中国影视作品中的日本人形象

日本人形象一直是中国影视作品中出现的次数最多的外国人形象。对于日本人形象的塑造,深刻地反映了中国人对于现实中日本人的认知以及不同时代中日两国的关系。该文主要探究抗日战争时期、新中国建立,至改革开放以及改革开放后三个时期影视作品中日本人形象的特点及其形成的原因。     

影视作品中的隐性广告及其对受众的影响

随着影视事业的发展与壮大，“隐性广告”悄然诞生。作为市场经济的产物，相比于显性广告遭受众抵触的处境，隐性广告越来越以其“隐性”并且形式多样的特点慢慢潜入了人们的生活中，对受众产生了一系列的影响。本文通过对影视作品中隐性广告的举例分析，阐释了隐性广告的内涵及其植入过程中存在的问题，进而指出受众面对隐性广告应该保持的正确心态。     

Questioning diaspora: mobility,mutation, and historiography of the Shaw Brothers film studio

This piece reviews the historical accounts of Shaw Brothers Studio, targeting its presentation as a diaspora company whose commercialism was enhanced by political pragmatism, frugality, and agility. The studio's activities were constrained by twentieth-century geopolitics, but its behavior was also shaped by its show business competitors, new technologies, and emergent popular forms. Existing historical accounts tend to overstate the studio's diasporic qualities, especially compared to other firms. This essay argues that there are limits to the diaspora model and proposes a more complex understanding of the firm. Alternative factors are considered in the company's colonial stratagems, in both its earlier and later phases, and in its dealings with Hong Kong's left-wing studios and subsequent business in Taiwan. Finally, Shaw Brothers Studio's appropriation of Japanese and other Asian talent is significant to the diaspora model of Shaw Brothers Studio.     

线槽状几何场增强模型研究

对几何增强有效场强应用于肖特基接触从而提高碳膜场发射性能的机理进行了理论分析,介绍了一种有效而实用的平面线槽状排列几何模型,并将其与传统的密排型阵列微尖模型进行了比较.发现对比密排型阵列微尖模型,这种平面线槽状几何增强模型与肖特基接触结合后,场发射均匀性、电流密度、发射点密度等各项场发射指标都有很大改善.     

试论英汉电影片名翻译的文本特征

电影作为一种独特的大众和媒体传播方式,在日常生活中发挥着日益重要的作用。不同于其它翻译,电影片名本身肩负着文化和商品的双重使命,因此,它具有简约特征、审美特征、文化特征和商业特征。在翻译过程中,译者必须考虑这些独特特征方能翻译出准确本色且脍炙人口的译名。     

用淬冷法确定饱和液氮中的池沸腾热流密度曲线

用直径为５０ｍｍ、厚度为１２ｍｍ的铜平板在液氮中进行了不同热面方位角的淬冷沸腾实验，各方位角为θ＝０°（热面向下）、１０°、２０°、３０°、５０°和９０°（热面垂直）；随着方位角的增加，临界热流密度、最小膜态沸腾热流密度及其壁面过热度相应地增加，且在方位角θ＜３０°时，θ对上述参数的影响更大；得出ｑＣＨＦ、ｑｍｉｎ与方位角的关系式．     

数码影片非线性编辑的生成方法

阐述了多媒体视作品的非线性编辑的概念，介绍了非线性编辑工具的选用，并详细讨论了数码影片线性编辑的实施方法。     

论改革开放30年广东影视的发展历程及其启示

中国实行改革开放以来，广东影视业获得了发展的大好机遇，在崭新的社会环境中披荆斩棘，奋力创业，变革观念，高扬爱国主义旗帜和勇于探索的精神，30年来不断发展、成熟，逐步形成了自己丰富的影片样式和鲜明的艺术风格，现已成为广东艺术的一个重要门类。“观念开放，受众为先”，是改革开放30年以来广东影视的发展启示。     

目的论视角下对电影《长发公主》字幕翻译的探讨*

随着全球一体化的发展，电影已经成为人们了解学习异国文化的重要途径。这里以目的论为指导，就迪斯尼电影《长发公主》的字幕翻译进行分析，以期就电影字幕翻译这一领域的研究进行新视角的探讨。     

The Cinematic Quiet Girl from The Breakfast Club to the Badlands

This essay is intended to counteract the omission of the quiet girl from critical media thought and to recuperate her for film history and feminism. The quiet girl is a visible presence across numerous films and genres, from heartfelt melodramas like Corrina, Corrina to gruesome horrors like Carrie. Within these diverse texts, the quiet girl represents a consistent threat to authority. She keeps her thoughts to herself and, as such, just beyond the reach of other's surveillance, delineation and control. Her silences unravel the self-certainty of others and deny them access and closure. But, the threat the quiet girl poses is always in danger of being contained via her transformation into a more outgoing—that is, more knowable—version of herself. If all else fails, the quiet girl risks banishment or death. One text that circumvents the containment of the quiet girl, however, is Badlands. In Badlands, the girl protagonist's increasing silence over the course of the film coincides with her increasing freedom from male rule, suggesting the potential that silence holds for girls and feminism.