华语电影中的地域转移与空间叙事——大陆、香港、台湾电影改编中的地域比较研究

尽管大陆电影空间在《黄土地》等一批先锋之作中经历了从具实到抽象的过程,形成了扩张的文化隐喻,但是空间的传统经验却陷入了影像表达的悖论;游弋出大陆的香港电影始终将地域空间限定在城市想象的自我比附,或隐或显地出现了一种"双城"现象。张爱玲作品在香港颇受导演青睐,个中原因在于其作品铭记着"双城"(上海/香港)的空间体验。如果说大陆电影的空间有一种外向性,那么身处后现代文化中的台湾电影逐渐排除了整体的空间感,缩小地域、社会空间,出现了一种内倾的迹象。从深层的文化心理上说,这恰恰是两岸三地在西方文化触发后,民族文化记忆的不同苏醒。     

美源于主体的需求

从来就没有所谓本体的美,由西方哲学提出的本体概念,只是人们为了认识的方便而设立的一个“神”,美学研究者们却一直将它视为真实的存在,这是美学研究走进死胡同的根本原因。美也不存在于客体上。事实上,美只能是存在于人们的头脑中,是人们对意境的情感评价,是主体对自己的无意识需求在意境中获得象征性满足的情感评价。人们之所以漠视这一事实,是因为审美活动是发生在无意识领域,并不为意识所把握,所以人们一直不能确定它的真实所在。     

“质与文”“合理与合式”之辨

"质与文"与"合理与合式"是韩非子和贺拉斯分别提出的两组相互对应、有相似之处的形式理论范畴。这两个范畴不仅表现了中西古代文化思想背景、世界观念、思维方式上存在的根本性分歧,而且也表现了中西形式理论在主体问题上的"共通"之处。     

论形声字形符系统的产生及其功能

本文以系统论的方法,对形符进行阐释.认为高频形符的产生、形符的定形定位、形符表义的抽象化是形符系统形成的主要标志.作为系统内的要素,每个形符之间存在着交叉、互补和包含关系.同时,形符作为形声字的类聚标志,体现了形声字的层次性、网络性和开放性.     

圆弧车刀廓形的作图设计

从作图设计的观点出发，通过对成形车刀前南、后角、刀倾角及主偏角变化的分析，阐明了圆弧车刀廓形的作图设计方法．     

A litter-based approach to risk assessment in developmental toxicity studies via a power family of completely monotone functions

Summary.  A new class of distributions for exchangeable binary data is proposed that originates from modelling the joint success probabilities of all orders by a power family of completely monotone functions. The distribution proposed allows flexible modelling of the dose–response relationship for both the marginal response probability and the pairwise odds ratio and is especially well suited for a litter-based approach to risk assessment. Specifically, the risk of at least one adverse response within a litter takes on a simple form under the distribution proposed and can be reduced further to a generalized linear model if a complementary log–log-link function is used. Existing distributions such as the beta–binomial or folded logistic functions have a tendency to assign too much probability to zero, leading to an underestimation of the risk that at least one foetus is affected and an overestimation of the safe dose. The distribution proposed does not suffer from this problem. With the aid of symbolic differentiation, the distribution proposed can be fitted easily and quickly via the method of scoring. The usefulness of the class of distributions proposed and its superiority over existing distributions are demonstrated in a series of examples involving developmental toxicology and teratology data.     

代位权诉讼与其它代位诉讼形态之比较

代位权诉讼与代位执行、保险人代位求偿诉讼、股东代位诉讼等其他代位诉讼形态不同 ,它作为典型的代位诉讼形态 ,具有自己的实质和特征 :代位权诉讼是一种法定的诉讼担当 ,其基础为债权人之“诉的利益”,债权人提起代位权诉讼的目的是为了保护自己的合法权益 ,诉讼产生的实体法效果直接归于债权人     

建国后前七年我国发展科技的理论与实践

建国后前七年 ,党中央针对我国科技基础薄弱的客观实际 ,围绕着经济恢复和生产建设这一中心任务 ,确立了发展科技的主导思想 ,并就如何发展我国的科技事业提出了具体而详实的规划。提出了“技术革命”的战略思想 ,制定了“优先发展尖端技术”的战略 ,确立了“百花齐放、百家争鸣”的指导方针 ,实施了“科技人才建设”的计划。从而 ,初步形成了比较完整的发展科技的思想     

Pain in the Act: The Meanings of Pain Among Professional Wrestlers

This paper draws upon the relational turn in the study of pain to understand and explain the ways in which professional wrestlers manage and make sense of physical suffering. The paper focuses on how pain-laden interactions in the ring and the gym give form to the ways in which participants of wrestling think and feel about pain. The research is based on a long-term ethnography of professional wrestling. The article does two things: (a) explores the bodily skills that wrestlers cultivate to handle a context of ever-present pain, and (b) explains what the wrestlers’ interactions tell us about the meanings of pain that wrestlers come to share. Based on the reconstruction of participants’ lived experience of pro wrestling, I suggest that pain becomes attractive to wrestlers because it is given substantive meaning which encompasses denial, authenticity, solidarity, and dominance.

毛南族“肥套”的符号类型、象征及其功能解析

毛南族“肥套”融合了毛南族的傩歌、傩舞、傩乐、傩诵等形式,是中国傩文化的重要组成部分。毛南族“肥套”在传播中蕴含着大量符号,这些符号类型丰富多样,意义的产生遵循着特定的程序,各种符号具有着多重功能,借助于这些符号,实现毛南族傩文化的沿袭与传承。