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41.
Using a unique data set from the major Colombian cities collected between 2000–2003 and with information on more than 12,000
households, this paper studies the relationship between the kidnap risk a household faces with its migration decisions. We
find evidence that exposure to such risk induces households to react sending some of their members to an international destination
but not necessarily to a domestic one. Estimates are robust to the inclusion of several household characteristics usual in
the migration literature, other crime risks, reported feelings of insecurity of the household, and an alternative measure
of kidnap risk. 相似文献
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Helen L. McLachlan Della A. Forster Sue Kildea Jane Freemantle Jennifer Browne Jeremy Oats Michelle Newton Marika Jackomos Jacqueline Watkins Simone Andy Sue Jacobs Ngaree Blow Karyn Ferguson Catherine Chamberlain Susan Donath Lisa Gold Helena Maher Jenny Ryan Pam McCalman 《Women and birth : journal of the Australian College of Midwives》2017
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We argue that place offers an effective framework for connecting popular culture with social justice narratives by exploring audience interpretations of Lemonade in 2016’s tumultuous racial climate. Working from interviews with 35 of Lemonade’s listeners/viewers regarding their understanding of the album, we argue that audience members used Lemonade to plot spaces of racial pride, community, and equality. Supporting previous audience studies’ findings, Beyoncé’s audiences engaged actively with the text and explored the complex symbolism through interpretive communities, but the audiences we spoke with also transcended these spaces. Using Lemonade as a tool to understand and reimagine historical social movements, audiences deployed the album to cultivate an anti-racist habitus in attempts to make their worlds more just. 相似文献
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J. Edgar Bauer 《Journal of homosexuality》2015,62(8):1021-1057
The study focuses on the slender corpus of literary work by Harlem Renaissance poet, author and visual artist Richard Bruce Nugent (1906–1987), arguably America’s foremost Black aesthete. As an individualist in the footsteps of post-Hegelian and pre-Nietzschean philosopher Max Stirner (1806–1856), Nugent sought to re-think sexuality and race beyond fixed schemes of categorial distribution. To this end, Nugent deployed a strategy of sexual and racial ambiguity that aimed at situating the uniquely sexed and raced individual within the continuities of ever-diversifying Nature. Nugent’s deconstructive approach of sexuality and race proves to be convergent with (but not genealogically dependent on) the universalization of sexual intermediariness and racial miscegenation postulated by German-Jewish sexologist Magnus Hirschfeld during the first third of the twentieth century. Nugent’s non-identitarian conception of sex acts anticipated by more than a decade comparable insights propounded by Alfred Kinsey. 相似文献