改进的Gompertz模型参数估计方法比较研究

讨论改进的Gompertz模型两种参数估计方法:三和法和非线性最小二乘估计法,并通过蒙特卡洛实验比较两种估计方法的精度和收敛率,得出非线性最小二乘估计法在估计精度和估计的成功率两方面都优于三和法的结论;利用Gompertz曲线拟合中国电影票房数据并对其未来发展作出预测:中国电影票房最终可以在2025年左右到达饱和状态,饱和状态总规模大约为1 676.5亿元。     

美国电影教育概谈

美国的学院电影教育具有发达又完备的体系,既有专业化的电影创作人员培养机制,也有阶梯化的电影研究教学架构。在这其中,美国电影教育体现出了一些突出的特点,比如制作专业细分化,同时电影研究的综合性又不断加强。在一些著名电影学府的入学机制、课程体系中,也体现出了美国学院电影教育注重学生创造性的特点。在研究美国学院电影教育的现状和类型、特点,总结其突出之处基础上,给中国的电影、电视教育带来一些有益的启示。     

中国当代电影批评史究竟如何叙述

既有的研究将中国当代电影批评史建构成电影批评模式的历史,至少面临着两个主要难题：一是如何正确处理批评模式与整体的批评活动之间的关系问题;二是批评模式的转换如何体现批评史的发展趋势问题。与其说将中国当代电影批评史建构成批评模式的历史,不如说建构成在具体电影观念指导下整体的批评实践活动的历史。     

Surrogate religion, spiritual materialism or protestant ethic? Three accounts of the function of religiosity in anti-ageing

This paper sets out to explore the conceptual requirements and semantic dimensions for the reconstruction of the links between anti-ageing and religious narratives of old age. Three arguments are presented from the existing literature; anti-ageing is interpreted first as a surrogate religious narrative, second as spiritual materialism and third as a residual effect of the Protestant Ethic. These arguments are explored in three ethnographic case studies presenting the religious anti-ageing narratives of, respectively, a user, a lobbyist and an entrepreneur from the German-speaking anti-ageing movement. While none of the cases clearly supports one of the established arguments, they do point to a powerful amalgamation of scientific and religious narratives, representative of an upsurge in materialistic values in religious interpretations of ageing and religiously legitimated calls for a new, self-controlling ethic in anti-ageing, one which seems to foster the individualisation of the risks of ageing in line with the commodification of the ageing body.     

非定域条纹与等厚条纹间关联的研究

研究了等厚干涉条纹与非定域条纹间的关联和区别,通过定量推算并经迈克尔逊干涉仪验证,得到薄膜干涉的等厚条纹被相同实验条件下的非定域条纹所兼容.     

Sex Work,Office Work: Women Working Behind the Scenes in the US Adult Film Industry

Women currently working behind the scenes in the adult film industry both inform considerations of the contemporary experiences of sex work in the USA and shed some light on differential experiences of gendered workplace organizations. Based on ethnographic observations and informal interviews conducted at a typical adult film production company and on examining the industry's historical development, I have found that a diverse range of occupations and occupational opportunities are available for women in the adult film industry and women workers in the US adult film industry experience their gendered workplace in unique ways. I suggest that this is due in part to the adult film industry's wider social network, which has itself been shaped by the historical development of the adult film industry and the stigma of sex work.     

Indigenizing girl power

This article considers the intersection of girlhood, agency, and indigenousness through a reading of the internationally renowned film Whale Rider. I suggest that Whale Rider presents a double project that resymbolizes girlhood as it also produces a “decolonizing of the screen.” On the one hand the film resonates with what emerged in the 1990s as the assertion of “girl power” and the notion of a new, active, powerful and agentic femininity. On the other hand, the film mobilizes a re-articulation of these discourses of “new femininities” by “indigenizing the image” of the empowered girl.     

当代中国电影中“奔跑”情节的哲学诠释——以张艺谋、陈凯歌电影为个案的分析

在当代的中国影坛上,一些电影大片都不约而同地运用"奔跑"作为影片中的一种特殊情节,并且这一情节突破了"追赶"或"奔逃"的一般含义,被赋予了深刻的哲学和美学内涵."奔跑"不是写实而是一种象征,这种情节象征着人的血性、野性和原始的生命冲动力.同时,这一情节也是生命本能和社会规范之间紧张关系的形象化载体.     

夏衍电影改编理论的历史境遇与现实意义

对夏衍电影改编理论在不同社会文化语境下的历史境遇进行比较,以探索该理论在当下文化语境的现实意义。分析认为,随着社会文化语境的变迁,夏衍电影改编理论不断经受历史和时代的检验,并彰显出强大的生命力和鲜明的实践品格;尽管当前消费文化语境下娱乐化、世俗化改编的兴盛使夏衍电影改编理论遭受冷遇,但该理论对认识和解决当下改编实践中存在的价值迷失、叙事贫弱、民族化色彩匮乏等问题仍具有重要意义。     

论中国现代电影小说的创作发展

在中国现代电影文学史上,电影小说作为一种独特的创作现象,是一种客观存在,并已成为一种不容忽视的电影文学样式.它既为现代电影的创作发展做出了积极的贡献,也为现代电影文学增添了新的题材内容和创作样式.因此,现代电影小说的创作状况及其在电影史上的地位和影响,理应受到关注与重视,并予以正确的评价.