Actors,others, simulacra: a Deleuzean minority report on the early modern Dubrovnik stage

ABSTRACT

A playwright in the minor and marginal culture of renaissance Ragusa, Marin Dr?i? (1508–1557) has often been compared to Shakespeare, despite the obvious impossibility of influence in either direction. There is however an aspect of Dr?i?’s legacy which has received a scarce critical interest in Croatia, although it could also be discussed along the lines of Shakespeare studies: early modern Dubrovnik acting practice, culture, and style. Dr?i?’s actual and meta-theatrical treatment of acting will here be interpreted through the lenses of Gilles Deleuze’s essay ‘One less manifesto’. In this essay, Deleuze expands his notion of ‘the minor’, arguing for a kind of acting practice that would rely on variation, movement, becoming, and a perpetual linguistic deformation, forces that hinder absorption into the discourse of ‘the major’. I will further suggest that Marin Dr?i?’s exposure of the anti-theatrical prejudice of his contemporaries – clothed in a mock-version of Genesis and elaborated in the prologue of his comedy Uncle Maroje – could be read as an exemplary inversion of Plato’s method of argumentation that makes a Deleuzian case for the actor as the ultimate, troubling Other, the simulacrum of true being, a promiscuous and metamorphic kin of marionettes, animals, and women.     

Minoring Shakespeare: Deleuze’s Storm – Caliban or the last of the Palestinians

ABSTRACT

There will be no more thinking with Shakespeare, only transposition of his corpus into a minor mode. Transposition and no more thinking ever: but transposition from Major to Minor, for ‘when one sees,’ writes Gilles Deleuze, ‘what Shakespeare is subjected to […], his magnification, normalization, one clamors at present for another treatment that would rediscover in him an active minoritarian force’. One must now rediscover this force both dissident (Hamlet) and minor, and regress with Shakespeare through the legacy of his Tempest, that is: a parcel of earth, an island situated precisely in the Orient, in the Middle East, and its inhabitant, as savage as legitimate, that creature, race-people, ‘oppressed, bastard, inferior, anarchic, nomadic, irremediably minor […] summoned forth by art and philosophy’: Caliban.     

A strange lobster tale of self-sacrificial transversality: or,transversal poetics flourishes in the spectral ether of Deleuze,Bataille, and Shakespeare

ABSTRACT

Written from the perspective of Transversal Poetics, this essay involves an exploration of the theory’s various selves in the context of a self-immolating spectacle staged at London’s New Globe Theatre by the theory’s progenitor, Dr. Bryan Reynolds. The essay outlines the history of this scandalous affair, which was inspired by the work of Rodrigo Garcia (Accidens: Matar Para Comer), Deleuze and Guattari, and George Bataille. Transversal Poetics travels with Reynolds to London and is shocked and appalled by the lurid transgression that unfolds on stage as Reynolds is hung on a massive hook and then dismembered for the adoring crowds. Exploring the complexity of its own reactions to this new initiative by Reynolds – and his attempt to conceive an ‘offspring’ with Bataille through a highly questionable and outrageous Deleuzian approach – Transversal Poetics is itself subtly transformed. It casts a powerful light on the urban milieu surrounding the New Globe (Southwark, the City of London) as it brings the era of neoliberal financialization to a close. A lobster-city that combines both ‘central place’ and the ‘maritime’ qualities (as identified by Christaller), London turns out to be the perfect location for the demolition of the Deleuzian taboo against the sacrificial.     

I,that am curtailed

ABSTRACT

The essay investigates desire in Shakespeare’s Richard III as connected to Deleuze and Guattari’s line of flight and war machine. By following the drawing of the line of flight of betrayal and the setting of Richard’s war machine, and by investigating the constitution of his character as a Body without organs, it traces the production of the plane of immanence of a differential subjectivity where desire is free to become.     

‘Let your indulgence set me free’: reflections on an ‘Africanised’ Tempest and its implications for critical practice

A joint production of The Tempest by Stratford’s Royal Shakespeare Company and Cape Town’s Baxter Theatre raises questions about the possibilities, and difficulties, of the deliberate ‘Africanisation’ of Shakespeare. I argue that the discursive fields within which ‘Shakespeare’ and ‘Africa’ are read carry significations that preclude easy acknowledgement. I consider the interpretative function an unapologetic, celebratory ‘Africa’ performs when it is put in conversation with canonical Shakespeare. Drawing on Terence Hawkes’s notion of ‘presentism’, I argue that in its effects this particular staging gives life both to the partisan discourse of public forgiveness in South Africa and to the powerful figure of ‘Shakespeare’. An African Tempest that engages the discourse of forgiveness allows ‘Shakespeare’ to share in the sociality invoked by ubuntu. Post‐apartheid theatre would do better to resist a post‐Truth and Reconciliation Commission hope of transcendence and an iconic ‘Shakespeare’. However, it may take great boldness to claim the latitude with which to trespass beyond an apparently familiar ‘Africa’ and an uninterrogated ‘Shakespeare’. The cultural legacies of ‘Shakespeare’ and ‘Africa’ need to be treated with the kind of unflinching critique of self and society that Edward Said deems central to the work of the humanities.     

Three novels of terrorism: explorations in the politics of literature

ABSTRACT

This article explores the political role of literature through the medium of three novels of terrorism: Francesca Marciano’s Casa Rossa, Nicholas Shakespeare’s The Dancer Upstairs and Ann Patchett’s Bel Canto. The literary features of these novels, set in the Italy of the Red Brigades and the Peru of Shining Path and Tupac Amaru, foster a political perspective that is a de facto endorsement of the status quo in each society. They hinder a comprehensive understanding of the underpinnings of terrorism that is essential to the formation of counterterrorism strategies.     

Literary clinical practice: desire,depression and toxic masculinity in Hamlet

ABSTRACT

This essay introduces the notion of a literary clinical practice for which it remains essential to continue to consider those texts that open up a place for a readership, or audience, or even a civilization to consider the endlessly generative failure of its literature to write mental health. Concerned with mental illness that is an effect of language on the subject, the body, and of the enigma of the truth as cause, psychoanalysis is the crucial interlocutor for any literary clinical concern with the maladies of literature and society. In order to re-assess the utility of Shakespeare’s Hamlet to contemporary problems such as depression – perhaps the dominant symptom of our time – this essay attempts a reconsideration of Jacques Lacan’s famous seminar on Hamlet from the perspective of the contemporary clinic of the Lacanian orientation in psychoanalysis led by Jacques-Alain Miller.     

Re-casting shakespeare: gendered performances and performativity of leadership

The executive development courses offered jointly by the Praxis Centre of Cranfield University's School of Management and Shakespeare's Globe Theatre in the summer of 1999 and 2000 were the impulse for this article. I respond to the gendered implications of re-presenting and performing Shakespearean roles as a training guide to leadership and business success. My critical analysis adapts Lyotard's (1984) market performativity and Butler's (1990) gender performativity to pose the promise and perils of performing leadership roles based on Shakespeare's characters. This paper re-presents a performative instance of resistance to the dominant masculine metaphors that management education draws out of Shakespeare. I interrupt the play and re-cast the organizational leader and performance consultant as a moral agent who performs the service discourse of the feminine-in-management based on ‘the Other’ in Shakespeare.     

Illusion — Money — Illusion: Viktor Pelevin and the 'Closed Loop' of the Vampire Novel

Abstract

A brief contextual discussion is presented of the Russian history of the vampire genre and its spiritual critique of the human condition in both the nineteenth and twentieth centuries, encompassing texts by Gogol, Turgenev and Bulgakov, as well as the well-known Dozor teratology by Sergei Luk'ianenko). It addresses the question of whether the vampire in this context is principally Romantic transgressor, moral object lesson, political metaphor, or capitalist bloodsucker. The principal focus of the article is Viktor Pelevin's 2008 novel Ampir V (Empire V), set in a new Russian empire of 'benevolent' slavery, in which humans are prey to the vampires who live amongst them. The argument is that Pelevin's novel addresses issues such as political predation, capitalism, and consciousness; the mind-capital link can be analysed within a broadly Jamesonian/Deleuzian model of consciousness under late capitalism. Pelevin uses vampires, hidden creatures of the night, to divine the darkness of self-delusion, asking what one might know and how one might know it, given a world of illusions, shadows, and deception. Although (briefly) acknowledging the forces of faith and of love, he concludes that addiction to illusion is the human condition; thus Pelevin's formulation of human destiny as 'illusion–money–illusion'.     

Converging glances: A response to Cathy Caruth's ‘parting words’

Abstract

This essay empasizes the dimensions of opticality in Freud's Beyond the Pleasure Principle and in Caruth's Parting Words. Thinking how to move from the ‘o‐o‐o‐o’ to the ‘a‐a‐a‐a’ central to the Fort/Da game, suggest that ‘u’ must be drawn into the creative act that inspires testimony, critical theory, psychoanalysis and love.     

Deliberative democracy in the real world,the contribution of the capability approach

ABSTRACT

Drawing on Amartya Sen’s writings, this article presents the capability approach to democracy and shows its relevance for the sociological reflection and research on democratic processes conceived as ways to convert individual preferences into collective norms or decisions. Two moments are key in this respect: the formation of individual preferences and their translation into collective norms in the course of public debates. The initial sections present Sen’s conception of democracy, particularly emphasizing its articulation with the notions of ‘positional objectivity’ and ‘conversion’. Then, this conception is compared with two other mechanisms that may be used to coordinate individual decisions or preferences, namely the market and idealistic views on deliberative democracy. The article emphasizes how the capability approach departs from these two conceptions with regard to the two key concepts of capacity to aspire and capability for voice. The final section shows how Sen’s notion of democracy may open up a new field for research, namely the sociological investigation of the informational (or knowledge) basis of democracy.     

Idiot science for a blue humanities: Shakespeare’s The Comedy of Errors and Deleuze’s mad Cogito

ABSTRACT

Can we imagine a Blue Humanities that takes the non-relation as a starting point for ecological thought? I believe we can. Following Shakespeare and Deleuze, this essay engages in a thought experiment that, if it is not too absurd, might, like the ship of fools of medieval times, unmoor the Blue Humanities from its current safe harbor by putting the thought of ‘our’ world under erasure. This is not a matter of turning thought around, such that, by turning to the sea, we turn thought away from calculation and instrumental reason and rediscover our true nature. Rather, the image of thought I pursue here is narcissistic. Reading Shakespeare and Deleuze in a minor key, we will see that narcissism not only makes our relations doubtful, but also enfolds the non-relation as the very inside/outside of ecological thought.     

Developing a mestiza consciousness theoretical framework

Abstract

This article offers Gloria Anzaldúa’s mestiza consciousness as an appropriate theorizing frame when analyzing lived experiences and perceptions of contradiction. First, I discuss the main theoretical frameworks used in sociology when examining the experiences of U.S. women of color: Patricia Hill Collins’ Black Feminist Thought and Kimberlé Crenshaw’s theory of intersectionality. Next, I introduce mestiza consciousness as an additional sociologically appropriate framework and discuss how it fits into the tradition of Black Feminist Thought and intersectionality. Finally, I conduct a brief case study in the subdiscipline of the sociology of religion to illustrate mestiza consciousness’ appropriateness as a theoretical frame.     

Reclaiming the future: (In)visible dirt borders in Sammy Baloji’s mining photomontages

ABSTRACT

This paper analyses how Baloji’s photographic work Essay on Urban Planning and Mémoire/Kolwezi rely on the dialectic of visibility/invisibility of mining dirt to reveal similarities as well as discrepancies between past and present in capital and labour flows. Conflating archives of humans on display and photographs of abandoned mining sites, Baloji’s figurations of mining dirt unravel how perceptions of dirt were used by the colonial system to impose geographies of exclusion that have become invisible. While they expose how postindependence Congo has failed to appropriate its resources, Baloji’s images of artisanal miners working with mining dirt further epitomise how the disposable objects (often dematerialised via the web) consumed in rich nations involve the disposable lives of workers in the Congo within material dirt borders one can no longer see.     

Begging the questions: producing Shakespeare for post‐apartheid South African schools

This paper examines some of the ways ‘Shakespeare’ is functioning in the post‐apartheid education system. It is not based on education or textbook theory. Rather, it seeks to test some of the assertions of new historicist and cultural materialist theories by analysing the ideological work performed by editions of Macbeth produced for post‐apartheid schools. It asks questions about Shakespeare in the South African school classroom, and about the relationship of work produced in universities to the broader educational, and cultural, context.     

Disinformation,performed: self-presentation of a Russian IRA account on Twitter

ABSTRACT

How disinformation campaigns operate and how they fit into the broader social communication environment – which has been described as a ‘disinformation order’ [Bennett & Livingston, (2018). The disinformation order: Disruptive communication and the decline of democratic institutions. European Journal of Communication, 33(2), 122–139] – represent critical, ongoing questions for political communication. We offer a thorough analysis of a highly successful disinformation account run by Russia’s Internet Research Agency: the so-called ‘Jenna Abrams’ account. We analyze Abrams’ tweets and other content such as blogposts with qualitative discourse analysis, assisted by quantitative content analysis and metadata analysis. This yields an in-depth understanding of how the IRA team behind the Abrams account presented this persona across multiple platforms and over time. Especially, we describe the techniques used to perform personal authenticity and cultural competence. The performance of personal authenticity was central to her persona building as a likeable American woman, whereas the performance of cultural competence enabled her to infiltrate American conservative communities with resonant messages. Implications for understanding disinformation processes, and how some aspects of the hybrid media system are especially vulnerable to hijacking by bad actors are discussed.     

Nature and the international: towards a materialist understanding of societal multiplicity

ABSTRACT

The global environmental crisis requires a grasp of how human society interacts with nature, but also, simultaneously, how the world is divided into multiple societies. International Relations has a weak grasp of nature treating it as external to the international – an ‘environment’ to be managed – while environmentalism has a planetary epistemology that occludes the significance of the international. How to break this impasse? While neither Geopolitics nor ‘new materialism’ capture the complex conjuncture of socio-natural and inter-societal dynamics, I argue that Justin Rosenberg’s theorization of the international as ‘the consequences of societal multiplicity’ provides a theoretical opening. If a materialist notion of societal is adopted, ‘societal multiplicity’ allows human-natural and international dynamics to be grasped together. Thus, climate change is not a problem arising exogenously to the international, but something emerging through international dynamics, reciprocally affecting the units, structure and processes of the international system itself.     

Market/society: mapping conceptions of power,ideology and subjectivity in Polanyi,Hayek, Foucault,Lukács

ABSTRACT

In light of discussions around the common anniversary of the publication of Karl Polanyi’s The Great Transformation and F.A. Hayek’s The Road to Serfdom, this article puts these texts – iconic representations of social democratic and neoliberal political theory – into conversation with Michel Foucault’s subsequent, influential critique of neoliberalism, The Birth of Biopolitics. There are interesting points of contact in the way each text constructs its argument, even as they arrive at distinct positions vis-à-vis the material and subjective nature of market society, while nevertheless sharing an opposition to Marxian approaches. Yet the work of Polanyi and Hayek’s Marxian contemporary, Lukács’ History and Class Consciousness, offers precisely a critical framework for understanding the relationship between markets, liberty and society in which the material and the subjective need not be read as antagonistic. It is thus also examined here, in an effort to shed light on how discussions of contemporary neoliberalism are framed.