A simple method for constructing confounded designs for mixed factorial experiments

This paper presents the sinplesr procedure that uses wodular aryithmetic for constructing confounded designs for mixed factorial experiments. The present procedure and the classical one for confounding in symmetrical factorial experiments are both at the same mathema.tical level. The present procedure is written for

practitioners and is lllustrared with several examples.     

中华传统美德故事融入幼儿养成教育：内涵、价值与路径

中华优秀传统美德故事是开展幼儿养成教育的优质教育资源,将其融入幼儿养成教育蕴含的重要价值包括心理习惯养成、行为习惯养成和家国情怀养成。当前,传统美德故事融入幼儿养成教育面临着教师内生动力缺失造成的主观困境、家庭育人理念错位造成的现实困境、幼儿园和社会等外部推力不足造成的客观困境。对此,教师层面可以学思并重,加强相关知识学习;理实并进,提升相关专业能力;知行并修,开展主题实践活动;家庭层面可以观念重塑,树立德智并重教育观念;价值重拾,重视家庭美德教育价值;模式重构,构建家园深度互动机制;幼儿园与社会层面可以责任共担,明确幼儿养成教育目标责任体系;成效共评,健全幼儿养成教育综合评价体系;多方共育,扩大幼儿养成教育社会主体参与度。     

‘Making narrative portraits: a methodological approach to analysing qualitative data’

ABSTRACT

This paper proposes the method of ‘narrative portraiture’, which, located within the wider field of narrative studies, offers an analytical tool to narrative data. Two research projects, one on disability and one on identity, are used to illustrate how the method can be applied. While the paper will focus on the methodological benefits and limitations of the approach, throughout the article we also highlight the ethical concern of representation. We suggest that through ‘narrative portraiture’ research findings can be contextualised in broader social narratives without losing sight of the unique personal qualities of the research encounter. Thus, we argue for the importance of bringing the participant and their everyday life experience into focus, highlighting that a portrayal of a sole story can be, not only a medium to understand a research phenomenon, but also a valuable research output in itself.     

聊斋公案小说的进步倾向和艺术特色

《聊斋志异》是清初文学巨匠蒲松龄倾毕生心血写成的 “孤愤之书”, 其中颇有几篇以案例为题材主体的公案小说佳作, 如脍炙人口的 《胭脂》、《冤狱》、《诗谳》等。评析这些作品思想上的进步倾向和艺术上的独特成就, 对于领略古代执法者 “仁爱为本”、“实心为政”的治狱思想, 汲取他们在具体办案中的经验教训, 促进法制文学的昌盛繁茂, 探讨法律文化与社会政治之间的相互影响, 或许都是有所裨益的     

The big story about small stories: Narratives of crime and terrorism

The ‘big story/small story’ distinction has emerged as a discrete approach to narrative analysis. Proponents of this approach are critical of the ‘big stories’ elicited by structural analysts, which they see as highly structured narratives of past experiences, typically elicited in an interview context. In contrast, they highlight the importance of studying the fragmented, contextualised ‘small stories’ that arise in everyday conversation/interaction. We question the basis of this distinction and we suggest that it unnecessarily proliferates analytic categories. Further, we suggest that the methodologies followed by ‘small stories’ analysts are often similar to those used to elicit ‘big stories’ and are hence open to similar criticisms; in particular, a failure to fully consider the issue of (contextual) naturalism. Drawing on interviews of crime/terrorism in Northern Ireland, we show how these data comprise both ‘big stories’ and ‘small stories’ within the same context and often within the same narrative.     

Perspectives on being a father from men involved with child welfare services

Fathers can make positive contributions to their children's well‐being. However, involving the literature and this research indicate that fathers are much less likely to be engaged with child welfare services than mothers. This paper reports the findings of life story research with 18 fathers involved with child welfare. It focuses on these men's perspectives of fatherhood and their relationships with their children. Also, reactions to these fatherhood stories from father and service provider focus groups are examined. The findings challenge common perceptions of these fathers and highlight similarities and differences in perspectives between fathers and service providers. Implications for engaging fathers in child welfare practice are discussed.     

论传统伦理在鲁迅小说叙事中的境遇

在理性伦理层面,鲁迅执著地批判和反抗传统伦理,但在小说叙事伦理中却对传统伦理的诸多方面有所担待,并且充满着不可排遣的紧张冲突,这既是思想、文化转型时代普遍人心秩序的反映,更是鲁迅个体伦理困惑的体现.     

论明末拟话本小说家的地域意识

明末拟话本小说家的地域意识呈分流态势,对前代话本小说家的地域意识,有发展,有革新,也有削减.这是由其不同的创作目的与创作方法决定的.     

佛经故事与历代笑话

佛教东渐,佛经故事随佛典汉译等途径流播中土,产生了大量具有中国特色的笑话。这些深受佛经故事濡染刻烙的笑话,印证了梵汉交融给民间文学带来的深层影响。     

汉魏六朝辞赋与志怪

汉魏六朝辞赋的叙事性和虚构性,决定了其与同时代志怪的必然关联。这种关联主要以意象、情节和题材为典型,表现为辞赋作品描绘神祗鬼怪、虚构人神同游、幻想神仙意趣、伪托人鬼交通等。而上述表现,特别是以神女为中心意象的传统主题及其表达模式的文学嬗变,客观上证明：其一,汉魏六朝辞赋是早期辞赋在新时代的拓展;其二,汉魏六朝辞赋在吸收志怪叙事特定信息的同时,又对志怪叙事产生积极作用,以致影响着文言小说的时代走向。