我国第三产业比重是否应该逐年上升？

 从长期看,第三产业比重应呈上升趋势。但是,某一时期（比如5年或更长一点）第三产业比重回落也是可能的。第三产业比重与最终使用结构有很大关系,从一定意义上讲,一个国家的最终使用结构决定着它的第三产业比重,这一关系可以借助投入产出模型进行量化。我国的最终使用结构比较特殊,一定程度地制约了我国第三产业比重的上升。     

论福利国家研究中的比较研究方法

以国家为单位进行比较研究面临很多挑战。比较研究方法应用在对福利国家研究和社会政策实践的分析中,积极推动了社会福利理论的发展。同时,福利国家的研究与实践也反过来促进了比较研究方法的发展。比较研究方法在福利国家研究中有三个重要发展:第一,将国家作为比较分析的单位,依托米尔方法发展了三个比较分析模式。第二,在比较研究方法的框架内发展了对福利国家的初始外部分析和内部分析、进一步的外部分析与内部分析。第三,福利国家比较研究实践并发展了截面研究方法、时间序列分析方法、时间序列和截面的合并分析方法、事件历史分析方法等。比较研究方法对中国社会福利研究也具有重要的意义。     

论生态补偿机制的财政转移支付

生态补偿机制的建立在我国具有非常重要的意义,而财政转移支付在生态补偿机制中起着重要作用.结合我国的实际情况,可以从以下几方面来完善生态补偿机制中的财政转移支付制度:一是加大财政转移支付中的生态补偿力度;二是进行合理的转移支付框架的设计;三是建立财政转移支付在生态补偿机制中的实现途径;四是重点建设具有现实性的横向转移支付的生态补偿机制;五是成立政府间财政转移支付专门机构.     

新时期我国电视剧中的现代性体验研究

在新时期我国电视剧的艺术研究中,"审美现代性"是一个重要的议题。其中,现代性体验是审美现代性研究的逻辑起点;"春天中国"是现代性体验的中心幻象;"憧憬型"、"感愤型"、"回瞥型"是现代性体验的三种表现形态。就艺术研究而言,着意于审美现代性的现代性体验研究为分析和阐释"现代"这种审美新质预备了广阔的美学阐释空间。     

桂林旅游发展的消费伦理转向与旅游文化竞争力的提升

消费主义是现代社会经济畸形发展的产物,也制约着现代旅游业的发展,桂林旅游业也不例外。从伦理层面上,如何改变消费伦理理念,构建新的消费伦理观,即从消费主义到消费伦理的转变,从不可持续的消费伦理观到可持续发展的消费伦理观转变,是促进桂林旅游新发展的一个必然。要提倡适度消费、节约消费,提高桂林旅游文化竞争力。     

《红楼梦》英译本中的中医药文化现象

要实现文学文本的跨文化交际功能,译者不仅要有文学、语言学和翻译学的功底,还要有各种文化知识的储备。以古典文学名著《红楼梦》为例,翻译小说中的中医药文化现象,既要体现中医药术语的特殊性,又要保持小说应有的文学色彩。     

人工智能时代企业管理变革的逻辑与分析框架

人工智能作为社会发展和技术创新的产物,已经成为新一轮科技创新和产业变革的核心驱动力,正在对世界经济、社会进步和人民生活产生极其深刻的影响。人工智能的商业应用会改变企业内部运作和生产经营的过程,为企业管理带来了诸多挑战和变革机遇。本文结合人工智能的特征与发展趋势,从管理对象、管理属性、管理决策和管理伦理四个方面对人工智能时代企业管理变革的逻辑进行了梳理,得出如下推论:第一,人工智能时代,被管理者将出现越来越多的"人工智能员工",以"社会人"为中心的管理理论和管理手段的适用性降低,如何管理"人工智能员工"以及协调人类员工与智能机器人的关系将对管理者提出挑战;第二,人工智能时代,管理属性不仅包括管理理论的科学性、管理实践的艺术性,还包括管理过程的技术性;第三,人工智能时代,将出现一批优秀的技术管理者,此时,技术管理者指的不是管理技术的人,而是掌握智能技术的管理者;第四,人工智能时代,管理者的决策环境得到优化,管理活动中的决策准则将由"满意决策"过渡为"最优决策";第五,人工智能时代,管理手段的智能化发展可能会加剧管理效率和管理伦理的冲突,管理者必须提升管理道德,经营过程中强化社会责任的履行;第六,随着人工智能技术发展,政府、社会团体和行业协会有必要从政策、法律与行业标准等多个方面构建人工智能发展伦理的多层次约束机制。     

一个多民族文学融合互动的范本——《述善集》文学文献价值考述

“Tangwu” is an alternative name for the descendants of the Xixia dynasty. In 1227 AD, a number of these Xixia descendants moved inland after the destruction of the Xixia Dynasty by the Mongolians. One group of them migrated to the area near Puyang, Henan Province. Tangwu Chongxi ( Yang Chongxi ) of the Yuan Dynasty compiled the Shu San Ji, which is divided into three volumes: Shansu, Yucai and Xingshi, and appended with the biography of Boyan Zongdao. It reflects the historical origins, social class, living conditions and the relations with the Han people of the descendants of the Dangxiangqiang minority af-ter they moved to Puyang. This book attracted a lot of attention in academic circles, and it was there-fore reorganized and published in 1985 after being treasured by the people for more than 600 years. It has high academic value for its comprehensive his-torical records. We can not only acquaint ourselves with the history of the make-up of the Chinese na-tion, but also research this diversity from multiple perspectives, such as history, nationality and folk-lore . That is why it has drawn so much attention a-mong academic researchers. The book contains po-ems, prose and biographies, which belong to dif-ferent celebrated scholars from different ethnic mi-norities, all of whom had relationships with Tang-wu Chongxi. It is also a typical model of Qiang-Han literature, which is very rare. This paper gives a preliminary exploration on the book, and shows a small part of its comprehensive value. Shu San Ji is not a merely personal collec-tion, but is also different from general literature collections. The compilation of the book took a long time. Shu San Ji Xuxie ( Continuation of Shu San Ji) , written by Zhang Yining, was finished in the 18 th year of the Zhizheng Period in the Yuan Dynasty (1358), which indicates that the Shu San Ji had already been finished by that time . Zeng wuwei chushi yangxiangxian xu ( Presented to Chu Shi Yang Xingxian·Preface ) , written by Wei Su and finished in the 24 th year of Zhizheng ( 1364 ) , suggests that the Shu San Ji had been compiled in-to a book by that time, and that it was compiled with the compositions of social celebrities of the time. However, the Shu San Ji, as it has been handed down to us today, includes the Song Yang-gong Xiangxian gui Tanyuan xu ( Preface of Send-ing Yanggong Xiangxian Back to Tanyuan) by Tao Kai, written in March in the 5 th year of Hongwu in the Ming Dynasty ( 1372 ) . It indicates that Yang Xiangxian kept on collecting articles even after the book was finished. The Xu yangshi yiji ( Preface of Yang’s Last Collection) by Wang Chongqing, writ-ten in the 6th year of Jiajing (1527), indicates that the Shu San Ji was still being written after Yang Chongxi’s death. At the end of the Shu San Ji , Boyang Zongdao zhuan ( Biography of Boyang Zongdao) and Weiti shi (Poems) were collected in the 16 th year of Zhengde in the Ming Dynasty (1529) and in the 16th year of Shunzhi in the Qing Dynasty (1629), respectively. It suggests that the
Shu San Ji had been supplemented and continually recompiled since Yang Chongxi firstly finished his book in 1358. After 271 years, in 1629, the Shu San Ji, as we read it today, was finally comple-ted. Through the basic components of the Shu San Ji,readers can understand that the Tangwu family was a harmonious, multi-ethnic family. A number of multi-ethnic writers spent long periods compos-ing works collected in the Shu San Ji and Tangwu Chongxi was also influenced by China’s diverse culture and traditional Confucian culture. The work is strongly connected with his study in Guozixue. In the late Yuan Dynasty, the restora-tion of the imperial examinations promoted Confucianism’s influence further. Pan Di, as Tang-wu Chongxi’s teacher in Guozixue, wrote most arti-cles in the Shu San Ji, which shows their close re-lationship and his influences on Tangwu Chongxi’s literature and Confucian studies. Tangwu Chongxi and others’ works reflected their sense of admira-tion for and deep feelings for their Dangxiang an-cestors, but more so helped to propagate the con-cepts of Confucian edification, diligence, thrifti-ness and benevolence, and some of them did so in a very polemic way. For example, Boyan Zongdao wrote the Jiefu xu ( preface of “Jiefu”) and Tang-wu Chongxi wrote the Jiefu houxu ( epilogue of“Jiefu”) , which reflect the social reality and ide-ology of all scholars with different ethnic back-grounds at that time. His work, “Tangwu gong-bei” fushi ( Poem inscribed on Tangwu Tablet ) , was written in a plain and authentic way and showed that he always remembered his origins and his ethnic desire to inherit the family’s heritage. Meanwhile , it was also mixed with the popular ide-as of upholding the honor of their ancestors from the central plains and Han areas, which shows the
editorial purpose of the Shu San Ji and also dem-onstrates the value of Chinese multi-ethnic litera-ture and cultural integration.     

区域金融一体化战略研究:以京津冀为例

目前,京津冀地区金融一体化进程严重滞后,京津冀地区经济与金融发展不协调,金融竞争大于金融合作,金融基础设施建设和金融创新滞后。为加快京津冀地区金融一体化进程,本文提出"大小共生,平行站位,独立第三方协调"的发展模式,围绕金融管理、金融市场、金融组织、金融基础设施和金融生态等五个方面的合作,构建京津冀"大金融"发展新格局的政策建议。