‘No Power on Earth can Remove his Liability’: Emperor Haile Selassie and the Foreign Office,a Documentary Essay

Using the newly released unregistered files of the Foreign Office Permanent Under Secretary's Department (PUSD) Macklin's documentary article examines an interesting, if somewhat arcane, ‘missing dimension’ in the history of Abyssinian Emperor Ras Tafari Makonnen, more commonly known as Haile Selassie, and his covert financial relationship with the British government following his exile to Britain in 1936 after the conquest of his country by Mussolini's Fascists, until his return in 1941. By examining how the Foreign Office employed covert politics in order to obviate disruption to its ‘official’ diplomatic strategy Macklin examines how the British government set about ‘neutralising’ the Emperor's diplomatically awkward presence in England in their pursuit of rapprochement with Mussolini through which to drive a wedge between Fascist Italy and Nazi Germany.     

Writing Exile

ABSTRACT

Atiq Rahimi accepted the invitation to present his keynote Ecrire l’exile at the 2018 international workshop ‘Refugees in Literature, Film, Art and Media: Perspective on the Past and Present’ in Liverpool. His speech, closing the event, was accompanied by its translation, ‘Writing Exile’, prepared by the organiser, Lida Amiri. In his keynote, Rahimi artistically contemplates the perilous route of refuge, and the implications for writers of a life in exile. In his brief but poignant essay, Rahimi traces his personal experience walking from Afghanistan to Pakistan.     

@GaddafisGhost: on the popular memoro-politics of a dead dictator

Qaddafi was widely lampooned in American popular culture before his death. This paper addresses this, together with representations after his death on Twitter and other social media sites, to explore the figure of the ‘dead dictator.’ It argues that the display of the gruesome body of a ‘dead dictator’ is enabled by the material and discursive construction of ‘dictators’ in contemporary narratives, which posit them as easily deposed with Western assistance and internal protests, thereby legitimating the triumph of democracy. It explores these constructions via a comprehensive analysis of Twitter accounts satirizing Qaddafi, which invoke a particular audience that ‘gets the joke.’ In this instance, jokes about Qaddafi’s death circulated in popular culture media enabled the display of his dead body, together constructing the figure of the dead dictator for a Western audience marked by being part of the in-group who were preconditioned to assume dictatorship as a form of political deviance. The paper seeks to contribute to literature on visual culture and visual politics by exploring the popular construction of memorial narratives, and to contribute a theorization that blends materiality and visuality by looking at the dead body and the way it is visually reproduced.     

Political violence within army barracks: desertion and loss among exiled Zimbabwean soldiers in South Africa

While studies on soldiers who leave the army have focused on them as perpetrators of political violence in war and peace, little is known about the ways in which soldiers have been subjected to violence. This paper examines the ways in which Zimbabwe National Army deserters who are currently in exile in South Africa experienced politically inspired violence in the army barracks and the ways in which they mediate and reify it through the image of the “torn underwear.” The ‘torn underwear’ signifies the violence experienced in the army barracks but also represents its reification in their present exile condition and the ways in which it is embedded in the body psyche. In analysing the army barracks as a ‘total institution’ and as a ‘surveillance unit,’ the paper, respectively, situates itself in the discussions of Goffman and Foucault, drawing from life history interviews and conversations with deserters who live in exile in South Africa.     

Positivism and ‘Functional Theory’ in the Thought of Karl Polanyi, 1907–1922

Karl Polanyi is the author of a modern social science classic, The Great Transformation, as well as a number of well‐known and widely debated essays collected in Trade and Market in the Early Empires and Primitive, Archaic and Modern Economies. These texts were researched and written either during his second exile in 1930s Britain or in wartime or post‐war North America. Not so well known, however, are his Hungarian writings from the 1910s. Until recently, very few of these had been republished or translated, although this is in the process of being rectified [ Gareth Dale (forthcoming) : Karl Polanyi: The Hungarian Writings]. With reference to new translations of his Hungarian writings, to interviews with his daughter, Kari Polanyi‐Levitt, as well as to biographical essays by György Litván, Évá Gábor, Endre Kiss, and Zoltán Horváth, this article explores his early influences, drawing attention in particular to his flirtation with and then violent reaction against philosophical materialism and ‘objectivist’ sociology, his appreciation of Ernst Mach’s positivism, and his adherence to the ‘functional theory’ of contemporary Guild Socialism.     

‘(What's so funny ‘bout) peace,love & understanding’: rock culture and the rebuilding of civic identity in the post-conflict Balkans

The article examines current rock culture in the Balkans as a potential vehicle for rebuilding the broken sociocultural bonds between the different post-Yugoslav societies and for creating a constructive cultural space for articulating new forms of civic and post-nationalist identities. The argument offered is that, after the sociocultural exile during the war years, rock culture in the post-conflict Balkans has considerable potential to establish itself as a popular-cultural force of ‘utopian transcendence’ of the current ethno-nationalist sociopolitical moment, and as a catalyst of the new post-Yugoslav spirit of openness, tolerance and peaceful coexistence.     

Pulping the Black Atlantic: Chester Himes’ A Case of Rape and the Limits of Expatriation

Abstract

This article examines the early expatriate career of Chester Himes, and his overlooked Paris-set novella A Case of Rape (1956). Scholars have identified postwar Paris as the locus of a ‘Black Atlantic’ cosmopolitanism that allowed African American writers to transcend American racial and literary regimes, and in particular the stigma of black ‘protest’ fiction. By contrast, this article argues that Himes’ exile was paradoxical; defined by an exchange, rather than an ‘exceeding’ of American racial and literary stigmas. First, I explore the fetishistic racial politics that energized the Left Bank’s construction of black expatriates as symbols of individualist, masculine, and specifically western transgression. Second, I examine the way in which A Case of Rape, and its narrative of the false conviction of four African American expatriates for rape, dramatizes this paradox. With supreme irony, the novella sees the expatriate celebrity merge with a central symbol of the African American ‘protest’ novel: the black male rapist of white women. Finally, I argue that A Case of Rape is of particular importance for the ways in which it anticipates Himes’ move into pulp fiction. Like his later detective series, A Case of Rape captures Himes’ own disillusionment with conventional notions of authorial autonomy, and literary instrumentality. I conclude that expatriation worked to galvanize, rather than displace, Himes’ interest in the overdetermination of African American literature within dominant western racial discourses.     

Projections internationales ou détours vers le local? Les diplomaties identitaires des sikhs (Inde) et des Mohajirs (Pakistan)

Ethnic diplomacy can be characterised as a ‘popular mode of diplomatic action’. As such, it is an illustration of the privatisation of diplomacy, which may involve private actions sponsored by state actors or, on the contrary, private actions with a public outcome in the realm of foreign policy. By attempting to reach out to state actors, international organisations and global NGOs, ethnic diplomats articulate a cultural mode of transnational mobilisation. But these two dimensions of ethnic diplomacy, its ‘culturality’ and its ‘transnationality’, cannot be taken for granted and should be questioned thoroughly. Through this analysis, it appears that long-distance nationalists do not always succeed in transnationalising their activities and that they often end up re-locating themselves in exile. And more than ethnicity or cultural repertoires, it is the political culture of ethnodiplomatic organisations and their relations with the diasporic environments in which they evolve which helps to explain the outcome of these popular modes of diplomatic action.     

Vladimir Nabokov’s Poetry in Russian Émigré Criticism: A Partial Survey

Scholarship on Radishchev has so far neglected his fascinating letters from exile (1791–1801), using it primarily as source material on the writer’s biography or ideas, instead of analyzing it as a part of Radishchev’s text. The present paper examines how the writer uses his letters to build his new public image, after it has been destroyed by his arrest and trial. But Radishchev also uses them to stage his intimate body, in order to arouse his addressees’ interest and pity. Finally, he at times turns this real body into a rhetorical one, which fulfills different functions, from staging a fictitious intimacy in place of Radishchev’s real one when it is not satisfactory, to serving as a symbolic gift for his protector Count Alexander Vorontsov. The study of this specific issue sheds a new light on the writer.     

Things are not what they seem: Modisane’s recently discovered short story

The unusual form and style of Modisane’s hitherto unpublished short story ‘All Sons of Gaika’ presents the reader with various challenges. It differs in tone and style from his previously published work, and its rather contrived dialogue and somewhat obscure plot are puzzling. Is this some kind of satire, and, if so, what is the target? Thematically, the story seems (at face value) to be another examination of the tensions between tradtion and modernity, and focuses in particular on the issue of lobola (‘bride‐price’). The young couple at the centre of the story are at pains to distance themselves from traditional pieties. To complicate matters, a secret resistance movement is seeking recruits in the area, and our protagonist, Jason, is somehow implicated. Two security policemen are the pantomime villains of the piece, as they seek to either coopt or frame Jason. The hybrid figure of a diviner conducts a cleansing ceremony, and this is the occasion for an excursion into postcolonial metacommentary, drawing on the Prospero‐Caliban topos. The story concludes with a wedding, and comes to an enigmatic conclusion. Is this is a sustained exercise in irony or mockery? How much (or how little) does it revel of the author, writing from exile in London?     

Actors,others, simulacra: a Deleuzean minority report on the early modern Dubrovnik stage

ABSTRACT

A playwright in the minor and marginal culture of renaissance Ragusa, Marin Dr?i? (1508–1557) has often been compared to Shakespeare, despite the obvious impossibility of influence in either direction. There is however an aspect of Dr?i?’s legacy which has received a scarce critical interest in Croatia, although it could also be discussed along the lines of Shakespeare studies: early modern Dubrovnik acting practice, culture, and style. Dr?i?’s actual and meta-theatrical treatment of acting will here be interpreted through the lenses of Gilles Deleuze’s essay ‘One less manifesto’. In this essay, Deleuze expands his notion of ‘the minor’, arguing for a kind of acting practice that would rely on variation, movement, becoming, and a perpetual linguistic deformation, forces that hinder absorption into the discourse of ‘the major’. I will further suggest that Marin Dr?i?’s exposure of the anti-theatrical prejudice of his contemporaries – clothed in a mock-version of Genesis and elaborated in the prologue of his comedy Uncle Maroje – could be read as an exemplary inversion of Plato’s method of argumentation that makes a Deleuzian case for the actor as the ultimate, troubling Other, the simulacrum of true being, a promiscuous and metamorphic kin of marionettes, animals, and women.     

Transnational life and cross-border immobility in pandemic times

The COVID-19 pandemic dramatically disrupted and reconfigured the cross-border movements of people. Based on an anthropological study of the experiences of transnational migrants during the pandemic (May 2020–May 2021), this article explores stories of how cross-border immobility impacts transnational life and sense of belonging. The stories reveal the emotional toll of prolonged family separation across geographical distances when loved ones are no longer ‘just one flight away’ and give voice to experiences of being ‘trapped’, ‘stuck’ or ‘stranded’ in a state of transnational limbo. Running through the stories are intensified experiences of foreignness, non-belonging, precariousness and discrimination. Some also felt abandoned by their country of origin as border closures left them ‘locked out’ and ‘blowing in the wind’, fostering an experience akin to exile.     

The right to be different: Implications for child protection

This paper traces the historical emphasis of defining the disabled child or adult as ‘abnormal’—to be made ‘normal’! Such an emphasis disempowers the child, who comes to believe that his or her difference is as ‘bad’, ‘unacceptable’, and readily allows him or her to be viewed as ‘useless’. Such disabilist attitudes have fostered the belief that child protection services would not be relevant for this child population. The experiences of disabled women are explored, and clear messages emerge that can help us consider the environment of disabilism and the effects of this on disabled children. It helps us to see that, even before the disabled child is abused, his or her experience is one of oppression.     

MILK BARS,STARBUCKS AND THE USES OF LITERACY

The starting point for this article is the passage on ‘The Juke-Box Boys’ in Richard Hoggart's The Uses of Literacy. This passage is often cited as evidence of Hoggart's residual, Leavisite suspicion of mass culture and his nostalgia for more ‘authentic’ working-class culture. This article moves beyond this critique by discussing Hoggart's account in relation to the broader historical shifts signalled by the development of milk and coffee bars in postwar Britain, and their more recent replacement by corporate fast-food and coffee chains. It argues that Hoggart's critique was not simply a knee-jerk fear of the new; it fed into more widespread anxieties which long predate the media invention of the ‘teenager’ or the emergence of organized youth subcultures. These anxieties were not simply about mass culture and Americanization, but also about cultural literacy, class, the relationship between the public and private sphere, and the losses and gains of rising affluence – concerns that have been increasingly submerged in post-Thatcherite political culture.     

Fighting Battles with History: The Novelist Louis Golding and the Story of the ‘Doomington Wanderer’

This article explores the writing of Louis Golding in the context of existing scholarship on the Anglo-Jewish novel. It assesses the importance of Golding's background and beliefs in shaping his fiction. Golding's views bridge the cultural gap between eastern European Jewish schtetl life and interwar British society. On one hand, he was a militant supporter of Jewish/non-Jewish intermarriage, of secular Judaism and religious freedom. At the same time his writing reveals a sustained belief in Jewish ‘race’ and Jewish spirituality. Golding's writing on ‘race’ will receive particular attention. Like so many other British Jews in the period, the author seems to have been caught between his desire to fight the racism of the Third Reich and his own confused ‘racial’ attitudes.     

Young people's reproductions of the ‘father as provider’ discourse: intersections of race,class, culture and gender within a liberal democracy

ABSTRACT

Despite a plurality of paternal forms available to men, certain enactments of fathering remain immobile. In South Africa the ‘father as provider’ discourse, which establishes the legitimate father as one who provides financially for his family, continues to be regarded as the primary mark of a good father. Using photo-elicitation interviews to interrogate the persistence of this discourse, this paper examines how adolescents from two low-resourced South African communities construct fathering. Using a critical intersectional discursive framework, the analysis focuses on how gender, race, class and culture are implicated in the reproduction of the ‘father as provider’ discourse. Participants’ constructions suggest that the father’s duty to provide is intensified within marginalised contexts. Central to participants’ reproductions of the ‘father as provider’ discourse was a neoliberal conception of ‘freedom of choice’. The paper concludes that South Africa’s post-apartheid reliance on discourses around liberal democracy has cast the low-income father’s ability to fulfil the provider role as a conscious choice. While the father is made responsible for his failure to provide, broader structural oppressions are in turn rendered largely invisible by such discourse.     

Introduction to critical perspectives and emerging models of inter-American studies

Abstract

Alfred Hitchcock’s Rear Window (1954) has been the subject of much critical attention, but the original story upon which it was based and its author, Cornell Woolrich, less so. This article examines ‘Rear Window’ (1942) in the context of Woolrich’s writing and his life more broadly, in order to reveal the privileged role of fenestral imagery in his work. Through a process which starts with surveillance through glass, and a creative interpretation of ‘real’ events consumed in terms strikingly similar to mass media entertainments, Woolrich’s marginalized protagonist assumes the role of the detective and, in doing so, his identity is enhanced. The Woolrichian window reifies abstract social boundaries. It serves, simultaneously, as a symbol of urban alienation and a fantasy of social integration. It also becomes a trope of consumption and popular culture. Hitchcock’s film has sometimes been praised for the self-conscious way in which it aligns the image of the window with the cinema screen in order to implicate viewers in the protagonist’s voyeuristic practice. This article extends such an analysis to Woolrich’s story, but also takes it a step further, to reveal the ways in which reading similarly might be regarded as a voyeuristic form of cultural consumption.     

Switching labels: The role of Weberian ideas in market change. A case study of the German wine market

How do cultural ideas shape market construction? What do ideas ‘do’ to actors in markets? The paper presents an empirical case study of the reconstitution of the German wine market following an EU legislative intervention. I use Bourdieu's theory of fields to analyse the actors’ economic, social and cultural capitals and the impact of these capitals on the actors’ positioning in the political debate. Sensitised by recurring problems in the empirical data analysis, I then, however, argue that Weber's notion of ideas, as presented in his famous switchmen metaphor, is better suited than, or indeed should serve as a complement to, Bourdieu's frame of analysis. It is better suited, I argue, because it refers to a unique and irreducible source of culture while Bourdieu's capitals remain ‘tools' in a struggle for power and dominance in the field.     

Culture,Development, and Social Theory

The following comment was written in response to conference presentations by John Clammer and Raymond Apthorpe. In his paper, ‘Development Futures and Cultural Choices’ (in this issue as ‘Culture, Development and Social Theory’), Clammer traced recent emphases in conceptualisations of ‘culture’, in order to ask whether these better serve an integration of culture and development: (1) the idea of culture as process, (2) the rediscovery of indigenous knowledge, and (3) the integration of economy and culture. I argue that, while each of these has something good to bring, even taking account of all of them would leave us with a rather anorexic version of what is needed: systematic and sustained analysis and theorisation of social relations; and the attempt to weigh up the implications for proposed or negotiated social intervention and directional change. I exemplify issues with a discussion of the Papua New Guinea elections of 2002. Apthorpe's contribution builds on his explorations of tendencies inherent in development practice and discourse, to which I add its claims to serial progress, consistent with its technocratic tendencies.