Breaking with English: the nation as ethnoscape1

Broken English and the bone people, a New Zealand film and novel respectively, fall into the category of nation‐building texts. Many narratives in this ‘genre’ accomplish cultural reunification through the family. However, these two works are particularly intriguing because they use land and specific spaces in order to work through these transcultural shifts as they are played out within the main characters' relationships. ‘Breaking with English’ is therefore not only a linguistic concept, but also a metaphor for the transculturation of bodies and land undertaken throughout these two titles.     

Self reflection(s): Subjectivity and racial subordination in the contemporary African‐American writer

Abstract

Shelby Steele's The Content of our Character, and John Wideman's Philadelphia Fire are contrasted for what they reveal about the two authors’ confrontation with self‐expression and self‐definition in a society that denies African‐American individuality. I argue that Steele's and Wideman's distinctive solutions to personal expression as demonstrated in these works constitute the discursive boundaries, the poles between which black male subjectivity oscillates in this racialist society. To explicate these particular positions, I draw on psychoanalytic concepts of narcissism, masculinity, and subjectivity. Thomas Mann's Death in Venice is invoked to articulate, albeit in a different society and context, the subjective crisis of the intellectual, the linkage between one's inner world and outer society, and the relation between personal identity and national self‐understanding. While Steele opts for an isolated, transcendent individualism, Wideman embraces a conception of self inextricably connected to and constrained by the wider African‐American community. I argue that each ‘solution’ produces its own form of self‐estrangement, revealing the phychic cost and intractability of racial division in America.     

‘A Geography of Racism’: Internal Orientalism and the Construction of American National Identity in the Film Mississippi Burning

This article examines the contribution of the film Mississippi Burning to the construction of American national identity within the context of the discourse of internal orientalism. This discourse consists of a tradition of representing the American South as fundamentally different from the rest of the United States, and an important strand of this tradition involves construing ‘the South’ as a region where racism, violence, intolerance, poverty and a group of other negative characteristics reign. In contrast, ‘America’ is understood as standing for the opposite of these vices. Mississippi Burning continues this tradition by creating a ‘geography of racism’, juxtaposing the brutality of white Southerners with the morality of two FBI agents sent to Mississippi to investigate the disappearance of three civil rights workers. A variety of the film's devices, including the comparison between the racist white Southerners and the FBI agents, reproduces an American national identity that stands for tolerance, justice and peace.     

Humour in the Ancient World

Since the ending of the Second World War and the establishment of the United Nations, the international concept of racism, first initialised in the 1930s, has been inscribed in an unacknowledged conceptual double bind. Western political culture has inherited a hegemonic concept of racism that foregrounds those meanings associated with the anti‐fascist critiques of the Jewish Holocaust, while foreclosing subaltern anti‐colonial critiques centred on Western Imperialism. This can be taken to suggest a divergence within a western tradition of critical thought that in one of its guises occurs between the view that ‘‘race’ thinking’ resembles ideological exceptionality and the contrary view that ‘race relations’ approximates colonial conventions. The present essay explores the extent to which these views are constituted conceptually and dialogically in opposition and divergence. This is defined as racism's conceptual double bind. In other words, the international concept of racism is doubly bound into revealing its imprints in nationalism and concealing its anchorage in liberalism; or recognising extremist ideology while denying routine governmentality. The essay, therefore, asks the following: is it im/plausible to deny that there is an inescapable conceptual double bind between these differing conceptualisations of racism that has been ignored by the dominant social science traditions in the West? The idea of a double bind in the concept of racism, reiterated throughout this essay, is not to be confused with the proposition that there are two concepts of racism. On the contrary, during the twentieth‐century conceptualisation of racism, there have rather been two distinct orientations, the hegemonic Eurocentric and the subaltern De/colonial, based on conflicting yet dialogical paradigmatic experiences of the referent of racism.     

Jewish Geopolitics: Nationalism and the Ties between the State and the Land

Professor Yosseph Shilhav's article in this issue of National Identities entitled ‘Jewish Territoriality between Land and State’ is an important addition to the literature on territoriality and national sovereignty. His carefully researched and insightful study of the religious affinity between the Jewish people and the Land of Israel is especially timely because of the urgency that the present intifada has given to the debate within Israel over the political future of the West Bank and Gaza. What is most provocative, as well as innovative, is Dr Shilhav's thesis that the clash of opinion within Israel over the solution to the Occupied Territories is not, as commonly understood, a political debate between ‘hawks’ and ‘doves’, but is rooted in differences of religious interpretation concerning the ‘sanctity of the Land’. It is with this thesis that I take issue.     

Thank you Jah Jah fe give me this a colour: Yellowman's revalorization of the dundus

In 1982, Winston ‘Yellowman’ Foster rose to prominence as Jamaica's king of dancehall reggae and popularized the music genre internationally in the wake of Bob Marley's death. As a dundus, or black person with albinism, Yellowman challenged colonial-derived Jamaican social codes that questioned his blackness and masculinity. By using white society's stereotypes of black hypersexuality and symbols of blackness derived from Rastafari and its ideological forebears, Yellowman was able to transform the dundus identity by portraying himself as African, black, and included in what Carnegie in ‘The Dundus and the Nation’ (1996) calls the imaginary racially homogeneous (i.e. black) Jamaican nation. Furthermore, through his performance of slack or sexually themed songs Yellowman contested embedded cultural definitions of the dundus as impotent and instead successfully represented the body with albinism as the sexually desirable ‘modern body.’ This paper uses interpretive methodologies from interrelated fields such as cultural studies, religious studies and anthropology in recognition that the context of Yellowman's racial critique is found not only in his songs but in his life story as well. Therefore it draws on ethnographic fieldwork, textual analysis of song lyrics and a study of the discourse on Yellowman in the popular and scholarly literature.     

Come get these memories: gender,history and racial uplift in Bill Condon's Dreamgirls

On the release of the screen adaptation of Dreamgirls (2006), ex-Motown songwriter William ‘Smokey’ Robinson fielded speculations about corruption at America's most successful black-owned business. In the broader context of racial inequalities in media ownership and distribution, this article asks how spectacles of hard-won individual success, juxtaposed sharply against sexually and financially corrupt ‘music moguls’, continue to shape popular mythologies of the US music industry. In particular, the article focuses on the ways that sexual combat, corrupt masculinities and the politics of respectability inform Dreamgirls’ dramatization of the shift from pre-integration to post-Civil Rights America. Finally, the notion of post-racial discourse is used to make sense of the competing historical interpretations at work in the film and its critical reception, especially with regard to the use of past entertainment icons to make sense of Beyoncé Knowles’ and Jennifer Hudson's own success stories. Throughout, the article argues that myths of meritocracy cannot be separated from the racialized and gendered cultures of production that continue to shape the contemporary repackaging of popular histories and musical genres.     

Beyond Islamophobia? The role of Englishness and English national identity within English Defence League discourse and politics

ABSTRACT

Unsurprisingly, most scholarship on the English Defence League (EDL) focuses on the Islamophobic nature of the group's politics. This has found that, whilst the group presents a more moderate, public-facing image, the EDL's backstage discourse is a far less nuanced brand of Islamophobia and cultural racism (Allen, C. (2011). Opposing Islamification or promoting Islamophobia? Understanding the English Defence League. Patterns of Prejudice, 45(4), 279–294; Kassimeris, G., & Jackson, L. (2015). The ideology and discourse of the English Defence League: ‘Not racist, not violent, just no longer silent’. British Journal of Politics and International Relations, 17, 171–188). A more fundamental area of EDL ideology has been left unexamined, however: what notion of ‘England’ is the EDL trying to ‘defend’? Using content analysis of EDL online discourse, this article examines how the EDL articulates, represents, and uses English national identity within its discourse and politics.     

National art and Britain made real: the London 2012 Olympics opening ceremony

Danny Boyle's opening ceremony for the London 2012 Olympics presented an extraordinary spectacle to the watching world. This article is about what it said to people in Britain, how it said it and why. By comparing (1) Boyle's version of a new Jerusalem with William Blake's ‘Jerusalem’, and (2) the content of the ceremony with the realisation of Britain in works of art around Blake's time as analysed in Anthony D. Smith's The Nation Made Real, it is possible to see how Boyle reworks old themes and where he breaks new ground. There follow discussions of the ceremony's reception according to polling evidence, its broad-left political message, and the singular character of an event that sparked something akin to a moment of ‘collective effervescence’.     

W.E.B. Du Bois and Filipino/a American exposure programs to the Philippines: race class analysis in an epoch of ‘global apartheid’

The article highlights the ongoing relevance of W.E.B. Du Bois for the global analysis of race and class. Engaging scholarly debates that have ensued within the educational subfields of critical race theory (CRT) and (revolutionary) critical pedagogy, the article explores how a deeper engagement with Du Bois’s ideas contributes theoretically and methodologically to these two subfields. Of particular focus is Du Bois’s conceptualization of a ‘guiding hundredth,’ which he forwarded as a corrective to his ideas of a ‘talented tenth.’ The article also offers a case study analysis of the film Sounds of a New Hope, which documents a hip hop exposure program to the Philippines. The case study draws upon Du Bois’s ‘guiding hundredth’ for a twenty-first century context as a Filipino American cultural worker utilizes hip hop to articulate, analyze, and alter the lived experiences for Filipino/a Americans in a global diaspora.     

England? Whose England? (Re)constructing English identities in Julian Barnes and W. G. Sebald

This article is an interdisciplinary look at notions of identity construction. Focusing on ‘Englishness’, it examines theories of identity formation, memory creation and nation-building alongside travel writing and notions of the picturesque. The focus of the debate throughout is on two novels of the 1990s: Julian Barnes’ dystopian England, England of 1998 and W. G. Sebald's The Rings of Saturn of 1995 (English translation, 1998). Both novels play with traditional ideas of national identities and stereotypes by presenting their readers with the literal ‘construction’ of alternative versions of England and the English.     

‘From badness to sickness’:1 the role of ethnopsychology in shaping ethnic hierarchies in Israel

This article explores the role of the psychological sciences in depoliticising processes of ethnic demarcation and marginalisation within the Jewish population in Israel. It shows how the psychological sciences have provided the scientific foundation by which cultural domination and subordination have been essentialised. The study traces the ways in which ethnopsychological discourse has changed its contours over time. Early ethnopsychological discourse provided an overt link between the ‘cultural backwardness’ and ‘psychological impairment’ of the Mizrahi Jew. In light of broad social and political transformations, in the more recent model the overt ethnic signifier was silenced, and the Mizrahi ‘impaired mind’ appeared to be detached from its ethnic roots while being attributed to the same ethnic population. Both ethnopsychological forms have focused on the individual's ‘special needs’ and ‘inherent psychological impairment’, obscuring the role of social and political forces in shaping social gaps in Israeli society and reinforcing the hegemonic discourse of nurture. The latter has provided a negative mirror image of the modern Ashkenazi secular Israeli Jew following Western cultural models of self‐control as the universal index of health and progress. This study is based on both primary and secondary sources as well as on my in situ observations.     

Marketing an imagined Muslim woman: Muslim Girl magazine and the politics of race,gender and representation

This article examines the magazine Muslim Girl (started publication 2007) and explores how the representations on the magazine's pages construct a particular type of identity for Muslim women: an ‘idealized’ Muslim woman who is both North American/Western and Muslim. Such a woman is portrayed as liberal, educated, fashionable, a ‘can-do’ woman, who is also committed to her faith. This ‘ideal’ woman is situated squarely as a neo-liberal subject in an increasingly consumerist world: she is ‘marketable’ (and marketed) as the ‘good Muslim’ (Mamdani, 2004) and is positioned as the ‘familiar stranger’ (Ahmed, 2000) in North America. This so-called ‘modern’ Muslim (read: ‘good Muslim’) is juxtaposed both against the ‘fundamentalist’ Muslim (read: ‘bad Muslim’) and the ‘normalized’ white North American subject. Against the discourse of post 9/11 nationalism and within the context of (gendered) Orientalism, this article argues that such idealized representations present easily recognizable tropes, which serve important political, ideological and cultural purposes within North American society. An analysis of these representations – and the purposes which they serve – provides an important window into the nuances of the structured discourses that seek to control and discipline the gendered Muslim body. On the one hand, the representations in Muslim Girl focus on the so-called ‘integrated North American Muslim’ – a ‘modern’ or ‘good’ Muslim – within the context of the multicultural, neo-liberal and post 9/11 nation-state. On the other hand, these representations also highlight examples of Muslim women, who seemingly remain committed to their faith and community. Such representations of hybridized North American Muslims speak powerfully to the forces – ideological, cultural, political and social – that are at play in the post 9/11 world. In analyzing the representations found in Muslim Girl, this paper provides an insight into some of these forces and their implications.     

Fearing yellow,imagining white: media analysis of the Chinese Exclusion Act of 1882

The Chinese Exclusion Act of 1882 was a watershed event in the context of race, nation, and the law because it denied Chinese immigration into the USA for over 80 years. This paper analyses the media coverage of the Chinese in the San Francisco Chronicle during the year of the Act's passage. The theoretical framework of ‘Purity and Danger’ provides a starting point in analyzing how whiteness and nation are constructed as ‘pure’, while Chinese immigration is constructed as a ‘danger’ within a symbolic, racial and political manner. Discourse analysis was applied to the data for an intersectional investigation of race, class, gender, and nation, to determine how the discourse is organized thematically, as well as uncover ideological meanings in relation to how ‘fearing yellow’ also reflected ‘imaging white’ in media discourse.     

We have not arrived from the sea: a Mizrahi literary geography

This article examines how writers of Middle Eastern background, such as Iraqi‐born Yitzhak Bar‐Moshe, who writes in Arabic and has been translated into Hebrew, Iraqi‐born Sammy Michael, Egyptian‐born Yitzhak Gormezano and Iraqi‐born Shimon Balas, challenge the processes of adverse essentialisation and racialisation of Mizrahi Jews by the European Jewish hegemony in Israel. These writers identify themselves as portrayers of a Mizrahi self‐representation and their works were published during the 1960s, 1970s and 1980s. The paper examines how writers who represent themselves as Mizrahi — a self‐representation which has been engendered in the course of their interpositions in the domain of Israeli literature — point to possible courses of intervention in the field of Israeli literature dominated by the Ashkenazi or Eurocentric hegemony. These courses of literary intervention become possible not just because Mizrahi Jews are depicted as a third‐world group; but also because they occupy another position — a ‘third space’ or ‘in‐between’ position. While they belong to the ‘Jewish nation’, Mizrahi Jews were part of the Arab/Third world. Thus, it is their ‘in‐between’ position that locates them at a privileged site to challenge European Jewish hegemony in Israel by attempting to entrench within it an antagonistic and defiant Mizrahi presence.     

Marabou Stork Nightmares: Irvine Welsh's anthropological vision

It has been suggested that the internal divisions in the notion of ‘Scottishness’ have led Scotland's Enlightenment writers to approach the nation with an ‘anthropological’ and ‘anthologising’ vision. In this article, I argue that we can see such a tendency in the work of the contemporary novelist Irvine Welsh, whose second novel, Marabou Stork Nightmares, dissects the masculinist tribalism of Scottish underclass culture. In performing the anthropological activity of observing and recording, Welsh anthologises Scotland's linguistic multiplicity and yet, through first person narrative, draws attention to the act of narration, the event of speaking which renders futile the possibility of detachment. Narrative complicity becomes paralleled with Scotland's guilty political history.     

Poetry after Guantanamo: M.I.A.

The recent work of the Sri-Lankan-British musician and sonic ‘curator’ known as M.I.A. (real name: Mathangi Arulpragasam) is considered as a commentary on atrocity and read alongside the well known essay ‘The Storyteller’ by Walter Benjamin and comments on Auschwitz by Theodor Adorno. The storytelling here is updated for a contemporary context where global war impacts us all, more or less visibly, more, or less, acknowledged. It is argued that the controversy over M.I.A.'s Romain Gavras video Born Free is exemplary of the predicament of art in the face of violence, crisis and terror – with this track, and video, M.I.A.'s work faced a storm of criticism which I want to critique in turn, in an attempt, at least, to learn to make or discern more analytic distinctions amongst concurrent determinations of art. A careful reading of Adorno can in the end teach us to see Born Free anew.     

Kirkuk conflict in its ethnic/political media: the Turkmen newspaper Alqal'a as a model

This article explores the Kirkuk conflict through the Turkmens’ newspaper Alqal'a. Using agenda-setting and framing/priming for theoretical background and qualitative content analysis as a method, two macro-themes, related to the conflict, are found to be fundamental therein. These two main themes are: (1) exclusion and (2) self-confirmation. The two macro-themes overarch several micro- or sub-themes and are closely related to each other. They are set to inform the readers about what to think and how to think about the conflict. While ‘exclusion’ constitutes the cause, ‘self-confirmation’ is the latter's effect.     

Renovating ethnic identity on Restaurant Makeover

Food can be a novel way of understanding and explaining some of the pointed paradoxes of multiculturalism and the ‘management’ of ethnicity. Many studies of culinary culture are attentive to the exoticization of ethnicity in and through food media, which now includes a vertiginous array of cookbooks, travel literature, magazines and, most important for our purposes here, television series. Among various programs is Restaurant Makeover, a popular Canadian reality series broadcast on Home and Garden Television (HGTV) as well as the Food Network Canada. In each episode, dining experts are hired by struggling restaurateurs (often ethnic) to ‘spice up’ the existing menu, ‘modernize’ the décor and, by extension, ensure the welfare of the (immigrant's) family. While the series is not explicitly directed at ethnic restaurants, it seems to be increasingly interested in ‘non-white’ establishments (i.e., Mexican, Chinese, Thai, etc.). This participation in culinary multiculturalism may be symptomatic of wider political changes in immigration and ‘diversity’ in Canada. Based on the authors analyses of specific episodes this paper argues, firstly, the growing interest in ethnic cuisine on Restaurant Makeover can be read as a (neo)liberal response to an emerging conservative ‘multicultural’ agenda that recognizes migrants predominantly as laborers (as opposed to citizens) and, secondly, that behind its rehearsal of liberal benevolence is a skewed set of power relations that authorize the experts’ (re)construction, cultivation and containment of ethnicity.