典型性格——试论路遥作品中的青年女性形象

在路遥的作品中，青年女性形象占有重要的位置。作品中虽笔墨不多，但人物性格刻画鲜明、生动。本文从青年女性入手，试图将路遥作品中的青年女性形象分为中国农村劳动女性、中国农村知识女性和新环境下成长起来的新女性三类来比较分析。通过深入剖析，提炼并概括出不同类型青年女性形象的典型性格及形成的原因。     

现代文学女性死亡和男性讲述

在中国现代文学的发展中,男性作家成为女性形象的主要设计者和讲述人,他们从自身性别和政治立场、社会伦理出发,依据“男性认知”,将女性从女性实际生活现场中剥离,变为一种构筑“男性话语”的牺牲,也显示了现代文学启蒙理性的偏失。     

《沧浪诗话》“王荆公体”考论

王安石晚年创作在宋代即深受推崇,但两宋所论各有侧重。北宋人强调其风格的深婉不迫,南宋人则特意强调绝句这种体裁的典范意义。严羽《沧浪诗话》以“王荆公体”来代指王安石晚年绝句,乃是立足于南宋习论。“王荆公体”的诗学渊源主要是老杜和晚唐诸家,由此导致严羽认为“王荆公体”不如唐人,这也体现出严羽诗论“宗唐贬宋”的特点。     

人类社会物质文明发展的六个时代

人类社会物质文明的发展经历了不同的阶段（时代）,它们应当如何划分是一个重要而有趣的问题。根据本文所提出的划分人类社会物质文明发展阶段的标准——典型材料,人类社会物质文明的发展,至今历经了石器时代、青铜器时代、铁器时代、钢铁／水泥时代、硅材料时代。而从新世纪开始,人类进入了纳米材料时代。文章用大量事实和充足的理由,论述了人类物质文明发展这六个时代的具体内容,大致划分的时间、以及为什么做这样划分的理由。从而使我们对于人类物质文明的发展,有一个明晰看法。     

New rural livelihoods or museums of production? Quality food initiatives in practice

In recent years, the European Union’s stated commitment to the principle of multifunctionality within its Common Agricultural Policy has fostered a resurgence of interest in recovering and protecting the heritage and traditions associated with local agricultural products. In spite of, or perhaps because of, the growing political and economic salience of heritage-based initiatives, however, we argue that it is important to interrogate the meanings and assumptions that underlie notions of heritage and tradition. In this paper, we use case study research from France and Poland to explore the potential contradictions associated with heritage-based food systems. While quality initiatives create essential spaces for maintaining rural livelihoods in the face of the homogenizing trends in the global agro-food system, particularly for regions where traditional agriculture has been economically marginalized, they also have the potential to undermine local specificity and privilege powerful extralocal actors at the expense of local communities. We pay particular attention to how, in practice, these initiatives may (1) reduce the diversity of available products, (2) create static notions of culture and (3) fundamentally change or distort the character of products in promoting the shift from local to extralocal markets. Our analysis suggests that a more careful investigation of heritage-based initiatives’ vulnerabilities is warranted, particularly with respect to the varied nature of local contexts. Initiatives that merely codify cultural products without taking the social-organizational context into account risk becoming little more than “museums of production.”     

Lakoff笔下隐喻的特点、问题及启示

隐喻作为一种认知现象现在已成为认知语言学的研究焦点.Lakoff&Johnson在<我们赖以生存的隐喻>一文中形成了系统的隐喻理论,本文通过深入分析研究这一理论,归纳并阐释了隐喻的四个典型特征,并指出隐喻虽无处不在,但我们不能为死隐喻所束缚,应不断进行隐喻创新;另一方面,本文给出了隐喻的两方面启示其一是对诗学研究的启示,其二是对语言教学的启示.