六朝文人故事乐府创作动因探赜

在普遍以“绮彩”、“声律”为重的六朝愉情揣性的诗坛,文人袭用旧调、敷叙旧事（乐题本事）一类的故事乐府缘何屡屡频现,不绝于史。笔者以为,这是文人创作兴趣的转移、儒学传统的倡导、乐府本身的叙事性、六朝诗学思想的浸润和类书编纂的兴盛等综合因素使然。     

试析汉乐府文事相依的传播特点

根据<乐府诗集>的统计数据,发现汉乐府诗歌中本事和作品共同流传下来的占其总数的44%以上,古人"感于哀乐,缘事而发"的评价其实还有其传播学意义,即汉代乐府诗歌的传播呈现文事相依的特点,有的甚至"文依事存",离开本事的诗文可能无法传播.     

现实的不同魔幻呈现——以马尔克斯的《百年孤独》与莫言的《生死疲劳》为例

Hallucinatory realism一词因出现在2012年诺贝尔文学奖获得者中国作家莫言的颁奖词中,用来界定他的写作风格.传入国内,该术语被译为“魔幻现实主义”,从而将莫言的创作风格归属于拉美魔幻现实主义,由此掀起“误译”的讨论.以此为出发点,依托莫言的《生死疲劳》和马尔克斯的《百年孤独》两部经典作品,来论述这两种风格中的魔与幻的不同呈现,以此确证莫言的创作风格是有别于拉美的魔幻现实主义的中国魔幻现实主义。     

佛经故事与哈萨克民间故事

佛经中包含大量印度故事,它们伴随佛经汉译传入中国,蜕化为中国各族民间故事的血肉.康居部是哈萨克草原最早信仰佛教的民族,古代康居高僧很早就从事佛经译述,使许多源于佛经的印度故事在现代哈萨克口头文学中世代相传,至今仍有踪迹可寻.哈萨克族民间故事的超拔想象、深邃智慧和奇诡构想,正是融合中印民间叙事艺术所形成的.     

Unravelling Memories of Family Separation Among Sri Lankan Tamils Resettled in Australia, 1983–2000

Abstract

Using life story interviews with 10 Sri Lankan Tamil refugees resettled in Australia, this article shows how family separation in experiences of civil war and resettlement produce long-lasting and emotional memories of fear and determination. The findings explore how young Tamil people gave meaning to family when they interacted with key individuals and negotiated cultural practices in different spaces. Moreover, intergenerational family narratives emerged as a key practice through which Tamils preserved the family identity. The analysis demonstrates how and when family separation can manifest in personal memories to reveal stories of agency and resilience. A critical engagement of the past can help to better understand concepts of childhood in relation to family and family separation in war affected diaspora communities.     

Using counter-stories to challenge stock stories about Traveller families

Abstract

Critical Race Theory (CRT) is formed from a series of different methodological tools to expose and address racism and discrimination. Counter-stories are one of these tools. This article considers the potential of counter-stories as a methodological, theoretical and practical tool to analyse existing educational inequalities for Traveller communities. Although discrimination towards Traveller communities is well documented, there has been limited use of CRT to examine this position and challenge the social injustice they experience. In this article ‘stock stories’, or commonly held assumptions and stereotypes about Traveller communities are highlighted and refuted with Travellers’ own accounts. It is hoped this article will dispel stock stories, raise awareness of the real inequalities Travellers face and inform methodological debate.     

《聊斋志异》动物引识仙草母题的佛经文化溯源

某种动物的特殊习性,早引起古人注意。因动物行为启发而得疗病仙草,今存载录当起自刘敬叔《异苑》。而与蒲松龄生活的淄川并不遥远的北方蒙古族地区,约15世纪定型的史诗《江格尔》中也有仙草救助英雄母题。蒲松龄先祖一说就是蒙古族,或许这种仙草崇拜情结还受到蒙古族民间史诗陶铸。母题源头当在西域和印度,佛经"感恩动物、神草可生子、草药精灵母题"和"一切药草树木尽有神"观念,对母题有决定性影响。     

三国故事传播史述论

三国故事的漫长传播史,经各类传播方式长期参与,由历代文人撰述与丰富的民间记忆共同构成。三国故事传播史多元并存的独特结构,是孕育培养《三国演义》的文化沃土。然此杰出的古典长篇小说,亦属三国故事漫长流播史的环节和支脉,而非三国故事漫长传播的最后定本。     

朝鲜朝笔记野谈中的女性形象

朝鲜朝后期社会大环境的变化,为文学作品中的女性形象提供了多元的表达空间。反抗传统女性规范的新女性形象的出现使女性在气质、特征等方面都有了与传统形象不同的表现,她们有了更丰富的人格和多层面的性格。     

论唐人小说中的节庆民俗意象及其文化审美价值

唐代节日很多,唐人在节庆活动中有许多独特的习俗,这些习俗在唐人小说中也有许多呈现,在小说中形成了一个个鲜明生动、意蕴独特的节庆民俗意象.唐人小说中的这些民俗意象,不仅其本身洋溢着超迈的异想、卓绝的才情,并在小说艺术诸方面如主题表达、人物塑造与叙事建构等方面也有着独特的作用.且在小说美学的更深层面上,唐人小说中民俗意象的大量存在也形成了别具一格的审美效果,是构成唐人小说独特美学品格的重要存在.