论司马迁的文学思想

司马迁注重立言不朽,主张成一家之言,继承《春秋》笔法,写作《史记》,褒贬人事,表达情感。他联系自己的实际和有关的史实,论述文学史上带规律性的问题,提出发愤著书说。他概括先秦以来儒家的诗乐理论,重视文学的教育作用与感染力量,强调文艺为社会政治服务。他首先为文学家立传,以知人论世的方法、思想艺术兼顾的标准和公允的态度评价作家与作品。     

谶纬的禁绝与辑佚

从历朝历代均要禁绝谶纬来看,实际上禁之不绝;禁绝谶纬虽然主要令出帝王,但帝王往往信仰之。之所以要禁绝谶纬,则在于谶纬的中心内容主要是君权的政治合法性问题,而此问题恰恰属于最＂敏感＂的话题,不可讨论。此外,将学术史上对谶纬的辑佚加以展示,可以为谶纬的进一步深入研究提供指引。     

唐代纪传、编年二体优劣论

唐初史家继承南北朝史学的理论遗产,列纪传体为正史。其后,史家开始强调史学褒贬人事、惩恶劝善的宗旨,这股思潮与中唐以后兴起的《春秋》学合流,将史书的编年体裁与褒贬义例联系在一起,导致中唐以后编年体史书中兴的局面。在此背景下,皇甫湜提出只要能立褒贬以示惩劝,二体皆可为良史的主张,对北宋时期《新五代史》等书的编纂产生了重要影响。     

裴松之《三国志注》引书辨析

裴松之<三国志注>是魏晋之际三国史研究的总集,具有多方面的学术价值,一直备受学界关注.清代嘉庆以降,考证裴注引书和根据裴注引书编辑索引者已达19家之多.由于研究者均没有完全吸收其以往的成果,也没有确定完整的引书标准,因而研究的结果有多处重复,而数量则由140余种至255种不等.考证结果的巨大差距也导致了普及的混乱.本文在总结以往成果的基础上,提出裴注引书的六条标准,并根据标准辨析裴注引书为抖5种,另有¨则出处不详.     

黄宗羲与图书编撰

黄宗羲的图书编撰思想十分丰富,在图书编撰史和图书编撰理论方面有独到的见解.他在图书编撰方法上总结出经验"条其大者","操其大要";不主门户之见;取材应该多途径并进行考订求实.     

《三国志通俗演义》叙事特征散论

《三国志通俗演义》在叙事技巧上既继承了通俗小说的特点,又吸收了古代史书笔法,使得这部小说不同于一般通俗小说,在文化品格、叙事策略和结构技巧等方面别具一格。     

Digitization,the Internet,and the Arts: eBay,Napster, SAG,and e-Books

Via four case studies we explore the extent to which digitization is transforming how people access and engage with the arts. The first case study is the online auction house eBay. We focus on a unique system whereby millions of users rate each other's integrity and reputations in a digital venue via a transparent system open to all users and visitors alike. The second case study examines the Screen Actors Guild strike against the advertising industry, which drew attention to the potential for and limitation of the replacement of human actors by digitized replicas. Third, we focus on e-books in the context of the prediction that most books, music and film entertainment will eventually be distributed electronically to the average household. The fourth case study analyzes the Napster debate over file sharing and duplication of online music. We focus on the ability of Napster to create a huge community of users sharing their own copies of digital music. From this point of view Napster represented a uniquely efficient and large-scale dream, a modern form of the cooperation and sharing of property envisaged by classical anarchist philosophers of the nineteenth century. On the other hand, and as always in anarchistic uprisings, another class claimed proprietary ownership in the material being shared and saw in Napster mostly collective theft on the part of ordinary citizens. Three of these four case studies centrally involve ordinary people using the digital media in creative and innovative ways. We conclude by arguing, against those who are skeptical about the transforming power of digitization, that even in the short time that it has been widely available digitization has so increased people's ability to interact creatively with products that this amounts to a qualitative change which, over the next few decades, is likely to develop so far as to justify the label revolution.     

刘又辛文字训诂研究

刘又辛在文字训诂研究中,对汉字发展、汉字假借、同源词、异体字等方面提出了新见解,为汉语言文字学研究作出了重要贡献。     

馆藏文献数字化及其方法

图书馆馆藏文献的数字化就是利用现代数据库技术手段将印刷型馆藏文献转化成数字型网络信息资源。在实施这一转化的过程中，可选择采用扫描录入法、文本方式、扫描与文本的结合方式等存贮方法。     

假帐的表现形式、成因及其对策

一系列国内国外造假案的披露,使会计诚信受到了广泛的质疑,会计工作陷入了困境。文章通过对会计 假账形式的研究,试图揭示其动机,并提出了一些行之有效的对策。