我国现代美育发展历程及其启示

在大力推进素质教育的今天,美育的重要性被越来越认可和重视。文章梳理了我国20世纪美育发展历程及其特征,并针对其中存在的美育研究的理想色彩与教育、心理研究的片面性以及美学界与教育学界、心理学界缺乏共识等问题,提出未来美育研究需关注或改进的地方。     

试论治理腐败的逻辑

为了选择有效治理腐败的方法,首先要解决针对有效治理腐败的逻辑思维问题。目前各国普遍使用的“治理腐败逻辑”有三种:一是减少介入腐败的机会;二是提高介入腐败的代价;三是增强腐败免疫力。这三种逻辑及其策略均具有各自的局限性,只有综合运用三种逻辑及其策略,才能有效治理腐败。     

解读治理腐败的手段

治理手段是否合理、妥当,是决定治理腐败成功与否的重要因素。治理腐败手段的本质特征,在于它充分体现了治理腐败活动的主体性和客观性、合目的性和规律性的统一。领导力量、法规与制度以及组织机构等,是构成治理腐败综合手段的三种基本手段。不同性质的基本手段之间的组合,会形成消极的、超常规的、积极的等三种不同类型的治理手段。要有效地治理腐败,必须采取积极的综合治理手段。     

初中生坚毅品质对学习投入的影响：未来时间洞察力的中介作用

目的：探讨初中生坚毅品质与学习投入的关系以及未来时间洞察力的中介作用。方法：2022年10月,通过随机抽样的方式对山东省和山西省两所中学的377名初中生采用学习投入量表、坚毅量表、未来时间洞察力量表进行问卷调查,使用SPSS26.0对数据进行独立样本T检验、相关分析和BOOTSTRAP中介效应检验。结果：1）初中生坚毅品质得分为3.166±0.532,学习投入得分为4.559±1.227,未来时间洞察力得分为2.332±0.228。2）坚毅品质与学习投入呈显著正相关（R=0.487,P<0.01）,和未来时间洞察力呈显著正相关（R=0.192,P<0.01）,学习投入和未来时间洞察力呈显著正相关（R=0.319,P<0.01）。坚毅品质对学习投入直接效应显著（效应值为1.021,相对效应值为90.92%）,且未来时间洞察力在坚毅品质和学习投入之间起中介作用（中介效应值为0.108,相对效应值为9.62%）。结论：初中生的学习投入受到坚毅品质的影响,坚毅品质也可以通过未来时间洞察力的中介作用影响学习投入,可以培养个体的未来时间洞察力来促进初中生的学习投入。     

互联网时代媒体融合发展的未来模式探索

以互联网技术为引领的新技术为传统媒体的发展带来了新的机遇与挑战.从历史的角度看,传播媒介的发展轨迹与技术变革的历史脉络相互印合.媒体融合的层次与内涵日渐丰富,产业实践中呈现出复杂的博弈与协作关系.传统媒体独特的版权资源与人才储备优势,与新兴媒体的传播渠道及传播效率优势相结合,互相推动,深入协作,通过媒介融合渠道,实现优秀的人才、优质的内容与优化的传播平台的整合,以形成迸发式的传播威力,推动传播层次的迭代发展.面向技术发展前景的媒体融合,应当秉承开放与共享的新思维、立体与互动的新路径,注重以用户为中心,充分利用技术的便捷性,实现媒介传播渠道的多层次性与互动性,超越阶段性的固有技术模式,以踏准未来的节拍.     

人类命运共同体的价值底蕴､文化范式与历史逻辑

推动构建人类命运共同体是新时代坚持和发展中国特色社会主义的基本方略之一,是对全球治理理念和模式的一种革新,是对人类社会发展理念的全新探索。党的十九大提出要“倡导构建人类命运共同体,促进全球治理体系变革”,这既是为全球治理贡献中国智慧与中国方案,也有利于构建具有中国特色的国际话语传播体系,有助于推动建立公正合理的国际新秩序。人类命运共同体的提出致力于全人类参与的共建、共享、共赢的价值导向,以包容互鉴的态度尊重不同文化之间的多样性与差异性,是对人类命运的历史思考,也是对当前全球化深入发展的现实回应。人类命运共同体思想承载着对人类命运的历史思辨,体现了人类对美好生活的向往与追求,成为推动人类文明进步与发展的价值引领。     

社会学的传统、危机与未来

自社会学诞生以来,它一直在为人类的社会生活寻找内在的结构、秩序以及某种方向性的意义。它的存在历史或发展历程,向我们展现了一种传统的不绝魅力与生机。社会学是现代性的科学。现代性的逻辑要求着我们,不得不去面对“社会学何为”或者“现代社会向何处去”这些必须回答的问题。从社会学的传统出发,试图对这一问题进行尝试性的回答。从中不难看出,现代社会对社会学提出了新的发展要求,社会学研究之路依然任重而道远。     

权力腐败与市场经济陷阱

在中国社会深刻转型过程中,权力腐败成为当前社会生活中一个挥之不去的阴影。对金钱的无限贪欲,使得权钱交易、行贿受贿之风盛行。从经济视角中探寻权力腐败的根源,某种意义上是市场经济对增长无限制追求和对奢侈无限制满足的陷阱。理性地绕开这种陷阱,用信仰有效地控制欲求,是探究遏制权力腐败的理性诉求,也是当前学习实践科学发展观的题中之义。     

The other side of Malaysia’s enviable economic and multiethnic stability: the obstinate resilience of ‘money politics’

Many governments, in their zeal to progress and deliver the fruits of development, are caught in a web of unsavory habits and practices that impair not only their international image but also domestic legitimacy. One such perennially persistent and resilient disease is ‘money politics.’ Taking Malaysia as a case study, we note that despite sustaining a remarkable record of economic and multiethnic stability, the country has also been helpless in mitigating this obstinate issue. In this article, it is posited that the phenomenon is not a new or recent portent but has actually persisted even prior to independence. We shall then contend that unless the ruling Barisan Nasional (BN) coalition government attaches greater priority in stamping out this political bug, the country’s otherwise enviable development trajectory and the quest to reach a ‘developed nation’ status via its Vision 2020 declaration, even if fulfilled, are not cause for celebration, given its implications to the country’s economic sustainability and multiethnic stability.     

Un-imagining the local/future: cinematic engagement with the absence of hope

ABSTRACT

With reference to the 2014 Umbrella Movement and Hong Kong’s uncertain fate come 2047, I ask how one un-imagines the cultural future of inhabiting the locality. As people take prompts from the present predicament to cope with real possibilities about the future, they realize that a strong embodiment of local consciousness permeates the sociocultural space. I discuss how such engagement takes place through cinematic experience, and examine tactics of the spectator’s critique centring around the erosion of hope at the core of everyday, intellectual and affective imagination. I trace the ways in which postcolonial subjects engage with hope and with the shock of hopelessness in a lived social imaginary. Examining in detail three differently representative recent films, namely, The Midnight After (2014. Dir. Fruit Chan, The Midnight After Film and One Ninety Films), Overheard 3 (2014. Dir. Alex Mak and Felix Chong, Sil-Metropole, Bona Film and Pop Movies) and Ten Years (2015. Dir. K. L. Ng (‘Local Egg’, Boon-deh dan), J. Au (‘Dialect’, Fong-yin), K. Chow (‘Self-Immolator’, Jee-fun jeh), F. P. Wong (‘Season of the End’, Dong sim), and Z. Kwok (‘Extras’, Fau gua), Ten Years Studio), I depict the modes in popular imagination that invoke people’s engagement with the ‘local’, albeit in its affective state. Accordingly, in the context of ‘externalized’ social realities, I identify three interlocking modes of cultural engagement, which I characterize as figurative, performative and prefigurative, respectively. In their ‘future’ imaginary, I look for ordinary people’s ways to face the absurdity of the status quo and the performativity of local struggles with the self.