"意象"的美学历程发微

"意象"是中国美学、艺术学领域中的重要范畴。其萌芽于中国原始思维中的"感物—象数"传统,"数"与"德"构成了"象"所承载的原型意义;魏晋至唐代是哲学意象论向审美意象论滑移的过渡时期,"境象不一"由艺术领域的泛化所指,向文学领域的确定所指靠拢;文学意象论完成于明清,意象在文学批评和理论言说中被普遍使用,对其主客统一、情景交融的认知已经全面渗入日常话语体系。与此同时,明中叶以后叙事文学中"形象"的凸显,以及西方话语的冲击,导致五四以后学界一度以西方视角审视意象。辩证地看,也为这一范畴的现代化提供了契机。     

"图像处理与分析"课程中学生实践能力培养初探

图像处理与分析是一门实践性很强的专业课,如何在课程中培养学生的实践能力是该门课程教学的一个重要课题。文章就这个课题分别从学习兴趣、学习动机、实验设置、课程设计等方面进行了探讨。     

品牌形象模型的比较研究

品牌形象是品牌资产的核心成分，品牌形象的内涵和特点是深入研究品牌形象的出发点和基础。艾克、科勒、克里斯南和贝尔分别从各自的研究角度提出了品牌形象模型。其中，贝尔模型从“硬性”和：“软性”两个方面深入探讨了公司形象、产品及服务形象和使用者形象对品牌形象的贡献，直观地描述了品牌形象的构成要素及其影响因素，更适宜于对品牌形象的实证研究。     

Image repair in President Bush's April 2004 news conference

As the war in Iraq heated up in March and April of 2004 and casualties continued to climb, President George W. Bush's reputation continued the downward spiral it had experienced during the past year (from 71% approval to 49%) as more and more voters questioned his policies and fitness for office. He responded to this situation by holding only his third prime time press conference on April 13, 2004.     

德波的“景观社会”理论评析

法国哲学家德波提出的"景观社会"理论,是一个十分独特而又表述十分艰涩的理论体系.德波把"景观社会"与马克思的"商品社会"相比较,重在面对当今世界新情况提出他的"社会批判"理论.德波阐明了什么是"景观"及"景观社会",指出资本主义社会出现"景观社会"形成了"意象统治一切",提出由"景观社会"中的"真[-伪"二重性所以"伪世界"充斥,要有一种"革命性"的"总体策略"才能超越"景观社会"中"意象与幻觉的统治"等关键性命题,具有相当的现实性批判意义.     

用Delphi实现基于小波变换的JPEG2000压缩

本文从Delphi的一般应用方法入手,给出了实现基于小波变换的JPEG2000压缩方法,详细的阐述小波变换的理论,介绍了实现过程中的技巧。     

The residents’ ‘images of the past’ in the architecture of Salt City, Jordan

In the preservation movement, the perception of older buildings by the residents of a city has received limited consideration. This paper reports on empirical research conducted in a small traditional city, Salt, Jordan. It examines ‘images of the past’ within a model of nonverbal communication of the meaning in the built environment. The objective of this study is to identify similarities among residents’ images of the past. A survey research design using multiple sorting techniques with open-ended questions was used to identify residents’ images of the past. These images were elicited through the observation of coloured photographs of a sample of older buildings from the city centre. Images of the past were examined within three content areas: knowledge of the past, date of construction of the building, and character of the past of Salt City. Findings suggest that older buildings in the centre of the city do evoke similar images of the past for residents, regardless of their length of residential tenure. From these similar images, a common image of the past focus on public or social use buildings along with residential buildings of the settlement era. Residents has associated these buildings with the past functions and development of the city. This study presents an approach for operationalizing the image of the past as a research variable (in terms of the scale of a city and of different cultures).     

Understanding the reputation and image of the Philippine public relations industry

This paper attempts to understand the current state of the Philippine public relations industry by investigating how it obtained its current reputation and image. It traces the evolution of public relations’ image and identifies factors and entities which may have contributed to the further development of Philippine public relations’ current reputation. The study begins with the popular assumption among Philippine pubic relations industry practitioners that the nature, function, and role of public relations in corporations and business in the Philippines has often been questioned.     

莫言长篇小说《蛙》中的中国形象解读

中国形象是一个复杂的综合体,可以从不同的角度加以剖析。单就其诗学意义而言,从语言形象、表征形象、神话形象、家族形象、干部形象等层面梳理《蛙》中的中国形象,可以更好地理解莫言这一中国作家笔下的中国形象。