亡灵忆往:唐宋传奇的一种历史观照方式(上)

亡灵忆往是唐宋传奇作家采取的一种独特的观照历史的叙事模式。真实历史人物和虚构人物以鬼神的面貌出现,充当着历史当事人和讲述人的角色。通过生人和亡灵的对话,用零距离叙事切入历史,对历史作出评价和批判,探寻治乱之道,并展开历史抒情,表达伤时怀古的兴亡盛衰之感、身世家国之感。作家的历史目光主要投向乱世,投向妇女,尤其是后妃宫人等,表达了对她们的和王朝命运紧密相连的个人悲剧命运的深切关怀。     

当爱情变成了历史--晚清的史词

在中国文学发展史上,词之美感特质的演进与历史之世变有着相互作用的密切关系.而词学家对于词之美感特质的体认也经历了一段漫长而复杂的过程.清代常州词派的理论家周济在积累和总结前人的基础上提出了"诗有史,词亦有史"的说法.伴随晚清之世变,产生了大量史词,委婉曲折地反映出世变的阴影,正是晚清史词优秀作品的共同特征.     

德国历史学派与!" 世纪经济学方法论之争的启示

在资本、商品与信息在世界范围内流通的全球化时代,一个随之而来的问题是,来自不同社会与不同文化传统的人们应当以什么样的方式面对这个时代,并且在保持差异的前提下和谐相处。之所以出现这个问题,是因为全球化时代的技术进步与创新改变了物质生活的样貌。但是,“大量传送而无社会中介”的信息未曾将第三世界贫民窟的居民的行为变得像好莱坞电影中的男女主角一样,却使他们感到陌生、吸引、迷惑与无助。实际上,这大概是所有人的困境。在四处流传的信息中包含着如此多样的行为方式,以致于人们只好转过身去,在“某种文化遗产、某种语言、某种…     

Age at First Marriage and Age at Death in the Lincolnshire Fenland, 1252–1478

In five Lincolnshire villages between 1252 and 1478 there is evidence that men and women married fairly late before the Black Death, and that by 1348/9 the Western European marriage pattern of late and prudential marriage was well established. Households were usually nucleated; husbands were on average eight years older than their wives before 1348/9, and five years older after 1348/9. Marriages were short: according to the best calculation shorter before 1348/9 than after, most often terminated by the death of the first husband, and were unlikely to produce more than three children. Since there were more males than females amongst children and young adults, many men remained unmarried, but since the death rate of women was very high, men lived longer.     

The Decoupling of Social Policy Reforms in Romania

Social reforms in Romania have been, from the beginning of the 1990s and throughout the EU post‐accession phase, the battlefield for many domestic and international actors. The article identifies, from an historical institutionalist perspective, the international actors who decisively influenced reforms of social protection in Romania during the transition, with a special emphasis on the EU pre‐ and post‐accession stages. Further, the article attempts to understand the impact of the various external influences on the sustainability and effectiveness of domestic reforms, by assessing the convergence, or the decoupling, between the rationales – i.e. ideologies and values – that explicitly grounded social reforms in Romania and the domestic public rhetoric on social risks and values. Answers to these questions can provide important insights in regard to both the impact of the EU upon new member states and the challenges of EU enlargement for the EU and its core member states.     

战国四公子风范及其性格探微

战国时期,群雄割据,连年混战,政局动荡。为了达到强大自己并统一天下的目的,各诸侯国对人才的需要极度膨胀,而这一时期,以好客喜士而闻名的四公子,即齐国孟尝君、赵国平原君、魏国信陵君、楚国春申君,为其所处诸侯国的人才储备与供应做了巨大贡献。司马迁在《史记》中对四公子的行径描述详细。在这里,分别从“四公子何以进入《史记》”“四公子之好客”“四公子之疏误…‘从生活环境窥探四公子的性格”和“太史公笔下的四公子”等方面浅显解析战国四公子之异同。     

Staging the world in late‐qing China: Globe,nation, and race in a 1904 Beijing opera

This essay takes the first Beijing Opera of China's early twentieth‐century reformist opera movement as an exemplary text and performative context through which to analyze the production of a new historical consciousness in late‐Qing China (1895–1911). Performed in Shanghai in 1904, the opera is centrally concerned with the modern partition of Poland. The essay argues that the opera's interpretation of history is a deliberate intervention into China's turbulent socio‐political atmosphere and helps mark an attempt to popularize through performance a new synchronic global consciousness that links China's contemporary history to the non‐Western world of global transformation at the turn of the twentieth century.     

杜文秀大理农民革命政权的历史贡献

杜文秀长期得不到公正评价的一个重要原因,即学界对其政权建立和建树缺乏了解。本文从九个方面,阐述了杜文秀起义原因和在政治、文化、民族团结及农工商各业取得的骄人成绩,以帮助读者加深对这一农民革命政权的了解。     

改琦和海内外孤本《先贤谱图》考

过去对清代画家改琦的介绍都很零散,且对其作品也没有系统的罗列。本文根据各种历史资料,首次厘清了改琦的家世和祖籍,其次陈述了对海内孤本《先贤谱图》的鉴定和艺术价值,再次分析了文字狱海富润事件对改琦创作《先贤谱图》和其他艺术作品的深刻影响,然后概括介绍了《先贤谱图》的主要内容;文章最后对《先贤谱图》的原创力、对改琦艺术作品和艺术思想,及其文化综合主义世界观作了初步的探讨。     

博览群书 自铸伟辞──司马迁运用图书文献写《史记》管见

本文探讨司马迁如何运用图书文献写《史记》的问题。司马迁利用皇家图书馆的有利条件，秉承家学渊源，有计划地阅读了大量的六经异传和百家之书，并实地考察天下历史地理，成为博览群书的饱学之士。在此基础上，他博采经传百家材料，自铸一家之言，写成了《史记》这部史学的宏篇巨制，表现出既善于吸取又长于创造的大家风范。