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This study treats the relatively unknown fact of Kenneth Burke and Talcott Parsons's personal friendship as a context within which to develop a dramatistic account of friendship and its character in the theoretical inquiry of sociology. Friendship is formulated according to four dramatistic properties in Burke's work—identification, dialectical substance, an ultimate perspective, and the comic attitude. The example of Burke and Parsons's relationship is used to explicate the significance of these four properties for articulating the symbolic action of friendship in both theoretical inquiry and everyday life. The result is the construction of a theory of friendship with universal and critical import, a construction which honors these two important theorists.  相似文献   
64.
Many college students are using substances at levels consistent with Substance Abuse or Dependence, yet little explanation for this phenomenon exits. The aim of this study was to explore a risk factor profile that best separates those with low and high potential for having a substance use disorder (SUD). A discriminant function analysis revealed that participants with a high probability of having a SUD misperceive others' alcohol and marijuana use to a greater extent than those with a low probability of having a SUD. Implications for educators and counselors on college campuses are discussed.  相似文献   
65.
In this paper I argue that we have been amiss in diagnosing the role played by government, which has exacerbated the housing problems afflicting low‐income households in Australia. However, I argue further we have placed too much faith in the capacity of managerial interventions to ameliorate what are far more deep‐rooted and systemic challenges. It is suggested that researchers need to adopt a more critical account of the conduct of contemporary government policy making, one that casts aside a view of the State as a benevolent agency whose primary objective is to ameliorate the conditions of the disadvantaged. Instead, the State should be understood as an agency that sustains the conditions necessary for the finance industry, developers and real estate agents, along with well‐off householders and landlords, to reap profits. The political economy of Australian housing, in its current incarnation, performs a form of reverse welfarism that exacerbates social inequality.  相似文献   
66.
While piece rates are routinely associated with higher productivity and wages, they can also generate unanticipated effects. Using cross-country European data, we provide among the first general survey evidence of a strong link between piece rates and workplace injury. Despite controls for workplace hazards, job characteristics and worker effort, piece rates workers suffer a 5 percentage point greater likelihood of injury. This remains despite attempts to control for endogeneity and heterogeneity. As piece rate wage premium estimates rarely control for injury likelihood, this raises the specter that part of that premium reflects a compensating wage differential for risk of injury.  相似文献   
67.
Abstract. Most research on the relationship between health and socio‐economic status (SES) controls for age or investigates the relationship for a particular age range. This paper, however, examines the effect of SES on health across different age groups. Using data from the German Socio‐Economic Panel and controlling for health–SES endogeneity, we find that the health–income relationship does vary across the life cycle and between genders and different labor force status, with the impact of income on health relatively more pronounced for younger cohorts. The unemployed also have lower levels of health at all levels of income.  相似文献   
68.
Abstract

This essay explores a series of sovereign ‘machines’ – slaves, puppets, automata – in political theory from Benjamin to Agamben. It is now well-documented that the philosophical question of ‘the machine’ – of whether a complex system requires a human operator or whether it can function autonomously – is also a crucial political question that haunts every discussion of sovereignty from Hobbes onwards. However, my wager in what follows is that this machine is not just a metaphor for a metaphysical situation – whether it be rationality (Hobbes), bureaucratization (Weber), neutralization (Schmitt), historicism (Benjamin) or governmentality (Foucault) – but a material phenomenon that carries transformative political promise and threat. To summarize the argument of this essay, I contend that ‘sovereign machines’ like slavery (Aristotle, Hegel, Kojève, Agamben), puppets, automata or clockwork (Descartes, Hobbes, Schmitt, Benjamin, Derrida), lens, optics and mirrors (Hobbes, Kantorowicz, Benjamin, Lacan, Foucault) and so on do not merely reflect but change our understanding of the causal relationship between sovereignty and governmentality, decision and norm, exception and rule. If the self-appointed task of the modern political theorist has so often been to obtain or regain sovereignty of, or over, the machine – to jam its gears – I seek to expose what the later Derrida calls the ‘machine’ of sovereignty itself. In conclusion, I argue that political theory’s attempt to reveal or retroactively invent the sovereign person at the heart of the machine only ends up revealing the sovereign machine at the heart of the person. What – if anything – is really inside the machine of sovereignty?  相似文献   
69.
This paper elaborates the notion of mediated action through a comparison of group improvisational performance and the product‐oriented creative domains studied by psychology. Semiotically mediated interaction is central to both forms of creativity: in group improvisation, the interaction is parallel and simultaneous, communication between performers is mediated by musical or verbal symbolic structures, and is thus synchronies in product‐oriented creative domains, interaction between creating individuals is mediated by ostensible products in the domain, the interaction is over long time spans, and thus is historical or diachronic. After presenting a model of mediated action, six interactional dimensions of contrast are described which are characteristic of both synchronic and diachronic creative interaction. By demonstrating these processual parallels between synchronic and diachronic creativity, the model suggests that the study of performance has several implications for the broader study of creativity. The focus on processes of symbolic interaction represents an application of the mediated action concept to both product creativity and improvisational performance.  相似文献   
70.
The New Zealand parliamentary election campaign of 2005 was marked by a significant break in the consensus between the two major political parties, Labour and National, in the area of Maori affairs: a consensus that had previously been articulated in terms of a shared commitment to ‘biculturalism’ and the Treaty of Waitangi. In January 2004, the National Party launched an attack on government policies, describing them as giving unfair privileges to Maori based purely on ‘race’. The present paper examines the National Party's adoption of the rhetoric of ‘race’ and the conceptual, political and ideological considerations behind it. It also examines attitudinal, social policy and socioeconomic factors to explain the widespread acceptability of this rhetoric among the New Zealand public. These events are considered within the context of a growing academic and political critique of ‘culturalism’ in New Zealand social policy and social science.  相似文献   
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