符码转换与价值延异——鲁迅小说改编电影的路径与实践

鲁迅小说改编电影有1956年北京电影制品厂的《祝福》、1957年香港长城电影制片厂的《阿Q正传》,1981年的《阿Q正传》《伤逝》《药》和1994年《铸剑》六部作品。这些改编电影在寻找忠实文学原著的精神内涵和契合改编的时代语境间平衡,艺术表达上暗隐当代中国文学性渐弱而视觉性渐显的趋势。改编电影从原小说中挖掘贴合电影表达的质素,强化电影的故事性,强化情节结构,增添情感元素。充分利用原小说中包含着现代性的“看”的思考和现象,在银幕上下、故事内外的各种历史文化影像中试图寻找小说和电影共通的解读编码,演绎成各类影像化模式。鲁迅小说电影改编的实践经验都显示了20世纪中国现代性文化语境中的视觉语言和文字语言影响和交融日益加强的文化现象,体现了中国知识分子的文字文化经历影像转化进入更为宽广的“公共领域”的努力过程。     

略谈俄文电影片名的翻译

电影片名翻译是一项富有创造性的工作,好的翻译能为影片锦上添花。电影片名翻译的方法主要包括直译、意译、按照历史背景和故事情节来翻译、按汉语的语言特色来翻译。在翻译过程中应坚持功能对等原则和适应市场需要原则。     

鸳鸯蝴蝶派与早期中国电影的本土化接受

鸳鸯蝴蝶派用小说化的艺术修辞手法书写电影人的寻常家事，通过制造心理共鸣和情感共振，为市民最终接受电影这一新的“媒介物种”铺平了道路。他们以电影人的悲欢离合为素材创作了不少小说，使公众熟悉了电影人物与各种电影空间，加深了观众和电影的情感联系。他们的电影评论从传统戏剧和文学艺术中吸取养分，是早期中国影戏理论的重要组成部分，既起到了启蒙教育观众的作用，也为中国电影本土化架构了理论基石。他们以报刊为载体，以评论、杂记为渠道，用合乎中国人审美心理的方式将电影引入人们熟悉的日常生活中，将电影这一冷冰冰的技术物件与公众可感知、可理解的身边事物、生活经历、社会交往融合起来，推动了早期中国电影的本土化。     

影视改编中空间叙事对现代人类价值观及生存困境的表现——以电影《画皮1》《画皮2》为例

从影视改编作品的叙事空间研究角度出发，分析影视作品如何通过空间叙事来传达丰富的主题和深刻的内涵。作为一种研究架构，将影视叙事空间的文化范式分为地理空间、历史空间、虚拟空间三个维度，并以电影《画皮1》《画皮2》为例，深入分析影片的叙事空间及影片如何通过空间叙事表现现代人类价值观及生存困境，进一步探索电影叙事空间的研究范围、深度和综合的可能性。     

Is data-driven decision-making driven only by data? When cognition meets data

This paper aims in the context of data-driven decision making (DDDM) at investigating how biases related to the intuitive and rational types of human reasoning interact and how the trust in data changes applying the parallel-competitive theory. Using ethnographic research based on participatory observations, we explore the case of a traditional transportation firm in the northern UK and its earliest use of data to inform strategic decisions. We found that biases are grouped into what we called cognition trap, data trap, and trap recognition zones. We further observed three facets of trust in data as decision makers were falling into the three trap zones. These findings contribute to the parallel-competitive theory by unveiling the intriguing synergy of the intuitive and rational types of reasoning in DDDM and providing fine-grained insights related to biases and trust changes. The study also enlarges our understanding of the inception and nature of cognitive and data biases in the DDDM context. Managerial implications are also highlighted and further discussed.     

Unfolding female quiet in wargames: gender bias in Metal Gear Solid V: The Phantom Pain from representation to gameplay

This article investigates the cultural mediatization of the relationship between gender and war by looking at the representation and agency of female presence in one of the most popular sagas in video games: Metal Gear Solid. We have specifically focused on the last chapter of the series, Metal Gear Solid V (MGS5) by putting under scrutiny the character of Quiet. The analysis draws upon the rich theoretical corpus of feminist film studies, with reference to two main concepts: the “visual pleasure” by Laura Mulvey and the “female voice” by Kaja Silverman. These analytic tools are employed in order to scrutinize both the visual representation and the design of the game. We argue that MGS5 is a relevant instance of a large part of gaming production that develops a war imagery characterized by (a) the exploitation of women and (b) an employment of female body as a tool to fulfill the visual pleasure of the male gaze. The figure of Quiet, with the oversexualization of her body and the deprivation of her voice, is particularly telling in this respect. Our analysis aims to identify effective solutions in order to think about more inclusive digital games able to address conflictual issues without surrendering to sexism.     

氮离子注入金刚石薄膜场发射初始过程研究

研究了氮离子注入CVD金刚石薄膜的场电子发射行为 .实验表明 ,稳定发射的形成过程基本具有规律性的击穿、激活和稳定发射三阶段特征 ,并提出了一种修正的激活模型 ,解释了实验结果 ,讨论了发射机理 .     

跨文化交流中华语电影的历史与未来

新世纪即将来临 ,处于跨文化交流中的华语电影应当如何面对机遇与挑战 ?应当如何坚持民族电影的发展道路 ?2 0世纪 80年代两岸三地华语电影成功进入国际艺术电影竞争行列的辉煌业绩 ,无疑将为 2 1世纪华语电影努力进入国际主流电影竞争市场 ,提供许多有益的启示与借鉴     

论电影欣赏的心理特征

电影欣赏是一项综合化极强的心理活动。在欣赏活动中,作为审美接受者的观众必须调动自己的各种感觉能力,全身心地投入和感知。就欣赏过程来看,观众的心理表现为直觉性领悟,情感性投射、补偿、宣泄和满足,表现为一种紧张的、富有探索精神的积极介入,表现为一种积极的创造性的联想、想象和对影像语言的主动破译     

Ojibwe lesbian visual AIDS: On the Red Road with Carole laFavor,Her Giveaway (1988), and Native LGBTQ2 film history

ABSTRACT

After a century of suppression across the Silent, Classic, and New Hollywood eras, Native Lesbian/Gay media began to proliferate in the post-AIDS 1980s and into the second millennium. Her Giveaway: A Spiritual Journey with AIDS (1988) is a key tribal health AIDS video that exemplified a new contemporary media combination of visual, erotic, and theological sovereignty. The video's central Red Road narrative by the lesbian, Ojibwe, and AIDS/HIV+ spokesperson Carole laFavor emphasizes Native American traditional healing methods involving the medicine wheel and a reclamation of Native lesbian/gay identity.