功能语篇分析在高职大学英语阅读教学中的运用

本文认为功能语篇衔接理论的运用,有助于提高教学质量和学习成效。     

人口老龄化与赡养问题的医学社会学分析

中国老人抚养问题不能只依靠家庭抚养,应逐渐转向社会抚养,即由家庭责任主体过渡到国家或社会责任主体。针对我国人口老龄化起步虽晚但发展速度却很快等特点,采用社会学方法对这一问题进行认真的统计,与其他国家进行比较和分析,很有现实意义。     

论邓小平外交思想中的国家利益共生观

邓小平的国家利益观是其外交思想中最有特色的部分之一。这不仅是由于他第一次明确提出以“国家利益”作为外交的出发点,最主要的是其国家利益观具有极强的共生性。从分析其共生性渊源出发,可着重发掘其丰富的共生性内涵,初步展示其在新时期外交践行中的强大生命力。     

郭璞注《水经》考释

东晋著名博物学家郭璞,曾为《水经》一书做过注解。从《隋书·经籍志》至《四库全书总目》,各正史“艺文志”及目录书、典志史中皆有明确记载。现存郦道元《水经注》中,也保留了郭璞注的部分内容。郭璞广泛的游历、渊博的学识以及他渴盼祖国南北统一的志向,是他注释《水经》的动力源泉。     

论宗教与国族认同上的民族主义

民族主义是任何一个国家的政治精英和民众在不同程度上存在的一种政治意识,它靠对国家民族的情感而维系,也靠传统的集体意识和理念来强化,而其中的一个重要因素便是宗教。任何一个国家民族,无论现在是否为政教合一的政治体制,宗教在其民族情感和整合当中的作用仍然是相当复杂的。虽有强弱之分,宗教对于国族认同的作用仍然不可忽视,在有些国家甚至还是至关重要的。民族主义是一把双刃剑,它既可以加强国族的团结和整合,但其极端的、非理性的发展,又往往导致盲目排外、抗拒文明、拒绝普遍道义的蒙昧主义,其结果是维护落后、政治上极端保守,给国家民族带来大灾难。我们对此必须保持足够的警惕,而考察历史上的宗教与民族主义的复杂关系和互动,正是这种积极态度所需要的。     

Narratives of national belonging: the domestic,the wild,and the mutant in Australian film

This article explores understandings of postcolonial national belonging through an analysis of cinematic representations of humans, animals and the environment. It does so by analyzing a series of Australian films about plants, animals or people who are out of place or out of control. The article registers some of the changing representations of Australian flora, fauna and, by association people, as native, domesticated, simpatico, feral and wild; interpreting these shifts as recalibrations of a moral hierarchy of cultural belonging. Films including Lantana (2001) Dir. Ray Lawrence; Razorback (1984) Dir. Russell Mulchay; Rogue (2007) Dir. Greg Mclean; and Black Water (2007) Dirs. David Nerlich and Andrew Traucki are read in terms of political anxieties. Drawing on work ‘that insists humans and animals are currently bound in a complex network of relationships’, I use these films to explore issues of the nation, place, belonging in relation to aliens and natives. Given that in the past 20 years there has been increasing recognition of the history of colonialism and its effects on Indigenous peoples but also a different but related blossoming of environmental nationalism, the key question that animates this research is how these understandings are represented in film and what work animals and plants might have played in filmic cultural representations of national belonging.     

How the host nation's boundary drawing affects immigrants’ belonging

Across Western democracies, the place for newcomers in the host society is debated, involving often a questioning of immigrants’ belonging to their new nation. This article argues that immigrants’ feeling of host national belonging depends on how the host nation imagines its community and its concomitant boundaries. Utilising survey and country level data in multilevel regressions, immigrants’ belonging is found to vary significantly across the 19 countries included. A central contribution is the finding that citizenship policies do not explain this cross-national variation. Instead, what matters is the informal boundary drawing produced in the majority population's conception of what is important for being part of the national ‘us'. Thus, immigrants’ belonging is significantly greater when the majority population prioritises attainable criteria of national membership. In addition, these priorities are shown to have deep historical roots as immigrants’ belonging is greater in settler countries and in nations which democratised early. By showing that national imageries have consequences for a country's welcoming capacities, and by showing that these welcoming capacities are historically path dependent, the study contributes to the debate within nationalism studies about national identity's causal significance.     

Les transformations actuelles du régime de l'innovation en Wallonie: une analyse des pôles de compétitivité

Notre contribution propose une grille d'analyse du régime wallon de l'innovation et des transformations dont il est l'objet. Nous mettons en évidence les dynamiques qui ont émergé en Wallonie entre les stakeholders de l'innovation et le régime existant, autour de la mise en place des pôles de compétitivité. L'originalité de notre article repose sur l'utilisation de concepts comme le “macro-récit” ou le “paysage socio-technique” pour interpréter les dynamiques d'une politique publique d'innovation et appréhender la complexité de l'univers discursif, institutionnel, historique, culturel, social et technologique des acteurs en présence. Notre analyse montre qu'une telle approche est nécessaire en complément à une évaluation d'impact traditionnelle pour mesurer les chances de succès de l'implémentation durable de la politique wallonne des pôles de compétitivité. Nous concluons que le modèle d'innovation qui transparait relève d'une appréhension systémique des modes de production de connaissance, mais reste cloisonné dans une logique instrumentale de l'innovation, insuffisante et peu réflexive, maintenant à distance la société et certains stakeholders de l'innovation.     

The Tunnel at the End of the Light: the Crisis of Transition in Hungary

The economic, political and social transition processes of the last two decades, far from being in harmony, clearly have a detrimental rather than an enriching influence on each other. These processes will never become harmonised just by themselves in a natural fashion. The worst obstacle of a successful transformation is that the chief actors, such as the government, the market and the representatives of the society. The Prince, the Merchant and the Citizen do not show the necessary commitment, competence and determination to create a new, effective type of partnership. This is a challenge which urgently demands answers on all levels of governance, economic and social life. This must be done in the frames of local communities, and on the regional, the European and the global levels. Nearly twenty years after the political turnabout, Hungary now needs a new social contract and must lay down the ethical, political, institutional and intellectual foundations for its twenty-first century democracy.

论发展文化创意产业——基于建设国家中心城市的视角对广州文化创意产业发展的研究

本文从建设国家中心城市的视角,就广州发展文化创意产业的必要性进行了理论探讨,对广州发展文化创意产业的基础条件进行了实证分析,并提出广州大力发展文化创意产业关键在于解放与发展文化创意产业领域的生产力。