Comic revisions? Motherhood and women’s comedy in contemporary Germany

Maternal stereotypes and the realities of mothering are prominent themes in Anke Engelke’s Ladykracher and Martina Hill’s Knallerfrauen, two of the most popular sketch shows in twenty-first-century Germany. This article relates their success to social anxieties about motherhood, which Engelke and Hill illuminate through the theme of their sketches as well as through their very use of comedy to do so. I begin by using close-readings of Ladykracher and Knallerfrauen to illuminate the political potential of the sketch form to challenge maternal myths and articulate taboo feelings such as maternal ambivalence. I then consider the innovation of these maternal sketches in view of traditional theories of comedy, which paradoxically draw their imagery from the realm of the maternal even though they discount real women and mothers as comic agents. I argue that the maternal sketches of Engelke and Hill are thus doubly subversive, challenging maternal taboos as well as the discursive and generic norms they sustain.     

Tilting at windmills: a cynical assemblage of the crises of knowledge

The essay offers one piece of a larger conjunctural analysis, in an effort to contribute to a better story of the contemporary organic crisis. It considers three elements of the complexity of the ‘crises’ of knowledge: First, it explores the increasingly felt social perception that knowledge (and the forms of authority that accompany it) has become less determined and determining, less identifiable, less effective, more troubled. It argues that one must think about these developments historically and contextually, rather than going along with the panic that has surrounded their increasing visibility in recent political events. Second, it considers some of the attacks on the university as well as some of the recent changes in the political economy and institutional forms of the academy. Finally, it argues that academics have failed to examine their own contributions to the crises of knowledge, failed to consider the ways their own cultures and practices can be located within rather than against the crises of knowledge.     

后改革时代相关问题研究综述

作为对一个新时代的称谓,后改革时代从提出伊始就一直活跃在人们的视线范围之内。本文从后改革时代的提法、后改革时代的划分时点及划分标志、后改革时代的特征、后改革时代需要解决的重大问题以及后改革时代的改革方向这几个基本层面,对目前学术界关于后改革时代及其相关问题的基础性研究进行理论梳理,试图从中寻找到后改革时代的真正逻辑。     

三元交互决定论对幼儿园新教师职业适应的启示

社会认知心理学家阿尔伯特·班杜拉提出三元交互决定论，认为个体、环境、行为三者之间互为因果，每两者之间都具有双向的互动和决定关系。幼儿园新教师入职过程是教师个人、幼儿园环境以及教师行为之间相互作用相互影响的过程。本文试图以三元交互决定论为理论基础，来探讨幼儿园新教师职业适应问题，并从教师个体认知、幼儿园环境以及教师个体行为三个方面分别作了阐述，以期对幼儿园新教师职业适应问题有所启示。     

新文类与亚文化

新媒体和文学的结合催生出一批迥然有别于传统纸媒文学的新文类作品,而被流行化的亚文化构成了它们的重要话语资源,新文类中最常见的亚文化种类有同性恋亚文化、神秘亚文化和游戏动漫亚文化等,这些亚文化中蕴涵的抵抗和边缘因素在消费时代成为商业文化的卖点,被流行化快餐化之后作为一种＂奇观＂投合了都市青少年群体追求新奇刺激的猎奇心态,因而在新媒体平台上成为新的时尚和潮流。     

思想自由·独立思考·大胆质疑——“史学现代化”国际学术研讨会概述

学者们在"史学现代化"国际学术研讨会上就会议主题包括历史的规律、属性、功能与原因、史学观念以及主体与客体、史学现代化的内涵与趋向等史学理论和方法诸重要议题进行了热烈而深入的探讨,并且在有关问题上达成了一定的共识。这无疑会有益于丰富、充实史学的内容,从而把史学现代化推向新高度。     

德莱塞笔下的新女性形象——嘉莉妹妹的个性分析

在美国文学史上,德莱塞塑造的嘉莉妹妹一直是个有争议的人物形象.本文从19世纪末20世纪初美国新兴消费文化和新女性崛起这一特定社会历史背景出发,从自我实现、自主选择、自我塑造三个方面尝试解读嘉莉妹妹这一形象在个性上表现出的新女性内涵.     

新经济政策时期“耐普曼”的发展问题研究

新经济政策实行后,苏维埃政权对由此出现的"耐普曼"持反对态度,在认识上视它为资本主义经济成分,在政策和实践中则以限制和打击为主。这也决定了"耐普曼"最终消亡的命运。     

试论新公共服务理论视野下的新疆乌昌一体化

新公共服务理论认为,政府应提供服务,而不是掌舵,政府越来越重要的职能是帮助公民明确表达和满足他们的共同利益需求。目前新疆乌昌一体化的发展,强调了区域经济发展在区域一体化中的中心角色,从新公共服务理念的角度来看,有效治理区域发展中诸多公共性问题有一定难度。为进一步提升乌昌一体化的质量,该区域应适时改进已有的区域发展策略。     

基于供应链集成的网络式新产品开发研究

基于供应链集成的网络式新产品开发，不是从一个企业或企业集团层面看，而是从整个产业的层面看，那就是新产品开发是由产业内价值链相关各企业及企业外部研发资源，利用企业间的互动机制，相互创意激发及技术交流而产生新产品的一种模式，这种模式的最大优势是全体参与者的共同参与，发挥全体参与者团体作用的优势，强调产品开发流程，以产出为衡量基准，强调“产出成本效率”的业绩评估体系以及通过对外部资源的充分利用，强调“资源优化和无缝对接”和有效配套管理。