试论北宋宫廷花鸟画与民间花鸟画的互动——以易元吉绘画为例

宋代宫廷花鸟绘画承袭五代余绪,以"富贵"为特色的黄氏绘画流派为宫廷主流,以"野逸"为风格的徐氏绘画流派主要流行于民间,但两种风格的绘画在宫廷绘画实践中已有妥协互动趋势。活动于北宋中期的长沙艺人易元吉,既是一位优秀的民间画师,又曾征召入宫廷绘画,开创了宫廷花鸟绘画与民间花鸟绘画成功互动的典范。北宋时期我国传统绘画艺术达到极高的艺术成就与这种艺术上的不同流派之间的互动有着密切的关系。     

竖屏短视频中的身体呈现与身体消费

随着应用平台的不断完善和用户习惯的逐渐养成，竖屏短视频俨然成为身体视觉形象荷载和身体审美的绝佳场域，用户也在表演与欣赏的过程中实现自身表达，获得价值认同。不仅如此，竖屏短视频还利用单手竖持、影像竖制及大数据反馈实现身体在场和人机交互的升级，进一步收割用户注意力并成为新一轮互联网商业模式演进新入口。值得注意的是，当前在改变用户消费观念和方式的同时，竖屏短视频也被消费主义裹挟，一度陷入媒介伦理失范、传播生态失衡的发展阵痛之中。     

The Rules of (Dis)engagement: Black Youth and Their Strategies for Navigating Police Contact

Prior work on youth–police relations examines young people's general perceptions of the police, their differential treatment by police officers, and officers' discretion in dealing with youth. Yet researchers have largely neglected the question of how young people attempt to shape these encounters. I address this critical gap, while also incorporating the experiences of “on track” youth and young women—two groups that are not exempt from police contact but traditionally ignored in the youth–police literature. Drawing on semistructured group and individual interviews with 19 black young people in New York City, I investigate the strategies they employ or subscribe to in navigating police contact. Three types of strategies emerged from my analysis: avoidance, management, and symbolic resistance. Avoidance strategies are marked by young people's attempts to preemptively steer clear of officers on the street. Management strategies are employed by young people during police encounters to limit risk or harm, while symbolic resistance is a subtle tactic used by some youth to preserve their dignity in these interactions. This study also considers the gender differences in respondents' approaches and offers new insights into how they assess their police interactions in an era of highly publicized incidents of police brutality.     

互动视角下构式压制和承继的合力机制——基于羡余否定构式“好不X”封闭语料库的研究

构式与其组构成分间的互动关系一直是构式语法关注的核心问题之一。Goldberg在构式语法理论框架中提出了动词与构式的双向互动观，但在实际论述中却过于强调构式对动词的单向压制，降低了动词义对构式生成的贡献，忽略了对构式组构成分的系统研究。以构式与其组构成分间的互动关系为视点，从构式压制与承继的辩证关系出发，进一步阐释图示构式生成是构式与组构成分在互动压制和多重承继合力作用下的结果。同时，基于封闭语料库穷尽分析汉语羡余否定构式"好不X"的特征，结果表明：构式压制与词汇压制是双向互动的；图示构式特征的形成取决于构式对其组构成分的多重动态承继；图示构式基于互动压制承继合力机制的形成。     

“十七年”音乐创作与社会的互动研究

十七年音乐在新中国音乐发展史上属于“特例”,既非建国前的“十里洋场”,亦非文革时代的“高快硬响”。音乐创作对传统的“爱情”主题进行了重新阐释与定位,将其放置到革命或者建设社会主义的大语境下来论述,使爱情叙事打上了鲜明的政治烙印。但创作者并非完全听从政治指令的艺术木偶,他是以一种更为隐性的方式将创作的触角伸向少数民族题材的音乐,以此寻求“宏大叙事”与“个人情感”之间的平衡。创作出了明显区别于其他时代的爱情歌曲,具有特别的审美价值。     

Penny for Your Thoughts: Beggars and the Exercise of Morality in Daily Life1

Urban sociology has tended to study interactions between passersby and “street persons” with an emphasis on the ways street persons become bothersome, harassing, or dangerous. This article moves away from the focus on the ways interactions in public go awry and focuses on how individuals account for the mundane, everyday exchanges they have with strangers who seek their help. Based on interview data (N = 31) and qualitative analysis of data from an Internet survey (N = 110), this article suggests that the presence of beggars does not inherently symbolize urban decay to passersby and does not necessarily elicit anxiety, but instead provides a valuable texture of urban life. Further, the article argues that individuals, when justifying their responses to requests for help from needy persons (beggars) in urban spaces, use a variety of cultural strategies to maintain their perception of themselves as moral persons, both when they choose to help and when they refuse. Drawing from these findings, the article suggests that urban sociology and the sociology of risk would benefit from sensitizing their studies of public interactions to the diverse meanings individuals assign to them, rather than presupposing annoyance, anxiety, or fear as their predominant characteristic.     

Exploring the nonverbal facet of ethnic discrimination: a field experiment on anti-Roma racism in the Paris métro

A field experiment on the discrimination of Roma migrants from Eastern Europe was conducted in two stations of the Paris metro to explore the behaviors that may communicate misrecognition in everyday encounters. An actress asked for help to randomly chosen passengers on a metro platform, wearing a glaringly Romani skirt in the treatment condition but an unconspicuous middle-class style in the control condition. In interaction with the actress wearing the Romani skirt, passengers were found to enact the so-called “visual dominance pattern”, and male passengers in particular were found to keep greater distances. Reverse discrimination also occurred as women kept shorter distances from the actress bearing the ethnic stigma. Last, passengers helped less the stigmatized actress, but only in one of the two metro stations where trials were conducted.     

从公共政策分析的视角看科学技术与社会的相互作用

科学技术与社会相互作用,已经成为现代社会人类把握世界的一种基本方式,这种把握世界的基本方式对科学技术采取理性、审度、宽容的立场和态度。为推进科技与社会相互作用,促进科学文化与人文文化两种文化相互融合,进而破解斯诺命题,实现科技、人口、经济、环境、资源和社会可持续发展,需要制定和选择合理的公共政策为其提供内在动力和调整机制。     

宋辽西夏金民族互动过程述论

中国民族团结的发展在经历了隋唐的第二次大整合之后,在宋辽西夏金元时又进入第二次大冲突时期。