中国古典插花与书法

古典插花是我国传统文化的代表之一，书法是我国的“国粹”。古典插花与书法有许多相契相合之处，如二者均属于艺术的范畴，历史悠久，且蕴含深刻的哲学和美学原理；都讲究技法的表现和空间结构，同时注重意境的表达和创造等。古典插花与书法又属于两种不同类型的艺术创作，各自展现着独特的魅力和个性。     

Open Windows: Jewish Refugee Artists in Scotland during the Twentieth Century

This case study on the work and influence of four Jewish artists in Glasgow during the early years of the Second World War reviews cultural transfer within the wider context of Jewish history in Scotland. This review suggests that this incidence of cultural transfer was mainly achieved through personal contacts and networks and emphasises the importance of the presence of an established Jewish population. It also shows that parts of Scottish society were prepared to absorb refugee influences, while the Jewish artists under review adopted novel forms of cultural production, incorporating their individual and group experiences as well as the influence of the wider society.     

试论行画的市场意义

行画的繁荣具有深刻的市场意义：它构成了艺术品市场的基础层次，能够满足大众的艺术消费需求，提高消费者的鉴别能力。行画市场的成熟和发展，需要社会相关方面的积极培育，需要加强制度和法制建设并进行科学监管。     

艺术社会学视角下的南宁国际民歌艺术节之“民歌新唱”

民歌新唱是传统民歌适应现代社会生产、物质条件、大众审美心理和需求所做的必不可少的调整,民歌新唱必须尊重传统,保持民歌的艺术内核。     

秦皇岛明长城券门雕刻艺术特色及现状调查

在秦皇岛境内的300余km明代长城中,有近千座敌楼,保存完整和较为完整的约占半数,在这些敌楼上都有券门和券窗,在很多券门上刻着具有很高艺术价值的浮雕装饰,他们利用当地特有的材料,就地取材进行创作,风格各异,材质变化丰富,使原本冰冷的军事防御工事,增添了许多文化气息和人文关怀,然而由于近年来缺少相应的保护措施,使得大部分精美作品遭到了不同程度的破坏和损毁,合理利用和保护这些文化遗产是迫在眉睫的事情.     

讲究统战工作艺术 发挥重要法宝作用

文章从高校统战工作规律及其统一战线成员特点出发。探索激发统一战线向心力、吸引力、创造力、亲和力与影响力的工作艺术，并提出了一系列具有可操作性的方式方法。     

BOURDIEU'S CONCEPT OF REFLEXIVITY AS METALITERACY

For Bourdieu, the extent to which agents can attain knowledge of, and negotiate, various cultural fields is dependent upon, and explicable in terms of, two epistemological types. The first is a practical sense (the ‘logic of practice’), while the second involves a sort of conscious comprehension that he names ‘reflexivity’. Bourdieu defines reflexivity as an interrogation of the three types of limitations (of social position, of field and of the scholastic point of view) that are constitutive of knowledge itself. But the reflexive relation to the habitus, the demands and influences exerted by cultural fields, and one's own practices within those fields, cannot be understood simply as something that is obtained by the subject; rather, any reflexive relation to the doxa and illusio of the field must be a constitutive part of that field. This paper identifies a number of principles taken from Bourdieu's work that clarify how, where and why the reflexive ‘surpassing’ of literacy might occur. But we also suggest, contra Bourdieu, that only fields that are informed or characterized by the scholastic point of view are likely to be characterized by the set of conditions constitutive of reflexive knowledge; and that the scholastic point of view is therefore, simultaneously, both a potential impediment to, and a condition (almost necessary) of the production of reflexive knowledge.     

工程美育：新工科美育的价值意蕴、理念阐释与实践范式

在回顾美育教育发展、嬗变的基础上，总结了新时代美育研究的新理论、新路径和新范式。以新工科建设为背景，以“德智体美劳”五育并举的逻辑关系为起点，验证了“工程教育+美育”是遵照教育规律、逻辑贯通并符合时代要求的育人形式，进而对“工程美育”的内涵和对象进行了概述。最后简述了上海理工大学依托工程美育平台，构建美育与德育、教学与实践结合，以“科艺融合”为特色的工程美育实践范式，从而建立起高校支持中、小学美育协同发展的艺术教育和工程美育的文化场域，构筑理工科大学美育新格局，推动中国式艺术教育、美育教育和工程教育联动发展的创新模式。     

花鼓灯艺术展演与特质论

基于对淮河花鼓灯展演过程的细描和考察,指出表演艺术、公共事件、即兴表演、诙谐喜庆是花鼓灯的四个主要艺术特质.针对花鼓灯研究在范式研究和理论更新上的相对滞后性,期许以表演论和身势学视角分析可以部分地推进民间展演艺术研究.     

试析尚德义艺术歌曲的三首高峰之作

从对尚德义三首具有代表性作品的分析中可以看出,尚德义艺术歌曲创作,题材广泛,民族特色鲜明,具有浓厚的地方色彩;尚德义艺术歌曲创作,在我国具有开拓性意义。