论题画诗的体式特征

题画诗是中国独有的艺术类型。题画诗的产生有着深厚的民族文化基础,因而具有鲜明的民族特色和独特的内容和形式。题画诗的产生还由于诗歌与绘画有相同之处,因而二者能结合在一起。题画诗有着独特的审美特征,主要包括时间与空间的互补、直接与间接的互补、主体与客体的互补。     

民粹主义与中国现代文艺思潮

来自俄国的民粹主义与中国现代文艺思潮的内在联系,是长期被我们忽略的重大理论问题。乡村文学压倒城市文学,大众文学压倒精英文学,工农大众压倒知识分子,是现当代中国文艺思潮的重要特点,集中表达了现代中国的民粹主义诉求。     

论文人画从北宋到南宋之变

北宋诗文革新运动影响了绘画,"破体"为文而至绘事,颇多诗画相通之论.以苏轼为代表的文人画理论主要体现在三个方面:(1)提出了系统的画家修养论;(2)倡导绘画的传神论;(3)确立了"书画当观韵"的标准.在创作上大致可分三类,其中,苏轼、文同、米芾等被视作典型的文人画.南宋文人画的逐渐退潮,除了院画兴盛的外部因素外,更出于自身的原因.其变化与转型体现在五个方面:(1)文人画几可看作是画院以外绘画的代称;(2)有借鉴院画之长并与院画结合之势;(3)创作主力转移到水墨竹石花卉;(4)开绘画与诗、书、印结合之先河;(5)僧道作品形成了狂逸的创作风气.     

新生代农民工创业动机的实证研究

在中国工业化快速发展的进程中,农民工群体内部出现了代际更替,新生代农民工日渐发展壮大,成为城市建设的主力军。由于身份不被城市接纳和对乡村的不认同感,越来越多的新生代农民工选择自主创业来改变自己的生存状态。运用深度访谈、问卷调查和实证研究方法,探索新生代农民工创业动机的结构维度,结果表明新生代农民工具有强烈的创业动机,经济性动机、社会性动机和成就性动机往往交织在一起,并随打工经历、经验积累和能力提升呈现出明显的动态性和方向性。据此提出激发新生代农民工创业动机、创造有利于新生代农民工创业环境的政策建议。     

An examination of attachment representations among child welfare professionals

Research has documented a relationship between adult attachment representations and client relationships and outcomes for professionals in relationship-based fields (e.g., , , , , ,  and ), but has not examined the child welfare professionals specifically. The current study examined attachment representations of 54 child welfare professionals. The Adult Attachment Interview (AAI) was administered to participants prior to attending a professional workshop. Results indicated significant differences between the AAI distribution of child welfare professionals and a non-clinical norm sample (AAI four-way distribution: Goodness of fit χ² = 23.63, p < .01; Bakermans-Kranenburg & van IJzendoorn, 2009). Dismissing classifications were overrepresented and free-autonomous classifications were underrepresented. Results may indicate challenges in the child welfare system that could alter the effectiveness and decision-making processes of child welfare professionals. Further research is needed to evaluate whether these differences are typical for samples of child welfare professionals and if so, the impact it could have on families who are being served. Effective interventions, focused on shifting attachment from insecure to secure, for child welfare professionals also should be explored through further research.     

新温州人群体：内涵、特征、作用

闻名遐迩的“温州模式”吸引着来自全国各地的280万农民工来务工和创业,温州把他们称为“新温州人”。本文针对温州出现的这一新现象,以社会学和人口学为视野,着重阐述新温州人群体的内涵、特点及其作用,从而进一步促进理解农民工、尊重农民工、善待农民工、关心农民工的良好氛围的形成,促进社会经济的全面、协调、持续发展。     

农民工养老保险接续中的问题与对策探讨——以东莞市为例

近年来,一些经济发达地区,开始将企业中的农民工纳入城镇社会养老保险体系,这是一项积极的社会保障政策。但流动性较强、工作相对不稳定、在城市中处于边缘地位的农民工在参保后,养老保险在工作变动后的接续却存在着较大问题。本文以广东省东莞市为例,分析了农民工养老保险接续中存在的问题,并提出了相应对策。     

Conditional love; representations of migrant work in Canadian newsprint media

In Canada, the mainstream newsprint media contains dominant discourses of multicultural neo-liberalism. This paper explores how migrant domestic workers and migrant farm workers, as well as their citizen-employers, are represented within these discourses. Examined are the ways in which certain emotions are expressed and how these expressions shape certain conditions for migrant workers. A common tendency is that citizens, including citizen-employers of migrant workers, accept, and even claim to love migrant domestic workers and farm workers, so long as they exercise so-called good and obedient behaviour. In cases where migrant workers display any type of resistance, or rejection of the ideal multicultural, loving subject, the loving sentiment is absent. The love is therefore conditional. Lacking in the newsprint media are accounts of the historical and current realities of migrant work as an unfree form of labour. As a result, news coverage neglects a genuine call for solidarity with migrant workers. This paper seeks to deconstruct dominant representations of the subject and the other as a way to challenge them, and make way for anti-oppressive methods of representation.     

油画“民族化”与动画“民族化”

动画＂民族化＂沿袭自油画＂民族化＂口号和艺术实践,其出发点是为迎合大众的欣赏习惯,立足解放初期本土80%文盲＂工农兵＂接受的主体上,其目的是作为教育人民、打击敌人的思想武器,＂民族化＂与教育紧密相关。文革结束后,油画界专家学者不再提出＂民族化＂后,动画界至今仍然沿续着＂民族化＂道路摸索前行,这种实践十分不利于动画的健康发展。动画产业化过程中,解除＂民族化＂思想束缚至关重要。