《天问》主题新论——兼说屈原精神痛苦的原因

神话传说所叙述的内容曾经被一定群体的人们当做历史真实来看待.这些内容曾经是大众知识(有时甚至可以称为常识)的重要组成部分.屈原在<天问>中对神话传说的否定和批判,实际上是为了证明大众知识的虚妄,并维护屈原唯我独醒的自我评价.屈原成功地否定了大众知识,但他并没有建立起自我认可的知识体系,破而未立,有为无守,这是他精神痛苦的根本原因.     

A Feminist Political Economic Critique of Women and Investment in the Popular Media

From a feminist political economic perspective, this paper examines the relationship between gender and investment in the popular media in three interrelating ways. First, a discourse analysis was used to examine eight popular books on investment for women published in the US. The popular financial literature asks women to solve the problems that they encounter in a patriarchal household by participating in the financial market. Second, Suze Orman was used as a case study to show the commodification process of financial information through the tactics brand differentiation, multi-platform delivery, and creation of niche markets. Third, the consumption of commodities is linked to that of production and distribution by revealing the relations between the gendered production and reproduction in the household, transnational corporations, and financial institutions.     

晚清与“五四”小说变革同异论

晚清与“五四”小说变革虽有动机上的相近之处,却有性质上的不同.这导致晚清小说与“五四”小说出现了形态上的差别.晚清小说变革持续的时间、规模都超过“五四”,但却没有真正实现中国小说由古典向现代的转变,主要原因在于晚清小说变革是非自觉的文学变革.相比而言,“五四”小说变革的自觉性更强,也更注重文学自身的特征.晚清小说变革并非必然走向“五四”小说,它的变革路径与“五四”有很大不同,即基本保留古典小说模式,只是在内容上和形式上容纳一些新的思想、艺术因素.“五四”小说变革因历史背景、文化语境的特殊作用,找到了一条新的路径,这就是精神与艺术的一体化即“心理化”.通过“心理化”,“五四”小说最终实现了中国小说由古典向现代的转变.     

Making Human Behavior Theory Real Through the Unreal: Fiction in the HBSE Classroom

This article examines the use of fictional literature as a method for helping students apply human behavior theory in competent practice. When students and educators read a poem, short essay, or novel, it allows them the opportunity to join together as an audience as they tease out teachable lessons from the story. The authors posit that when used in human behavior and the social environment courses, fictional literature allows educators and students to experience abstract content as more concrete. Following a brief literature review, we examine one novel through the lens of three different human behavior theories.     

我国流行文化研究述评

进入21世纪以来学界对流行文化问题的研究十分活跃。文章尝试梳理这些研究成果,在对流行文化研究内容、研究方法、研究课题、研究热点进行分析后认为,流行文化研究紧跟时代发展步伐,学者努力解决社会发展提出的新问题,取得了不俗的成绩。同时,流行文化研究也存在一些不足,诸如对策研究简单、缺乏对流行文化现象背后的文化特质、传播机理的研究等。帮助青年在享受文化多元选择的同时,选择和接受健康、积极、乐观向上的科学文化和社会主流文化,学界仍要孜孜不倦地努力。     

Feminist Discourse and the Hegemonic Role of Mass Media

There has been a notable cultural trend in which feminist concerns are conveyed through many popular culture texts in South Korea since the early 1990s. Many different social groups and organizations have been engaged in the formation of feminist discourse in popular culture, among them the mainstream media. To broadly address the role of media in incorporating feminist discourse within the dominant ideology in specific socio-economic contexts, the research sought to identify the ways in which feminist discourse was generated and/or assimilated into the dominant ideology in newspaper content about the messages in the two television dramas Lovers (1996) and The Woman Next Door (2003) and other socio-cultural phenomena surrounding the dramas. Newspaper content became more favorable to the sexually liberated female characters and acknowledged changing gender roles as a current socio-cultural trend. However, it never questioned the nuclear family system itself—which occupies the hegemonic realm in patriarchal capitalist society.     

文学的“狂欢”与文学研究的“复调”

随着文学的“泛化”和大众文化研究的兴起 ,文艺学科面临着危机与挑战。文章阐述了文学及文学研究的现状 ,分析了危机意识生发的原因 ,并力图提出有操作性的应对策略     

论敦煌宗教话本《庐山远公话》和《叶净能诗》

敦煌文献中的《庐山远公话》和《叶净能诗》,是两篇宗教文学话本.它们都是佛教徒或道教徒利用民间说话艺术形式进行宗教宣传、神话宗教人物的宣传作品.《庐山远公话》叙东晋名僧惠远的故事,但除了惠远家住雁门、庐山出家的基本框架外,其他绝大部分情节、特别是其主干情节如白庄劫寺、远公为奴、远公与道安论议等都是作者虚构的.这种虚构在正统僧人看来是"诳",但对于文学作品来说,却是非常必要的,是文学的自觉.《叶净能诗》则把初唐至盛唐百余年间的明崇俨、申天师、叶法善、罗公远等著名道士的奇闻轶事都"捏合"在道士叶净能的身上,集中表现他的奇术异能.该话本有些情节写得饶有风趣,宣传教化及娱心两相兼顾.     

文体的复调与变奏--对米兰·昆德拉"复调小说"的一种解读

在米兰·昆德拉的"复调小说"观念体系中,"文体的复调"占据了重要的位置。他在理论上对"文体的复调"的标举以及创作上对不同文体杂糅的实践,既遵循了其自身艺术的内在逻辑,也映现了当代小说写作的一个潮流──跨体写作倾向,从中还可发现昆德拉这位自觉的文体革新者对小说历史渊源及未来走向的认识。昆德拉在"小说文体复调"方面的实践,有助于进一步认识当前文学创作中文体形式的嬗变特征。     

大众传媒与中国现代通俗小说创作

20世纪中国现代大众传播不仅影响了中国现代通俗小说的发展,还影响了现代通俗小说的审美状态.从报纸、出版业、电影艺术等不同方面,现代大众传播催生了中国现代通俗小说的产生,影响了中国现代通俗小说的发展走向、表现形态,使之更具有了大众性.但是,它也带来了中国现代通俗小说的"新闻化倾向".