论直接言词原则及在我国刑事审判制度中的实现

从立法角度看,直接言词原则在我国还并不完善,从审判实践来看,也存在诸多弊端。这对我国现行庭审方式改革极为不利。通过对存在的问题和弊端的剖析,提出必须在我国刑事审判制度中建立完善的直接言词原则,审判部门也必须全面贯彻该原则,以此推动我国庭审方式改革的实现。     

户籍改革的研究状况及实际进展

随着以市场为导向的经济体制改革的不断深入 ,现行户籍管理制度的弊端日益明显 ,引起学术界和政府有关部门的关注。众多的学者和实际工作者对户籍管理制度产生的原因、户籍改革的必要性和户籍改革的思路等问题作了多方面的探讨 ;实际工作部门对现行户籍管理制度进行了局部的调整和修改。本文就户籍改革的理论研究和实际进展作了较为全面的总结 ,指出了需要进一步研究的理论问题和实际问题     

应重视开发英语教学中的非智力因素

重视开发学生的非智力因素,是英语教学中一个不可忽视的问题．人的非智力因素主要包括情感、意志和注意力等三个方面的因素,它们对学生能否学好英语起着重要的作用．     

贺兰山岩画的发现保护及学术地位

作者系统地介绍了贺兰山岩画的发现过程、数量、规模,分析了目前遭大面积破坏的原因,并就近年来对贺兰山岩画的考察研究结果及它在世界古代人类文化史上的地位进行了综合评价。     

论涉外经济法律的部门归属与学科划分

我国学界关于涉外经济法律的部门归属和学科划分主要有六种观点,即独立部门说、国际经 济法组成部分说、国际商法组成部分说、国际私法组成部分说、民法组成部分说、国内经济法组成部分 说。涉外经济法律的部门归属和学科划分混乱的主要原因在于：立法环节对法律体系的规划性不强、学 界对法律关系的多重属性缺乏研究、国际法和国内法的关系不清、部门法与学科和课程三者之间的关系 不明。我国涉外经济法律应当属于国内经济法,而不是一个独立的法律部门,也不应划入国际经济法、国 际商法、国际私法、民法或其他部门法。     

Online crisis communication in a post-truth Chinese society: Evidence from interdisciplinary literature

Through a thematic content analysis of 118 journal articles from interdisciplinary fields, this study reviews the research trends of online crisis communication literature in a Chinese post-truth society, where objective facts play a diminishing role, and Chinese people are losing their trust, despite the best efforts of organizations to deal with fake news in crises. Results of this study disclose some unique crisis communication strategies (e.g., strategic distraction, rumor-rebuttal, fabrication, acting cute, and content censorship) in crises of China. Influential contextual factors such as the political system, cultural values, and media features are identified as well. Theoretical and practical implications of this study are discussed, and a greater picture of online crisis communication in contexts is posited for future research.     

Asset or Liability: Transnational Links and Political Participation of Foreign‐Born Citizens in Taiwan

Viewed as outsiders clinging onto links with their country of origin, immigrants do not often feature positively in electoral politics in their host society. Challenging this conventional view, this article examines how immigrants make use of their transnational ties to foster their political participation in the host state. This exploration is conducted through our study of the political participation of Vietnamese and Chinese immigrants in Taiwan. Our research finds that transnational ties are politicized by the mainstream political parties. However, such politicization does not necessarily restrict immigrants’ agency and their sociopolitical space for political participation. Their transnational ties constitute a dynamic sociopolitical field in which these maintained connections are acted upon and give rise to a variety of strategies for responding to issues affecting their interests.     

风险社会视域下“校园贷”问题的生成及应对

"校园贷"是一个横跨"在场空间"与"缺场空间"的"跨界性"问题,以风险社会理论为视角进行分析,可有效地贯通网上、网下两个空间的情境性区隔,是从整体上对其进行解读的理想选择。它的异变主要涉及社会急剧转型、网络技术发展及大学生群体结构三个风险源:社会转型过程中风险的无序释放是催生"校园贷"问题的现实动因,网络技术的风险特征是催生"校园贷"问题的潜在根源,大学生群体消费欲望强而财商低的结构特点是催生"校园贷"问题的重要因素。防范"校园贷"风险的关键在于建构政府主导、社会参与、个体自省的风险应对共同体,以减少各类风险发生交叠、共振的频率。     

DEMOCRACY AND GROWTH: A PERSPECTIVE FROM DEMOCRATIC EXPERIENCE

This article investigates the impact of democracy on growth by simultaneously considering a country's secular‐historical experience of democracy and current political regime. The results obtained show that the effect of democracy on growth exhibits an asymmetrical pattern depending on the country's democracy stock. Only in “democratic countries” with “prolonged experiences of democratic rule” can democracy promote growth. This claim stands in contrast to the earlier literature in which there is either no consistent relationship between growth and democracy or perhaps a nonlinear relationship. This conclusion provides circumstantial support for the claim of the “democracy promotes growth” hypothesis. (JEL O43)     

丑角、看客与孤独者的悲喜剧 ——鲁迅与穆时英笔下的丑角形象之比较

鲁迅与穆时英笔下都塑造过一系列具有丑角特质的形象。不同的是,穆时英笔下的丑角具有自觉性,以小丑身份为面具,掩盖自己的孤独与恐惧;鲁迅笔下的丑角多是非自觉的,他们认真地践行着自己的人生理念,却因其与周遭环境格格不入,被人当作小丑、疯子。从中折射出两位作家迥异的生命观,穆时英从个体角度出发,写出了都市人在悲哀的脸上戴了快乐面具的无奈,对丑角表演持拥抱态度;鲁迅则从批判国民性的宏观角度出发,敏锐地意识到了丑角表演背后的隐忧,对其持拒斥的姿态。