以区域经济为基础 以时尚文化为导向——校企合作的实践与探索

目前的校企合作普遍存在与地方经济脱节、流于形式、合作伙伴缺失等问题。校企合作必须以区域经济为基础,在为区域经济发展提供智力支持的同时实现校企共赢。以时尚文化为导向,科学选择校企合作对象,是校企合作服务于中原经济区建设的可行性选择。这有助于积极探索人才培养模式,提升学生就业力,稳步推进校企合作健康发展。     

Mustache Fashion Covaries with a Good Marriage Market for Women

It was predicted that men would emphasize sexually-selected traits, including mustaches, beards, and sideburns, when they have difficulty obtaining spouses. Using annual data on British beard fashions extending from 1842–1971, it was found that mustaches, and facial hair in general, are more frequent when there is a good supply of single men of marriageable age. Facial hair fashions, particularly mustaches and beards, were reduced when illegitimacy ratios were high. Regression analyses showed that the relationship between mustache fashion and the marriage market and illegitimacy, respectively, is independent of linear time trend. Results suggest that facial hair is worn to enhance a man's marriage prospects by increasing physical attractiveness and perception of social status. Men shave their mustaches, possibly to convey an impression of trustworthiness, when the marriage market is weak and women might fear sexual exploitation and desertion.     

试论白蛇传说演变过程中的女性观念嬗变

白蛇传说历史悠久,在其演变过程中,其情节内容和人物形象都发生了重大变化,尤其是白娘子,她从一个纯恶的形象发展演变成为了一个纯善的形象。本文试图探讨这一形象变迁过程中体现出的不同时代、不同作者的女性观念以及发生这样一种观念嬗变的原因。     

明清中国:青楼女子、两性交往及社会变迁

明清时代的社会中,涌现出了大量情色小说或言情文学,包括文人笔记、俗谚歌谣、闺房秘笈、医家养生等媒介,也有十分丰富的关于当时城乡民众的家庭日常生活与私密行为的描述,其中不乏写真的内容,反映了时人在两性交往和生活中的开放程度。透过文人们的若干记忆,可以略窥当时日常生活中青楼、闲房、内闱这三大重要的空间及其代表的生活环境,粗略地展示以文人、风尘女子为主的人生情怀及其心灵世界。     

"文学时尚化批判"的异议

如何实事求是地评判、估价近年来我国学创作中出现的时尚化现象，的确是需要讨论清楚的一个重大问题。所谓“化”，就是渐成风气的意思。时尚化既然已经成为“现象”、“趋向”，所涉及的就不是个别作家、个别作品，而是一批作家、一批作品。此外，这个问题所以重大，是因为在“如何评判”后面还紧艰着一个今后”如何对待”的同题，也就是说，这场“学时尚化批判”不仅包含了形式、内容、话语、体裁、题材等技术层面的问题，更关系到新世纪中国学的创作走向、发展格局以及我们的对策，关系到繁荣学事业的战略思考与选择。学界必须给出一个科学、正确的结论，否则我们就有可能窄化作家的创作空间。     

时尚的阐释者：模仿论的脉络、权限与价值

模仿论是一种历史悠久且影响力极大的时尚哲学理论。它源于西方,但也是我国当下时尚文化发展的重要参考资源。该理论认为,时尚是一种指向“优势”群体的社会模仿行为。“优势”判定标准的演变过程见证了时尚模仿论从单一滴流模型到多维泛流模型的反思修正历程。修正之后的模仿论消除了理论体系脱节于现实案例的危机,具有极高的解读权限和社会意义。它既是时尚产业决策的重要理论依据,也是现代文化健康发展的有力指导。时尚模仿只有以理性的分析为根基,才能保障时尚世界的长期生存,并推动当代社会文化的和谐发展。     

论服装表演的审美价值

服装表演是一种重要的文化现象,作为典型的流行时尚,时装仅仅是物质化时尚的一部分,是人们对服饰流行审美形态的创造,服装表演艺术的审美价值,要立足于大众性、娱乐性、时尚性的立场,使时装的时尚特点更集中、更鲜明、更具有审美的引导性,其蕴含的美学意义和具有的审美价值,随着时代的潮流而不断的标新立异。     

宋玉《神女赋》梦主考辨

宋玉《神女赋》写的到底是宋玉梦神女,还是襄王梦神女,这是一个古今争讼不已的学术公案。弄清这一问题,不但有助于对《神女赋》的准确理解,而且对于探索代言体的起源亦有重要意义。根据《神女赋》的文本实际、《神女赋》与《高唐赋》的内在联系、魏晋至隋唐大量诗人诗作的佐证以及文化人类学提供的圣婚仪式材料来看,梦神女的应当是襄王而非宋玉。在《神女赋》中作者宋玉代表襄王、用襄王的口气来叙事和抒情,实开汉代辞赋“代言体”之先河。     

Talent management as a management fashion in HRD: towards a research agenda

This paper addresses the effects of corporate change programmes on the emotions and ultimately the performance of the so-called ‘middle managers’ within these organizations. Drawing on empirical data from a recent case study in a large engineering company, the paper addresses the extent to which Hochschild's highly original writing on the commercialization of human feeling (1983) and the concept of emotional labour is applicable to managers in today's organizations. Emotional labour is defined as: ‘the management of feeling to create a publicly observable facial and bodily display’ requiring one ‘to induce or suppress feeling in order to sustain the outward countenance that produces the proper state of mind in others’ (Hochschild 1983: 7). The conclusion reached is that emotional labour appears to be a growing but much ignored phenomenon in organizations today, which is worthy of attention and further research by the HRD community.