军人电子健康档案互联互通性相关标准概述和应用建议

在介绍互联互通性概念的基础上,分析了电子健康档案互联互通性标准的分类和引用关系,并分别对互联互通性标准的3个层次,即信息集成规范、信息模型标准和信息语义标准的主要代表性标准的内容和典型应用进行了综述,提出了在军人电子健康档案系统建设中如何运用上述标准的建议。     

20世纪90年代初俄罗斯文学中的“苏联”叙事刍议

20世纪90年代初期苏联解体,社会急剧转型,导致了人们的价值观念和思维方式的巨大变化,并深刻地影响了文学的发展进程。这一时期,文学中的“苏联”叙事主要呈现出政治祛魅的特征：褪去神圣光环的十月革命、正义性遭受质疑的卫国战争、被消解的乌托邦神话体制等在文学中得以书写。作家通过这种陌生化的手法诉说历史之痛,解构苏联官方话语的宏大叙事。     

郴州古代之人文地舆考识

据湘西里耶秦简、新蔡葛陵楚简、郴州出土简牍和其他古籍,可知郴县并非在秦始皇始置,它至迟在战国已是楚国之县。“郴”字有不同的早期字形,分别具有不同的人文意义;郴州在上古有丰富的药材、香料、染料等出产。传说人物“郴夭”,应是神农尝百草过程中涉险共进的同伴。     

The turn to the self: From “Big Character Posters” to YouTube videos1

This paper explores the process by which user‐created content in contemporary China has evolved from being appropriated as a weapon of political mobilization and accusation to serving as a vehicle of independent self‐representation. The analysis is set in the context of the social, political and economic metamorphosis that China has undergone in the past five decades and foregrounds the dynamics of political, economic and technological forces transforming Chinese media. The metaphor of “the wall” is used to chart the contours of the struggle for self‐expression and representation. The paper concludes with a brief discussion of the political and social implications of the Internet and networked user created media content for China.     

Growing Up in a “WE” Family

SUMMARY

When couples choose to parent as a unit (the couple as WE) rather than as autonomous individuals, they and their children both benefit. The current article details some ways that parents can further expand their “couple as WE” into a “family as WE” with active parents and socially perceptive children. The article also discusses ways that family members can start and maintain a family dialogue.     

Family Social Work: The Past and the Present

SUMMARY

It is easy to blame the dysfunction of a family member on his or her behavioral patterns. I use the title, “It's the Relationship, Stupid!” not to talk down to family therapists, but to remind myself that the source of dysfunction is usually family relationships, especially the marriage relationship. This article gives several case studies for practical application of therapy techniques that focus on developing the “WE” of the family unit. One practical technique that I developed is a communication typology. The married couple (and family members) are divided into “Painters” and “Pointers.” This typology explains much of the conflict and mis-communication that leads to the breakdown of the “WE.” This article also presents dysfunction within the individual as a relationship problem and introduces the concept of the “spirit” of the individual as expressing the relationship the person has with self.     

Between martyrology and historiography: Elias Tcherikower and the making of a pogrom historian

This article examines the dialectical relationship between martyrology and historiography, religion and secularism in the works of the Russian‐Jewish historian and communal activist, Elias Tcherikower. Tcherikower, although a disciple of Shimon Dubnov, who maintained a commitment to a positive portrayal of Jewish life in the Diaspora, championed what Salo Baron called “the lachrymose conception of Jewish history,” the view that understood Jewish history as consisting primarily of a series of persecutions. From World War One onward, Tcherikower romanticised Jewish martyrs and argued that religious and cultural renaissance followed on the heels of persecution and martyrdom. This preoccupation with the relationship between Jewish martyrdom and cultural creativity inspired Tcherikower first in his role as an historian of the pogroms of the Russian Civil War and then as a leader of YIVO. Until the eve of World War Two, Tcherikower believed that modern Yiddish scholarship served the same transcendent purpose as had Torah study in the past and that Jewish historiography could inspire the Jewish people in the same manner as had pre‐modern martyrology. Tcherikower’s work thus provides a fascinating case study of the persistence of traditional religious conceptions in twentieth‐century East European nationalist Jewish historiography.     

Illusion — Money — Illusion: Viktor Pelevin and the 'Closed Loop' of the Vampire Novel

Abstract

A brief contextual discussion is presented of the Russian history of the vampire genre and its spiritual critique of the human condition in both the nineteenth and twentieth centuries, encompassing texts by Gogol, Turgenev and Bulgakov, as well as the well-known Dozor teratology by Sergei Luk'ianenko). It addresses the question of whether the vampire in this context is principally Romantic transgressor, moral object lesson, political metaphor, or capitalist bloodsucker. The principal focus of the article is Viktor Pelevin's 2008 novel Ampir V (Empire V), set in a new Russian empire of 'benevolent' slavery, in which humans are prey to the vampires who live amongst them. The argument is that Pelevin's novel addresses issues such as political predation, capitalism, and consciousness; the mind-capital link can be analysed within a broadly Jamesonian/Deleuzian model of consciousness under late capitalism. Pelevin uses vampires, hidden creatures of the night, to divine the darkness of self-delusion, asking what one might know and how one might know it, given a world of illusions, shadows, and deception. Although (briefly) acknowledging the forces of faith and of love, he concludes that addiction to illusion is the human condition; thus Pelevin's formulation of human destiny as 'illusion–money–illusion'.     

基于“工学结合”的高职商务英语精读课程教学改革探究*

“工学结合”是高职教育人才培养模式的显著特征,也是高职教育的核心理念。在此背景下,分析了泉州地区高职商务英语精读课程的教与学的现状,探讨了高职商务英语精课程教学改革研究策略。     

汉英日语中颜色词“红”“青（蓝）”“绿”的感情隐喻考察

汉语、英语、日语中的色彩词“红”“青（蓝）”“绿”都有丰富的感情隐喻。由于人类有着许多共同的生理现象,从而使得颜色词在不同的语言中存在相同的隐喻;同时又由于文化的差异,这些颜色词在各语言中也有各自独特的隐喻,这里通过对比分析,以揭示它们所具有的共性和个性。