论艺术在科技媒体时代的认识与省思

自古以来,艺术与时代的脉动相互影响。技术科学是人类为解决问题、调适人和环境的关系、扩展人类能力而利用知识、创意和资源所做的一切意图和努力。教育的一般目的是要培养人的个性发展,同时又要使其个性与所属的社会团体有机地融合。     

媒体文化的意识形态性及其政治效应

媒体,就其本身的存在方式以及社会效应而言,本来是没有什么有益与有害可言的,但媒体文化中所潜藏的意识形态能够产生极大的政治效应,这种政治效应自然而然地成为统治力量意识形态宣传的方式。媒体文化传达意识形态具有独特之处,其缔造的政治效应对我国媒体事业的发展具有深远影响。     

《唐律疏议》所见唐代审判责任制度

《唐律疏议》把案件的误判情况分为“故出”“故人”“失出”“失人”四种类型,并规定了处罚原则。案件判决实行连署制度,联署判案出现误判,则分为“同职犯公坐”和“同职有私余官不觉”两种类型,连署之官根据自身在四等官制中的地位,负相应的连带责任。     

Women and Death in Film,Television, and News: Dead But Not Gone

Abstract

This article investigates the relationship between science and nation, class and gender in the televised Nobel Banquet, held after the Nobel Prize ceremony. The representation of the body of the Swedish Queen is used as a lens through which to view intersectional power dimensions. Drawing on cultural, media and gender studies, this article examines the mediated persona of the Queen in the televised Nobel Banquet via contextualized textual analysis. The article suggests that the purpose of the Nobel Foundation in inviting the royals is to enhance the social status of science. But it is the Queen who has received more TV time than anyone else—scientist or royalty—since her TV debut in 1976. How can the camera focus on her silent body be interpreted in relation to science? This article suggests that the meaning of the Queen’s body also implies certain understandings of central power dimensions. The body of the Queen signifies that gender, heterosexuality, class affiliation, nationality, and race are important and normative factors in scientific discourse. At the Nobel Banquet, the representation of her body identifies science as associated with the heterosexual, white elites, and reproduces a traditional, ideal femininity.     

Editors' Introduction

For the professional middle class in information industries, “working from home” is an increasingly common feature of the employment landscape, resulting from the affordability and portability of information and communication technologies (ICTs). The phrase invokes a sense of freedom from the banality of the traditional office, offering flexibility in both working hours and location when other commitments prevail. In recent debates in Australian politics, working from home is also offered as an empowered choice for women who seek to combine paid work and childcare duties, thereby consecrating a preferable version of (post)feminist subjectivity suited to neoliberal economics and ideologies. This paper shows how these subjectivities have been represented in recent ICT advertising for two purposes: firstly, to highlight the role of mainstream media in normalising preferred uses of new media technology for work purposes; and secondly, to note how this process contributes to wider discourses limiting the aspirations of middle-class feminist politics to an individual level. In doing so, the paper seeks to question the ethical horizon of new media advertising as well as the feminist and labour politics upon which its appeal relies.     

Drinking as a Feminine Practice: Post-Feminist images of women's drinking in Swedish women's magazines

Previous feminist analyses have pointed out how the news media demonize women who drink, labelling them as irresponsible, disturbing or behaving “like men.” Popular media such as women's magazines, however, construct alternative representations, that frame women's drinking encouragingly and as part of a successful and “modern” femininity. This study carries out an analysis of fashion reports from six Swedish women's magazines, published between 1984 and 2008. It concludes that despite the fact that women's magazines create an alternative to problematizing portrayals of women who drink, this does not necessarily make them unproblematic from a feminist point of view. While the prevalence of positive and encouraging images may be interpreted as indicating a change towards more gender equal or gender neutral depictions of drinking; this article argues instead that these images should be regarded as parts of a discourse that celebrates stereotypical femininity and reproduces gender difference. As such, the present article brings new perspectives to the complex discourses that give shape to ideas about gender and alcohol in general, and women's drinking in particular.     

A Waif's Progress

This paper draws on a case study of media images of the British model Kate Moss to think through questions of affect, ideology, and pleasure in relation to fashion imagery. The question of whether and to what extent media images affect spectators is central to contemporary feminist media studies. The “turn to affect” has revitalised the debate about the extent to which media images can be held accountable for oppressive effects on the spectator's body image, with affect theory often being pitted “against” feminism in this regard. As Clare Hemmings states, affect theory emphasises how emotions place individual bodies in a circuit of feeling and response, connecting them to one another in ways that are potentially transformative. Through a critical reading of Kate Moss as a highly visible figure of projection, anxiety, and fantasy, I aim to show that whilst affects may be unpredictable, in that some media images become particular objects of attachment and anxiety, they are also mediated and political: that they engage us in intimate relations with ideologies of gender, power, and embodiment.     

Sexual Messages in Black and White: A discourse analysis of Essence and Cosmo

The research presented employed critical discourse analysis to examine advice columns on sex and women's sexual freedom as expressed in two popular women's magazines, Essence and Cosmopolitan, over a three-year period. Essence has a Black female audience, Cosmo a predominantly White female audience. Critical discourse analysis is concerned with language as a primary force for the production and reproduction of ideology and belief systems that come to be accepted as common sense. The study asked whether and to what extent sex talk in these two magazines mirrored tenets of sexual liberation as set forth by “second-wave feminism.” Findings showed that while both magazines reinforced women's right to sexual pleasure and to ask for what they wanted, Essence came closest to mirroring the tenets of women's liberation by advocating women's right to say no to men's bad behavior and to be their own persons. By contrast, Cosmo advised women to be innovative in exciting and keeping their men and to be more flexible in managing men's less than desirable behavior.     

基于政府责任的民办高校教师权利贫困问题研究

目前我国民办高校教师权利贫困现状严重,主要表现为权利上的不平等,权利常常受到权力的侵害、剥夺和压制,权利与义务的不对等,权利难以得到救济。究其原因,是受到多种因素的影响。其中,政策是导致民办高校教师权利贫困的主导因素。政府在破解民办高校教师权利贫困中扮演的角色应该是社会观念的引领者、相关政策与法律的创设者以及教师权利保障的协调监管者与资助者。     

文学场域效应与创作主体的双向互动——论戴望舒与《现代》杂志的关系

主要论述了良好文学场域有助于创作主体在特定历史时期的地位生成及其作品的广泛传播,以及建构话语氛围在创作主体塑造并提升自我形象中的作用.《现代》杂志为戴望舒营构了良好的文学场域,依托杂志,他提升了自身在新诗尤其是现代诗派中的价值与地位.同时,戴望舒也为杂志倾注了大量的心血,二者共同促成了文学场域与创作主体双向互动的发生.