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81.
One interpretation of the concept of organizational legitimacy is that it stems from the cultural values of society, and suggests that businesses operate under a mandate that may be withdrawn if organizations are seen not to be doing the ‘right’ things. This suggests there is something in the nature of a principal-agent relationship in existence, and that some form of accountability is then owed by the agent (the organization) to the principal (society). This paper seeks to investigate the nature of this accountability, distinguishing between the accountability which exists towards those elements of society with which an organization has a contractual relationship, and those where it does not. Adopting a pluralist stance, stakeholder theory is then used to illustrate the possible nature of both the form of legitimacy relationship extant, and of the accountability that the principal might expect of the agent.  相似文献   
82.
The global “war for talent”   总被引:1,自引:0,他引:1  
In this paper we examine the “global war for talent,” the factors that impact it, and organizations' responses to it. Using a comprehensive search of more than 400 contemporary academic and business press articles, the paper reviews relevant research and reassesses the “talent war.” We posit that the dominant approaches to the “talent war” based on a scarcity state of mind and action, often characterized by a tactical and exclusive top talent or “star” focus, are being challenged by the emergence of a more evolutionary paradigm. This new paradigm adopts more strategic, innovative, cooperative and generative approaches which we describe as creative ‘talent solutions.’ The paper also highlights implications for future research, teaching and development in the field.  相似文献   
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84.
Data from the Alcohol and Drug Services Study (ADSS) are used to analyze the structure and operation of the substance abuse treatment industry in the United States. Published literature contains little systematic empirical analysis of the interaction between organizational characteristics and treatment outcomes. This paper addresses that deficit. It develops and tests a hierarchical linear model (HLM) to address questions about the empirical relationship between treatment inputs (industry costs, types and use of counseling and medical personnel, diagnosis mix, patient demographics, and the nature and level of services used in substance abuse treatment), and patient outcomes (retention and treatment completion rates). The paper adds to the literature by demonstrating a direct and statistically significant link between treatment completion and the organizational and staffing structure of the treatment setting. Related reimbursement issues, questions for future analysis, and limitations of the ADSS for this analysis are discussed.  相似文献   
85.
The linear chirp process is an important class of time series for which the instantaneous frequency changes linearly in time. Linear chirps have been used extensively to model a variety of physical signals such as radar, sonar, and whale clicks (see 1, 5 and 6). We introduce the stochastic linear chirp model and then define the generalized linear chirp (GLC) process as a special case of the G-stationary process studied by Jiang et al. (2006) to model data with time-varying frequencies. We then define GLC(p,q) processes and show that the relationship between stochastic linear chirp processes and GLC(p,q) processes is analogous to that between harmonic and ARMA models. The new methods are then applied to both simulated and actual data sets.  相似文献   
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87.
For experimental designs with more than two factors, the concept of complexity of an interaction is introduced and used to extend the hypothesis testing strategies recommended by Keppel, Milliken & Johnson and others. The strategies are illustrated for the three-factor design.  相似文献   
88.
E. Kath 《Globalizations》2015,12(6):872-885
ABSTRACT

Carnaval and futebol (football) have both been central to the construction of Brazil in the imagination of global audiences. This includes contributing to stereotypes of Brazil as a country of peaceful, festive, and sensualized people, even though historically Brazilian Carnaval and football have always been sites of social contestation and popular participation in the construction of collective identity. In recent years, Brazil has burst onto the global stage as a key player due to its economic rise, its more proactive international diplomacy, and its venture as the host of major global sport events. Protest and political violence have erupted on the streets of Brazil in a manner quite at odds with the circulating reports on the ‘success story' of Brazil. A combination of the country's increasing global prominence and developments in media and communication technologies of the global era means that global and local audiences have access to more detailed, nuanced, and grounded information about Brazil than has ever been possible before. This moment of intensified visibility has brought Brazil's imagined identity (both within Brazil and within the global imaginary) to a turning point; one where national symbols such as Carnaval and football are declining in relevance. In this article we argue that due to this combination of forces, Carnaval and football, at least in their manufactured forms that are visible to global audiences, no longer have the popular potency within Brazil that they once did, but have rather become what Bakhtin would call ‘mere spectacles’. We consider Carnaval and football within historical and contemporary context drawing upon a variety of sources, including secondary literature and mainstream and alternative media reports.  相似文献   
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