“Falling into a Place”: Reading for Renewal as Queer Pedagogy

This essay explores reading for renewal as queer pedagogy. Within the context of lesbian and gay literature courses, professors can teach students and themselves how to pull stories—beautiful, celebratory stories—out of the bits and pieces of stones of self-hatred and of suffering. If readers of gay and lesbian texts are to resist homophobic discourse, then they must not only train themselves to recognize signs of queerness within even the most oppressive of narratives, but also seek out those texts whose discussions of narrative theory and identity politics promote queer visibility. Reading for renewal—that is, locating a place of transformative possibility either within the text or within the experience of reading the text within the classroom—is, the author argues, integral to practicing a queer pedagogy.     

Coming Out as Queen: Jewish Identity,Queer Theory,and the Book of Esther

Alfred Hitchcock’s film Psycho (1960) is a significant work on many levels—to Hitchcock’s career, to film history, to the horror genre. I propose that a crucial aspect of Psycho’s design, one that relates to Hitchcock films as a whole, is its thematization of a concept that I call the “death-mother.” A distinction between Mrs. Bates/“Mother,” on the one hand, and the death-mother, on the other hand, impels this discussion. The death-mother—which relates to the varieties of femininity on display but exceeds their specific aspects and implications—is an effect produced by the film text and can only be understood through an analysis of the work as a whole. Exceeding the specifications of the Mrs. Bates character, the death-mother maps onto tropes and preoccupations in Hitchcock’s oeuvre but, more importantly, indicates the aesthetic implications, for the male artist most commonly, of the dread of femininity. I develop the concept of the death-mother from the writings of Freud, Nietzsche, and André Green and from feminist psychoanalytic theory: Barbara Creed, in her reworking of Julia Kristeva’s theory of abjection, and Diane Jonte-Pace, in her analysis of Freud’s work. My analysis focuses on the relevance of the death-mother to issues of femininity and queer sexuality crucial to and enduringly controversial within Psycho.     

The Meaning of Queer Home

Abstract

This article positions two proto-queer texts together in order to demonstrate how the development of American “queer subjectivity” arose as a discernible discursive and embodied notion related to “home.” Written before the arrival of the queer category, Audre Lorde’s Zami: A New Spelling of My Name (The Crossing Press, Freedom, CA, 1982) and Leslie Feinberg’s Stone Butch Blues (Alyson Press, Los Angeles, CA, 2003, original work published 1993) concentrate upon the home as a site conditioned by twin concerns that would become central to queer politics: “the home” as narrative metaphor and homes as real-world shelters. Queering the home stretches and scrambles the home category (“dyke bar as home,” “Black lesbian sisterhood as home,” “body as home”) while insisting upon self-defined, material structures of protection and comfort for queers. The article performs a “reading through skin” of queer scholarship and of sociological data. It argues that these queer-emergent texts helped establish notions of “queer home” via exploring metaphoric and empirical axes related to domestic space.     

'Nothing that is earthly': Ideology,performance and colonial difference

Abstract

Recent scholarship on the early Americas has posited performance as the site where colonial difference is enacted. This article examines the ways in which performance was used to disseminate (and conversely, to subvert) Christian ideology in New Spain, in dialogic texts such as Sahagún's Colloquios and in missionary plays by Father Andrés de Olmos and others.     

Disposable Objects: Ethecology,Waste, and Maternal Afterlives

This essay queries the relationship between humans and their coveted and discarded objects. It is a meditation on object disposability, with keen attention to how maternal life and forms of waste making are vital to a reconsideration of what it means to be human. The essay unfolds through autotheoretical sketches and engagements with various texts, including Fabrice Monteiro’s photographic collection The Prophecy (2015) and Allan Sekula and Noël Burch’s The Forgotten Space: A Film Essay Seeking to Understand the Contemporary Maritime World in Relation to the Symbolic Legacy of the Sea (2010).     

Of Monsters and Men: Horror Film in Belarus,Ukraine, and Russia

Abstract

This article looks at recent horror films from Belarus, Ukraine, and Russia through the notion of “cultural translation.” It argues that these films both mimic Hollywood horror tropes and subvert genre formula via engagement of local history and memory. Horror films, therefore, represent both the cinematic and cultural concerns of their times, reflecting the changing globalized realities of cinema as a medium, and the social and political dilemmas their viewers face beyond the movie theatre. The results are hybrid texts that engage the viewer in the polyphony of intertextual, global, and local connections.     

Literary clinical practice: desire,depression and toxic masculinity in Hamlet

ABSTRACT

This essay introduces the notion of a literary clinical practice for which it remains essential to continue to consider those texts that open up a place for a readership, or audience, or even a civilization to consider the endlessly generative failure of its literature to write mental health. Concerned with mental illness that is an effect of language on the subject, the body, and of the enigma of the truth as cause, psychoanalysis is the crucial interlocutor for any literary clinical concern with the maladies of literature and society. In order to re-assess the utility of Shakespeare’s Hamlet to contemporary problems such as depression – perhaps the dominant symptom of our time – this essay attempts a reconsideration of Jacques Lacan’s famous seminar on Hamlet from the perspective of the contemporary clinic of the Lacanian orientation in psychoanalysis led by Jacques-Alain Miller.     

Narratives of generationality in 21st-century North American Jewish literature: Krauss,Bezmozgis, Kalman

ABSTRACT

The article explores prominent contemporary texts by David Bezmozgis, Nadia Kalman, and Nicole Krauss to juxtapose the narratives of generationality they produce. I argue that these narratives depend on intersecting notions of family, genealogy, and (procreative) heterosexuality and on various formal temporal modes that these texts employ. Generationality, in recent Holocaust literature, as represented here by Krauss, seems to give rise to and rely on different familial/genealogical narratives than recent post-Soviet immigrant fiction. Krauss in The History of Love works with more traditional notions of temporality and history which, I claim, are linked with both exceptionalist and diachronic narratives of the Holocaust, and normative notions of romantic love and reproductive sexuality. Bezmozgis, in Natasha and Other Stories, among others, deconstructs the notion of a synchronic transnational Jewish community and critically deals with the centrality of Holocaust memorialization and also with concomitant sexual normativities. Finally, Kalman in The Cosmopolitans critically approaches diachronic generationality: she plays with genealogy modifying the representational conventions of the genealogical diagram and thereby enters into a productive dialog with Krauss’s text. Kalman also broadens the social setting to include other ethnicities, people of color, and queer sexual practices. What is at stake in the comparison proposed here is exposing key features of contemporary North American locations of Jewishness. Reading these texts along the narratives of generationality suggests that post-Soviet Jewish American writers, and especially the women writers of the subgenre, project a vision of community that is quite open and make us question various hegemonic coordinates of Jewishness.     

The Dangerous Real: Queer Solo Performance in/as Active Disruption

Abstract

Like all radical community endeavours, queer performance in the United States has been shaped through resistance to restrictive ideologies. National insecurity over ‘indecent’ (read: queer) artistic expression in the US has been aimed at artists working in a variety of genres, and here I focus specifically on queer solo performance artists. This essay explores the dangerous realities that queer artists present to an imagined unified US national identity. I argue that queer solo performers operate as artistic activists, challenging homogenous fantasies about US culture through the queering of experience. Aesthetically disparate, their work is connected by common threads of vulnerability and precarity. The article asks how their work disrupts U.S. insecurities concerning intersections of sexuality, gender identity, race and religion.     

Transnational queer sociological analysis of sexual identity and civic‐political activism in Hong Kong,Taiwan and mainland China

The sociology of homosexuality lacks engagement with queer theory and postcolonialism and focuses primarily on the global metropoles, thus failing to provide a plausible account of non‐Western non‐normative sexual identities. This research adopts the author’s newly proposed transnational queer sociology to address these deficiencies. First, it critiques the Western model of sexual identity predominantly employed to elucidate non‐Western, non‐normative sexualities. It does so by examining not only the queer flows between West and non‐West but also those among and within non‐Western contexts to produce translocally shared and mutually referenced experiences. Second, the proposed approach combines sociology with queer theory by emphasizing the significant role of material, as well as discursive, analyses in shaping queer identities, desires and practices. This article employs the approach to examine young gay male identities, as revealed in 90 in‐depth interviews conducted in Hong Kong (n = 30), Taiwan (Taipei, n = 30) and mainland China (Shanghai, n = 30) between 2017 and 2019. More specifically, it highlights the interplay between the state and identity by investigating the intersection and intertwining effects of these young men’s sexual and cultural/national identities, revealing three different forms of civic‐political activism. The article both demonstrates the way in which sexuality and the state are mutually constituted and provides nuanced analysis of the heterogeneity of contemporary homosexualities in Hong Kong, Taiwan and mainland China. In applying a new sociological approach to understanding sexuality, this research joins the growing body of scholarship within sociology that is decentring the Western formation of universal knowledge.     

Language,Violence, and Queer People

Summary

The lives of queer people are too frequently filled with violence—physical attacks, social discrimination, and hate-filled verbal assaults. Language serves multiple purposes in the violence that is directed at queers. While the words themselves become instruments of psychological harm, they, in turn, are used to rationalize or justify acts of physical violence and social discrimination (Pierce, 1990). To analyze the issues regarding queer people, social discourse, and violence, this essay addresses: communication rules about queers and a formula for change in the discourse; the history of changing labels and meaning; enforcers of the dominant discourse and its rules of communication; and the role social workers should play in challenging and shaping the discourse.     

Fighting the Opposition: Lack and Excess in Cuban and Cuban-American Narratives of Selfhood

This essay presents a comparative discussion of two novels — one Cuban, one Cuban-American and both by women writers — that examines the roles played by the oppositional tropes of lack and excess in their respective portrayals of post-revolutionary Cuban female identities. Zoé Valdés’ La nada cotidiana (1995) and Dreaming in Cuban by are examined here via three shared thematic concerns — food, the female gendered body, and artistic expression — in which portrayals of lack and excess serve as vehicles for revealing and negotiating the oppositions often identified as inherent to the ‘Cuban condition’. Ultimately, I argue, these two literary works challenge the simplistic dualisms often used as paradigms for demarcating female Cuban identities in the post-1959 context, both within the national border and throughout the Cuban-American diaspora.     

Animal Unconscious: Three Questions

“Animal Unconscious” begins with Freud’s claim, in The Psychopathology of Everyday Life (1965), that psychoanalysis proposes “nothing animal is alien to us.” By drawing on recent scholarship in feminist, queer, new materialist, and posthumanist theory, the essay posits that the unconscious is something “animal,” not something uniquely human in order to inquire what this postulate would mean for thinking about 3 problems: the place of animality in institutions of analysis and (higher) learning, the animality of language, and the invention of new modes of kinship. Throughout, the essay speculates on what it means to recast “human” psychoanalysis as an animal practice while simultaneously opening it toward including nonhuman animals in its purview.     

Queer visual pleasures and the policing of male sexuality in responses to images of David Beckham

Since he stepped out in a sarong in 1998, David Beckham's sexuality and gendered image has been a popular topic of discussion in the media. He has also attracted academic attention for the expanded range of masculinities he seems to represent. Some academic studies of Beckham have employed ‘queer theory’ to analyse the destabilising of gender that his public presentations seem to embody but little attention has been paid to the specifically visual dynamics of images of Beckham. In this essay, I take Sam Taylor-Wood's David (2004) as a starting point to suggest the types of visual pleasure that images of Beckham might be seen to offer to both male and female audiences. For the remainder of the essay I focus on an Armani male underwear advertisement from the 2007–2008 campaign. Informed by discourse analysis and queer theory, I identify a set of ‘queer’ responses to the advertisement, suggesting they represent the ‘policing’ of male sexuality, which often accompanies potential signifiers of homoeroticism. I conclude by considering how and why Beckham has retained his status as a heteronormative masculine icon despite his continued appearance in homoerotic images.     

Black Edens,country Eves: Listening,performance, and black queer longing in country music

ABSTRACT

This article explores Black queer country music listening, performance, and fandom as a source of pleasure, nostalgia, and longing for Black listeners. Country music can be a space for alliance and community, as well as a way of accessing sometimes repressed cultural and personal histories of violence: lynching and other forms of racial terror, gender surveillance and disciplining, and continued racial and economic segregation. For many Black country music listeners and performers, the experience of being a closeted fan also fosters an experience of ideological hailing, as well as queer world-making. Royster suggests that through Black queer country music fandom and performance, fans construct risky and soulful identities. The article uses Tina Turner's solo album, Tina Turns the Country On! (1974) as an example of country music's power as a tool for resistance to racial, sexual, and class disciplining.     

Sarah was a Butch: Sexual Identity,Gender Practices,and Sarah's Place as Mother in the Jewish National Pantheon

Three fields of discourse regarding a masculine-like woman connect at a point that the queer field calls intersex, medical practice calls a sexual disorder, and rabbinic literature terms aylonit. The queer discursive field focuses on the freedom to choose an identity, but not the freedom from choosing one. The medical field focuses on sexual practice as the source of determining “normal” sexuality. In the discursive field of Jewish law there are no demands, because the Halakhic authority determines gender identity on behalf of the individual, maintaining ambiguity.     

Queer Christian: The Catholic Homosexual Apologia and Lesbian/Gay Practice

This essay concerns recent positions on homosexuality taken by the Roman Catholic Church and places them with respect to historical documents engaging same-sex desire. Analyzing Aelred of Rievaulx's twelfth-century Spiritual Friendship, John Bloxam's 1894 The Priest and the Acolyte, and Marc-André Raffalovich's 1896 Uranisme et Unisexualité, this essay offers perspectives on contemporary lay and ecclesiastical apologias, defenses, and critiques of homosexual behavior. The relationship between past and present locates the Christian churches' response to the modern homosexual as a historically developed—rather than permanently fixed—model of identity and action.     

Riding Instincts,Even to Die

This paper develops the concept of riding instincts, even to die through a queer reading of Winnicott’s “Primary Maternal Preoccupation.” Primary preoccupation narrates the ongoing establishment of what Winnicott calls “instinctual life.” Turning to queer social history and a clinical case, a relational-structural similarity between pederasty and primary preoccupation is proposed, and the concept of pederastic enactments is used to capture the fraughtness of this similarity. A patient’s deadened instinctual life is explored in relation to his family history and queer identity, and the difficulty of riding instincts, even to die in the treatment is connected to the neoliberalization of desire.