Rhetoric and Etiological Beliefs About Sexuality: Reader Responses to Cynthia Nixon’s New York Times Interview

In 2012, the U.S. actress Cynthia Nixon was quoted in the New York Times Magazine as having stated that “for me, it [being gay] is a choice. I understand that for many people it’s not, but for me it’s a choice, and you don’t get to define my gayness for me.” The interview attracted international media attention and public criticism by lesbian and gay activists. This article suggests a rhetorical approach to understanding etiological beliefs and provides a discursive analysis of 198 online comments by readers of Pink News, a gay news Web site that reported on Nixon’s controversial interview. This article explores common arguments used in readers’ comments about Nixon and examines the rhetorical construction of sexuality. The analysis examines three themes within the data. First, biological essentialism was treated by many readers as common knowledge; second, readers suggested that only bisexuals have “choice”; and, third, it was suggested by both Nixon’s critics and her supporters that counterarguments colluded with homophobia. The article suggests that there is an ideological dilemma whereby both “born-this-way” and “choice” arguments can be understood as colluding with anti-gay prejudice.     

Taking time between g-string changes to educate ourselves: Sinéad O’Connor,Miley Cyrus,and celebrity feminism

This article examines the feminist response to a 2013 online “feud” between singers Miley Cyrus and Sinéad O’Connor that began when Cyrus connected the video for her single “Wrecking Ball” to O’Connor’s video for “Nothing Compares 2 U.” O’Connor’s response criticised Cyrus’ sexualised image, and the exchanges that followed sparked debate among feminists over the limits of sexual “agency,” and the sexual politics of feminism. This took place within a wider media context that has seen an apparent increase in female celebrities explicitly identifying themselves as feminist. Critics of this “celebrity feminism” argue that the sexualised star systems of its proponents are at odds with the aims of feminist politics. This article draws on post-structuralist feminist theory to question the positioning of celebrity feminism as exterior to an imagined “feminist movement.” Using the Cyrus/O’Connor feud, I argue that such a binary potentially reaffirms the structures of power that feminism seeks to oppose, and ignores the ways celebrity culture and contemporary media practice might combine to produce new understandings of the field of feminism.     

“Loser” aesthetics: Korean internet freaks and gender politics

In the aftermath of the 1997 Asian Financial Crisis, a new Internet freak culture emerged in South Korea in response to the rapid development of the Internet as well as the country’s neoliberal reforms. At this time, images of losers, freaks, and other surplus populations circulated online. This article examines the gender politics of Internet freaks through an analysis of one online fan forum, the Lee Joon Gi gallery of DCinside.com. Lee’s fan forum acquired a reputation through sexually charged posts from its female-user base in the late 2000s and is still active today. By appropriating attributes of online male culture and forms of communication, such as absurd statements, rudeness, and aggressive sexual expression, the users of this fan community created a carnivalesque space for themselves and subverted rigid Korean gender ideologies. Such parodies have transformed the fear of misogyny and sexism in the offline world into laughter online and become fertile ground for changes in gender politics in online spaces.     

The Politician,The Wife,The Citizen,and her Newspaper

Recent dramatic rises in the number of women elected to British parliaments have renewed critical interest in the significance of gender, and ways of theorising and researching women's political representation. However, the central role played by the media in contemporary politics is often neglected in feminist political scholarship. At the same time, the spaces occupied by women in political news journalism and the body politic remain under-explored by media theorists. This article argues that if we are to fully understand the politics of representation and what fairer representation for women might mean, we need to address these neglected dimensions. To make the case, I present an analysis of press coverage of the 1997 British General Election campaign. This seeks to draw together conventionally disparate strands of feminist, political and media theorising in order to highlight the gendered politics of newspaper imag(in)ing, storytelling, and commentary. Improving women's presence in media(ted) political discourse, I conclude, might be one means of strengthening women's symbolic and substantive representation.     

The Real Housewives,gendered affluence,and the rise of the docusoap

In this paper we position gendered affluence as a representational trend in dramatic comedies (e.g., Sex and the City [SATC]) and docusoaps (e.g., The Real Housewives [TRH]) that coalesces around themes like hyper-femininity, nouveau riche values, and conspicuous lifestyle. Through our analysis we suggest that institutional practices (identity politics, cybernetic commodification, and post-feminist technological interactivity) situated in a neoliberal context and a remediated environment enable the systematic reproduction of gendered affluence in the broader landscape of women’s television. The process of remediation is used as a lens to examine how the docusoap differs from (the immediacy of mediated self-performance) and resembles (the hypermediacy of mediated irony and post-feminist interactivity) the fictional portrayals of gendered affluence found in dramatic comedies like SATC. Our case analysis of TRH demonstrates the specific way non-fictional portrayals of gendered affluence are transforming genre (via an ethos of affluence and a consumerist ethic) and artfully maintaining the status quo in terms of gendered, raced, and classed intersections. Ultimately we argue that the docusoap is accomplishing this in a remediated environment that promotes a neoliberal agenda via affective engagement grounded in mediated self-performance and rational disengagement grounded in mediated irony.     

Sadistic scopophilia in contemporary rape culture: I Spit On Your Grave (2010) and the practice of “media rape”

This article revisits earlier theorisations of cinematic voyeurism and gender-based violence in considering the cross-media connections between cinema and non-consensual pornography online. In particular, it looks at how the remake of a significant rape-revenge film, I Spit On Your Grave (1978/2010), explores the role of technology in the perpetuation of female victimisation. By making a visible connection between the female character’s physical rape and the violation of her subjectivity performed through filming her without her consent, the film raises a larger social/media issue, which I call media rape. In offering a theorisation of this phenomenon, the article analyses the operation of the website creepshots.com, which distributes non-consensual photos of women. The comparison between these two texts promotes an understanding of the visual and discursive continuities between cinema and online spaces in relation to media rape and rape culture more generally. At a time when the distinction between the creators of and audiences for media content is less straightforward within the context of online media, sadistic scopophilia needs to be reconsidered in relation to medium specificity. Although it is already problematic in the cinematic context, when it extends to online media sadistic scopophilia becomes a human rights violation.     

At home with their queerness: same-sex relationality and the Indian family in advertising media

The legal battle around the reform of Section 377 of the Indian Penal Code brought the provisional decriminalization of homosexuality in 2009, which was overturned by the Supreme Court of India in 2013. Queer politics in India thus stands at a critical juncture regarding the goal to foster social acceptance of LGBT individuals. This paper offers an analysis of two recent media representations in India—a gay matrimonial ad and an online advertisement for an ethnic apparel brand featuring a lesbian couple—to demonstrate how the Indian family is emerging as an important arbiter of queer relationality. The negotiation of same-sex relations within the familial is premised on bourgeois notions of class, caste and gender, an ideological normativity that queer of color critique and queer theory have foundationally put up resistance to. This paper goes beyond the queer and feminist critiques of gender and class normativity to suggest that queer visibility in the Indian context is being negotiated not in opposition to, but through, the mandates of the familial.     

Cyberbullying,conflict management or just messing? Teenage girls’ understandings and experiences of gender,friendship, and conflict on Facebook in an Irish second-level school

In recent years, there have been growing concerns worldwide about young people’s safety online, much of which focuses on social media sites such as Facebook and Instagram. Moral panics about sexting and cyberbullying have constructed public discourses about social media as dangerous to adolescents’ safety and relationships. In the academic literature, there are conflicting perspectives on the nature of online relationships, behaviour, and risks, and on the causes and nature of cyberbullying. Less attention is paid—in both public and academic debates—to the role played by gender in online aggression, in spite of the fact that existing scholarship demonstrates that it is an important factor in the dynamics of young people’s online friendships and conflicts. This article presents the findings of an empirical, qualitative and quantitative study of teenage girls’ experiences and understandings of online friendship, conflict, and bullying in an Irish, single-sex secondary school. Questionnaires (n=116), individual in-depth interviews with students (n=26), and a focus group with teachers were used. Our study indicates that significant communicative phenomena within girls’ everyday lives remain unreported and frequently misunderstood.     

The ‘fallacy of normalcy’: A content analysis of women's online post-childbirth health-related support

BackgroundOnline forums have changed traditional sources of seeking help because they provide an anonymous and non-judgemental environment particularly suited for women with post-childbirth problems.QuestionWhat support is given to mothers who have posted questions about post-childbirth morbidities?MethodsA total of 333 messages posted on a post-childbirth online forum were loaded into NVIVO 12 Pro and were analysed using content and thematic analysis. Content analysis identified the major health problems, and thematic analysis was used for identifying motivations and the support offered.FindingsSeventeen different health problems were discussed on posts, with a strong emphasis on pelvic problems, followed by mental health concerns. The key motivation for seeking online help identified using ‘typology of advice solicitation’ was request for opinion or information (48.85%). The two main support themes were: peer to peer support (82%) and normalisation (not always appropriate) of post-childbirth problems (18%). Most of the support offered was emotional (56.9%) followed by practical (22.7%) and informational support (20.4%).DiscussionPostpartum adjustment of post-childbirth experiences can be supportive but if ill-informed may provide a barrier to safe and reliable health care.ConclusionWe recommend women have access to online forums moderated by healthcare providers who can notify participants when a problem requires support from a relevant health professional opinion.     

Posing as art: the ambiguities of feminist body art and the misclassification of Natacha Merritt’s pornographic photographs

At the launch of the twenty-first century, the online pornographic photographs of Natacha Merritt, a young American woman (23 years old at the time), were categorised as art in two publications by art publisher Taschen, precipitating a critical acceptance of her work as such. This particular foray of pornography into an art context was briefly contested by one art critic; however, this relatively rare example of misclassification warrants further investigation in order to better understand the role played by what had, by the late twentieth century, become a pervasive post-feminist culture. Drawing on feminist media studies writing that analyses post-feminist modes of “self exploration,” and feminist art criticism on the ambiguities of feminist body art, this paper argues that Merritt’s “adult-oriented” online digital photographs are more persuasively situated within the increasingly prevalent online genres of the intimate blog and amateur porn. Acknowledging the risk of “collusion” inherent in feminist artworks that focus on the objectified female body, this paper concludes that a compelling critique of a post-feminist (pornified) culture resides in the reactivation of a politics of female sexual pleasure.     

Worry and Bother: Factors in Rural Women’s Health Decision Making

This exploratory study examined older rural women’s health decision making. Thirty-three rural women were recruited to participate in semistructured qualitative interviews. Major themes emerged that focused on rural women’s comments regarding their concerns about not worrying or bothering their children with personal health matters. Themes were discussed in the context of an ethic of care. Results suggest that it is important for mental health professionals, family physicians, social workers, and other practitioners to be aware of the sense of worry and concern for others that older rural women bring to bear in decision making about personal health issues.     

Pop,Porn, and Rebellious Speech

In Excitable Speech, Judith Butler contends that rebellious speech constitutes a “risk taken in response to being put at risk, a repetition in language that forces change.” With this in mind, this article examines the politics of employing and altering the language and imagery of “porn” in texts and multi-media performances of (post-)feminist (pop-)artists. The discussions about Elfriede Jelinek's novel Lust in the early 1990s exemplify the difficulties associated with transforming the language of pornography into rebellious feminist speech. The text received extensive media attention, but most critics felt ambivalent about Jelinek's attempt to create artificial, repetitious, pornographic speech and questioned the text's ability to foster any kind of “change.” At the beginning of the twenty-first century, the multi-media performances of Charlotte Roche and Reyhan Sahin aka Lady Bitch Ray again triggered discussions about feminism, pornography, body politics, and sexual expression. Their provocative pop-performances use multiple media outlets, TV, music, and electronic media. They are commercially successful and mainstream media understand them as challenging social conventions. This essay critically examines the politics of Jelinek's, Roche's, and Sahin's texts and performances and contextualizes the politics of their rebellious speech within discussions about social roles, gender, and sexuality.     

“Emasculation nation has arrived”: sexism rearticulated in online responses to Lose the Lads’ Mags campaign

In the spring of 2013 a British feminist campaign sought to have men’s magazines, such as Zoo, Nuts, and Loaded, removed from the shelves of major retailers, arguing that they are sexist and objectify women. The campaign—known as Lose the Lads’ Mags (LTLM)—received extensive media coverage and was the topic of considerable public debate. Working with a data corpus comprising 5,140 reader comments posted on news websites in response to reporting of LTLM, this paper explores the repeated focus on men and masculinity as “attacked,” “under threat,” “victimised,” or “demonised” in what is depicted as a sinister new gender order. Drawing on a poststructuralist feminist discursive analysis, we show how these broad claims are underpinned by four interpretative repertoires that centre around: (i) gendered double standards; (ii) male (hetero)sexuality under threat; (iii) the war on the “normal bloke”; and (iv) the notion of feminism as unconcerned with equality but rather “out to get men.” This paper contributes to an understanding of (online) popular misogyny and changing modes of sexism.     

Underneath we’re angry: feminism and media politics in Britain in the late 1970s and early 1980s

In the late 1970s, a billboard advertisement for Gigi underwear was installed at street level in various British cities. It depicted a woman in a trench coat walking on the street at night and looking defiantly at the camera. A second image portrays her unbuttoning her coat and revealing her underwear. A caption reads “Underneath they’re all Lovable.” This billboard evoked a wave of feminist opposition exemplified by Rosalind Coward’s essay “Underneath we’re angry” attacking the Gigi advertisement for being an invitation to rape women as well as photographic works by The Polysnappers condemning the ad. This article contextualizes the passionate resistance to the Gigi advert within the time’s feminist debates, which characterized media images as oppressive towards women, the discourse around the ideological functioning of advertisements, debates on “the sexual politics of representation,” the political role of photography, social historical events, and the political significance of the street.     

Making practice transparent through e-portfolio

BackgroundMidwives are required to maintain a professional portfolio as part of their statutory requirements. Some midwives are using open social networking tools and processes to develop an e-portfolio. However, confidentiality of patient and client data and professional reputation have to be taken into consideration when using online public spaces for reflection.QuestionThere is little evidence about how midwives use social networking tools for ongoing learning. It is uncertain how reflecting in an e-portfolio with an audience impacts on learning outcomes. This paper investigates ways in which reflective midwifery practice be carried out using e-portfolio in open, social networking platforms using collaborative processes.MethodsUsing an auto-ethnographic approach I explored my e-portfolio and selected posts that had attracted six or more comments. I used thematic analysis to identify themes within the textual conversations in the posts and responses posted by readers.FindingsThe analysis identified that my collaborative e-portfolio had four themes: to provide commentary and discuss issues; to reflect and process learning; to seek advice, brainstorm and process ideas for practice, projects and research, and provide evidence of professional development.ConclusionsE-portfolio using open social networking tools and processes is a viable option for midwives because it facilitates collaborative reflection and shared learning. However, my experience shows that concerns about what people think, and client confidentiality does impact on the nature of open reflection and learning outcomes. I conclude this paper with a framework for managing midwifery statutory obligations using online public spaces and social networking tools.     

“All the same thing”: liberating reproductive politics for a mediated “gay community”

Analyzing the logic by which the Boston-based, national newspaper, the Gay Community News (GCN), intervened in mid-1980s battles over abortion and foster-parenting, this case study confirms and complicates recent critiques of ahistorical and silo-ed “alternative” media theory. The GCN’s radical collective strategically mixed, dismissed, crossed, re-defined, and ignored historically and geographically specific rhetorical resources to link abortion and lesbian/gay parenting as an “all the same thing” argument for its feminist “gay liberation” politics. At once premised on and adapting an opposition between logics of liberation and of “private” choice, the GCN’s equivalence rhetoric challenges distinctions between social movement media. The case also demonstrates how, considered in their own contexts, media projects may both disrupt oppressive codes and representations, whether promulgated by the state or other activists, and reinforce or legitimize domination and privilege. Although flawed and unavoidably contingent, this creative “same thing” imagining of a feminist “gay” reproductive liberation politics, and its limits, speak powerfully still, or again, to the radical, self-interrogating, and embodied social justice solidarities urgently needed today.     

Fixing Gwen

In this project I present a case study of (trans)gender mediation—a discourse analysis of news around the murder of Gwen Araujo, a “transgender teen,” in Newark, California, 2002–2006—and I read that discourse in the context of larger contemporary cultural dynamics and movements around trans and genderqueer politics. News narratives around the Araujo case had some progressive implications, as residual marginalization tropes for gender nonconforming identities were sidelined and a hate crime frame was constructed in news for the murder. However, the discourse also manifested a persistent tendency to contain and restrict gender meanings and to recuperate critical gender challenges back into conventional binary categories. I identify and discuss some of the gender “fixing” strategies mobilized in this discourse, including the mobilization of “wrong body discourse” as an overarching (and problematic) explanation for gender nonconformity. Like Matt Shepard's murder a few years before, the Araujo case represents a critical discourse moment in genderqueer media politics, illuminating, in microcosm, some critical dynamics in the mediation of (trans)gender politics more generally.     

Body Talk: Body Image Commentary on Queerty.com

ABSTRACT

In this study, we conducted a content analysis of 243 photographic images of men published on the gay male-oriented blog Queerty.com. We also analyzed 435 user-generated comments from a randomly selected 1-year sample. Focusing on images’ body types, we found that the range of body types featured on the blog was quite narrow—the vast majority of images had very low levels of body fat and very high levels of muscularity. Users’ body image–related comments typically endorsed and celebrated images; critiques of images were comparatively rare. Perspectives from objectification theory and social comparison theory suggest that the images and commentary found on the blog likely reinforce unhealthy body image in gay male communities.     

Body image,aging, and identity in women over 50: The Gender and Body Image (GABI) study

We conducted a qualitative study of 1,849 women over age 50 to capture the thoughts, feelings, and attitudes that women at middle age have about their bodies and the experience of aging. Via an open-ended question online survey, four primary themes emerged: (a) the physical and psychological experience of aging; (b) the injustices, inequities, and challenges of aging; (c) the importance of self-care; and (d) a plea for recognition of the need to maintain a contributory role in society. Results highlight the complexities of women’s psychological and physical aspects of aging and point toward important topics worthy of further study in this growing population.     

Performing Gender on YouTube

The contemporary online environment is often touted as a democratic space, open to perspectives that might regularly be excluded from professionally-controlled media platforms. However, females are underrepresented on YouTube, a popular video-sharing internet social media platform. This underrepresentation of women suggests that gender matters on YouTube. In order to contribute to research on gender dynamics on YouTube, this study focuses on the most-subscribed female YouTuber, Jenna Mourey. The first part investigates the degree to which Mourey's YouTube reception could be understood as misogynistic and hostile. To this end, comments on Mourey's top-ten videos were compared to viewer comments on the top-ten videos of a male counterpart: Ryan Higa. The second part of the study focuses on the content and style of Mourey's video oeuvre in order to contribute to research on YouTubers who successfully negotiate a hostile environment. Mourey's tendency to perform gender extremes—both masculine and feminine roles—is an ongoing feature of her videos, allowing her to simultaneously critique and benefit from traditional gender roles. This two-part study of gender on YouTube thus both supports research describing harsh responses to women on video-sharing sites and offers one YouTube performer's strategy for achieving success in this environment.