毛泽东哲学思想的中国传统文化特质分析

毛泽东哲学思想是中国哲学的继承和发展,它作为中华民族文化的延伸,具有丰富的中国传统文化特质,中国传统文化是毛泽东哲学思想深厚的民族根基和主要来源之一。探究毛泽东哲学思想的中国传统文化特质,有助于我们更准确地理解和把握毛泽东哲学思想的历史渊源及精神实质。     

论先进文化及其理论建构

文化的先进性体现在客体尺度、主体尺度、社会尺度三者的统一。先进文化的功能体现在民族凝聚、教化塑造、价值导向、社会批判四个方面。建设新时期先进文化,并探索其建构路径,是文化工作者神圣的使命。     

当前人类学片的选题重点与非物质文化遗产的保护

影视人类学的研究对象与人类学片的拍摄对象都是人类文化,而人类学片的拍摄首先面临的是选题与选材的问题。当前,中国人类学片的选题重点应该是国家分批公布的一千余项非物质文化遗产。人类学片对于非物质文化遗产的保护与传承具有重要功能,因此,我们建议：应该迅速建立中国影视人类学与非物质文化遗产档案馆、展览馆、数字博物馆或资料库等,从而为构建社会主义和谐社会与先进文化服务。     

重庆城市建设中的历史文化保护研究

通过回顾重庆城市建设中历史文化保护的历程和特点,揭示各个时期历史文化保护的阶段性特征,总结重庆历史文化保护的经验,并深入分析了城市建设与保护历史文化的关系,认为城市化和城市建设与历史文化保护不应该是对立的两面,而应当是相互协调、相互包容的共同体。一座城市的个性和魅力,与这座城市的历史文化资源的保护成正相关系。     

At the intersection of globalization and ‘civilizational originality’: cultural production in Putin’s Russia

ABSTRACT

This special issue originates from a transnational collaboration of scholars in philology, comparative literature, social theory, sociology, anthropology, ethnography, and media studies. The collection strives to advance a research agenda built on the nexus of three intellectual and academic domains: post-Soviet ‘Russian cultural studies’, the research paradigm put forward by Cultural Studies, as well as empirical methods developed in sociology. The collection illustrates the importance of expanding the experience of Cultural Studies beyond its established spheres of national investigation, while it also speaks to the necessity to re-evaluate the hegemony of the English-language academic and cultural production on the global scale. The collection offers insights into the gamut of cultural practices and institutional environments in which Russian cultural production happens today. It shows how cultural industries and institutions in Russia are integrated into the global marketplace and transnational communities, while they also draw on and contribute to local lives and experiences by trying to create an autonomous space for symbolic production at personal and collective levels. Through diverse topics, the issue sheds light on the agency, i.e. practitioners and participants, creators and consumers, of Russian cultural production and the neoliberal practices implemented on creative work and cultural administration in Russia today. The Introduction outlines the development of academic studies on Russian cultural practices since 1991; describes main political developments shaping the cultural field in Putin’s Russia; and, finally, identifies the Cultural Studies debates the editors of the collection find most productive for investigations of Russia, i.e. the instrumentalization of culture and culture as resource. Relocated in an analysis of a post-socialist society, these conceptualisations seem increasingly problematic in a situation where local and federal policies governing cultural and creative work focus simultaneously on marketization and on nationalism as the main tools of legitimizing the federal government.     

河北省文化产业视域中的少儿综合素质教育

文化的产业化发展给中国文化教育事业提出了许多值得思考的问题.具有河北文化传统和文化特色的少儿综合素质教育,在河北文化产业发展中居于什么地位?具有何种职能?拥有怎样的发展机遇?本文以文化产业的理论视角,从少儿综合素质教育与文化教育生产力、当代科技、文化资源、文化市场四个方面,初步提出了发展少儿综合素质教育的新思路.     

Women's “Justification” of Domestic Violence in Egypt

We explored the influences of women's social learning, marital resources and constraints, and exposure to norms about women's family roles on their views about wife hitting or beating among 5,450 participants in the 2005 Egypt Demographic and Health Survey. One half justified wife hitting or beating for some reason. Women from rural areas who were exposed to domestic violence more often justified such acts. Dependent wives whose husbands had more schooling, were blood relatives, and were coresident more often justified such acts. In settings where women tended to marry at older ages, women less often justified such acts. Women's resources and constraints in marriage accounted for the largest share of the variability in their attitudes about domestic violence against women.     

Beyond the dilemmas of multiculturalism: recognition through ‘relational reason’

Recent sociological research has shown that the ideology of multiculturalism, after having been adopted as official policy in many countries, has generated more negative than positive effects (fragmentation of society, separation of minorities, cultural relativism). This article discusses the possible alternatives to multiculturalism, asking whether the path of interculturality can be a solution or not. The idea of interculturality has the advantage of stressing the inter, namely what lies in between different cultures. But it does not yet possess a conceptual and effective means to understand and handle the problems of the public sphere. To go over the failures of multiculturalism and the fragilities of interculturality, a lay approach to the coexistence of cultures is required, which is able to give strength back to Reason, through a new semantics of inter-human diversity. The author suggests the development of ‘relational reason’, beyond the forms of rationality already known. To make human reason relational might be the best way to imagine a social order which is able to humanize the globalizing processes and the increasing migrations.     

Pity and pragmatism: understandings of disability in northeast Thailand

Cultural models of illness causation and treatment inform community understandings of and responses to disability. Data collected as part of a multi‐country study, conducted in 2002–2007, illustrate how villagers from northeastern Thailand conceptualise disability (pikarn). Local understandings of causality are shaped by Buddhist beliefs in accumulated demerit, and this significantly influences attitudes towards illness, adversity and bodily states. Buddhist notions of love and compassion (metta and kurana) inform appropriate responses to people living with disabilities, while local distinctions of ability and disability inform expressions of sympathy and/or pity (songsarn), with implications for the social participation of people with a disability.     

论发展文化创意产业——基于建设国家中心城市的视角对广州文化创意产业发展的研究

本文从建设国家中心城市的视角,就广州发展文化创意产业的必要性进行了理论探讨,对广州发展文化创意产业的基础条件进行了实证分析,并提出广州大力发展文化创意产业关键在于解放与发展文化创意产业领域的生产力。