年思想引领主要有思想绝缘法、对象研究法、武器强化法和能力培养法。现有关于社会思潮对青年影响的研究存在着过分侧重定性研究和消极影响、到底如何影响是"黑箱"、研究成果呈现结构失衡等缺陷,需要针对这些缺陷寻找相应的研究进路。