Repertoires of Contention and Tactical Diversity in the UK Psychiatric Survivors Movement: The question of appropriation

This paper seeks to advance our understanding of the processes whereby particular techniques of protest are selected from societal 'repertoires of contention'. Empirically, it focuses upon data which have been gathered on activists within mental health movements in the UK. Theoretically, it seeks to make a case for use of the work of Pierre Bourdieu, specifically his concepts of 'habitus', 'capital' and 'field'. The paper is exploratory, and acknowledged to be such. It is argued, however, that the evidence from the mental health movements is sufficiently persuasive to merit further investigation of the usefulness of Bourdieu's approach for analysing processes of repertoire selection.     

Anti-War Activism: New Media and Protest in the Information Age

This starts out by distinguishing between communication and communication mediums when examining social movement-powered formations of collective identity and collective action. We then focus on communication mediums to examine the different ways that old and new media are utilized in urban social movements under neoliberal capitalism. Based on shifts in the political economy and correspondingly in the contemporary composition of the working class, we focus on the Media Mobilizing Project in Philadelphia to argue that contemporary urban social movements and networks utilize a multi-media platform to further class-based politics. The respective use of old or new media depends on important contextual questions, regarding technology access and geographic aspects of movement building work.     

How Social Movements Move: From First to Second Wave Developments in the UK Field of Psychiatric Contention1

In this paper I seek to unpack the notion of ‘movement’, addressing the question of what it means to say that social movements ‘move’. The concept of ‘movement’ is often used in social science to refer to change, I note, and this is clearly an appropriate usage in relationship to social movements, which often seek to bring about and/or manifest within themselves social changes. At the same time, however, movements move in the respect that the cultural forms and resources they generate are diffused (they move) across both time and space. The cultural components of a movement move in the way that, for example, a virus moves, between individuals in a ‘vulnerable’ population. The paper explores these ideas by way of an examination of the second wave of radical mental health activism in the UK.