中法电视访谈话轮比较研究

电视访谈节目一直都是语言学家研究的重点。运用话语分析原理以及Sacks,Schegloff和Jefferson为代表的会话分析理论,对收集的中法语料进行分析,从微观的角度探讨话轮、话轮分配和重叠现象在中法电视访谈节目中出现的特点、异同及其成因。希望借此研究能有助于中法电视访谈节目观赏角度的理解及相互学习借鉴,推动从理论层面对此节目的深化研究。     

The Maghreb‐Mashreq language ideology and the politics of identity in a globalized Arab world1

To date, most scholarship on Arabic language ideologies has focused on the contentious relationship between Standard Arabic and the spoken vernaculars. This paper, in contrast, draws attention to the hierarchies among the regional varieties of vernacular Arabic. Specifically, it makes visible the workings of what it calls the ‘Maghreb‐Mashreq language ideology’: the hierarchical relationship between Mashreqi (Middle Eastern) and Maghrebi (North African) vernacular Arabic varieties. The paper explores, in particular, the de/authentication of linguistic Arabness through a detailed analysis of a transnational pan‐Arab reality/talent TV show. Drawing on clips of situated interactions from this series, which have been uploaded to YouTube and commented upon by viewers, the paper argues that the new media is a critical site for reworking longstanding language ideologies and the politics of identity in the Arabic‐speaking world.[Arabic]     

电视娱乐节目主持人个性风格分析

电视娱乐节目主持人的个性风格包含两个方面——语言个性和体态个性,这二者相互融合,形成别具一格的主持人个性风格。主持人的个性风格在当代综艺娱乐电视节目中起着举足轻重的地位,决定着综艺娱乐电视节目的发展方向。     

Feminist And Postfeminist Readings Of Romantic Narratives

This paper examines the reception and interpretation of romantic narratives among fifteen Israeli heterosexual women viewers of the TV series Sex and the City. Based upon the dialogue carried out by the participants in two discussion groups and individual interviews, I map the different strategies employed by the viewers in interpreting the show, as situated within their worldviews concerning issues such as romance and romantic relationships, power relations, and social gender roles.     

Role of Gambling Media Exposure in Influencing Trajectories Among College Students

In the study, a model of the relationship between mass media depictions of gambling and subsequent gambling attitudes and behavioral intentions of college students was developed. A survey was conducted with 229 undergraduate students (79.5% female, mean age = 20.5, SD = 2.04) enrolled in three different communication courses at a large southeastern university. Through structural equation analysis, the six hypotheses of this study were analyzed using the method of maximum likelihood with AMOS 6. The model was consistent with the hypotheses that media exposure impacts gambling attitudes and behavioral intentions both positively and negatively, depending on the valence of the gambling depiction. Theoretical and practical implications of mass media exposure and gambling behaviors are discussed, and future research directions are outlined.     

电视新闻娱乐化现象分析

新闻娱乐化突出表现为内容上强调趣味性、刺激性,节目风格上注重个性,对新闻节目从主持人到节目形式进行亮丽的包装,既能实现新闻传播的功能及经济效益,又可满足受众需要,但同时也造成传播功能的错位、价值观导向错误。为了保证新闻娱乐化良性健康的发展,必须对新闻媒体从业者重新提出要求,坚守职业道德,肩负起社会责任,把握好新闻娱乐化的＂度＂,保住新闻娱乐化底线。     

消费主义语境下情感类电视谈话节目的兴盛原因及发展瓶颈

作为一种新兴的节目形态,情感类电视谈话节目主要以人生、婚姻、家庭、生活等日常问题为探讨对象,在主持人和嘉宾的引导下,通过普通人之口讲述自己的情感故事。话题的普遍性和相对轻松的节目形态使得电视谈话类节目显示出比较旺盛的生命力和独特的魅力。然而,2008年年底,国家广电总局向全国各大卫视及地方台下发的一则要求各电视台对旗下情感类节目进行"自查"的整改令,让不少曾经火爆一时的情感类谈话节目陷入绝境,一些节目由于低俗化而退出公众视野,一些节目不得不改版。经历了几年辉煌的电视情感类谈话节目盛极而衰,发展陷入瓶颈。在消费主义语境下,情感类电视谈话节目何以名正言顺地走入公众视野?如何秉承电视节目服务受众的本位,突破其发展瓶颈,这都是本文要探讨的问题。     

影视之镜下的人类之像——人类学纪录片在影视媒介中的“视像”呈现

影视媒介从一开始就与人类学结下了不解之缘,并催生了人类学纪录片和影视人类学。采用影像文本分析的方法,从人类学纪录片的视角、视点、视域三个方面,探讨了纪录片在影像人类学透镜下展现人之类像的镜像机制。     

通识教育背景下大学公共影视课程的理念革新与实践探索

当前,多数高校基本上都开设了公共影视课程,但是,从实施情况来看,形式和效果并不令人满意,许多课程流于形式,甚至与美育的性质和目标背道而驰。因此,有必要对大学公共影视课程的实施现状进行总结与分析,直面其中的困难和误区,牢牢把握＂美育＂的性质与目标,在通识教育的背景下对大学公共影视课程进行理念革新和实践探索,以真正实现＂美育育人＂的目的。     

从话轮转换看中文电视谈话节目权势关系——以《面对面》节目为例

文章以Sacks等人提出的话轮转换机制为理论基础,选取中央电视台《面对面》节目为研究对象,探讨了节目主持人与嘉宾在起始话轮、结束话轮以及话轮分配方面分别体现的权势关系,认为：主持人在起始话轮和结束话轮中拥有绝对的权势;主持人话轮长度虽不及嘉宾,但始终是节目进程和方向的操控者。