历史记忆的诗学

孟明的《大记忆书》与作者的他乡经验和身份意识有关,对传统、母语的意识、对于母语文化的记忆的强调使该诗成为诗人历史记忆的诗学尝试,表达着对祖国传统文化的敬仰与回归。在这首大诗里,抒情主人公一方面寻求记忆的物质证据,一方面体验着记忆已经被物质世界所改写的命运。     

后革命时期红色记忆研究路径导论——兼议中观维度党史学研究的可能

红色记忆是中国共产党革命建政的历史产物,也是社会转型期的人民群众的一种政治心理叙事。在革命与后革命两分的前提下,辅以社会学的想像力、民族志的观察力,从日常生活与国家制度的维度管窥红色记忆并进行质性研究,这应该是一种可行的路径。     

论海明威的巴黎情缘

在海明威的作品中,大都有着海明威生活的深深印记。《流动的盛宴》记录了海明威在巴黎度过的青春年华,记录了他人生的多个开端,记录了他的奋发进取,记录了他的落魄与成功,其中充溢着海明威的巴黎情怀。《太阳照常升起》属于半自传体小说,作品的主题带有巴黎生活底色,主人公的原型是作者在巴黎“认识的人”,情节与作者的个人经历具有互文性,场景是作者生活过的巴黎场景。海明威的这两部作品或显或隐地反映了他与巴黎结下的情缘。研究海明威的作品,最好结合海明威的生活经历展开研究。     

Not the Israel of My Elementary School: An Exploration of Jewish-Canadian Secondary Students' Attempts to Process Morally Complex Israeli Narratives

The following article presents data from a mixed-methods practitioner research study that focuses on understanding how Jewish secondary students learned about controversial topics in Israel's history and how these topics impacted their connection to the country. The responses that were provided by the students showed that the material forced students to conceptualize Israel in new ways and that the material— learning from Palestinian and Israeli texts about events that happened in 1947 and 1948—was disruptive to their preconceived notions of Israel. With the passing of time, the students were able to reflect on the real difficulty they had with learning about the topics but were able to synthesize the disruption into their Israel narrative to arrive at a new understanding. The integration of this new material into existing schema is understood within the context of dangerous memories, and how learning about controversial moments in nationalist narratives can impact the way students learn and relate to a topic. A further finding was that some students expressed resentment at previous educational experiences for not being fully transparent about historical events.     

在城乡的边界处游走与书写——阎志诗歌论

阎志的诗歌写作,早期资源在于对童年记忆的追溯以及对乡村生活的演绎,但这种怀旧美学似乎建立在无法融入城市的现实障碍上。当诗人遭遇了城市生活的残酷后,乡村书写与童年记忆更是加剧了其笔下诗意的张力。与此同时,诗人又不得不直面现实的城市生活,他试图从细节中寻找真相,也在不断地领受与改变中调整自己的写作方向。阎志诗歌中有着浓郁的悲剧色彩,但其所独具的乡愁意识既复杂又丰富,让他在强烈的使命感和广博的延伸性中达至更高远的精神境界。     

Tension and Conflict Factors in Second Marriages as Causes of Abuse Between Elderly Spouses

ABSTRACT

Data for the present research was derived from a pilot study on elder abuse by family members. The pilot study, conducted between 1996–98, is the first of its kind in Israel. From a population of 270 elders, who were identified by welfare and health professionals as victims of abuse by family members, 12 persons who had remarried after the death of a spouse were selected as subjects for an in-depth qualitative study. The research aimed at examining the reasons for abuse through the reports of the victims, comparing their experience to second marriages where spouse abuse was not detected. The findings showed that the decision to establish joint residence, financial arrangements (money management, wills and bequests), issues of power and control, and memories of the deceased spouse are the primary factors for abuse in these second marriages. These factors create situations of tension and conflict between married partners that lead to neglect in care giving, emotional and mental abuse, verbal and physical violence, and financial exploitation.     

空间、饮食与社会变迁:理论演进脉络

空间性把社会生活置于一个活跃的竞技场中,社会结构与社会意义在这个竞技场中互动,这种互动确立了社会行为和社会关系,并使之具体化。而饮食的唤起是从日常生活中可感知的空间变化和个体层面的空间体验出发的,它作为日常生活的一个侧面,在社会空间和社会变迁中留下了印迹。但是当时代的变迁在不经意间将食物的传统文化链条打断时,饮食文化面临的是转型与重构。     

瑶族归侨的社会记忆与认同建构——以广西十万山华侨林场为例

本文以田野调查资料为基础,探讨了广西十万山华侨林场瑶族归侨的社会记忆与认同建构。本文认为,社会记忆以史实为依据。这些史实包含了一系列曾经为社会所认可的价值观。此外,社会记忆的更新过程同时也是群体试图使传统的价值观适应社会变化的过程。对过去的社会记忆可以使个人或社会群体通过对过去的回忆满足其在现实中的认同和相互之间的需要。     

Thinking through Domestic Pluralities

Abstract

This article reflects on the meanings of home and domestic space among a group of women, who over the past five decades or so have sought to create alternative public and intimate living spaces. The protagonists who enact the ethnographic narrative are a small group of older lesbians, mainly feminist activists, residing in the metropolis of London. In this article, their life experiences are recounted through memories of domestic space, mainly that of the kitchen. I explore the way the domestic kitchen is experienced, spoken about, and imagined by this specific group of women. In this ethnography, the kitchen emerges as a contested, transformative, and political domestic space. Throughout, I illustrate how this seemingly private space is in fact entangled with larger notions of culture, society, kinship, and politics; and, like the everyday, is fraught with norms, codes and pluralities, and also with emotions, deviations, contestation, and transgression.